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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #427D8E it is the complementary color #BD8271. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #427D8E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #427D8E shade: #477D89, #588F9C, #69A1AF, #7AB3C2 and #8BC5D5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #427D8E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #427D8E shade: #427D8E, #316B7B, #205968, #0F4755 and #003542

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #427D8E shade: #417D8F, #41698F, #41548F, #44418F and #59418F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #427D8E shade: #417D8F, #41698F, #41548F and #41418F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #427D8E shade matches the following richer shades: #417D8F, #3087A0, #2090B1 and #0F99C1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #427D8E shade: #417D8F, #52747E, #636B6D, #74615C and #85584B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #427D8E shade: #418F76, #418F8B, #417E8F, #41698F and #41558F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #427D8E shade: #274C56, #346572, #417D8F, #4E96AB and #69A8BA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #427D8E shade: #427D8E, #62418F and #8F8141

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #427D8E shade: #427D8E, #8F417E and #7E8F41

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #427D8E shade: #427D8E, #62418F, #8F5241 and #6E8F41

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #427D8E shade: #427D8E, #79418F, #8F5241 and #578F41

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 12 / 0 / 44

HEX #427D8E

RGB 66 125 142

HSL 193.42, 0.37%, 0.41%

LAB 49.23, -14.21, -15.12

 

Complementary color

CMYK 0 / 31 / 40 / 26

HEX #BD8271

RGB 189 130 113

HSL 13.42, 0.37%, 0.59%

LAB 59.87, 20.64, 18.38

 

CMYK 48 / 9 / 0 / 46

HEX #477D89

RGB 71 125 137

HSL 190.91, 0.32%, 0.41%

LAB 49.27, -14.49, -12.09

 

CMYK 44 / 8 / 0 / 39

HEX #588F9C

RGB 88 143 156

HSL 191.47, 0.28%, 0.48%

LAB 56.21, -14.6, -12.59

 

CMYK 40 / 8 / 0 / 31

HEX #69A1AF

RGB 105 161 175

HSL 192, 0.3%, 0.55%

LAB 63, -14.67, -13.06

 

CMYK 37 / 8 / 0 / 24

HEX #7AB3C2

RGB 122 179 194

HSL 192.5, 0.37%, 0.62%

LAB 69.66, -14.71, -13.52

 

CMYK 35 / 8 / 0 / 16

HEX #8BC5D5

RGB 139 197 213

HSL 192.97, 0.47%, 0.69%

LAB 76.21, -14.73, -13.96

 

CMYK 54 / 12 / 0 / 44

HEX #427D8E

RGB 66 125 142

HSL 193.42, 0.37%, 0.41%

LAB 49.23, -14.21, -15.12

 

CMYK 60 / 13 / 0 / 52

HEX #316B7B

RGB 49 107 123

HSL 192.97, 0.43%, 0.34%

LAB 42.15, -13.83, -14.62

 

CMYK 69 / 14 / 0 / 59

HEX #205968

RGB 32 89 104

HSL 192.5, 0.53%, 0.27%

LAB 34.91, -13.22, -14.07

 

CMYK 82 / 16 / 0 / 67

HEX #0F4755

RGB 15 71 85

HSL 192, 0.7%, 0.2%

LAB 27.47, -12.18, -13.42

 

CMYK 100 / 20 / 0 / 74

HEX #003542

RGB 0 53 66

HSL 191.82, 1%, 0.13%

LAB 19.8, -10.61, -12.66

 

CMYK 55 / 13 / 0 / 44

HEX #417D8F

RGB 65 125 143

HSL 193.85, 0.38%, 0.41%

LAB 49.22, -14.14, -15.72

 

CMYK 55 / 27 / 0 / 44

HEX #41698F

RGB 65 105 143

HSL 209.23, 0.38%, 0.41%

LAB 43.08, -2.5, -25.16

 

CMYK 55 / 41 / 0 / 44

HEX #41548F

RGB 65 84 143

HSL 225.38, 0.38%, 0.41%

LAB 36.83, 10.72, -34.97

 

CMYK 52 / 55 / 0 / 44

HEX #44418F

RGB 68 65 143

HSL 242.31, 0.38%, 0.41%

LAB 31.79, 23.85, -43.02

 

CMYK 38 / 55 / 0 / 44

HEX #59418F

RGB 89 65 143

HSL 258.46, 0.38%, 0.41%

LAB 33.75, 29, -39.77

 

CMYK 55 / 13 / 0 / 44

HEX #417D8F

RGB 65 125 143

HSL 193.85, 0.38%, 0.41%

LAB 49.22, -14.14, -15.72

 

CMYK 55 / 27 / 0 / 44

HEX #41698F

RGB 65 105 143

HSL 209.23, 0.38%, 0.41%

LAB 43.08, -2.5, -25.16

 

CMYK 55 / 41 / 0 / 44

HEX #41548F

RGB 65 84 143

HSL 225.38, 0.38%, 0.41%

LAB 36.83, 10.72, -34.97

 

CMYK 55 / 55 / 0 / 44

HEX #41418F

RGB 65 65 143

HSL 240, 0.38%, 0.41%

LAB 31.55, 23.18, -43.42

 

CMYK 55 / 13 / 0 / 44

HEX #417D8F

RGB 65 125 143

HSL 193.85, 0.38%, 0.41%

LAB 49.22, -14.14, -15.72

 

CMYK 70 / 16 / 0 / 37

HEX #3087A0

RGB 48 135 160

HSL 193.39, 0.54%, 0.41%

LAB 52.39, -17.41, -20.84

 

CMYK 82 / 19 / 0 / 31

HEX #2090B1

RGB 32 144 177

HSL 193.66, 0.69%, 0.41%

LAB 55.51, -18.44, -25.84

 

CMYK 92 / 21 / 0 / 24

HEX #0F99C1

RGB 15 153 193

HSL 193.48, 0.86%, 0.41%

LAB 58.73, -18.81, -29.95

 

CMYK 55 / 13 / 0 / 44

HEX #417D8F

RGB 65 125 143

HSL 193.85, 0.38%, 0.41%

LAB 49.22, -14.14, -15.72

 

CMYK 35 / 8 / 0 / 51

HEX #52747E

RGB 82 116 126

HSL 193.64, 0.21%, 0.41%

LAB 46.7, -9.44, -9.39

 

CMYK 9 / 2 / 0 / 57

HEX #636B6D

RGB 99 107 109

HSL 192, 0.05%, 0.41%

LAB 44.62, -2.6, -2.17

 

CMYK 0 / 16 / 21 / 55

HEX #74615C

RGB 116 97 92

HSL 12.5, 0.12%, 0.41%

LAB 42.82, 6.77, 5.69

 

CMYK 0 / 34 / 44 / 48

HEX #85584B

RGB 133 88 75

HSL 13.45, 0.28%, 0.41%

LAB 41.96, 16.92, 15.12

 

CMYK 55 / 0 / 17 / 44

HEX #418F76

RGB 65 143 118

HSL 160.77, 0.38%, 0.41%

LAB 54.11, -30.36, 6.07

 

CMYK 55 / 0 / 3 / 44

HEX #418F8B

RGB 65 143 139

HSL 176.92, 0.38%, 0.41%

LAB 54.69, -24.87, -5.17

 

CMYK 55 / 12 / 0 / 44

HEX #417E8F

RGB 65 126 143

HSL 193.08, 0.38%, 0.41%

LAB 49.53, -14.69, -15.25

 

CMYK 55 / 27 / 0 / 44

HEX #41698F

RGB 65 105 143

HSL 209.23, 0.38%, 0.41%

LAB 43.08, -2.5, -25.16

 

CMYK 55 / 41 / 0 / 44

HEX #41558F

RGB 65 85 143

HSL 224.62, 0.38%, 0.41%

LAB 37.12, 10.07, -34.51

 

CMYK 55 / 12 / 0 / 66

HEX #274C56

RGB 39 76 86

HSL 192.77, 0.38%, 0.25%

LAB 30.09, -10.06, -10

 

CMYK 54 / 11 / 0 / 55

HEX #346572

RGB 52 101 114

HSL 192.58, 0.37%, 0.33%

LAB 40, -12.59, -12.41

 

CMYK 55 / 13 / 0 / 44

HEX #417D8F

RGB 65 125 143

HSL 193.85, 0.38%, 0.41%

LAB 49.22, -14.14, -15.72

 

CMYK 54 / 12 / 0 / 33

HEX #4E96AB

RGB 78 150 171

HSL 193.55, 0.37%, 0.49%

LAB 58.39, -16.47, -17.9

 

CMYK 44 / 10 / 0 / 27

HEX #69A8BA

RGB 105 168 186

HSL 193.33, 0.37%, 0.57%

LAB 65.4, -15.45, -15.6

 

CMYK 54 / 12 / 0 / 44

HEX #427D8E

RGB 66 125 142

HSL 193.42, 0.37%, 0.41%

LAB 49.23, -14.21, -15.12

 

CMYK 31 / 55 / 0 / 44

HEX #62418F

RGB 98 65 143

HSL 265.38, 0.38%, 0.41%

LAB 34.72, 31.4, -38.16

 

CMYK 0 / 10 / 55 / 44

HEX #8F8141

RGB 143 129 65

HSL 49.23, 0.38%, 0.41%

LAB 53.94, -3.43, 36.23

 

CMYK 54 / 12 / 0 / 44

HEX #427D8E

RGB 66 125 142

HSL 193.42, 0.37%, 0.41%

LAB 49.23, -14.21, -15.12

 

CMYK 0 / 55 / 12 / 44

HEX #8F417E

RGB 143 65 126

HSL 313.08, 0.38%, 0.41%

LAB 39.79, 41.14, -19.34

 

CMYK 12 / 0 / 55 / 44

HEX #7E8F41

RGB 126 143 65

HSL 73.08, 0.38%, 0.41%

LAB 56.55, -18.41, 38.94

 

CMYK 54 / 12 / 0 / 44

HEX #427D8E

RGB 66 125 142

HSL 193.42, 0.37%, 0.41%

LAB 49.23, -14.21, -15.12

 

CMYK 31 / 55 / 0 / 44

HEX #62418F

RGB 98 65 143

HSL 265.38, 0.38%, 0.41%

LAB 34.72, 31.4, -38.16

 

CMYK 0 / 43 / 55 / 44

HEX #8F5241

RGB 143 82 65

HSL 13.08, 0.38%, 0.41%

LAB 41.62, 23.62, 20.94

 

CMYK 23 / 0 / 55 / 44

HEX #6E8F41

RGB 110 143 65

HSL 85.38, 0.38%, 0.41%

LAB 55.42, -25, 37.33

 

CMYK 54 / 12 / 0 / 44

HEX #427D8E

RGB 66 125 142

HSL 193.42, 0.37%, 0.41%

LAB 49.23, -14.21, -15.12

 

CMYK 15 / 55 / 0 / 44

HEX #79418F

RGB 121 65 143

HSL 283.08, 0.38%, 0.41%

LAB 37.53, 37.84, -33.52

 

CMYK 0 / 43 / 55 / 44

HEX #8F5241

RGB 143 82 65

HSL 13.08, 0.38%, 0.41%

LAB 41.62, 23.62, 20.94

 

CMYK 39 / 0 / 55 / 44

HEX #578F41

RGB 87 143 65

HSL 103.08, 0.38%, 0.41%

LAB 54.08, -33.65, 35.41

 

Description

Color code: HEX #427D8E | qconv.com Color code: HEX #427D8E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 66 red, 125 green and 142 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
66 125 142 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, 12 magenta, none yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 12% 0% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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