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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2090B1 it is the complementary color #DF6F4E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2090B1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2090B1 shade: #2590AC, #36A2BF, #47B4D2, #58C6E5 and #69D8F8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2090B1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2090B1 shade: #2090B1, #0F7E9E, #006C8B, #005A78 and #004865

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2090B1 shade: #208FB0, #2068B0, #2042B0, #2520B0 and #4C20B0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2090B1 shade: #208FB0, #2068B0, #2042B0 and #2020B0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2090B1 shade matches the following richer shades: #208FB0 and #0F99C1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2090B1 shade: #208FB0, #31869F, #427D8E, #53747D and #646A6D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2090B1 shade: #20B083, #20B0A9, #2091B0, #206AB0 and #2044B0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2090B1 shade: #13576A, #1A738D, #208FB0, #26ACD3 and #46BADD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2090B1 shade: #2090B1, #5C20B0 and #B09620

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2090B1 shade: #2090B1, #B02091 and #91B020

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2090B1 shade: #2090B1, #5C20B0, #B03F20 and #74B020

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2090B1 shade: #2090B1, #8720B0, #B03F20 and #49B020

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 19 / 0 / 31

HEX #2090B1

RGB 32 144 177

HSL 193.66, 0.69%, 0.41%

LAB 55.51, -18.44, -25.84

 

Complementary color

CMYK 0 / 50 / 65 / 13

HEX #DF6F4E

RGB 223 111 78

HSL 13.66, 0.69%, 0.59%

LAB 59.53, 41.12, 38.34

 

CMYK 78 / 16 / 0 / 33

HEX #2590AC

RGB 37 144 172

HSL 192.44, 0.65%, 0.41%

LAB 55.4, -19.65, -23.15

 

CMYK 72 / 15 / 0 / 25

HEX #36A2BF

RGB 54 162 191

HSL 192.7, 0.56%, 0.48%

LAB 61.99, -20.8, -23.75

 

CMYK 66 / 14 / 0 / 18

HEX #47B4D2

RGB 71 180 210

HSL 192.95, 0.61%, 0.55%

LAB 68.49, -21.65, -24.29

 

CMYK 62 / 14 / 0 / 10

HEX #58C6E5

RGB 88 198 229

HSL 193.19, 0.73%, 0.62%

LAB 74.9, -22.31, -24.79

 

CMYK 58 / 13 / 0 / 3

HEX #69D8F8

RGB 105 216 248

HSL 193.43, 0.91%, 0.69%

LAB 81.23, -22.81, -25.25

 

CMYK 82 / 19 / 0 / 31

HEX #2090B1

RGB 32 144 177

HSL 193.66, 0.69%, 0.41%

LAB 55.51, -18.44, -25.84

 

CMYK 91 / 20 / 0 / 38

HEX #0F7E9E

RGB 15 126 158

HSL 193.43, 0.83%, 0.34%

LAB 48.87, -16.65, -25.15

 

CMYK 100 / 22 / 0 / 45

HEX #006C8B

RGB 0 108 139

HSL 193.38, 1%, 0.27%

LAB 42.14, -14.37, -24.36

 

CMYK 100 / 25 / 0 / 53

HEX #005A78

RGB 0 90 120

HSL 195, 1%, 0.24%

LAB 35.34, -11.24, -23.39

 

CMYK 100 / 29 / 0 / 60

HEX #004865

RGB 0 72 101

HSL 197.23, 1%, 0.2%

LAB 28.31, -7.92, -22.44

 

CMYK 82 / 19 / 0 / 31

HEX #208FB0

RGB 32 143 176

HSL 193.75, 0.69%, 0.41%

LAB 55.16, -18.25, -25.81

 

CMYK 82 / 41 / 0 / 31

HEX #2068B0

RGB 32 104 176

HSL 210, 0.69%, 0.41%

LAB 43.27, 4.62, -44.47

 

CMYK 82 / 63 / 0 / 31

HEX #2042B0

RGB 32 66 176

HSL 225.83, 0.69%, 0.41%

LAB 32.56, 29.67, -61.79

 

CMYK 79 / 82 / 0 / 31

HEX #2520B0

RGB 37 32 176

HSL 242.08, 0.69%, 0.41%

LAB 25.45, 50.23, -73.52

 

CMYK 57 / 82 / 0 / 31

HEX #4C20B0

RGB 76 32 176

HSL 258.33, 0.69%, 0.41%

LAB 28.65, 53.63, -68.11

 

CMYK 82 / 19 / 0 / 31

HEX #208FB0

RGB 32 143 176

HSL 193.75, 0.69%, 0.41%

LAB 55.16, -18.25, -25.81

 

CMYK 82 / 41 / 0 / 31

HEX #2068B0

RGB 32 104 176

HSL 210, 0.69%, 0.41%

LAB 43.27, 4.62, -44.47

 

CMYK 82 / 63 / 0 / 31

HEX #2042B0

RGB 32 66 176

HSL 225.83, 0.69%, 0.41%

LAB 32.56, 29.67, -61.79

 

CMYK 82 / 82 / 0 / 31

HEX #2020B0

RGB 32 32 176

HSL 240, 0.69%, 0.41%

LAB 25.18, 49.95, -73.96

 

CMYK 82 / 19 / 0 / 31

HEX #208FB0

RGB 32 143 176

HSL 193.75, 0.69%, 0.41%

LAB 55.16, -18.25, -25.81

 

CMYK 92 / 21 / 0 / 24

HEX #0F99C1

RGB 15 153 193

HSL 193.48, 0.86%, 0.41%

LAB 58.73, -18.81, -29.95

 

CMYK 82 / 19 / 0 / 31

HEX #208FB0

RGB 32 143 176

HSL 193.75, 0.69%, 0.41%

LAB 55.16, -18.25, -25.81

 

CMYK 69 / 16 / 0 / 38

HEX #31869F

RGB 49 134 159

HSL 193.64, 0.53%, 0.41%

LAB 52.07, -17.04, -20.75

 

CMYK 54 / 12 / 0 / 44

HEX #427D8E

RGB 66 125 142

HSL 193.42, 0.37%, 0.41%

LAB 49.23, -14.21, -15.12

 

CMYK 34 / 7 / 0 / 51

HEX #53747D

RGB 83 116 125

HSL 192.86, 0.2%, 0.41%

LAB 46.72, -9.4, -8.75

 

CMYK 8 / 3 / 0 / 57

HEX #646A6D

RGB 100 106 109

HSL 200, 0.04%, 0.41%

LAB 44.41, -1.64, -2.48

 

CMYK 82 / 0 / 26 / 31

HEX #20B083

RGB 32 176 131

HSL 161.25, 0.69%, 0.41%

LAB 64.16, -47.04, 12.9

 

CMYK 82 / 0 / 4 / 31

HEX #20B0A9

RGB 32 176 169

HSL 177.08, 0.69%, 0.41%

LAB 65.14, -36.89, -6.74

 

CMYK 82 / 18 / 0 / 31

HEX #2091B0

RGB 32 145 176

HSL 192.92, 0.69%, 0.41%

LAB 55.78, -19.32, -24.85

 

CMYK 82 / 40 / 0 / 31

HEX #206AB0

RGB 32 106 176

HSL 209.17, 0.69%, 0.41%

LAB 43.87, 3.36, -43.52

 

CMYK 82 / 61 / 0 / 31

HEX #2044B0

RGB 32 68 176

HSL 225, 0.69%, 0.41%

LAB 33.08, 28.34, -60.94

 

CMYK 82 / 18 / 0 / 58

HEX #13576A

RGB 19 87 106

HSL 193.1, 0.7%, 0.25%

LAB 33.97, -13.29, -16.78

 

CMYK 82 / 18 / 0 / 45

HEX #1A738D

RGB 26 115 141

HSL 193.57, 0.69%, 0.33%

LAB 44.81, -15.78, -21.4

 

CMYK 82 / 19 / 0 / 31

HEX #208FB0

RGB 32 143 176

HSL 193.75, 0.69%, 0.41%

LAB 55.16, -18.25, -25.81

 

CMYK 82 / 18 / 0 / 17

HEX #26ACD3

RGB 38 172 211

HSL 193.53, 0.69%, 0.49%

LAB 65.45, -21.15, -29.57

 

CMYK 68 / 16 / 0 / 13

HEX #46BADD

RGB 70 186 221

HSL 193.91, 0.69%, 0.57%

LAB 70.62, -21.47, -27.04

 

CMYK 82 / 19 / 0 / 31

HEX #2090B1

RGB 32 144 177

HSL 193.66, 0.69%, 0.41%

LAB 55.51, -18.44, -25.84

 

CMYK 48 / 82 / 0 / 31

HEX #5C20B0

RGB 92 32 176

HSL 265, 0.69%, 0.41%

LAB 30.5, 55.62, -65

 

CMYK 0 / 15 / 82 / 31

HEX #B09620

RGB 176 150 32

HSL 49.17, 0.69%, 0.41%

LAB 62.63, -2.05, 60.12

 

CMYK 82 / 19 / 0 / 31

HEX #2090B1

RGB 32 144 177

HSL 193.66, 0.69%, 0.41%

LAB 55.51, -18.44, -25.84

 

CMYK 0 / 82 / 18 / 31

HEX #B02091

RGB 176 32 145

HSL 312.92, 0.69%, 0.41%

LAB 41.7, 65.25, -27.58

 

CMYK 18 / 0 / 82 / 31

HEX #91B020

RGB 145 176 32

HSL 72.92, 0.69%, 0.41%

LAB 67.41, -28.96, 63.33

 

CMYK 82 / 19 / 0 / 31

HEX #2090B1

RGB 32 144 177

HSL 193.66, 0.69%, 0.41%

LAB 55.51, -18.44, -25.84

 

CMYK 48 / 82 / 0 / 31

HEX #5C20B0

RGB 92 32 176

HSL 265, 0.69%, 0.41%

LAB 30.5, 55.62, -65

 

CMYK 0 / 64 / 82 / 31

HEX #B03F20

RGB 176 63 32

HSL 12.92, 0.69%, 0.41%

LAB 42.6, 44.54, 41.97

 

CMYK 34 / 0 / 82 / 31

HEX #74B020

RGB 116 176 32

HSL 85, 0.69%, 0.41%

LAB 65.65, -40.4, 61.09

 

CMYK 82 / 19 / 0 / 31

HEX #2090B1

RGB 32 144 177

HSL 193.66, 0.69%, 0.41%

LAB 55.51, -18.44, -25.84

 

CMYK 23 / 82 / 0 / 31

HEX #8720B0

RGB 135 32 176

HSL 282.92, 0.69%, 0.41%

LAB 36.59, 62.27, -54.81

 

CMYK 0 / 64 / 82 / 31

HEX #B03F20

RGB 176 63 32

HSL 12.92, 0.69%, 0.41%

LAB 42.6, 44.54, 41.97

 

CMYK 59 / 0 / 82 / 31

HEX #49B020

RGB 73 176 32

HSL 102.92, 0.69%, 0.41%

LAB 63.81, -54.08, 58.74

 

Description

Color code: HEX #2090B1 | qconv.com Color code: HEX #2090B1 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 32 red, 144 green and 177 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
32 144 177 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, 19 magenta, none yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 19% 0% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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