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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #431848 it is the complementary color #BCE7B7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #431848. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #431848 shade: #481843, #592A56, #6A3C69, #7B4E7C and #8C608F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #431848. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #431848 shade: #431848, #320635, #210022 and #10000F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #431848 shade: #431848, #481840, #481833, #481826 and #481819

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #431848 shade: #431848, #361848, #291848, #1C1848 and #181848

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #431848 shade matches the following richer shades: #431848, #491050, #500858 and #560060

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #431848 shade: #431848, #3D2040, #372738, #312F31 and #2A3729

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #431848 shade: #291848, #361848, #431848, #481841 and #481834

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #431848 shade: #0A030A, #260D29, #431848, #602267 and #7D2C86

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #431848 shade: #431848, #481C18 and #18482F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #431848 shade: #431848, #484318 and #184843

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #431848 shade: #431848, #481C18, #1D4818 and #184448

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #431848 shade: #431848, #482A18, #1D4818 and #183648

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 67 / 0 / 72

HEX #431848

RGB 67 24 72

HSL 293.75, 0.5%, 0.19%

LAB 17.06, 28.65, -20.67

 

Complementary color

CMYK 19 / 0 / 21 / 9

HEX #BCE7B7

RGB 188 231 183

HSL 113.75, 0.5%, 0.81%

LAB 87.61, -22.84, 18.87

 

CMYK 0 / 67 / 7 / 72

HEX #481843

RGB 72 24 67

HSL 306.25, 0.5%, 0.19%

LAB 17.63, 29.15, -16.26

 

CMYK 0 / 53 / 3 / 65

HEX #592A56

RGB 89 42 86

HSL 303.83, 0.36%, 0.26%

LAB 25.11, 28.59, -17.24

 

CMYK 0 / 43 / 1 / 58

HEX #6A3C69

RGB 106 60 105

HSL 301.3, 0.28%, 0.33%

LAB 32.52, 27.78, -17.88

 

CMYK 1 / 37 / 0 / 51

HEX #7B4E7C

RGB 123 78 124

HSL 298.7, 0.23%, 0.4%

LAB 39.77, 26.95, -18.37

 

CMYK 2 / 33 / 0 / 44

HEX #8C608F

RGB 140 96 143

HSL 296.17, 0.2%, 0.47%

LAB 46.88, 26.16, -18.79

 

CMYK 7 / 67 / 0 / 72

HEX #431848

RGB 67 24 72

HSL 293.75, 0.5%, 0.19%

LAB 17.06, 28.65, -20.67

 

CMYK 6 / 89 / 0 / 79

HEX #320635

RGB 50 6 53

HSL 296.17, 0.8%, 0.12%

LAB 9.52, 28.55, -19.38

 

CMYK 3 / 100 / 0 / 87

HEX #210022

RGB 33 0 34

HSL 298.24, 1%, 0.07%

LAB 3.96, 20.35, -14.05

 

CMYK 0 / 100 / 6 / 94

HEX #10000F

RGB 16 0 15

HSL 303.75, 1%, 0.03%

LAB 1.31, 6.65, -4.38

 

CMYK 7 / 67 / 0 / 72

HEX #431848

RGB 67 24 72

HSL 293.75, 0.5%, 0.19%

LAB 17.06, 28.65, -20.67

 

CMYK 0 / 67 / 11 / 72

HEX #481840

RGB 72 24 64

HSL 310, 0.5%, 0.19%

LAB 17.47, 28.57, -14.43

 

CMYK 0 / 67 / 29 / 72

HEX #481833

RGB 72 24 51

HSL 326.25, 0.5%, 0.19%

LAB 16.84, 26.29, -6.23

 

CMYK 0 / 67 / 47 / 72

HEX #481826

RGB 72 24 38

HSL 342.5, 0.5%, 0.19%

LAB 16.36, 24.44, 2.36

 

CMYK 0 / 67 / 65 / 72

HEX #481819

RGB 72 24 25

HSL 358.75, 0.5%, 0.19%

LAB 16.01, 23.05, 11.21

 

CMYK 7 / 67 / 0 / 72

HEX #431848

RGB 67 24 72

HSL 293.75, 0.5%, 0.19%

LAB 17.06, 28.65, -20.67

 

CMYK 25 / 67 / 0 / 72

HEX #361848

RGB 54 24 72

HSL 277.5, 0.5%, 0.19%

LAB 14.98, 24.78, -24.1

 

CMYK 43 / 67 / 0 / 72

HEX #291848

RGB 41 24 72

HSL 261.25, 0.5%, 0.19%

LAB 13.18, 21.11, -27.08

 

CMYK 61 / 67 / 0 / 72

HEX #1C1848

RGB 28 24 72

HSL 245, 0.5%, 0.19%

LAB 11.74, 17.88, -29.48

 

CMYK 67 / 67 / 0 / 72

HEX #181848

RGB 24 24 72

HSL 240, 0.5%, 0.19%

LAB 11.38, 17.03, -30.09

 

CMYK 7 / 67 / 0 / 72

HEX #431848

RGB 67 24 72

HSL 293.75, 0.5%, 0.19%

LAB 17.06, 28.65, -20.67

 

CMYK 9 / 80 / 0 / 69

HEX #491050

RGB 73 16 80

HSL 293.44, 0.67%, 0.19%

LAB 17.3, 35.73, -25.7

 

CMYK 9 / 91 / 0 / 65

HEX #500858

RGB 80 8 88

HSL 294, 0.83%, 0.19%

LAB 18.29, 41.47, -29.45

 

CMYK 10 / 100 / 0 / 62

HEX #560060

RGB 86 0 96

HSL 293.75, 1%, 0.19%

LAB 19.32, 46.28, -33.08

 

CMYK 7 / 67 / 0 / 72

HEX #431848

RGB 67 24 72

HSL 293.75, 0.5%, 0.19%

LAB 17.06, 28.65, -20.67

 

CMYK 5 / 50 / 0 / 75

HEX #3D2040

RGB 61 32 64

HSL 294.38, 0.33%, 0.19%

LAB 17.44, 20.07, -14.61

 

CMYK 2 / 30 / 0 / 78

HEX #372738

RGB 55 39 56

HSL 296.47, 0.18%, 0.19%

LAB 18.14, 11.13, -8.04

 

CMYK 0 / 4 / 0 / 81

HEX #312F31

RGB 49 47 49

HSL 300, 0.02%, 0.19%

LAB 19.67, 1.36, -0.96

 

CMYK 24 / 0 / 25 / 78

HEX #2A3729

RGB 42 55 41

HSL 115.71, 0.15%, 0.19%

LAB 21.52, -8.78, 7.05

 

CMYK 43 / 67 / 0 / 72

HEX #291848

RGB 41 24 72

HSL 261.25, 0.5%, 0.19%

LAB 13.18, 21.11, -27.08

 

CMYK 25 / 67 / 0 / 72

HEX #361848

RGB 54 24 72

HSL 277.5, 0.5%, 0.19%

LAB 14.98, 24.78, -24.1

 

CMYK 7 / 67 / 0 / 72

HEX #431848

RGB 67 24 72

HSL 293.75, 0.5%, 0.19%

LAB 17.06, 28.65, -20.67

 

CMYK 0 / 67 / 10 / 72

HEX #481841

RGB 72 24 65

HSL 308.75, 0.5%, 0.19%

LAB 17.52, 28.76, -15.04

 

CMYK 0 / 67 / 28 / 72

HEX #481834

RGB 72 24 52

HSL 325, 0.5%, 0.19%

LAB 16.89, 26.45, -6.88

 

CMYK 0 / 70 / 0 / 96

HEX #0A030A

RGB 10 3 10

HSL 300, 0.54%, 0.03%

LAB 1.37, 2.8, -2.01

 

CMYK 7 / 68 / 0 / 84

HEX #260D29

RGB 38 13 41

HSL 293.57, 0.52%, 0.11%

LAB 7.77, 18.44, -13.44

 

CMYK 7 / 67 / 0 / 72

HEX #431848

RGB 67 24 72

HSL 293.75, 0.5%, 0.19%

LAB 17.06, 28.65, -20.67

 

CMYK 7 / 67 / 0 / 60

HEX #602267

RGB 96 34 103

HSL 293.91, 0.5%, 0.27%

LAB 25.59, 38.41, -27.54

 

CMYK 7 / 67 / 0 / 47

HEX #7D2C86

RGB 125 44 134

HSL 294, 0.51%, 0.35%

LAB 33.74, 47.53, -33.97

 

CMYK 7 / 67 / 0 / 72

HEX #431848

RGB 67 24 72

HSL 293.75, 0.5%, 0.19%

LAB 17.06, 28.65, -20.67

 

CMYK 0 / 61 / 67 / 72

HEX #481C18

RGB 72 28 24

HSL 5, 0.5%, 0.19%

LAB 16.86, 20.67, 13.02

 

CMYK 67 / 0 / 35 / 72

HEX #18482F

RGB 24 72 47

HSL 148.75, 0.5%, 0.19%

LAB 26.83, -23.05, 10.31

 

CMYK 7 / 67 / 0 / 72

HEX #431848

RGB 67 24 72

HSL 293.75, 0.5%, 0.19%

LAB 17.06, 28.65, -20.67

 

CMYK 0 / 7 / 67 / 72

HEX #484318

RGB 72 67 24

HSL 53.75, 0.5%, 0.19%

LAB 28, -4.28, 26.25

 

CMYK 67 / 0 / 7 / 72

HEX #184843

RGB 24 72 67

HSL 173.75, 0.5%, 0.19%

LAB 27.39, -17.47, -1.82

 

CMYK 7 / 67 / 0 / 72

HEX #431848

RGB 67 24 72

HSL 293.75, 0.5%, 0.19%

LAB 17.06, 28.65, -20.67

 

CMYK 0 / 61 / 67 / 72

HEX #481C18

RGB 72 28 24

HSL 5, 0.5%, 0.19%

LAB 16.86, 20.67, 13.02

 

CMYK 60 / 0 / 67 / 72

HEX #1D4818

RGB 29 72 24

HSL 113.75, 0.5%, 0.19%

LAB 26.63, -25.91, 23.86

 

CMYK 67 / 6 / 0 / 72

HEX #184448

RGB 24 68 72

HSL 185, 0.5%, 0.19%

LAB 26.15, -13.54, -6.94

 

CMYK 7 / 67 / 0 / 72

HEX #431848

RGB 67 24 72

HSL 293.75, 0.5%, 0.19%

LAB 17.06, 28.65, -20.67

 

CMYK 0 / 42 / 67 / 72

HEX #482A18

RGB 72 42 24

HSL 22.5, 0.5%, 0.19%

LAB 20.44, 11.86, 17.48

 

CMYK 60 / 0 / 67 / 72

HEX #1D4818

RGB 29 72 24

HSL 113.75, 0.5%, 0.19%

LAB 26.63, -25.91, 23.86

 

CMYK 67 / 25 / 0 / 72

HEX #183648

RGB 24 54 72

HSL 202.5, 0.5%, 0.19%

LAB 21.21, -4.77, -14.48

 

Description

Color code: HEX #431848 | qconv.com Color code: HEX #431848 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 67 red, 24 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
67 24 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 67 magenta, none yellow and 72 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 67% 0% 72% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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