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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #41E649 it is the complementary color #BE19B6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #41E649. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #41E649 shade: #46E644, #57F857, #68FF6A, #79FF7D and #8AFF90

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #41E649. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #41E649 shade: #41E649, #30D436, #1FC223, #0EB010 and #009E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #41E649 shade: #41E649, #65E641, #92E641, #BEE641 and #E6E141

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #41E649 shade: #41E649, #41E675, #41E6A2, #41E6CE and #41D1E6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #41E649 shade matches the following richer shades: #41E649 and #30F739

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #41E649 shade: #41E649, #52D559, #64C368, #75B278 and #86A188

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #41E649 shade: #93E641, #67E641, #41E646, #41E672 and #41E69E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #41E649 shade: #18BC20, #1DE126, #41E649, #65EB6C and #8AEF8F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #41E649 shade: #41E649, #41BFE6 and #E6417D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #41E649 shade: #41E649, #4641E6 and #E64641

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #41E649 shade: #41E649, #41BFE6, #E641E0 and #E66741

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #41E649 shade: #41E649, #418EE6, #E641E0 and #E69941

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 0 / 68 / 10

HEX #41E649

RGB 65 230 73

HSL 122.91, 0.77%, 0.58%

LAB 80.85, -70.78, 61.73

 

Complementary color

CMYK 0 / 87 / 4 / 25

HEX #BE19B6

RGB 190 25 182

HSL 302.91, 0.77%, 0.42%

LAB 45.66, 74.75, -43.29

 

CMYK 70 / 0 / 70 / 10

HEX #46E644

RGB 70 230 68

HSL 119.26, 0.76%, 0.58%

LAB 80.91, -70.38, 63.69

 

CMYK 65 / 0 / 65 / 3

HEX #57F857

RGB 87 248 87

HSL 120, 0.92%, 0.66%

LAB 86.92, -71.4, 62.95

 

CMYK 59 / 0 / 58 / 0

HEX #68FF6A

RGB 104 255 106

HSL 120.79, 1%, 0.7%

LAB 89.63, -68.3, 58.22

 

CMYK 53 / 0 / 51 / 0

HEX #79FF7D

RGB 121 255 125

HSL 121.79, 1%, 0.74%

LAB 90.35, -62.06, 50.7

 

CMYK 46 / 0 / 44 / 0

HEX #8AFF90

RGB 138 255 144

HSL 123.08, 1%, 0.77%

LAB 91.21, -55.06, 42.9

 

CMYK 72 / 0 / 68 / 10

HEX #41E649

RGB 65 230 73

HSL 122.91, 0.77%, 0.58%

LAB 80.85, -70.78, 61.73

 

CMYK 77 / 0 / 75 / 17

HEX #30D436

RGB 48 212 54

HSL 122.2, 0.66%, 0.51%

LAB 74.81, -69.26, 62.28

 

CMYK 84 / 0 / 82 / 24

HEX #1FC223

RGB 31 194 35

HSL 121.47, 0.72%, 0.44%

LAB 68.75, -67.11, 62.16

 

CMYK 92 / 0 / 91 / 31

HEX #0EB010

RGB 14 176 16

HSL 120.74, 0.85%, 0.37%

LAB 62.66, -64.13, 60.91

 

CMYK 100 / 0 / 100 / 38

HEX #009E00

RGB 0 158 0

HSL 120, 1%, 0.31%

LAB 56.54, -60.27, 58.17

 

CMYK 72 / 0 / 68 / 10

HEX #41E649

RGB 65 230 73

HSL 122.91, 0.77%, 0.58%

LAB 80.85, -70.78, 61.73

 

CMYK 56 / 0 / 72 / 10

HEX #65E641

RGB 101 230 65

HSL 106.91, 0.77%, 0.58%

LAB 81.7, -64.04, 65.83

 

CMYK 37 / 0 / 72 / 10

HEX #92E641

RGB 146 230 65

HSL 90.55, 0.77%, 0.58%

LAB 83.49, -50.71, 68.21

 

CMYK 17 / 0 / 72 / 10

HEX #BEE641

RGB 190 230 65

HSL 74.55, 0.77%, 0.58%

LAB 85.97, -34.58, 71.49

 

CMYK 0 / 2 / 72 / 10

HEX #E6E141

RGB 230 225 65

HSL 58.18, 0.77%, 0.58%

LAB 87.51, -16.04, 73.98

 

CMYK 72 / 0 / 68 / 10

HEX #41E649

RGB 65 230 73

HSL 122.91, 0.77%, 0.58%

LAB 80.85, -70.78, 61.73

 

CMYK 72 / 0 / 49 / 10

HEX #41E675

RGB 65 230 117

HSL 138.91, 0.77%, 0.58%

LAB 81.29, -65.52, 42.97

 

CMYK 72 / 0 / 30 / 10

HEX #41E6A2

RGB 65 230 162

HSL 155.27, 0.77%, 0.58%

LAB 82.02, -57.4, 21.27

 

CMYK 72 / 0 / 10 / 10

HEX #41E6CE

RGB 65 230 206

HSL 171.27, 0.77%, 0.58%

LAB 83.01, -47.07, -0.42

 

CMYK 72 / 9 / 0 / 10

HEX #41D1E6

RGB 65 209 230

HSL 187.64, 0.77%, 0.58%

LAB 77.54, -30.82, -21.36

 

CMYK 72 / 0 / 68 / 10

HEX #41E649

RGB 65 230 73

HSL 122.91, 0.77%, 0.58%

LAB 80.85, -70.78, 61.73

 

CMYK 81 / 0 / 77 / 3

HEX #30F739

RGB 48 247 57

HSL 122.71, 0.93%, 0.58%

LAB 85.73, -79.36, 72.02

 

CMYK 72 / 0 / 68 / 10

HEX #41E649

RGB 65 230 73

HSL 122.91, 0.77%, 0.58%

LAB 80.85, -70.78, 61.73

 

CMYK 62 / 0 / 58 / 16

HEX #52D559

RGB 82 213 89

HSL 123.21, 0.61%, 0.58%

LAB 76.13, -60.22, 49.92

 

CMYK 49 / 0 / 47 / 24

HEX #64C368

RGB 100 195 104

HSL 122.53, 0.44%, 0.58%

LAB 71.38, -46.85, 37.13

 

CMYK 34 / 0 / 33 / 30

HEX #75B278

RGB 117 178 120

HSL 122.95, 0.28%, 0.58%

LAB 67.26, -31.64, 23.58

 

CMYK 17 / 0 / 16 / 37

HEX #86A188

RGB 134 161 136

HSL 124.44, 0.13%, 0.58%

LAB 63.62, -14.42, 9.93

 

CMYK 36 / 0 / 72 / 10

HEX #93E641

RGB 147 230 65

HSL 90.18, 0.77%, 0.58%

LAB 83.54, -50.37, 68.27

 

CMYK 55 / 0 / 72 / 10

HEX #67E641

RGB 103 230 65

HSL 106.18, 0.77%, 0.58%

LAB 81.76, -63.53, 65.91

 

CMYK 72 / 0 / 70 / 10

HEX #41E646

RGB 65 230 70

HSL 121.82, 0.77%, 0.58%

LAB 80.83, -71.04, 62.84

 

CMYK 72 / 0 / 50 / 10

HEX #41E672

RGB 65 230 114

HSL 137.82, 0.77%, 0.58%

LAB 81.25, -65.96, 44.36

 

CMYK 72 / 0 / 31 / 10

HEX #41E69E

RGB 65 230 158

HSL 153.82, 0.77%, 0.58%

LAB 81.94, -58.23, 23.23

 

CMYK 87 / 0 / 83 / 26

HEX #18BC20

RGB 24 188 32

HSL 122.93, 0.77%, 0.42%

LAB 66.72, -66.17, 61.06

 

CMYK 87 / 0 / 83 / 12

HEX #1DE126

RGB 29 225 38

HSL 122.76, 0.77%, 0.5%

LAB 78.61, -75.97, 70.42

 

CMYK 72 / 0 / 68 / 10

HEX #41E649

RGB 65 230 73

HSL 122.91, 0.77%, 0.58%

LAB 80.85, -70.78, 61.73

 

CMYK 57 / 0 / 54 / 8

HEX #65EB6C

RGB 101 235 108

HSL 123.13, 0.77%, 0.66%

LAB 83.58, -61.6, 50.2

 

CMYK 42 / 0 / 40 / 6

HEX #8AEF8F

RGB 138 239 143

HSL 122.97, 0.76%, 0.74%

LAB 86.56, -48.65, 37.41

 

CMYK 72 / 0 / 68 / 10

HEX #41E649

RGB 65 230 73

HSL 122.91, 0.77%, 0.58%

LAB 80.85, -70.78, 61.73

 

CMYK 72 / 17 / 0 / 10

HEX #41BFE6

RGB 65 191 230

HSL 194.18, 0.77%, 0.58%

LAB 72.29, -21.88, -29.38

 

CMYK 0 / 72 / 46 / 10

HEX #E6417D

RGB 230 65 125

HSL 338.18, 0.77%, 0.58%

LAB 54.12, 66.84, 4.16

 

CMYK 72 / 0 / 68 / 10

HEX #41E649

RGB 65 230 73

HSL 122.91, 0.77%, 0.58%

LAB 80.85, -70.78, 61.73

 

CMYK 70 / 72 / 0 / 10

HEX #4641E6

RGB 70 65 230

HSL 241.82, 0.77%, 0.58%

LAB 39.23, 52.72, -82.15

 

CMYK 0 / 70 / 72 / 10

HEX #E64641

RGB 230 70 65

HSL 1.82, 0.77%, 0.58%

LAB 53.58, 61.09, 38.79

 

CMYK 72 / 0 / 68 / 10

HEX #41E649

RGB 65 230 73

HSL 122.91, 0.77%, 0.58%

LAB 80.85, -70.78, 61.73

 

CMYK 72 / 17 / 0 / 10

HEX #41BFE6

RGB 65 191 230

HSL 194.18, 0.77%, 0.58%

LAB 72.29, -21.88, -29.38

 

CMYK 0 / 72 / 3 / 10

HEX #E641E0

RGB 230 65 224

HSL 302.18, 0.77%, 0.58%

LAB 58.02, 79.05, -47.43

 

CMYK 0 / 55 / 72 / 10

HEX #E66741

RGB 230 103 65

HSL 13.82, 0.77%, 0.58%

LAB 58.89, 46.96, 44.76

 

CMYK 72 / 0 / 68 / 10

HEX #41E649

RGB 65 230 73

HSL 122.91, 0.77%, 0.58%

LAB 80.85, -70.78, 61.73

 

CMYK 72 / 38 / 0 / 10

HEX #418EE6

RGB 65 142 230

HSL 212, 0.77%, 0.58%

LAB 58.21, 5.27, -51.42

 

CMYK 0 / 72 / 3 / 10

HEX #E641E0

RGB 230 65 224

HSL 302.18, 0.77%, 0.58%

LAB 58.02, 79.05, -47.43

 

CMYK 0 / 33 / 72 / 10

HEX #E69941

RGB 230 153 65

HSL 32, 0.77%, 0.58%

LAB 69.46, 21.27, 56.07

 

Description

Color code: HEX #41E649 | qconv.com Color code: HEX #41E649 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 65 red, 230 green and 73 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
65 230 73 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, none magenta, 68 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 0% 68% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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