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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #41908A it is the complementary color #BE6F75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #41908A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #41908A shade: #469085, #57A298, #68B4AB, #79C6BE and #8AD8D1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #41908A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #41908A shade: #41908A, #307E77, #1F6C64, #0E5A51 and #00483E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #41908A shade: #40908A, #409074, #40905F, #409049 and #4D9040

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #41908A shade: #40908A, #408090, #406B90, #405690 and #404090

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #41908A shade matches the following richer shades: #40908A, #2FA198, #1EB2A6 and #0EC3B5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #41908A shade: #40908A, #517F7B, #626E6D, #735D5F and #844C50

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #41908A shade: #40905F, #409074, #409089, #408190 and #406C90

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #41908A shade: #275753, #34736E, #40908A, #4DACA5 and #68BBB4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #41908A shade: #41908A, #4A4090 and #906940

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #41908A shade: #41908A, #894090 and #908940

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #41908A shade: #41908A, #4A4090, #904047 and #879040

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #41908A shade: #41908A, #614090, #904047 and #6F9040

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 0 / 4 / 44

HEX #41908A

RGB 65 144 138

HSL 175.44, 0.38%, 0.41%

LAB 54.97, -25.65, -4.18

 

Complementary color

CMYK 0 / 42 / 38 / 25

HEX #BE6F75

RGB 190 111 117

HSL 355.44, 0.38%, 0.59%

LAB 55.69, 31.94, 10.29

 

CMYK 51 / 0 / 8 / 44

HEX #469085

RGB 70 144 133

HSL 171.08, 0.35%, 0.42%

LAB 55.01, -25.86, -1.22

 

CMYK 46 / 0 / 6 / 36

HEX #57A298

RGB 87 162 152

HSL 172, 0.3%, 0.49%

LAB 61.77, -25.83, -2.05

 

CMYK 42 / 0 / 5 / 29

HEX #68B4AB

RGB 104 180 171

HSL 172.89, 0.34%, 0.56%

LAB 68.41, -25.75, -2.8

 

CMYK 39 / 0 / 4 / 22

HEX #79C6BE

RGB 121 198 190

HSL 173.77, 0.4%, 0.63%

LAB 74.93, -25.64, -3.5

 

CMYK 36 / 0 / 3 / 15

HEX #8AD8D1

RGB 138 216 209

HSL 174.62, 0.5%, 0.69%

LAB 81.36, -25.53, -4.16

 

CMYK 55 / 0 / 4 / 44

HEX #41908A

RGB 65 144 138

HSL 175.44, 0.38%, 0.41%

LAB 54.97, -25.65, -4.18

 

CMYK 62 / 0 / 6 / 51

HEX #307E77

RGB 48 126 119

HSL 174.62, 0.45%, 0.34%

LAB 48.11, -25.44, -3.3

 

CMYK 71 / 0 / 7 / 58

HEX #1F6C64

RGB 31 108 100

HSL 173.77, 0.55%, 0.27%

LAB 41.12, -25, -2.3

 

CMYK 84 / 0 / 10 / 65

HEX #0E5A51

RGB 14 90 81

HSL 172.89, 0.73%, 0.2%

LAB 33.98, -24.15, -1.1

 

CMYK 100 / 0 / 14 / 72

HEX #00483E

RGB 0 72 62

HSL 171.67, 1%, 0.14%

LAB 26.68, -22.76, 0.34

 

CMYK 56 / 0 / 4 / 44

HEX #40908A

RGB 64 144 138

HSL 175.5, 0.38%, 0.41%

LAB 54.94, -25.87, -4.23

 

CMYK 56 / 0 / 19 / 44

HEX #409074

RGB 64 144 116

HSL 159, 0.38%, 0.41%

LAB 54.34, -31.56, 7.54

 

CMYK 56 / 0 / 34 / 44

HEX #40905F

RGB 64 144 95

HSL 143.25, 0.38%, 0.41%

LAB 53.88, -36.19, 18.82

 

CMYK 56 / 0 / 49 / 44

HEX #409049

RGB 64 144 73

HSL 126.75, 0.38%, 0.41%

LAB 53.51, -40.1, 30.35

 

CMYK 47 / 0 / 56 / 44

HEX #4D9040

RGB 77 144 64

HSL 110.25, 0.38%, 0.41%

LAB 53.91, -37.56, 35.6

 

CMYK 56 / 0 / 4 / 44

HEX #40908A

RGB 64 144 138

HSL 175.5, 0.38%, 0.41%

LAB 54.94, -25.87, -4.23

 

CMYK 56 / 11 / 0 / 44

HEX #408090

RGB 64 128 144

HSL 192, 0.38%, 0.41%

LAB 50.15, -15.71, -14.9

 

CMYK 56 / 26 / 0 / 44

HEX #406B90

RGB 64 107 144

HSL 207.75, 0.38%, 0.41%

LAB 43.68, -3.62, -24.83

 

CMYK 56 / 40 / 0 / 44

HEX #405690

RGB 64 86 144

HSL 223.5, 0.38%, 0.41%

LAB 37.41, 9.53, -34.67

 

CMYK 56 / 56 / 0 / 44

HEX #404090

RGB 64 64 144

HSL 240, 0.38%, 0.41%

LAB 31.28, 23.96, -44.47

 

CMYK 56 / 0 / 4 / 44

HEX #40908A

RGB 64 144 138

HSL 175.5, 0.38%, 0.41%

LAB 54.94, -25.87, -4.23

 

CMYK 71 / 0 / 6 / 37

HEX #2FA198

RGB 47 161 152

HSL 175.26, 0.55%, 0.41%

LAB 60.21, -33.18, -4.48

 

CMYK 83 / 0 / 7 / 30

HEX #1EB2A6

RGB 30 178 166

HSL 175.14, 0.71%, 0.41%

LAB 65.65, -38.83, -4.33

 

CMYK 93 / 0 / 7 / 24

HEX #0EC3B5

RGB 14 195 181

HSL 175.36, 0.87%, 0.41%

LAB 71.19, -42.97, -4.42

 

CMYK 56 / 0 / 4 / 44

HEX #40908A

RGB 64 144 138

HSL 175.5, 0.38%, 0.41%

LAB 54.94, -25.87, -4.23

 

CMYK 36 / 0 / 3 / 50

HEX #517F7B

RGB 81 127 123

HSL 174.78, 0.22%, 0.41%

LAB 49.93, -16.65, -2.82

 

CMYK 11 / 0 / 1 / 57

HEX #626E6D

RGB 98 110 109

HSL 175, 0.06%, 0.41%

LAB 45.43, -4.73, -0.99

 

CMYK 0 / 19 / 17 / 55

HEX #735D5F

RGB 115 93 95

HSL 354.55, 0.11%, 0.41%

LAB 41.69, 9.29, 2.23

 

CMYK 0 / 42 / 39 / 48

HEX #844C50

RGB 132 76 80

HSL 355.71, 0.27%, 0.41%

LAB 38.99, 24.16, 7.91

 

CMYK 56 / 0 / 34 / 44

HEX #40905F

RGB 64 144 95

HSL 143.25, 0.38%, 0.41%

LAB 53.88, -36.19, 18.82

 

CMYK 56 / 0 / 19 / 44

HEX #409074

RGB 64 144 116

HSL 159, 0.38%, 0.41%

LAB 54.34, -31.56, 7.54

 

CMYK 56 / 0 / 5 / 44

HEX #409089

RGB 64 144 137

HSL 174.75, 0.38%, 0.41%

LAB 54.91, -26.14, -3.7

 

CMYK 56 / 10 / 0 / 44

HEX #408190

RGB 64 129 144

HSL 191.25, 0.38%, 0.41%

LAB 50.46, -16.26, -14.43

 

CMYK 56 / 25 / 0 / 44

HEX #406C90

RGB 64 108 144

HSL 207, 0.38%, 0.41%

LAB 43.99, -4.22, -24.35

 

CMYK 55 / 0 / 5 / 66

HEX #275753

RGB 39 87 83

HSL 175, 0.38%, 0.25%

LAB 33.72, -17.37, -2.67

 

CMYK 55 / 0 / 4 / 55

HEX #34736E

RGB 52 115 110

HSL 175.24, 0.38%, 0.33%

LAB 44.4, -21.5, -3.41

 

CMYK 56 / 0 / 4 / 44

HEX #40908A

RGB 64 144 138

HSL 175.5, 0.38%, 0.41%

LAB 54.94, -25.87, -4.23

 

CMYK 55 / 0 / 4 / 33

HEX #4DACA5

RGB 77 172 165

HSL 175.58, 0.38%, 0.49%

LAB 64.8, -29.63, -4.9

 

CMYK 44 / 0 / 4 / 27

HEX #68BBB4

RGB 104 187 180

HSL 174.94, 0.38%, 0.57%

LAB 70.72, -26.98, -4.34

 

CMYK 55 / 0 / 4 / 44

HEX #41908A

RGB 65 144 138

HSL 175.44, 0.38%, 0.41%

LAB 54.97, -25.65, -4.18

 

CMYK 49 / 56 / 0 / 44

HEX #4A4090

RGB 74 64 144

HSL 247.5, 0.38%, 0.41%

LAB 32.12, 26.2, -43.08

 

CMYK 0 / 27 / 56 / 44

HEX #906940

RGB 144 105 64

HSL 30.75, 0.38%, 0.41%

LAB 47.5, 10.63, 29

 

CMYK 55 / 0 / 4 / 44

HEX #41908A

RGB 65 144 138

HSL 175.44, 0.38%, 0.41%

LAB 54.97, -25.65, -4.18

 

CMYK 5 / 56 / 0 / 44

HEX #894090

RGB 137 64 144

HSL 294.75, 0.38%, 0.41%

LAB 39.58, 43.16, -30.75

 

CMYK 0 / 5 / 56 / 44

HEX #908940

RGB 144 137 64

HSL 54.75, 0.38%, 0.41%

LAB 56.28, -7.5, 39.5

 

CMYK 55 / 0 / 4 / 44

HEX #41908A

RGB 65 144 138

HSL 175.44, 0.38%, 0.41%

LAB 54.97, -25.65, -4.18

 

CMYK 49 / 56 / 0 / 44

HEX #4A4090

RGB 74 64 144

HSL 247.5, 0.38%, 0.41%

LAB 32.12, 26.2, -43.08

 

CMYK 0 / 56 / 51 / 44

HEX #904047

RGB 144 64 71

HSL 354.75, 0.38%, 0.41%

LAB 37.93, 34.52, 12.34

 

CMYK 6 / 0 / 56 / 44

HEX #879040

RGB 135 144 64

HSL 66.75, 0.38%, 0.41%

LAB 57.53, -15.19, 40.75

 

CMYK 55 / 0 / 4 / 44

HEX #41908A

RGB 65 144 138

HSL 175.44, 0.38%, 0.41%

LAB 54.97, -25.65, -4.18

 

CMYK 33 / 56 / 0 / 44

HEX #614090

RGB 97 64 144

HSL 264.75, 0.38%, 0.41%

LAB 34.44, 32, -39.23

 

CMYK 0 / 56 / 51 / 44

HEX #904047

RGB 144 64 71

HSL 354.75, 0.38%, 0.41%

LAB 37.93, 34.52, 12.34

 

CMYK 23 / 0 / 56 / 44

HEX #6F9040

RGB 111 144 64

HSL 84.75, 0.38%, 0.41%

LAB 55.78, -25.21, 38.27

 

Description

Color code: HEX #41908A | qconv.com Color code: HEX #41908A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 65 red, 144 green and 138 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
65 144 138 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, none magenta, 4 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 0% 4% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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