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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #40CE8E it is the complementary color #BF3171. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #40CE8E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #40CE8E shade: #45CE89, #56E09C, #67F2AF, #78FFC2 and #89FFD5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #40CE8E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #40CE8E shade: #40CE8E, #2FBC7B, #1EAA68, #0D9855 and #008642

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #40CE8E shade: #40CD8E, #40CD67, #40CD41, #65CD40 and #8BCD40

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #40CE8E shade: #40CD8E, #40CDB4, #40C1CD, #409BCD and #4075CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #40CE8E shade matches the following richer shades: #40CD8E, #2DE190 and #19F491

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #40CE8E shade: #40CD8E, #53BA8C, #67A78A, #7A9388 and #8E8086

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #40CE8E shade: #40CD40, #40CD66, #40CD8B, #40CDB1 and #40C4CD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #40CE8E shade: #269563, #2EB679, #40CD8E, #61D6A1 and #82DEB4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #40CE8E shade: #40CE8E, #4066CD and #CD5340

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #40CE8E shade: #40CE8E, #8B40CD and #CD8B40

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #40CE8E shade: #40CE8E, #4066CD, #CD4082 and #CDA840

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #40CE8E shade: #40CE8E, #4540CD, #CD4082 and #C9CD40

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 0 / 31 / 19

HEX #40CE8E

RGB 64 206 142

HSL 152.96, 0.59%, 0.53%

LAB 74.31, -52.39, 21.14

 

Complementary color

CMYK 0 / 74 / 41 / 25

HEX #BF3171

RGB 191 49 113

HSL 332.96, 0.59%, 0.47%

LAB 44.89, 60.28, -2.85

 

CMYK 67 / 0 / 33 / 19

HEX #45CE89

RGB 69 206 137

HSL 149.78, 0.58%, 0.54%

LAB 74.33, -52.57, 23.81

 

CMYK 62 / 0 / 30 / 12

HEX #56E09C

RGB 86 224 156

HSL 150.43, 0.69%, 0.61%

LAB 80.57, -52.82, 22.47

 

CMYK 57 / 0 / 28 / 5

HEX #67F2AF

RGB 103 242 175

HSL 151.08, 0.84%, 0.68%

LAB 86.74, -52.92, 21.22

 

CMYK 53 / 0 / 24 / 0

HEX #78FFC2

RGB 120 255 194

HSL 152.89, 1%, 0.74%

LAB 91.42, -50.84, 18.06

 

CMYK 46 / 0 / 16 / 0

HEX #89FFD5

RGB 137 255 213

HSL 158.64, 1%, 0.77%

LAB 92.42, -43, 9.79

 

CMYK 69 / 0 / 31 / 19

HEX #40CE8E

RGB 64 206 142

HSL 152.96, 0.59%, 0.53%

LAB 74.31, -52.39, 21.14

 

CMYK 75 / 0 / 35 / 26

HEX #2FBC7B

RGB 47 188 123

HSL 152.34, 0.6%, 0.46%

LAB 68.02, -51.8, 22.6

 

CMYK 82 / 0 / 39 / 33

HEX #1EAA68

RGB 30 170 104

HSL 151.71, 0.7%, 0.39%

LAB 61.68, -50.86, 24.21

 

CMYK 91 / 0 / 44 / 40

HEX #0D9855

RGB 13 152 85

HSL 151.08, 0.84%, 0.32%

LAB 55.28, -49.38, 25.98

 

CMYK 100 / 0 / 51 / 47

HEX #008642

RGB 0 134 66

HSL 149.55, 1%, 0.26%

LAB 48.81, -47.26, 27.91

 

CMYK 69 / 0 / 31 / 20

HEX #40CD8E

RGB 64 205 142

HSL 153.19, 0.59%, 0.53%

LAB 74, -51.99, 20.71

 

CMYK 69 / 0 / 50 / 20

HEX #40CD67

RGB 64 205 103

HSL 136.6, 0.59%, 0.53%

LAB 73.37, -59.02, 39.89

 

CMYK 69 / 0 / 68 / 20

HEX #40CD41

RGB 64 205 65

HSL 120.43, 0.59%, 0.53%

LAB 72.98, -63.6, 56.47

 

CMYK 51 / 0 / 69 / 20

HEX #65CD40

RGB 101 205 64

HSL 104.26, 0.59%, 0.53%

LAB 74.06, -55.01, 58.33

 

CMYK 32 / 0 / 69 / 20

HEX #8BCD40

RGB 139 205 64

HSL 88.09, 0.59%, 0.53%

LAB 75.77, -42.73, 60.65

 

CMYK 69 / 0 / 31 / 20

HEX #40CD8E

RGB 64 205 142

HSL 153.19, 0.59%, 0.53%

LAB 74, -51.99, 20.71

 

CMYK 69 / 0 / 12 / 20

HEX #40CDB4

RGB 64 205 180

HSL 169.36, 0.59%, 0.53%

LAB 74.86, -43.12, 1.57

 

CMYK 69 / 6 / 0 / 20

HEX #40C1CD

RGB 64 193 205

HSL 185.11, 0.59%, 0.53%

LAB 71.99, -30.68, -16.26

 

CMYK 69 / 24 / 0 / 20

HEX #409BCD

RGB 64 155 205

HSL 201.28, 0.59%, 0.53%

LAB 60.73, -10.99, -33.51

 

CMYK 69 / 43 / 0 / 20

HEX #4075CD

RGB 64 117 205

HSL 217.45, 0.59%, 0.53%

LAB 49.76, 11.41, -50.81

 

CMYK 69 / 0 / 31 / 20

HEX #40CD8E

RGB 64 205 142

HSL 153.19, 0.59%, 0.53%

LAB 74, -51.99, 20.71

 

CMYK 80 / 0 / 36 / 12

HEX #2DE190

RGB 45 225 144

HSL 153, 0.75%, 0.53%

LAB 79.85, -61.59, 27.57

 

CMYK 90 / 0 / 41 / 4

HEX #19F491

RGB 25 244 145

HSL 152.88, 0.91%, 0.53%

LAB 85.48, -69.52, 34.51

 

CMYK 69 / 0 / 31 / 20

HEX #40CD8E

RGB 64 205 142

HSL 153.19, 0.59%, 0.53%

LAB 74, -51.99, 20.71

 

CMYK 55 / 0 / 25 / 27

HEX #53BA8C

RGB 83 186 140

HSL 153.2, 0.43%, 0.53%

LAB 68.64, -40.85, 14.44

 

CMYK 38 / 0 / 17 / 35

HEX #67A78A

RGB 103 167 138

HSL 152.81, 0.27%, 0.53%

LAB 63.64, -27.23, 8.59

 

CMYK 17 / 0 / 7 / 42

HEX #7A9388

RGB 122 147 136

HSL 153.6, 0.1%, 0.53%

LAB 58.77, -11.15, 2.87

 

CMYK 0 / 10 / 6 / 44

HEX #8E8086

RGB 142 128 134

HSL 334.29, 0.06%, 0.53%

LAB 54.98, 6.43, -1.31

 

CMYK 69 / 0 / 69 / 20

HEX #40CD40

RGB 64 205 64

HSL 120, 0.59%, 0.53%

LAB 72.97, -63.7, 56.85

 

CMYK 69 / 0 / 50 / 20

HEX #40CD66

RGB 64 205 102

HSL 136.17, 0.59%, 0.53%

LAB 73.36, -59.16, 40.37

 

CMYK 69 / 0 / 32 / 20

HEX #40CD8B

RGB 64 205 139

HSL 151.91, 0.59%, 0.53%

LAB 73.94, -52.61, 22.22

 

CMYK 69 / 0 / 14 / 20

HEX #40CDB1

RGB 64 205 177

HSL 168.09, 0.59%, 0.53%

LAB 74.78, -43.88, 3.08

 

CMYK 69 / 4 / 0 / 20

HEX #40C4CD

RGB 64 196 205

HSL 183.83, 0.59%, 0.53%

LAB 72.88, -32.12, -14.91

 

CMYK 74 / 0 / 34 / 42

HEX #269563

RGB 38 149 99

HSL 152.97, 0.59%, 0.37%

LAB 54.87, -42.7, 17.81

 

CMYK 75 / 0 / 34 / 29

HEX #2EB679

RGB 46 182 121

HSL 153.09, 0.6%, 0.45%

LAB 66.07, -50.03, 21.02

 

CMYK 69 / 0 / 31 / 20

HEX #40CD8E

RGB 64 205 142

HSL 153.19, 0.59%, 0.53%

LAB 74, -51.99, 20.71

 

CMYK 55 / 0 / 25 / 16

HEX #61D6A1

RGB 97 214 161

HSL 152.82, 0.59%, 0.61%

LAB 78, -45.39, 16.34

 

CMYK 41 / 0 / 19 / 13

HEX #82DEB4

RGB 130 222 180

HSL 152.61, 0.58%, 0.69%

LAB 81.99, -36.87, 12.1

 

CMYK 69 / 0 / 31 / 19

HEX #40CE8E

RGB 64 206 142

HSL 152.96, 0.59%, 0.53%

LAB 74.31, -52.39, 21.14

 

CMYK 69 / 50 / 0 / 20

HEX #4066CD

RGB 64 102 205

HSL 223.83, 0.59%, 0.53%

LAB 45.63, 20.85, -57.44

 

CMYK 0 / 60 / 69 / 20

HEX #CD5340

RGB 205 83 64

HSL 8.09, 0.59%, 0.53%

LAB 51.31, 47.24, 35.61

 

CMYK 69 / 0 / 31 / 19

HEX #40CE8E

RGB 64 206 142

HSL 152.96, 0.59%, 0.53%

LAB 74.31, -52.39, 21.14

 

CMYK 32 / 69 / 0 / 20

HEX #8B40CD

RGB 139 64 205

HSL 271.91, 0.59%, 0.53%

LAB 43.6, 56.92, -60.42

 

CMYK 0 / 32 / 69 / 20

HEX #CD8B40

RGB 205 139 64

HSL 31.91, 0.59%, 0.53%

LAB 63.19, 18.19, 49

 

CMYK 69 / 0 / 31 / 19

HEX #40CE8E

RGB 64 206 142

HSL 152.96, 0.59%, 0.53%

LAB 74.31, -52.39, 21.14

 

CMYK 69 / 50 / 0 / 20

HEX #4066CD

RGB 64 102 205

HSL 223.83, 0.59%, 0.53%

LAB 45.63, 20.85, -57.44

 

CMYK 0 / 69 / 37 / 20

HEX #CD4082

RGB 205 64 130

HSL 331.91, 0.59%, 0.53%

LAB 49.81, 60.67, -5.66

 

CMYK 0 / 18 / 69 / 20

HEX #CDA840

RGB 205 168 64

HSL 44.26, 0.59%, 0.53%

LAB 70.42, 2.51, 56.66

 

CMYK 69 / 0 / 31 / 19

HEX #40CE8E

RGB 64 206 142

HSL 152.96, 0.59%, 0.53%

LAB 74.31, -52.39, 21.14

 

CMYK 66 / 69 / 0 / 20

HEX #4540CD

RGB 69 64 205

HSL 242.13, 0.59%, 0.53%

LAB 36.63, 45.18, -72.08

 

CMYK 0 / 69 / 37 / 20

HEX #CD4082

RGB 205 64 130

HSL 331.91, 0.59%, 0.53%

LAB 49.81, 60.67, -5.66

 

CMYK 2 / 0 / 69 / 20

HEX #C9CD40

RGB 201 205 64

HSL 61.7, 0.59%, 0.53%

LAB 79.87, -18.28, 66.11

 

Description

Color code: HEX #40CE8E | qconv.com Color code: HEX #40CE8E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 64 red, 206 green and 142 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
64 206 142 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, none magenta, 31 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 0% 31% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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