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Color name
HEX #41991A

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #41991A it is the complementary color #BE66E5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #41991A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #41991A shade: #469915, #57AB28, #68BD3B, #79CF4E and #8AE161

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #41991A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #41991A shade: #41991A, #308707, #1F7500, #0E6300 and #005100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #41991A shade: #409819, #629819, #859819, #988919 and #986719

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #41991A shade: #409819, #1E9819, #199837, #199859 and #19987B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #41991A shade matches the following richer shades: #409819 and #3BA70B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #41991A shade: #409819, #468A28, #4B7B36, #516D45 and #575E53

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #41991A shade: #859819, #639819, #429819, #209819 and #199835

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #41991A shade: #22520D, #317513, #409819, #4FBB1F and #60DA2A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #41991A shade: #41991A, #199889 and #981974

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #41991A shade: #41991A, #194298 and #981942

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #41991A shade: #41991A, #199889, #701998 and #981928

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #41991A shade: #41991A, #198198, #701998 and #983119

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 0 / 83 / 40

HEX #41991A

RGB 65 153 26

HSL 101.57, 0.71%, 0.35%

LAB 56.07, -48.11, 53.21

 

Complementary color

CMYK 17 / 55 / 0 / 10

HEX #BE66E5

RGB 190 102 229

HSL 281.57, 0.71%, 0.65%

LAB 58.14, 55.54, -50.4

 

CMYK 54 / 0 / 86 / 40

HEX #469915

RGB 70 153 21

HSL 97.73, 0.76%, 0.34%

LAB 56.23, -46.93, 54.73

 

CMYK 49 / 0 / 77 / 33

HEX #57AB28

RGB 87 171 40

HSL 98.47, 0.62%, 0.41%

LAB 62.76, -47.78, 55.47

 

CMYK 45 / 0 / 69 / 26

HEX #68BD3B

RGB 104 189 59

HSL 99.23, 0.52%, 0.49%

LAB 69.22, -48.28, 55.25

 

CMYK 42 / 0 / 62 / 19

HEX #79CF4E

RGB 121 207 78

HSL 100, 0.57%, 0.56%

LAB 75.6, -48.55, 54.53

 

CMYK 39 / 0 / 57 / 12

HEX #8AE161

RGB 138 225 97

HSL 100.78, 0.68%, 0.63%

LAB 81.9, -48.66, 53.56

 

CMYK 58 / 0 / 83 / 40

HEX #41991A

RGB 65 153 26

HSL 101.57, 0.71%, 0.35%

LAB 56.07, -48.11, 53.21

 

CMYK 64 / 0 / 95 / 47

HEX #308707

RGB 48 135 7

HSL 100.78, 0.9%, 0.28%

LAB 49.46, -46.74, 51.49

 

CMYK 74 / 0 / 100 / 54

HEX #1F7500

RGB 31 117 0

HSL 104.1, 1%, 0.23%

LAB 42.78, -44.53, 47.32

 

CMYK 86 / 0 / 100 / 61

HEX #0E6300

RGB 14 99 0

HSL 111.52, 1%, 0.19%

LAB 36.02, -41.43, 41.79

 

CMYK 100 / 0 / 100 / 68

HEX #005100

RGB 0 81 0

HSL 120, 1%, 0.16%

LAB 29.12, -37.49, 36.18

 

CMYK 58 / 0 / 84 / 40

HEX #409819

RGB 64 152 25

HSL 101.57, 0.72%, 0.35%

LAB 55.7, -48.07, 53.14

 

CMYK 36 / 0 / 84 / 40

HEX #629819

RGB 98 152 25

HSL 85.51, 0.72%, 0.35%

LAB 57.2, -36.91, 55.05

 

CMYK 13 / 0 / 84 / 40

HEX #859819

RGB 133 152 25

HSL 68.98, 0.72%, 0.35%

LAB 59.45, -22.56, 57.89

 

CMYK 0 / 10 / 84 / 40

HEX #988919

RGB 152 137 25

HSL 52.91, 0.72%, 0.35%

LAB 56.72, -6.13, 56.17

 

CMYK 0 / 32 / 84 / 40

HEX #986719

RGB 152 103 25

HSL 36.85, 0.72%, 0.35%

LAB 47.55, 13.06, 48.2

 

CMYK 58 / 0 / 84 / 40

HEX #409819

RGB 64 152 25

HSL 101.57, 0.72%, 0.35%

LAB 55.7, -48.07, 53.14

 

CMYK 80 / 0 / 84 / 40

HEX #1E9819

RGB 30 152 25

HSL 117.64, 0.72%, 0.35%

LAB 54.87, -55.06, 52.07

 

CMYK 84 / 0 / 64 / 40

HEX #199837

RGB 25 152 55

HSL 134.17, 0.72%, 0.35%

LAB 55.01, -53.04, 40.84

 

CMYK 84 / 0 / 41 / 40

HEX #199859

RGB 25 152 89

HSL 150.24, 0.72%, 0.35%

LAB 55.47, -47.6, 24.09

 

CMYK 84 / 0 / 19 / 40

HEX #19987B

RGB 25 152 123

HSL 166.3, 0.72%, 0.35%

LAB 56.18, -39.7, 6.05

 

CMYK 58 / 0 / 84 / 40

HEX #409819

RGB 64 152 25

HSL 101.57, 0.72%, 0.35%

LAB 55.7, -48.07, 53.14

 

CMYK 65 / 0 / 93 / 35

HEX #3BA70B

RGB 59 167 11

HSL 101.54, 0.88%, 0.35%

LAB 60.42, -55.15, 60.1

 

CMYK 58 / 0 / 84 / 40

HEX #409819

RGB 64 152 25

HSL 101.57, 0.72%, 0.35%

LAB 55.7, -48.07, 53.14

 

CMYK 49 / 0 / 71 / 46

HEX #468A28

RGB 70 138 40

HSL 101.63, 0.55%, 0.35%

LAB 51.42, -39.78, 43.84

 

CMYK 39 / 0 / 56 / 52

HEX #4B7B36

RGB 75 123 54

HSL 101.74, 0.39%, 0.35%

LAB 46.88, -29.98, 32.29

 

CMYK 26 / 0 / 37 / 57

HEX #516D45

RGB 81 109 69

HSL 102, 0.22%, 0.35%

LAB 42.94, -18.5, 19.13

 

CMYK 7 / 0 / 12 / 63

HEX #575E53

RGB 87 94 83

HSL 98.18, 0.06%, 0.35%

LAB 39, -5.05, 5.37

 

CMYK 13 / 0 / 84 / 40

HEX #859819

RGB 133 152 25

HSL 68.98, 0.72%, 0.35%

LAB 59.45, -22.56, 57.89

 

CMYK 35 / 0 / 84 / 40

HEX #639819

RGB 99 152 25

HSL 85.04, 0.72%, 0.35%

LAB 57.25, -36.53, 55.12

 

CMYK 57 / 0 / 84 / 40

HEX #429819

RGB 66 152 25

HSL 100.63, 0.72%, 0.35%

LAB 55.77, -47.52, 53.23

 

CMYK 79 / 0 / 84 / 40

HEX #209819

RGB 32 152 25

HSL 116.69, 0.72%, 0.35%

LAB 54.9, -54.78, 52.11

 

CMYK 84 / 0 / 65 / 40

HEX #199835

RGB 25 152 53

HSL 133.23, 0.72%, 0.35%

LAB 54.99, -53.28, 41.73

 

CMYK 59 / 0 / 84 / 68

HEX #22520D

RGB 34 82 13

HSL 101.74, 0.73%, 0.19%

LAB 30.41, -29.83, 32.95

 

CMYK 58 / 0 / 84 / 54

HEX #317513

RGB 49 117 19

HSL 101.63, 0.72%, 0.27%

LAB 43.39, -39.23, 43.38

 

CMYK 58 / 0 / 84 / 40

HEX #409819

RGB 64 152 25

HSL 101.57, 0.72%, 0.35%

LAB 55.7, -48.07, 53.14

 

CMYK 58 / 0 / 83 / 27

HEX #4FBB1F

RGB 79 187 31

HSL 101.54, 0.72%, 0.43%

LAB 67.5, -56.5, 62.44

 

CMYK 56 / 0 / 81 / 15

HEX #60DA2A

RGB 96 218 42

HSL 101.59, 0.7%, 0.51%

LAB 77.75, -62.5, 69.11

 

CMYK 58 / 0 / 83 / 40

HEX #41991A

RGB 65 153 26

HSL 101.57, 0.71%, 0.35%

LAB 56.07, -48.11, 53.21

 

CMYK 84 / 0 / 10 / 40

HEX #199889

RGB 25 152 137

HSL 172.91, 0.72%, 0.35%

LAB 56.55, -35.83, -1.39

 

CMYK 0 / 84 / 24 / 40

HEX #981974

RGB 152 25 116

HSL 317.01, 0.72%, 0.35%

LAB 35.27, 57.67, -19.98

 

CMYK 58 / 0 / 83 / 40

HEX #41991A

RGB 65 153 26

HSL 101.57, 0.71%, 0.35%

LAB 56.07, -48.11, 53.21

 

CMYK 84 / 57 / 0 / 40

HEX #194298

RGB 25 66 152

HSL 220.63, 0.72%, 0.35%

LAB 30.33, 19.59, -51

 

CMYK 0 / 84 / 57 / 40

HEX #981942

RGB 152 25 66

HSL 340.63, 0.72%, 0.35%

LAB 33.49, 52.5, 9.64

 

CMYK 58 / 0 / 83 / 40

HEX #41991A

RGB 65 153 26

HSL 101.57, 0.71%, 0.35%

LAB 56.07, -48.11, 53.21

 

CMYK 84 / 0 / 10 / 40

HEX #199889

RGB 25 152 137

HSL 172.91, 0.72%, 0.35%

LAB 56.55, -35.83, -1.39

 

CMYK 26 / 84 / 0 / 40

HEX #701998

RGB 112 25 152

HSL 281.1, 0.72%, 0.35%

LAB 30.42, 55.53, -50.51

 

CMYK 0 / 84 / 74 / 40

HEX #981928

RGB 152 25 40

HSL 352.91, 0.72%, 0.35%

LAB 32.97, 50.95, 25.83

 

CMYK 58 / 0 / 83 / 40

HEX #41991A

RGB 65 153 26

HSL 101.57, 0.71%, 0.35%

LAB 56.07, -48.11, 53.21

 

CMYK 84 / 15 / 0 / 40

HEX #198198

RGB 25 129 152

HSL 190.87, 0.72%, 0.35%

LAB 49.71, -19.67, -20.35

 

CMYK 26 / 84 / 0 / 40

HEX #701998

RGB 112 25 152

HSL 281.1, 0.72%, 0.35%

LAB 30.42, 55.53, -50.51

 

CMYK 0 / 68 / 84 / 40

HEX #983119

RGB 152 49 25

HSL 11.34, 0.72%, 0.35%

LAB 35.87, 41.86, 37.6

 

Description

Color code: HEX #41991A | qconv.com Color code: HEX #41991A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 65 red, 153 green and 26 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
65 153 26 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, none magenta, 83 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 0% 83% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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