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Color name
HEX #424E7F

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #424E7F it is the complementary color #BDB180. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #424E7F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #424E7F shade: #474E7A, #58608D, #6972A0, #7A84B3 and #8B96C6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #424E7F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #424E7F shade: #424E7F, #313C6C, #202A59, #0F1846 and #000633

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #424E7F shade: #414E7F, #46417F, #57417F, #67417F and #78417F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #424E7F shade: #414E7F and #41417F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #424E7F shade matches the following richer shades: #414E7F, #32448F, #223B9F, #1231AE and #0328BE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #424E7F shade: #414E7F, #515770, #616160, #706A50 and #807441

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #424E7F shade: #416F7F, #415E7F, #414E7F, #46417F and #56417F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #424E7F shade: #252C49, #333D64, #414E7F, #4F5E9B and #6473AF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #424E7F shade: #424E7F, #7F417F and #677F41

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #424E7F shade: #424E7F, #7F414E and #4E7F41

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #424E7F shade: #424E7F, #7F417F, #7F7341 and #417F41

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #424E7F shade: #424E7F, #7F416D, #7F7341 and #417F54

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 39 / 0 / 50

HEX #424E7F

RGB 66 78 127

HSL 228.2, 0.32%, 0.38%

LAB 34.27, 9.53, -29.22

 

Complementary color

CMYK 0 / 6 / 32 / 26

HEX #BDB180

RGB 189 177 128

HSL 48.2, 0.32%, 0.62%

LAB 72.11, -3.21, 26.67

 

CMYK 42 / 36 / 0 / 52

HEX #474E7A

RGB 71 78 122

HSL 231.76, 0.26%, 0.38%

LAB 34.38, 9.34, -25.92

 

CMYK 38 / 32 / 0 / 45

HEX #58608D

RGB 88 96 141

HSL 230.94, 0.23%, 0.45%

LAB 41.79, 8.63, -25.86

 

CMYK 34 / 29 / 0 / 37

HEX #6972A0

RGB 105 114 160

HSL 230.18, 0.22%, 0.52%

LAB 48.98, 8.05, -25.87

 

CMYK 32 / 26 / 0 / 30

HEX #7A84B3

RGB 122 132 179

HSL 229.47, 0.27%, 0.59%

LAB 55.98, 7.57, -25.93

 

CMYK 30 / 24 / 0 / 22

HEX #8B96C6

RGB 139 150 198

HSL 228.81, 0.34%, 0.66%

LAB 62.83, 7.15, -26.04

 

CMYK 48 / 39 / 0 / 50

HEX #424E7F

RGB 66 78 127

HSL 228.2, 0.32%, 0.38%

LAB 34.27, 9.53, -29.22

 

CMYK 55 / 44 / 0 / 58

HEX #313C6C

RGB 49 60 108

HSL 228.81, 0.38%, 0.31%

LAB 26.64, 10.64, -29.43

 

CMYK 64 / 53 / 0 / 65

HEX #202A59

RGB 32 42 89

HSL 229.47, 0.47%, 0.24%

LAB 18.73, 12.19, -29.74

 

CMYK 79 / 66 / 0 / 73

HEX #0F1846

RGB 15 24 70

HSL 230.18, 0.65%, 0.17%

LAB 10.54, 14.54, -30.1

 

CMYK 100 / 88 / 0 / 80

HEX #000633

RGB 0 6 51

HSL 232.94, 1%, 0.1%

LAB 3.34, 12.77, -28.18

 

CMYK 49 / 39 / 0 / 50

HEX #414E7F

RGB 65 78 127

HSL 227.42, 0.32%, 0.38%

LAB 34.2, 9.26, -29.34

 

CMYK 45 / 49 / 0 / 50

HEX #46417F

RGB 70 65 127

HSL 244.84, 0.32%, 0.38%

LAB 30.91, 19.14, -34.52

 

CMYK 31 / 49 / 0 / 50

HEX #57417F

RGB 87 65 127

HSL 261.29, 0.32%, 0.38%

LAB 32.57, 23.93, -31.79

 

CMYK 19 / 49 / 0 / 50

HEX #67417F

RGB 103 65 127

HSL 276.77, 0.32%, 0.38%

LAB 34.39, 28.77, -28.79

 

CMYK 6 / 49 / 0 / 50

HEX #78417F

RGB 120 65 127

HSL 293.23, 0.32%, 0.38%

LAB 36.57, 34.08, -25.22

 

CMYK 49 / 39 / 0 / 50

HEX #414E7F

RGB 65 78 127

HSL 227.42, 0.32%, 0.38%

LAB 34.2, 9.26, -29.34

 

CMYK 49 / 49 / 0 / 50

HEX #41417F

RGB 65 65 127

HSL 240, 0.32%, 0.38%

LAB 30.49, 17.83, -35.23

 

CMYK 49 / 39 / 0 / 50

HEX #414E7F

RGB 65 78 127

HSL 227.42, 0.32%, 0.38%

LAB 34.2, 9.26, -29.34

 

CMYK 65 / 52 / 0 / 44

HEX #32448F

RGB 50 68 143

HSL 228.39, 0.48%, 0.38%

LAB 31.34, 18.15, -43.82

 

CMYK 79 / 63 / 0 / 38

HEX #223B9F

RGB 34 59 159

HSL 228, 0.65%, 0.38%

LAB 29.34, 28, -56.85

 

CMYK 90 / 72 / 0 / 32

HEX #1231AE

RGB 18 49 174

HSL 228.08, 0.81%, 0.38%

LAB 27.79, 39.02, -68.46

 

CMYK 98 / 79 / 0 / 25

HEX #0328BE

RGB 3 40 190

HSL 228.13, 0.97%, 0.38%

LAB 27.45, 49.48, -78.56

 

CMYK 49 / 39 / 0 / 50

HEX #414E7F

RGB 65 78 127

HSL 227.42, 0.32%, 0.38%

LAB 34.2, 9.26, -29.34

 

CMYK 28 / 22 / 0 / 56

HEX #515770

RGB 81 87 112

HSL 228.39, 0.16%, 0.38%

LAB 37.36, 3.85, -15.04

 

CMYK 0 / 0 / 1 / 62

HEX #616160

RGB 97 97 96

HSL 60, 0.01%, 0.38%

LAB 41.11, -0.21, 0.56

 

CMYK 0 / 5 / 29 / 56

HEX #706A50

RGB 112 106 80

HSL 48.75, 0.17%, 0.38%

LAB 44.71, -2.18, 15.48

 

CMYK 0 / 9 / 49 / 50

HEX #807441

RGB 128 116 65

HSL 48.57, 0.33%, 0.38%

LAB 48.84, -2.81, 29.72

 

CMYK 49 / 13 / 0 / 50

HEX #416F7F

RGB 65 111 127

HSL 195.48, 0.32%, 0.38%

LAB 44.27, -11.09, -13.75

 

CMYK 49 / 26 / 0 / 50

HEX #415E7F

RGB 65 94 127

HSL 211.94, 0.32%, 0.38%

LAB 39, -0.94, -21.82

 

CMYK 49 / 39 / 0 / 50

HEX #414E7F

RGB 65 78 127

HSL 227.42, 0.32%, 0.38%

LAB 34.2, 9.26, -29.34

 

CMYK 45 / 49 / 0 / 50

HEX #46417F

RGB 70 65 127

HSL 244.84, 0.32%, 0.38%

LAB 30.91, 19.14, -34.52

 

CMYK 32 / 49 / 0 / 50

HEX #56417F

RGB 86 65 127

HSL 260.32, 0.32%, 0.38%

LAB 32.46, 23.63, -31.97

 

CMYK 49 / 40 / 0 / 71

HEX #252C49

RGB 37 44 73

HSL 228.33, 0.33%, 0.22%

LAB 18.7, 6.08, -19.02

 

CMYK 49 / 39 / 0 / 61

HEX #333D64

RGB 51 61 100

HSL 227.76, 0.32%, 0.3%

LAB 26.62, 7.71, -24.31

 

CMYK 49 / 39 / 0 / 50

HEX #414E7F

RGB 65 78 127

HSL 227.42, 0.32%, 0.38%

LAB 34.2, 9.26, -29.34

 

CMYK 49 / 39 / 0 / 39

HEX #4F5E9B

RGB 79 94 155

HSL 228.16, 0.32%, 0.46%

LAB 41.27, 11.7, -35.11

 

CMYK 43 / 34 / 0 / 31

HEX #6473AF

RGB 100 115 175

HSL 228, 0.32%, 0.54%

LAB 49.58, 10.33, -33.71

 

CMYK 48 / 39 / 0 / 50

HEX #424E7F

RGB 66 78 127

HSL 228.2, 0.32%, 0.38%

LAB 34.27, 9.53, -29.22

 

CMYK 0 / 49 / 0 / 50

HEX #7F417F

RGB 127 65 127

HSL 300, 0.32%, 0.38%

LAB 37.53, 36.28, -23.65

 

CMYK 19 / 0 / 49 / 50

HEX #677F41

RGB 103 127 65

HSL 83.23, 0.32%, 0.38%

LAB 50.03, -19.7, 30.73

 

CMYK 48 / 39 / 0 / 50

HEX #424E7F

RGB 66 78 127

HSL 228.2, 0.32%, 0.38%

LAB 34.27, 9.53, -29.22

 

CMYK 0 / 49 / 39 / 50

HEX #7F414E

RGB 127 65 78

HSL 347.42, 0.32%, 0.38%

LAB 35.68, 28.2, 4.37

 

CMYK 39 / 0 / 49 / 50

HEX #4E7F41

RGB 78 127 65

HSL 107.42, 0.32%, 0.38%

LAB 48.49, -29.34, 28.47

 

CMYK 48 / 39 / 0 / 50

HEX #424E7F

RGB 66 78 127

HSL 228.2, 0.32%, 0.38%

LAB 34.27, 9.53, -29.22

 

CMYK 0 / 49 / 0 / 50

HEX #7F417F

RGB 127 65 127

HSL 300, 0.32%, 0.38%

LAB 37.53, 36.28, -23.65

 

CMYK 0 / 9 / 49 / 50

HEX #7F7341

RGB 127 115 65

HSL 48.39, 0.32%, 0.38%

LAB 48.45, -2.68, 29.23

 

CMYK 49 / 0 / 49 / 50

HEX #417F41

RGB 65 127 65

HSL 120, 0.32%, 0.38%

LAB 47.86, -33.65, 27.55

 

CMYK 48 / 39 / 0 / 50

HEX #424E7F

RGB 66 78 127

HSL 228.2, 0.32%, 0.38%

LAB 34.27, 9.53, -29.22

 

CMYK 0 / 49 / 14 / 50

HEX #7F416D

RGB 127 65 109

HSL 317.42, 0.32%, 0.38%

LAB 36.74, 32.93, -13.67

 

CMYK 0 / 9 / 49 / 50

HEX #7F7341

RGB 127 115 65

HSL 48.39, 0.32%, 0.38%

LAB 48.45, -2.68, 29.23

 

CMYK 49 / 0 / 34 / 50

HEX #417F54

RGB 65 127 84

HSL 138.39, 0.32%, 0.38%

LAB 48.19, -30.31, 17.36

 

Description

Color code: HEX #424E7F | qconv.com Color code: HEX #424E7F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 66 red, 78 green and 127 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
66 78 127 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, 39 magenta, none yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 39% 0% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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