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Color name
HEX #407F19

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #407F19 it is the complementary color #BF80E6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #407F19. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #407F19 shade: #457F14, #569127, #67A33A, #78B54D and #89C760

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #407F19. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #407F19 shade: #407F19, #2F6D06, #1E5B00, #0D4900 and #003700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #407F19 shade: #407F19, #5C7F19, #777F19, #7F6C19 and #7F5019

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #407F19 shade: #407F19, #247F19, #197F29, #197F44 and #197F60

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #407F19 shade matches the following richer shades: #407F19, #3D8C0C and #3A9800

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #407F19 shade: #407F19, #437325, #466632, #495A3E and #4C4E4A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #407F19 shade: #777F19, #5B7F19, #407F19, #257F19 and #197F28

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #407F19 shade: #1D3A0B, #2F5D12, #407F19, #51A220 and #63C426

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #407F19 shade: #407F19, #197F6C and #7F1969

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #407F19 shade: #407F19, #19407F and #7F1940

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #407F19 shade: #407F19, #197F6C, #58197F and #7F192C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #407F19 shade: #407F19, #19737F, #58197F and #7F2519

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 0 / 80 / 50

HEX #407F19

RGB 64 127 25

HSL 97.06, 0.67%, 0.3%

LAB 47.42, -38.26, 45.43

 

Complementary color

CMYK 17 / 44 / 0 / 10

HEX #BF80E6

RGB 191 128 230

HSL 277.06, 0.67%, 0.7%

LAB 63.53, 42.48, -42.44

 

CMYK 46 / 0 / 84 / 50

HEX #457F14

RGB 69 127 20

HSL 92.52, 0.73%, 0.29%

LAB 47.62, -36.84, 47.27

 

CMYK 41 / 0 / 73 / 43

HEX #569127

RGB 86 145 39

HSL 93.4, 0.58%, 0.36%

LAB 54.42, -37.44, 47.56

 

CMYK 37 / 0 / 64 / 36

HEX #67A33A

RGB 103 163 58

HSL 94.29, 0.48%, 0.43%

LAB 61.12, -37.74, 46.99

 

CMYK 34 / 0 / 57 / 29

HEX #78B54D

RGB 120 181 77

HSL 95.19, 0.41%, 0.51%

LAB 67.71, -37.87, 46.03

 

CMYK 31 / 0 / 52 / 22

HEX #89C760

RGB 137 199 96

HSL 96.12, 0.48%, 0.58%

LAB 74.2, -37.88, 44.92

 

CMYK 50 / 0 / 80 / 50

HEX #407F19

RGB 64 127 25

HSL 97.06, 0.67%, 0.3%

LAB 47.42, -38.26, 45.43

 

CMYK 57 / 0 / 94 / 57

HEX #2F6D06

RGB 47 109 6

HSL 96.12, 0.9%, 0.23%

LAB 40.5, -37.26, 44.2

 

CMYK 67 / 0 / 100 / 64

HEX #1E5B00

RGB 30 91 0

HSL 100.22, 1%, 0.18%

LAB 33.47, -35.41, 39.92

 

CMYK 82 / 0 / 100 / 71

HEX #0D4900

RGB 13 73 0

HSL 109.32, 1%, 0.14%

LAB 26.3, -32.7, 33.88

 

CMYK 100 / 0 / 100 / 78

HEX #003700

RGB 0 55 0

HSL 120, 1%, 0.11%

LAB 18.94, -29.03, 26.14

 

CMYK 50 / 0 / 80 / 50

HEX #407F19

RGB 64 127 25

HSL 97.06, 0.67%, 0.3%

LAB 47.42, -38.26, 45.43

 

CMYK 28 / 0 / 80 / 50

HEX #5C7F19

RGB 92 127 25

HSL 80.59, 0.67%, 0.3%

LAB 48.91, -27.73, 47.37

 

CMYK 6 / 0 / 80 / 50

HEX #777F19

RGB 119 127 25

HSL 64.71, 0.67%, 0.3%

LAB 50.89, -15.88, 49.91

 

CMYK 0 / 15 / 80 / 50

HEX #7F6C19

RGB 127 108 25

HSL 48.82, 0.67%, 0.3%

LAB 46.05, -1.6, 45.78

 

CMYK 0 / 37 / 80 / 50

HEX #7F5019

RGB 127 80 25

HSL 32.35, 0.67%, 0.3%

LAB 38.41, 14.88, 38.61

 

CMYK 50 / 0 / 80 / 50

HEX #407F19

RGB 64 127 25

HSL 97.06, 0.67%, 0.3%

LAB 47.42, -38.26, 45.43

 

CMYK 72 / 0 / 80 / 50

HEX #247F19

RGB 36 127 25

HSL 113.53, 0.67%, 0.3%

LAB 46.48, -45.77, 44.2

 

CMYK 80 / 0 / 68 / 50

HEX #197F29

RGB 25 127 41

HSL 129.41, 0.67%, 0.3%

LAB 46.37, -46.22, 37.6

 

CMYK 80 / 0 / 46 / 50

HEX #197F44

RGB 25 127 68

HSL 145.29, 0.67%, 0.3%

LAB 46.71, -42.14, 24.21

 

CMYK 80 / 0 / 24 / 50

HEX #197F60

RGB 25 127 96

HSL 161.76, 0.67%, 0.3%

LAB 47.27, -35.9, 8.96

 

CMYK 50 / 0 / 80 / 50

HEX #407F19

RGB 64 127 25

HSL 97.06, 0.67%, 0.3%

LAB 47.42, -38.26, 45.43

 

CMYK 56 / 0 / 91 / 45

HEX #3D8C0C

RGB 61 140 12

HSL 97.03, 0.84%, 0.3%

LAB 51.58, -44.94, 52.53

 

CMYK 62 / 0 / 100 / 40

HEX #3A9800

RGB 58 152 0

HSL 97.11, 1%, 0.3%

LAB 55.44, -50.48, 57.67

 

CMYK 50 / 0 / 80 / 50

HEX #407F19

RGB 64 127 25

HSL 97.06, 0.67%, 0.3%

LAB 47.42, -38.26, 45.43

 

CMYK 42 / 0 / 68 / 55

HEX #437325

RGB 67 115 37

HSL 96.92, 0.51%, 0.3%

LAB 43.64, -31.04, 36.84

 

CMYK 31 / 0 / 51 / 60

HEX #466632

RGB 70 102 50

HSL 96.92, 0.34%, 0.3%

LAB 39.64, -22.05, 25.61

 

CMYK 19 / 0 / 31 / 65

HEX #495A3E

RGB 73 90 62

HSL 96.43, 0.18%, 0.3%

LAB 36.13, -12.43, 14.09

 

CMYK 3 / 0 / 5 / 69

HEX #4C4E4A

RGB 76 78 74

HSL 90, 0.03%, 0.3%

LAB 32.87, -1.68, 2.08

 

CMYK 6 / 0 / 80 / 50

HEX #777F19

RGB 119 127 25

HSL 64.71, 0.67%, 0.3%

LAB 50.89, -15.88, 49.91

 

CMYK 28 / 0 / 80 / 50

HEX #5B7F19

RGB 91 127 25

HSL 81.18, 0.67%, 0.3%

LAB 48.85, -28.15, 47.29

 

CMYK 50 / 0 / 80 / 50

HEX #407F19

RGB 64 127 25

HSL 97.06, 0.67%, 0.3%

LAB 47.42, -38.26, 45.43

 

CMYK 71 / 0 / 80 / 50

HEX #257F19

RGB 37 127 25

HSL 112.94, 0.67%, 0.3%

LAB 46.5, -45.56, 44.23

 

CMYK 80 / 0 / 69 / 50

HEX #197F28

RGB 25 127 40

HSL 128.82, 0.67%, 0.3%

LAB 46.36, -46.33, 38.04

 

CMYK 50 / 0 / 81 / 77

HEX #1D3A0B

RGB 29 58 11

HSL 97.02, 0.68%, 0.14%

LAB 21.25, -20.7, 24.54

 

CMYK 49 / 0 / 81 / 64

HEX #2F5D12

RGB 47 93 18

HSL 96.8, 0.68%, 0.22%

LAB 34.96, -29.88, 35.67

 

CMYK 50 / 0 / 80 / 50

HEX #407F19

RGB 64 127 25

HSL 97.06, 0.67%, 0.3%

LAB 47.42, -38.26, 45.43

 

CMYK 50 / 0 / 80 / 36

HEX #51A220

RGB 81 162 32

HSL 97.38, 0.67%, 0.38%

LAB 59.61, -46.57, 54.95

 

CMYK 49 / 0 / 81 / 23

HEX #63C426

RGB 99 196 38

HSL 96.84, 0.68%, 0.46%

LAB 71.06, -53.89, 64.08

 

CMYK 50 / 0 / 80 / 50

HEX #407F19

RGB 64 127 25

HSL 97.06, 0.67%, 0.3%

LAB 47.42, -38.26, 45.43

 

CMYK 80 / 0 / 15 / 50

HEX #197F6C

RGB 25 127 108

HSL 168.82, 0.67%, 0.3%

LAB 47.58, -32.66, 2.35

 

CMYK 0 / 80 / 17 / 50

HEX #7F1969

RGB 127 25 105

HSL 312.94, 0.67%, 0.3%

LAB 29.98, 50.19, -21.56

 

CMYK 50 / 0 / 80 / 50

HEX #407F19

RGB 64 127 25

HSL 97.06, 0.67%, 0.3%

LAB 47.42, -38.26, 45.43

 

CMYK 80 / 50 / 0 / 50

HEX #19407F

RGB 25 64 127

HSL 217.06, 0.67%, 0.3%

LAB 27.86, 10.75, -39.57

 

CMYK 0 / 80 / 50 / 50

HEX #7F1940

RGB 127 25 64

HSL 337.06, 0.67%, 0.3%

LAB 28.32, 45.21, 2.94

 

CMYK 50 / 0 / 80 / 50

HEX #407F19

RGB 64 127 25

HSL 97.06, 0.67%, 0.3%

LAB 47.42, -38.26, 45.43

 

CMYK 80 / 0 / 15 / 50

HEX #197F6C

RGB 25 127 108

HSL 168.82, 0.67%, 0.3%

LAB 47.58, -32.66, 2.35

 

CMYK 31 / 80 / 0 / 50

HEX #58197F

RGB 88 25 127

HSL 277.06, 0.67%, 0.3%

LAB 24.65, 45.76, -44.51

 

CMYK 0 / 80 / 65 / 50

HEX #7F192C

RGB 127 25 44

HSL 348.82, 0.67%, 0.3%

LAB 27.82, 43.62, 15.68

 

CMYK 50 / 0 / 80 / 50

HEX #407F19

RGB 64 127 25

HSL 97.06, 0.67%, 0.3%

LAB 47.42, -38.26, 45.43

 

CMYK 80 / 9 / 0 / 50

HEX #19737F

RGB 25 115 127

HSL 187.06, 0.67%, 0.3%

LAB 44.23, -20.77, -13.92

 

CMYK 31 / 80 / 0 / 50

HEX #58197F

RGB 88 25 127

HSL 277.06, 0.67%, 0.3%

LAB 24.65, 45.76, -44.51

 

CMYK 0 / 71 / 80 / 50

HEX #7F2519

RGB 127 37 25

HSL 7.06, 0.67%, 0.3%

LAB 29.17, 38.06, 29.37

 

Description

Color code: HEX #407F19 | qconv.com Color code: HEX #407F19 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 64 red, 127 green and 25 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
64 127 25 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, none magenta, 80 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 0% 80% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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