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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #414612 it is the complementary color #BEB9ED. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #414612. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #414612 shade: #46460D, #575820, #686A33, #797C46 and #8A8E59

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #414612. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #414612 shade: #414612, #303400, #1F2200 and #0E1000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #414612 shade: #404411, #443C11, #442E11, #442011 and #441211

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #414612 shade: #404411, #324411, #244411, #164411 and #11441A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #414612 shade matches the following richer shades: #404411, #454B0A and #4B5203

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #414612 shade: #404411, #3A3D18, #34361F, #2F2F26 and #29282D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #414612 shade: #442D11, #443B11, #404411, #334411 and #254411

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #414612 shade: #030300, #212409, #404411, #5E651A and #7C8622

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #414612 shade: #414612, #114420 and #341144

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #414612 shade: #414612, #114044 and #441140

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #414612 shade: #414612, #114420, #161144 and #441136

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #414612 shade: #414612, #11442F, #161144 and #441127

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 0 / 74 / 73

HEX #414612

RGB 65 70 18

HSL 65.77, 0.59%, 0.17%

LAB 28.24, -10.09, 29.35

 

Complementary color

CMYK 20 / 22 / 0 / 7

HEX #BEB9ED

RGB 190 185 237

HSL 245.77, 0.59%, 0.83%

LAB 77.14, 12.33, -25.2

 

CMYK 0 / 0 / 81 / 73

HEX #46460D

RGB 70 70 13

HSL 60, 0.69%, 0.16%

LAB 28.67, -7.89, 32.14

 

CMYK 1 / 0 / 64 / 65

HEX #575820

RGB 87 88 32

HSL 61.07, 0.47%, 0.24%

LAB 36.2, -8.81, 31.53

 

CMYK 2 / 0 / 52 / 58

HEX #686A33

RGB 104 106 51

HSL 62.18, 0.35%, 0.31%

LAB 43.49, -9.42, 30.33

 

CMYK 2 / 0 / 44 / 51

HEX #797C46

RGB 121 124 70

HSL 63.33, 0.28%, 0.38%

LAB 50.6, -9.84, 29.03

 

CMYK 3 / 0 / 37 / 44

HEX #8A8E59

RGB 138 142 89

HSL 64.53, 0.23%, 0.45%

LAB 57.53, -10.15, 27.77

 

CMYK 7 / 0 / 74 / 73

HEX #414612

RGB 65 70 18

HSL 65.77, 0.59%, 0.17%

LAB 28.24, -10.09, 29.35

 

CMYK 8 / 0 / 100 / 80

HEX #303400

RGB 48 52 0

HSL 64.62, 1%, 0.1%

LAB 20.38, -9.17, 28.46

 

CMYK 9 / 0 / 100 / 87

HEX #1F2200

RGB 31 34 0

HSL 65.29, 1%, 0.07%

LAB 12.19, -7.16, 17.91

 

CMYK 13 / 0 / 100 / 94

HEX #0E1000

RGB 14 16 0

HSL 67.5, 1%, 0.03%

LAB 4.19, -3.05, 6.22

 

CMYK 6 / 0 / 75 / 73

HEX #404411

RGB 64 68 17

HSL 64.71, 0.6%, 0.17%

LAB 27.48, -9.48, 29

 

CMYK 0 / 12 / 75 / 73

HEX #443C11

RGB 68 60 17

HSL 50.59, 0.6%, 0.17%

LAB 25.26, -2.49, 26.85

 

CMYK 0 / 32 / 75 / 73

HEX #442E11

RGB 68 46 17

HSL 34.12, 0.6%, 0.17%

LAB 20.92, 6.62, 22.19

 

CMYK 0 / 53 / 75 / 73

HEX #442011

RGB 68 32 17

HSL 17.65, 0.6%, 0.17%

LAB 17, 15.8, 17.63

 

CMYK 0 / 74 / 75 / 73

HEX #441211

RGB 68 18 17

HSL 1.18, 0.6%, 0.17%

LAB 13.84, 23.97, 13.61

 

CMYK 6 / 0 / 75 / 73

HEX #404411

RGB 64 68 17

HSL 64.71, 0.6%, 0.17%

LAB 27.48, -9.48, 29

 

CMYK 26 / 0 / 75 / 73

HEX #324411

RGB 50 68 17

HSL 81.18, 0.6%, 0.17%

LAB 26.31, -16.29, 27.43

 

CMYK 47 / 0 / 75 / 73

HEX #244411

RGB 36 68 17

HSL 97.65, 0.6%, 0.17%

LAB 25.41, -22.33, 26.21

 

CMYK 68 / 0 / 75 / 73

HEX #164411

RGB 22 68 17

HSL 114.12, 0.6%, 0.17%

LAB 24.78, -27.1, 25.35

 

CMYK 75 / 0 / 62 / 73

HEX #11441A

RGB 17 68 26

HSL 130.59, 0.6%, 0.17%

LAB 24.73, -27.15, 20.41

 

CMYK 6 / 0 / 75 / 73

HEX #404411

RGB 64 68 17

HSL 64.71, 0.6%, 0.17%

LAB 27.48, -9.48, 29

 

CMYK 8 / 0 / 87 / 71

HEX #454B0A

RGB 69 75 10

HSL 65.54, 0.76%, 0.17%

LAB 30.2, -11.5, 34.64

 

CMYK 9 / 0 / 96 / 68

HEX #4B5203

RGB 75 82 3

HSL 65.32, 0.93%, 0.17%

LAB 33, -12.84, 39.63

 

CMYK 6 / 0 / 75 / 73

HEX #404411

RGB 64 68 17

HSL 64.71, 0.6%, 0.17%

LAB 27.48, -9.48, 29

 

CMYK 5 / 0 / 61 / 76

HEX #3A3D18

RGB 58 61 24

HSL 64.86, 0.44%, 0.17%

LAB 24.65, -7.63, 22.07

 

CMYK 4 / 0 / 43 / 79

HEX #34361F

RGB 52 54 31

HSL 65.22, 0.27%, 0.17%

LAB 21.83, -5.33, 14.19

 

CMYK 0 / 0 / 19 / 82

HEX #2F2F26

RGB 47 47 38

HSL 60, 0.11%, 0.17%

LAB 19.13, -1.96, 5.8

 

CMYK 9 / 11 / 0 / 82

HEX #29282D

RGB 41 40 45

HSL 252, 0.06%, 0.17%

LAB 16.4, 1.7, -3.11

 

CMYK 0 / 34 / 75 / 73

HEX #442D11

RGB 68 45 17

HSL 32.94, 0.6%, 0.17%

LAB 20.62, 7.28, 21.86

 

CMYK 0 / 13 / 75 / 73

HEX #443B11

RGB 68 59 17

HSL 49.41, 0.6%, 0.17%

LAB 24.94, -1.86, 26.51

 

CMYK 6 / 0 / 75 / 73

HEX #404411

RGB 64 68 17

HSL 64.71, 0.6%, 0.17%

LAB 27.48, -9.48, 29

 

CMYK 25 / 0 / 75 / 73

HEX #334411

RGB 51 68 17

HSL 80, 0.6%, 0.17%

LAB 26.39, -15.82, 27.54

 

CMYK 46 / 0 / 75 / 73

HEX #254411

RGB 37 68 17

HSL 96.47, 0.6%, 0.17%

LAB 25.47, -21.94, 26.29

 

CMYK 0 / 0 / 100 / 99

HEX #030300

RGB 3 3 0

HSL 60, 1%, 0.01%

LAB 0.76, -0.42, 1.14

 

CMYK 8 / 0 / 75 / 86

HEX #212409

RGB 33 36 9

HSL 66.67, 0.6%, 0.09%

LAB 13.26, -6.32, 15.72

 

CMYK 6 / 0 / 75 / 73

HEX #404411

RGB 64 68 17

HSL 64.71, 0.6%, 0.17%

LAB 27.48, -9.48, 29

 

CMYK 7 / 0 / 74 / 60

HEX #5E651A

RGB 94 101 26

HSL 65.6, 0.59%, 0.25%

LAB 40.83, -13.29, 39.32

 

CMYK 7 / 0 / 75 / 47

HEX #7C8622

RGB 124 134 34

HSL 66, 0.6%, 0.33%

LAB 53.44, -16.9, 49.31

 

CMYK 7 / 0 / 74 / 73

HEX #414612

RGB 65 70 18

HSL 65.77, 0.59%, 0.17%

LAB 28.24, -10.09, 29.35

 

CMYK 75 / 0 / 53 / 73

HEX #114420

RGB 17 68 32

HSL 137.65, 0.6%, 0.17%

LAB 24.82, -26.09, 16.98

 

CMYK 24 / 75 / 0 / 73

HEX #341144

RGB 52 17 68

HSL 281.18, 0.6%, 0.17%

LAB 12.91, 27.18, -24.65

 

CMYK 7 / 0 / 74 / 73

HEX #414612

RGB 65 70 18

HSL 65.77, 0.59%, 0.17%

LAB 28.24, -10.09, 29.35

 

CMYK 75 / 6 / 0 / 73

HEX #114044

RGB 17 64 68

HSL 184.71, 0.6%, 0.17%

LAB 24.33, -13.96, -7.06

 

CMYK 0 / 75 / 6 / 73

HEX #441140

RGB 68 17 64

HSL 304.71, 0.6%, 0.17%

LAB 15.49, 30.78, -17.58

 

CMYK 7 / 0 / 74 / 73

HEX #414612

RGB 65 70 18

HSL 65.77, 0.59%, 0.17%

LAB 28.24, -10.09, 29.35

 

CMYK 75 / 0 / 53 / 73

HEX #114420

RGB 17 68 32

HSL 137.65, 0.6%, 0.17%

LAB 24.82, -26.09, 16.98

 

CMYK 68 / 75 / 0 / 73

HEX #161144

RGB 22 17 68

HSL 245.88, 0.6%, 0.17%

LAB 8.9, 20.15, -31.35

 

CMYK 0 / 75 / 21 / 73

HEX #441136

RGB 68 17 54

HSL 316.47, 0.6%, 0.17%

LAB 14.93, 28.96, -11.36

 

CMYK 7 / 0 / 74 / 73

HEX #414612

RGB 65 70 18

HSL 65.77, 0.59%, 0.17%

LAB 28.24, -10.09, 29.35

 

CMYK 75 / 0 / 31 / 73

HEX #11442F

RGB 17 68 47

HSL 155.29, 0.6%, 0.17%

LAB 25.13, -22.67, 7.93

 

CMYK 68 / 75 / 0 / 73

HEX #161144

RGB 22 17 68

HSL 245.88, 0.6%, 0.17%

LAB 8.9, 20.15, -31.35

 

CMYK 0 / 75 / 43 / 73

HEX #441127

RGB 68 17 39

HSL 334.12, 0.6%, 0.17%

LAB 14.27, 26.68, -1.51

 

Description

Color code: HEX #414612 | qconv.com Color code: HEX #414612 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 65 red, 70 green and 18 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
65 70 18 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, none magenta, 74 yellow and 73 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 0% 74% 73% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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