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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 165 93 64 it is the complementary color RGB 90 162 191. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 165 93 64. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 165 93 64 shade: RGB 170 93 59, RGB 187 111 78, RGB 204 129 97, RGB 221 147 116 and RGB 238 165 135

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 165 93 64. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 165 93 64 shade: RGB 165 93 64, RGB 148 75 45, RGB 131 57 26, RGB 114 39 7 and RGB 97 21 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 165 93 64 shade: RGB 165 93 64, RGB 165 66 64 and RGB 165 64 64

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 165 93 64 shade: RGB 165 93 64, RGB 165 120 64, RGB 165 147 64, RGB 155 165 64 and RGB 128 165 64

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 165 93 64 shade matches the following richer shades: RGB 165 93 64, RGB 183 85 45, RGB 202 77 27 and RGB 220 69 8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 165 93 64 shade: RGB 165 93 64, RGB 146 101 82, RGB 128 109 101, RGB 109 116 119 and RGB 90 124 138

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 165 93 64 shade: RGB 165 64 89, RGB 165 65 64, RGB 165 92 64, RGB 165 119 64 and RGB 165 146 64

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 165 93 64 shade: RGB 105 59 41, RGB 135 76 52, RGB 165 93 64, RGB 188 112 82 and RGB 199 137 112

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 165 93 64 shade: RGB 165 93 64, RGB 116 165 64 and RGB 64 76 165

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 165 93 64 shade: RGB 165 93 64, RGB 64 165 92 and RGB 92 64 165

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 165 93 64 shade: RGB 165 93 64, RGB 116 165 64, RGB 64 136 165 and RGB 113 64 165

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 165 93 64 shade: RGB 165 93 64, RGB 86 165 64, RGB 64 136 165 and RGB 143 64 165

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 44 / 61 / 35

HEX #A55D40

RGB 165 93 64

HSL 17.23, 0.44%, 0.45%

LAB 47.23, 26.6, 29.27

 

Complementary color

CMYK 53 / 15 / 0 / 25

HEX #5AA2BF

RGB 90 162 191

HSL 197.23, 0.44%, 0.55%

LAB 63.16, -14.39, -21.86

 

CMYK 0 / 45 / 65 / 33

HEX #AA5D3B

RGB 170 93 59

HSL 18.38, 0.48%, 0.45%

LAB 47.87, 28.32, 33.02

 

CMYK 0 / 41 / 58 / 27

HEX #BB6F4E

RGB 187 111 78

HSL 18.17, 0.44%, 0.52%

LAB 54.54, 26.88, 31.09

 

CMYK 0 / 37 / 52 / 20

HEX #CC8161

RGB 204 129 97

HSL 17.94, 0.51%, 0.59%

LAB 61.13, 25.6, 29.37

 

CMYK 0 / 33 / 48 / 13

HEX #DD9374

RGB 221 147 116

HSL 17.71, 0.61%, 0.66%

LAB 67.65, 24.47, 27.81

 

CMYK 0 / 31 / 43 / 7

HEX #EEA587

RGB 238 165 135

HSL 17.48, 0.75%, 0.73%

LAB 74.09, 23.47, 26.4

 

CMYK 0 / 44 / 61 / 35

HEX #A55D40

RGB 165 93 64

HSL 17.23, 0.44%, 0.45%

LAB 47.23, 26.6, 29.27

 

CMYK 0 / 49 / 70 / 42

HEX #944B2D

RGB 148 75 45

HSL 17.48, 0.53%, 0.38%

LAB 40.44, 28.14, 31.36

 

CMYK 0 / 56 / 80 / 49

HEX #83391A

RGB 131 57 26

HSL 17.71, 0.67%, 0.31%

LAB 33.62, 29.86, 33.6

 

CMYK 0 / 66 / 94 / 55

HEX #722707

RGB 114 39 7

HSL 17.94, 0.88%, 0.24%

LAB 26.86, 31.64, 35.32

 

CMYK 0 / 78 / 100 / 62

HEX #611500

RGB 97 21 0

HSL 12.99, 1%, 0.19%

LAB 20.35, 33.1, 30.51

 

CMYK 0 / 44 / 61 / 35

HEX #A55D40

RGB 165 93 64

HSL 17.23, 0.44%, 0.45%

LAB 47.23, 26.6, 29.27

 

CMYK 0 / 60 / 61 / 35

HEX #A54240

RGB 165 66 64

HSL 1.19, 0.44%, 0.45%

LAB 41.64, 40.76, 22.23

 

CMYK 0 / 61 / 61 / 35

HEX #A54040

RGB 165 64 64

HSL 0, 0.44%, 0.45%

LAB 41.27, 41.72, 21.76

 

CMYK 0 / 44 / 61 / 35

HEX #A55D40

RGB 165 93 64

HSL 17.23, 0.44%, 0.45%

LAB 47.23, 26.6, 29.27

 

CMYK 0 / 27 / 61 / 35

HEX #A57840

RGB 165 120 64

HSL 33.27, 0.44%, 0.45%

LAB 53.82, 11.36, 37.18

 

CMYK 0 / 11 / 61 / 35

HEX #A59340

RGB 165 147 64

HSL 49.31, 0.44%, 0.45%

LAB 60.99, -3.67, 45.37

 

CMYK 6 / 0 / 61 / 35

HEX #9BA540

RGB 155 165 64

HSL 65.94, 0.44%, 0.45%

LAB 65.16, -17.54, 49.72

 

CMYK 22 / 0 / 61 / 35

HEX #80A540

RGB 128 165 64

HSL 81.98, 0.44%, 0.45%

LAB 63.23, -28.68, 47.06

 

CMYK 0 / 44 / 61 / 35

HEX #A55D40

RGB 165 93 64

HSL 17.23, 0.44%, 0.45%

LAB 47.23, 26.6, 29.27

 

CMYK 0 / 54 / 75 / 28

HEX #B7552D

RGB 183 85 45

HSL 17.39, 0.61%, 0.45%

LAB 47.95, 37.07, 41.15

 

CMYK 0 / 62 / 87 / 21

HEX #CA4D1B

RGB 202 77 27

HSL 17.14, 0.76%, 0.45%

LAB 49.43, 47.51, 51.96

 

CMYK 0 / 69 / 96 / 14

HEX #DC4508

RGB 220 69 8

HSL 17.26, 0.93%, 0.45%

LAB 51.25, 56.81, 60.5

 

CMYK 0 / 44 / 61 / 35

HEX #A55D40

RGB 165 93 64

HSL 17.23, 0.44%, 0.45%

LAB 47.23, 26.6, 29.27

 

CMYK 0 / 31 / 44 / 43

HEX #926552

RGB 146 101 82

HSL 17.81, 0.28%, 0.45%

LAB 47.01, 15.7, 18.03

 

CMYK 0 / 15 / 21 / 50

HEX #806D65

RGB 128 109 101

HSL 17.78, 0.12%, 0.45%

LAB 47.58, 6.1, 7.23

 

CMYK 8 / 3 / 0 / 53

HEX #6D7477

RGB 109 116 119

HSL 198, 0.04%, 0.45%

LAB 48.35, -1.99, -2.57

 

CMYK 35 / 10 / 0 / 46

HEX #5A7C8A

RGB 90 124 138

HSL 197.5, 0.21%, 0.45%

LAB 50.01, -8.37, -11.47

 

CMYK 0 / 61 / 46 / 35

HEX #A54059

RGB 165 64 89

HSL 345.15, 0.44%, 0.45%

LAB 41.83, 43.89, 7.03

 

CMYK 0 / 61 / 61 / 35

HEX #A54140

RGB 165 65 64

HSL 0.59, 0.44%, 0.45%

LAB 41.45, 41.25, 21.99

 

CMYK 0 / 44 / 61 / 35

HEX #A55C40

RGB 165 92 64

HSL 16.63, 0.44%, 0.45%

LAB 47.01, 27.15, 28.99

 

CMYK 0 / 28 / 61 / 35

HEX #A57740

RGB 165 119 64

HSL 32.67, 0.44%, 0.45%

LAB 53.56, 11.93, 36.87

 

CMYK 0 / 12 / 61 / 35

HEX #A59240

RGB 165 146 64

HSL 48.71, 0.44%, 0.45%

LAB 60.72, -3.13, 45.07

 

CMYK 0 / 44 / 61 / 59

HEX #693B29

RGB 105 59 41

HSL 16.88, 0.44%, 0.29%

LAB 30.14, 18.33, 19.81

 

CMYK 0 / 44 / 61 / 47

HEX #874C34

RGB 135 76 52

HSL 17.35, 0.44%, 0.37%

LAB 38.84, 22.51, 24.93

 

CMYK 0 / 44 / 61 / 35

HEX #A55D40

RGB 165 93 64

HSL 17.23, 0.44%, 0.45%

LAB 47.23, 26.6, 29.27

 

CMYK 0 / 40 / 56 / 26

HEX #BC7052

RGB 188 112 82

HSL 16.98, 0.44%, 0.53%

LAB 54.96, 27.06, 29.41

 

CMYK 0 / 31 / 44 / 22

HEX #C78970

RGB 199 137 112

HSL 17.24, 0.44%, 0.61%

LAB 62.68, 20.69, 22.95

 

CMYK 0 / 44 / 61 / 35

HEX #A55D40

RGB 165 93 64

HSL 17.23, 0.44%, 0.45%

LAB 47.23, 26.6, 29.27

 

CMYK 30 / 0 / 61 / 35

HEX #74A540

RGB 116 165 64

HSL 89.11, 0.44%, 0.45%

LAB 62.5, -33.33, 46.04

 

CMYK 61 / 54 / 0 / 35

HEX #404CA5

RGB 64 76 165

HSL 232.87, 0.44%, 0.45%

LAB 35.94, 23.36, -49.67

 

CMYK 0 / 44 / 61 / 35

HEX #A55D40

RGB 165 93 64

HSL 17.23, 0.44%, 0.45%

LAB 47.23, 26.6, 29.27

 

CMYK 61 / 0 / 44 / 35

HEX #40A55C

RGB 64 165 92

HSL 136.63, 0.44%, 0.45%

LAB 60.58, -45.63, 29.3

 

CMYK 44 / 61 / 0 / 35

HEX #5C40A5

RGB 92 64 165

HSL 256.63, 0.44%, 0.45%

LAB 35.32, 36.67, -50.56

 

CMYK 0 / 44 / 61 / 35

HEX #A55D40

RGB 165 93 64

HSL 17.23, 0.44%, 0.45%

LAB 47.23, 26.6, 29.27

 

CMYK 30 / 0 / 61 / 35

HEX #74A540

RGB 116 165 64

HSL 89.11, 0.44%, 0.45%

LAB 62.5, -33.33, 46.04

 

CMYK 61 / 18 / 0 / 35

HEX #4088A5

RGB 64 136 165

HSL 197.23, 0.44%, 0.45%

LAB 53.4, -13.56, -22.13

 

CMYK 32 / 61 / 0 / 35

HEX #7140A5

RGB 113 64 165

HSL 269.11, 0.44%, 0.45%

LAB 37.65, 41.53, -46.68

 

CMYK 0 / 44 / 61 / 35

HEX #A55D40

RGB 165 93 64

HSL 17.23, 0.44%, 0.45%

LAB 47.23, 26.6, 29.27

 

CMYK 48 / 0 / 61 / 35

HEX #56A540

RGB 86 165 64

HSL 106.93, 0.44%, 0.45%

LAB 61.01, -43.65, 43.95

 

CMYK 61 / 18 / 0 / 35

HEX #4088A5

RGB 64 136 165

HSL 197.23, 0.44%, 0.45%

LAB 53.4, -13.56, -22.13

 

CMYK 13 / 61 / 0 / 35

HEX #8F40A5

RGB 143 64 165

HSL 286.93, 0.44%, 0.45%

LAB 41.57, 49.02, -40.19

 

Description

Color code: RGB 165 93 64 | qconv.com Color code: RGB 165 93 64 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 165 red, 93 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
165 93 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 44 magenta, 61 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 44% 61% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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