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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #44625E it is the complementary color #BB9DA1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #44625E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #44625E shade: #496259, #5A746C, #6B867F, #7C9892 and #8DAAA5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #44625E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #44625E shade: #44625E, #33504B, #223E38, #112C25 and #001A12

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #44625E shade: #45635F, #456357, #45634E, #456346 and #4B6345

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #44625E shade: #45635F, #455F63, #455663, #454E63 and #454663

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #44625E shade matches the following richer shades: #45635F, #377069, #297E73, #1C8C7D and #0E9987

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #44625E shade: #45635F, #525555, #60484B, #6D3A41 and #7B2C37

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #44625E shade: #45634F, #456357, #45635F, #455F63 and #455763

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #44625E shade: #233230, #344A47, #45635F, #557B76 and #66938D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #44625E shade: #44625E, #474563 and #635345

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #44625E shade: #44625E, #5F4563 and #635F45

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #44625E shade: #44625E, #474563, #634549 and #616345

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #44625E shade: #44625E, #504563, #634549 and #586345

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 0 / 4 / 62

HEX #44625E

RGB 68 98 94

HSL 172, 0.18%, 0.33%

LAB 39.19, -11.95, -1.27

 

Complementary color

CMYK 0 / 16 / 14 / 27

HEX #BB9DA1

RGB 187 157 161

HSL 352, 0.18%, 0.67%

LAB 67.47, 11.73, 2.05

 

CMYK 26 / 0 / 9 / 62

HEX #496259

RGB 73 98 89

HSL 158.4, 0.15%, 0.34%

LAB 39.37, -11.44, 2.09

 

CMYK 22 / 0 / 7 / 55

HEX #5A746C

RGB 90 116 108

HSL 161.54, 0.13%, 0.4%

LAB 46.64, -11.28, 1.3

 

CMYK 20 / 0 / 5 / 47

HEX #6B867F

RGB 107 134 127

HSL 164.44, 0.11%, 0.47%

LAB 53.72, -11.16, 0.58

 

CMYK 18 / 0 / 4 / 40

HEX #7C9892

RGB 124 152 146

HSL 167.14, 0.12%, 0.54%

LAB 60.62, -11.06, -0.11

 

CMYK 17 / 0 / 3 / 33

HEX #8DAAA5

RGB 141 170 165

HSL 169.66, 0.15%, 0.61%

LAB 67.37, -10.99, -0.76

 

CMYK 31 / 0 / 4 / 62

HEX #44625E

RGB 68 98 94

HSL 172, 0.18%, 0.33%

LAB 39.19, -11.95, -1.27

 

CMYK 36 / 0 / 6 / 69

HEX #33504B

RGB 51 80 75

HSL 169.66, 0.22%, 0.26%

LAB 31.69, -12.12, -0.51

 

CMYK 45 / 0 / 10 / 76

HEX #223E38

RGB 34 62 56

HSL 167.14, 0.29%, 0.19%

LAB 23.9, -12.32, 0.36

 

CMYK 61 / 0 / 16 / 83

HEX #112C25

RGB 17 44 37

HSL 164.44, 0.44%, 0.12%

LAB 15.77, -12.48, 1.4

 

CMYK 100 / 0 / 31 / 90

HEX #001A12

RGB 0 26 18

HSL 161.54, 1%, 0.05%

LAB 7.07, -10.86, 2.2

 

CMYK 30 / 0 / 4 / 61

HEX #45635F

RGB 69 99 95

HSL 172, 0.18%, 0.33%

LAB 39.61, -11.94, -1.28

 

CMYK 30 / 0 / 12 / 61

HEX #456357

RGB 69 99 87

HSL 156, 0.18%, 0.33%

LAB 39.37, -13.89, 3.29

 

CMYK 30 / 0 / 21 / 61

HEX #45634E

RGB 69 99 78

HSL 138, 0.18%, 0.33%

LAB 39.14, -15.91, 8.45

 

CMYK 30 / 0 / 29 / 61

HEX #456346

RGB 69 99 70

HSL 122, 0.18%, 0.33%

LAB 38.95, -17.54, 13.04

 

CMYK 24 / 0 / 30 / 61

HEX #4B6345

RGB 75 99 69

HSL 108, 0.18%, 0.33%

LAB 39.33, -15.42, 14.22

 

CMYK 30 / 0 / 4 / 61

HEX #45635F

RGB 69 99 95

HSL 172, 0.18%, 0.33%

LAB 39.61, -11.94, -1.28

 

CMYK 30 / 4 / 0 / 61

HEX #455F63

RGB 69 95 99

HSL 188, 0.18%, 0.33%

LAB 38.46, -8.58, -5.43

 

CMYK 30 / 13 / 0 / 61

HEX #455663

RGB 69 86 99

HSL 206, 0.18%, 0.33%

LAB 35.64, -3.15, -9.66

 

CMYK 30 / 21 / 0 / 61

HEX #454E63

RGB 69 78 99

HSL 222, 0.18%, 0.33%

LAB 33.17, 1.87, -13.41

 

CMYK 30 / 29 / 0 / 61

HEX #454663

RGB 69 70 99

HSL 238, 0.18%, 0.33%

LAB 30.75, 7.03, -17.12

 

CMYK 30 / 0 / 4 / 61

HEX #45635F

RGB 69 99 95

HSL 172, 0.18%, 0.33%

LAB 39.61, -11.94, -1.28

 

CMYK 51 / 0 / 6 / 56

HEX #377069

RGB 55 112 105

HSL 172.63, 0.34%, 0.33%

LAB 43.39, -20.58, -1.88

 

CMYK 67 / 0 / 9 / 51

HEX #297E73

RGB 41 126 115

HSL 172.24, 0.51%, 0.33%

LAB 47.79, -27.88, -1.43

 

CMYK 80 / 0 / 11 / 45

HEX #1C8C7D

RGB 28 140 125

HSL 171.96, 0.67%, 0.33%

LAB 52.38, -33.49, -0.59

 

CMYK 91 / 0 / 12 / 40

HEX #0E9987

RGB 14 153 135

HSL 172.23, 0.83%, 0.33%

LAB 56.71, -37.63, -0.03

 

CMYK 30 / 0 / 4 / 61

HEX #45635F

RGB 69 99 95

HSL 172, 0.18%, 0.33%

LAB 39.61, -11.94, -1.28

 

CMYK 4 / 0 / 0 / 67

HEX #525555

RGB 82 85 85

HSL 180, 0.02%, 0.33%

LAB 35.88, -1.2, -0.42

 

CMYK 0 / 25 / 22 / 62

HEX #60484B

RGB 96 72 75

HSL 352.5, 0.14%, 0.33%

LAB 33.2, 10.75, 2.17

 

CMYK 0 / 47 / 40 / 57

HEX #6D3A41

RGB 109 58 65

HSL 351.76, 0.31%, 0.33%

LAB 31.02, 23.31, 5.71

 

CMYK 0 / 64 / 55 / 52

HEX #7B2C37

RGB 123 44 55

HSL 351.65, 0.47%, 0.33%

LAB 30.13, 35.3, 11.35

 

CMYK 30 / 0 / 20 / 61

HEX #45634F

RGB 69 99 79

HSL 140, 0.18%, 0.33%

LAB 39.16, -15.7, 7.88

 

CMYK 30 / 0 / 12 / 61

HEX #456357

RGB 69 99 87

HSL 156, 0.18%, 0.33%

LAB 39.37, -13.89, 3.29

 

CMYK 30 / 0 / 4 / 61

HEX #45635F

RGB 69 99 95

HSL 172, 0.18%, 0.33%

LAB 39.61, -11.94, -1.28

 

CMYK 30 / 4 / 0 / 61

HEX #455F63

RGB 69 95 99

HSL 188, 0.18%, 0.33%

LAB 38.46, -8.58, -5.43

 

CMYK 30 / 12 / 0 / 61

HEX #455763

RGB 69 87 99

HSL 204, 0.18%, 0.33%

LAB 35.95, -3.76, -9.19

 

CMYK 30 / 0 / 4 / 80

HEX #233230

RGB 35 50 48

HSL 172, 0.18%, 0.17%

LAB 19.44, -6.74, -0.76

 

CMYK 30 / 0 / 4 / 71

HEX #344A47

RGB 52 74 71

HSL 171.82, 0.17%, 0.25%

LAB 29.62, -9.26, -0.97

 

CMYK 30 / 0 / 4 / 61

HEX #45635F

RGB 69 99 95

HSL 172, 0.18%, 0.33%

LAB 39.61, -11.94, -1.28

 

CMYK 31 / 0 / 4 / 52

HEX #557B76

RGB 85 123 118

HSL 172.11, 0.18%, 0.41%

LAB 48.77, -14.49, -1.56

 

CMYK 31 / 0 / 4 / 42

HEX #66938D

RGB 102 147 141

HSL 172, 0.18%, 0.49%

LAB 57.67, -16.62, -1.74

 

CMYK 31 / 0 / 4 / 62

HEX #44625E

RGB 68 98 94

HSL 172, 0.18%, 0.33%

LAB 39.19, -11.95, -1.27

 

CMYK 28 / 30 / 0 / 61

HEX #474563

RGB 71 69 99

HSL 244, 0.18%, 0.33%

LAB 30.63, 8.37, -17.29

 

CMYK 0 / 16 / 30 / 61

HEX #635345

RGB 99 83 69

HSL 28, 0.18%, 0.33%

LAB 36.5, 4.23, 10.67

 

CMYK 31 / 0 / 4 / 62

HEX #44625E

RGB 68 98 94

HSL 172, 0.18%, 0.33%

LAB 39.19, -11.95, -1.27

 

CMYK 4 / 30 / 0 / 61

HEX #5F4563

RGB 95 69 99

HSL 292, 0.18%, 0.33%

LAB 33.11, 17.04, -13.27

 

CMYK 0 / 4 / 30 / 61

HEX #635F45

RGB 99 95 69

HSL 52, 0.18%, 0.33%

LAB 40.03, -3.02, 15.49

 

CMYK 31 / 0 / 4 / 62

HEX #44625E

RGB 68 98 94

HSL 172, 0.18%, 0.33%

LAB 39.19, -11.95, -1.27

 

CMYK 28 / 30 / 0 / 61

HEX #474563

RGB 71 69 99

HSL 244, 0.18%, 0.33%

LAB 30.63, 8.37, -17.29

 

CMYK 0 / 30 / 26 / 61

HEX #634549

RGB 99 69 73

HSL 352, 0.18%, 0.33%

LAB 32.68, 13.57, 2.74

 

CMYK 2 / 0 / 30 / 61

HEX #616345

RGB 97 99 69

HSL 64, 0.18%, 0.33%

LAB 41.05, -6.25, 16.83

 

CMYK 31 / 0 / 4 / 62

HEX #44625E

RGB 68 98 94

HSL 172, 0.18%, 0.33%

LAB 39.19, -11.95, -1.27

 

CMYK 19 / 30 / 0 / 61

HEX #504563

RGB 80 69 99

HSL 262, 0.18%, 0.33%

LAB 31.49, 11.53, -15.9

 

CMYK 0 / 30 / 26 / 61

HEX #634549

RGB 99 69 73

HSL 352, 0.18%, 0.33%

LAB 32.68, 13.57, 2.74

 

CMYK 11 / 0 / 30 / 61

HEX #586345

RGB 88 99 69

HSL 82, 0.18%, 0.33%

LAB 40.29, -10.11, 15.69

 

Description

Color code: HEX #44625E | qconv.com Color code: HEX #44625E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 68 red, 98 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
68 98 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, none magenta, 4 yellow and 62 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 0% 4% 62% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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