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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #47FA9A it is the complementary color #B80565. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #47FA9A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #47FA9A shade: #4CFA95, #5DFFA8, #6EFFBB, #7FFFCE and #90FFE1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #47FA9A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #47FA9A shade: #47FA9A, #36E887, #25D674, #14C461 and #03B24E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #47FA9A shade: #47FA9A, #47FA69, #54FA47, #84FA47 and #B5FA47

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #47FA9A shade: #47FA9A, #47FACA, #47F9FA, #47C9FA and #4799FA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #47FA9A shade matches the following richer shades: #47FA9A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #47FA9A shade: #47FA9A, #56EB9B, #65DB9C, #74CC9D and #84BD9E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #47FA9A shade: #55FA47, #47FA67, #47FA97, #47FAC7 and #47FAF7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #47FA9A shade: #05E86F, #1EF984, #47FA9A, #6FFBB0 and #97FCC6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #47FA9A shade: #47FA9A, #4785FA and #FA4F47

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #47FA9A shade: #47FA9A, #9747FA and #FA9747

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #47FA9A shade: #47FA9A, #4785FA, #FA47A9 and #FABB47

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #47FA9A shade: #47FA9A, #474FFA, #FA47A9 and #FAF147

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 0 / 38 / 2

HEX #47FA9A

RGB 71 250 154

HSL 147.82, 0.95%, 0.63%

LAB 87.99, -65.54, 33.44

 

Complementary color

CMYK 0 / 97 / 45 / 28

HEX #B80565

RGB 184 5 101

HSL 327.82, 0.95%, 0.37%

LAB 39.98, 66.5, -2.75

 

CMYK 70 / 0 / 40 / 2

HEX #4CFA95

RGB 76 250 149

HSL 145.17, 0.95%, 0.64%

LAB 88.01, -65.69, 35.96

 

CMYK 64 / 0 / 34 / 0

HEX #5DFFA8

RGB 93 255 168

HSL 147.78, 1%, 0.68%

LAB 90.17, -61.29, 29.43

 

CMYK 57 / 0 / 27 / 0

HEX #6EFFBB

RGB 110 255 187

HSL 151.86, 1%, 0.72%

LAB 90.97, -54.36, 20.97

 

CMYK 50 / 0 / 19 / 0

HEX #7FFFCE

RGB 127 255 206

HSL 157.03, 1%, 0.75%

LAB 91.9, -46.8, 12.61

 

CMYK 44 / 0 / 12 / 0

HEX #90FFE1

RGB 144 255 225

HSL 163.78, 1%, 0.78%

LAB 92.96, -38.73, 4.42

 

CMYK 72 / 0 / 38 / 2

HEX #47FA9A

RGB 71 250 154

HSL 147.82, 0.95%, 0.63%

LAB 87.99, -65.54, 33.44

 

CMYK 77 / 0 / 42 / 9

HEX #36E887

RGB 54 232 135

HSL 147.3, 0.79%, 0.56%

LAB 81.97, -64.76, 34.96

 

CMYK 83 / 0 / 46 / 16

HEX #25D674

RGB 37 214 116

HSL 146.78, 0.71%, 0.49%

LAB 75.91, -63.64, 36.58

 

CMYK 90 / 0 / 51 / 23

HEX #14C461

RGB 20 196 97

HSL 146.25, 0.81%, 0.42%

LAB 69.82, -62.05, 38.29

 

CMYK 98 / 0 / 56 / 30

HEX #03B24E

RGB 3 178 78

HSL 145.71, 0.97%, 0.35%

LAB 63.68, -59.91, 40.05

 

CMYK 72 / 0 / 38 / 2

HEX #47FA9A

RGB 71 250 154

HSL 147.82, 0.95%, 0.63%

LAB 87.99, -65.54, 33.44

 

CMYK 72 / 0 / 58 / 2

HEX #47FA69

RGB 71 250 105

HSL 131.4, 0.95%, 0.63%

LAB 87.35, -72.89, 55.82

 

CMYK 66 / 0 / 72 / 2

HEX #54FA47

RGB 84 250 71

HSL 115.64, 0.95%, 0.63%

LAB 87.34, -73.97, 69.33

 

CMYK 47 / 0 / 72 / 2

HEX #84FA47

RGB 132 250 71

HSL 99.55, 0.95%, 0.63%

LAB 88.8, -62.47, 71.26

 

CMYK 28 / 0 / 72 / 2

HEX #B5FA47

RGB 181 250 71

HSL 83.13, 0.95%, 0.63%

LAB 91.08, -46.45, 74.29

 

CMYK 72 / 0 / 38 / 2

HEX #47FA9A

RGB 71 250 154

HSL 147.82, 0.95%, 0.63%

LAB 87.99, -65.54, 33.44

 

CMYK 72 / 0 / 19 / 2

HEX #47FACA

RGB 71 250 202

HSL 163.91, 0.95%, 0.63%

LAB 88.91, -55.57, 10.22

 

CMYK 72 / 0 / 0 / 2

HEX #47F9FA

RGB 71 249 250

HSL 180.34, 0.95%, 0.63%

LAB 89.86, -42.85, -13.36

 

CMYK 72 / 20 / 0 / 2

HEX #47C9FA

RGB 71 201 250

HSL 196.42, 0.95%, 0.63%

LAB 76.08, -19.9, -34.31

 

CMYK 72 / 39 / 0 / 2

HEX #4799FA

RGB 71 153 250

HSL 212.51, 0.95%, 0.63%

LAB 62.53, 6.6, -55.57

 

CMYK 72 / 0 / 38 / 2

HEX #47FA9A

RGB 71 250 154

HSL 147.82, 0.95%, 0.63%

LAB 87.99, -65.54, 33.44

 

CMYK 72 / 0 / 38 / 2

HEX #47FA9A

RGB 71 250 154

HSL 147.82, 0.95%, 0.63%

LAB 87.99, -65.54, 33.44

 

CMYK 63 / 0 / 34 / 8

HEX #56EB9B

RGB 86 235 155

HSL 147.79, 0.79%, 0.63%

LAB 83.84, -57.34, 27.44

 

CMYK 54 / 0 / 29 / 14

HEX #65DB9C

RGB 101 219 156

HSL 147.97, 0.62%, 0.63%

LAB 79.52, -47.62, 21.09

 

CMYK 43 / 0 / 23 / 20

HEX #74CC9D

RGB 116 204 157

HSL 147.95, 0.46%, 0.63%

LAB 75.66, -37.1, 15.29

 

CMYK 30 / 0 / 16 / 26

HEX #84BD9E

RGB 132 189 158

HSL 147.37, 0.3%, 0.63%

LAB 72.07, -25.09, 9.8

 

CMYK 66 / 0 / 72 / 2

HEX #55FA47

RGB 85 250 71

HSL 115.31, 0.95%, 0.63%

LAB 87.37, -73.78, 69.36

 

CMYK 72 / 0 / 59 / 2

HEX #47FA67

RGB 71 250 103

HSL 130.73, 0.95%, 0.63%

LAB 87.33, -73.12, 56.67

 

CMYK 72 / 0 / 40 / 2

HEX #47FA97

RGB 71 250 151

HSL 146.82, 0.95%, 0.63%

LAB 87.94, -66.07, 34.87

 

CMYK 72 / 0 / 20 / 2

HEX #47FAC7

RGB 71 250 199

HSL 162.91, 0.95%, 0.63%

LAB 88.84, -56.27, 11.67

 

CMYK 72 / 0 / 1 / 2

HEX #47FAF7

RGB 71 250 247

HSL 178.99, 0.95%, 0.63%

LAB 90.06, -44.12, -11.5

 

CMYK 98 / 0 / 52 / 9

HEX #05E86F

RGB 5 232 111

HSL 148.02, 0.96%, 0.46%

LAB 81.23, -72.04, 45.62

 

CMYK 88 / 0 / 47 / 2

HEX #1EF984

RGB 30 249 132

HSL 147.95, 0.95%, 0.55%

LAB 86.85, -73.11, 42.64

 

CMYK 72 / 0 / 38 / 2

HEX #47FA9A

RGB 71 250 154

HSL 147.82, 0.95%, 0.63%

LAB 87.99, -65.54, 33.44

 

CMYK 56 / 0 / 30 / 2

HEX #6FFBB0

RGB 111 251 176

HSL 147.86, 0.95%, 0.71%

LAB 89.63, -54.69, 24.72

 

CMYK 40 / 0 / 21 / 1

HEX #97FCC6

RGB 151 252 198

HSL 147.92, 0.94%, 0.79%

LAB 91.81, -41.17, 16.72

 

CMYK 72 / 0 / 38 / 2

HEX #47FA9A

RGB 71 250 154

HSL 147.82, 0.95%, 0.63%

LAB 87.99, -65.54, 33.44

 

CMYK 72 / 47 / 0 / 2

HEX #4785FA

RGB 71 133 250

HSL 219.22, 0.95%, 0.63%

LAB 57.09, 18.6, -64.27

 

CMYK 0 / 68 / 72 / 2

HEX #FA4F47

RGB 250 79 71

HSL 2.68, 0.95%, 0.63%

LAB 58.39, 64.26, 41.89

 

CMYK 72 / 0 / 38 / 2

HEX #47FA9A

RGB 71 250 154

HSL 147.82, 0.95%, 0.63%

LAB 87.99, -65.54, 33.44

 

CMYK 40 / 72 / 0 / 2

HEX #9747FA

RGB 151 71 250

HSL 266.82, 0.95%, 0.63%

LAB 49.48, 66.57, -76.32

 

CMYK 0 / 40 / 72 / 2

HEX #FA9747

RGB 250 151 71

HSL 26.82, 0.95%, 0.63%

LAB 71.5, 30.83, 56.25

 

CMYK 72 / 0 / 38 / 2

HEX #47FA9A

RGB 71 250 154

HSL 147.82, 0.95%, 0.63%

LAB 87.99, -65.54, 33.44

 

CMYK 72 / 47 / 0 / 2

HEX #4785FA

RGB 71 133 250

HSL 219.22, 0.95%, 0.63%

LAB 57.09, 18.6, -64.27

 

CMYK 0 / 72 / 32 / 2

HEX #FA47A9

RGB 250 71 169

HSL 327.15, 0.95%, 0.63%

LAB 59.61, 74.56, -13.24

 

CMYK 0 / 25 / 72 / 2

HEX #FABB47

RGB 250 187 71

HSL 38.88, 0.95%, 0.63%

LAB 79.8, 11.99, 64.81

 

CMYK 72 / 0 / 38 / 2

HEX #47FA9A

RGB 71 250 154

HSL 147.82, 0.95%, 0.63%

LAB 87.99, -65.54, 33.44

 

CMYK 72 / 68 / 0 / 2

HEX #474FFA

RGB 71 79 250

HSL 237.32, 0.95%, 0.63%

LAB 43.99, 51.4, -85.58

 

CMYK 0 / 72 / 32 / 2

HEX #FA47A9

RGB 250 71 169

HSL 327.15, 0.95%, 0.63%

LAB 59.61, 74.56, -13.24

 

CMYK 0 / 4 / 72 / 2

HEX #FAF147

RGB 250 241 71

HSL 56.98, 0.95%, 0.63%

LAB 93.32, -15.36, 78.06

 

Description

Color code: HEX #47FA9A | qconv.com Color code: HEX #47FA9A | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 71 red, 250 green and 154 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
71 250 154 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, none magenta, 38 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 0% 38% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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