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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #448212 it is the complementary color #BB7DED. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #448212. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #448212 shade: #49820D, #5A9420, #6BA633, #7CB846 and #8DCA59

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #448212. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #448212 shade: #448212, #337000, #225E00, #114C00 and #003A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #448212 shade: #438211, #628211, #808211, #826511 and #824711

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #448212 shade: #438211, #258211, #11821C, #11823A and #118258

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #448212 shade matches the following richer shades: #438211 and #428E05

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #448212 shade: #438211, #45761D, #466A29, #475E35 and #495241

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #448212 shade: #808211, #628211, #448211, #268211 and #11821B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #448212 shade: #1E3907, #305D0C, #438211, #56A616 and #69CA1B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #448212 shade: #448212, #118266 and #821171

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #448212 shade: #448212, #114482 and #821144

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #448212 shade: #448212, #118266, #4F1182 and #82112D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #448212 shade: #448212, #117C82, #4F1182 and #821711

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 0 / 86 / 49

HEX #448212

RGB 68 130 18

HSL 93.21, 0.76%, 0.29%

LAB 48.56, -38.54, 48.65

 

Complementary color

CMYK 21 / 47 / 0 / 7

HEX #BB7DED

RGB 187 125 237

HSL 273.21, 0.76%, 0.71%

LAB 62.8, 44.52, -47.5

 

CMYK 44 / 0 / 90 / 49

HEX #49820D

RGB 73 130 13

HSL 89.23, 0.82%, 0.28%

LAB 48.77, -37, 50.14

 

CMYK 39 / 0 / 78 / 42

HEX #5A9420

RGB 90 148 32

HSL 90, 0.64%, 0.35%

LAB 55.54, -37.76, 51.25

 

CMYK 36 / 0 / 69 / 35

HEX #6BA633

RGB 107 166 51

HSL 90.78, 0.53%, 0.43%

LAB 62.2, -38.21, 51.15

 

CMYK 33 / 0 / 62 / 28

HEX #7CB846

RGB 124 184 70

HSL 91.58, 0.45%, 0.5%

LAB 68.76, -38.45, 50.45

 

CMYK 30 / 0 / 56 / 21

HEX #8DCA59

RGB 141 202 89

HSL 92.39, 0.52%, 0.57%

LAB 75.22, -38.56, 49.47

 

CMYK 48 / 0 / 86 / 49

HEX #448212

RGB 68 130 18

HSL 93.21, 0.76%, 0.29%

LAB 48.56, -38.54, 48.65

 

CMYK 54 / 0 / 100 / 56

HEX #337000

RGB 51 112 0

HSL 92.68, 1%, 0.22%

LAB 41.68, -37.44, 46.71

 

CMYK 64 / 0 / 100 / 63

HEX #225E00

RGB 34 94 0

HSL 98.3, 1%, 0.18%

LAB 34.69, -35.47, 40.94

 

CMYK 78 / 0 / 100 / 70

HEX #114C00

RGB 17 76 0

HSL 106.58, 1%, 0.15%

LAB 27.54, -32.96, 35.01

 

CMYK 100 / 0 / 100 / 77

HEX #003A00

RGB 0 58 0

HSL 120, 1%, 0.11%

LAB 20.15, -30.03, 27.52

 

CMYK 48 / 0 / 87 / 49

HEX #438211

RGB 67 130 17

HSL 93.45, 0.77%, 0.29%

LAB 48.51, -38.92, 48.85

 

CMYK 25 / 0 / 87 / 49

HEX #628211

RGB 98 130 17

HSL 76.99, 0.77%, 0.29%

LAB 50.22, -27.01, 51.01

 

CMYK 2 / 0 / 87 / 49

HEX #808211

RGB 128 130 17

HSL 61.06, 0.77%, 0.29%

LAB 52.5, -13.64, 53.86

 

CMYK 0 / 22 / 87 / 49

HEX #826511

RGB 130 101 17

HSL 44.6, 0.77%, 0.29%

LAB 44.37, 3.61, 47.12

 

CMYK 0 / 45 / 87 / 49

HEX #824711

RGB 130 71 17

HSL 28.67, 0.77%, 0.29%

LAB 36.54, 21.26, 40.46

 

CMYK 48 / 0 / 87 / 49

HEX #438211

RGB 67 130 17

HSL 93.45, 0.77%, 0.29%

LAB 48.51, -38.92, 48.85

 

CMYK 72 / 0 / 87 / 49

HEX #258211

RGB 37 130 17

HSL 109.38, 0.77%, 0.29%

LAB 47.49, -47.08, 47.56

 

CMYK 87 / 0 / 78 / 49

HEX #11821C

RGB 17 130 28

HSL 125.84, 0.77%, 0.29%

LAB 47.19, -49.47, 43.74

 

CMYK 87 / 0 / 55 / 49

HEX #11823A

RGB 17 130 58

HSL 141.77, 0.77%, 0.29%

LAB 47.48, -45.92, 30.52

 

CMYK 87 / 0 / 32 / 49

HEX #118258

RGB 17 130 88

HSL 157.7, 0.77%, 0.29%

LAB 47.99, -39.98, 14.58

 

CMYK 48 / 0 / 87 / 49

HEX #438211

RGB 67 130 17

HSL 93.45, 0.77%, 0.29%

LAB 48.51, -38.92, 48.85

 

CMYK 54 / 0 / 96 / 44

HEX #428E05

RGB 66 142 5

HSL 93.28, 0.93%, 0.29%

LAB 52.41, -44.43, 54.52

 

CMYK 48 / 0 / 87 / 49

HEX #438211

RGB 67 130 17

HSL 93.45, 0.77%, 0.29%

LAB 48.51, -38.92, 48.85

 

CMYK 42 / 0 / 75 / 54

HEX #45761D

RGB 69 118 29

HSL 93.03, 0.61%, 0.29%

LAB 44.68, -32.34, 41.37

 

CMYK 34 / 0 / 61 / 58

HEX #466A29

RGB 70 106 41

HSL 93.23, 0.44%, 0.29%

LAB 40.85, -25.19, 31.84

 

CMYK 24 / 0 / 44 / 63

HEX #475E35

RGB 71 94 53

HSL 93.66, 0.28%, 0.29%

LAB 37.12, -16.97, 20.74

 

CMYK 11 / 0 / 21 / 68

HEX #495241

RGB 73 82 65

HSL 91.76, 0.12%, 0.29%

LAB 33.63, -7.19, 8.8

 

CMYK 2 / 0 / 87 / 49

HEX #808211

RGB 128 130 17

HSL 61.06, 0.77%, 0.29%

LAB 52.5, -13.64, 53.86

 

CMYK 25 / 0 / 87 / 49

HEX #628211

RGB 98 130 17

HSL 76.99, 0.77%, 0.29%

LAB 50.22, -27.01, 51.01

 

CMYK 48 / 0 / 87 / 49

HEX #448211

RGB 68 130 17

HSL 92.92, 0.77%, 0.29%

LAB 48.55, -38.58, 48.91

 

CMYK 71 / 0 / 87 / 49

HEX #268211

RGB 38 130 17

HSL 108.85, 0.77%, 0.29%

LAB 47.52, -46.88, 47.59

 

CMYK 87 / 0 / 79 / 49

HEX #11821B

RGB 17 130 27

HSL 125.31, 0.77%, 0.29%

LAB 47.19, -49.55, 44.09

 

CMYK 47 / 0 / 88 / 78

HEX #1E3907

RGB 30 57 7

HSL 92.4, 0.78%, 0.13%

LAB 20.9, -20.15, 25.8

 

CMYK 48 / 0 / 87 / 64

HEX #305D0C

RGB 48 93 12

HSL 93.33, 0.77%, 0.21%

LAB 34.97, -29.89, 37.78

 

CMYK 48 / 0 / 87 / 49

HEX #438211

RGB 67 130 17

HSL 93.45, 0.77%, 0.29%

LAB 48.51, -38.92, 48.85

 

CMYK 48 / 0 / 87 / 35

HEX #56A616

RGB 86 166 22

HSL 93.33, 0.77%, 0.37%

LAB 61.05, -47.04, 58.97

 

CMYK 48 / 0 / 87 / 21

HEX #69CA1B

RGB 105 202 27

HSL 93.26, 0.76%, 0.45%

LAB 73.1, -54.8, 68.64

 

CMYK 48 / 0 / 86 / 49

HEX #448212

RGB 68 130 18

HSL 93.21, 0.76%, 0.29%

LAB 48.56, -38.54, 48.65

 

CMYK 87 / 0 / 22 / 49

HEX #118266

RGB 17 130 102

HSL 165.13, 0.77%, 0.29%

LAB 48.32, -36.46, 6.91

 

CMYK 0 / 87 / 13 / 49

HEX #821171

RGB 130 17 113

HSL 309.03, 0.77%, 0.29%

LAB 30.25, 54.14, -26.22

 

CMYK 48 / 0 / 86 / 49

HEX #448212

RGB 68 130 18

HSL 93.21, 0.76%, 0.29%

LAB 48.56, -38.54, 48.65

 

CMYK 87 / 48 / 0 / 49

HEX #114482

RGB 17 68 130

HSL 212.92, 0.77%, 0.29%

LAB 29.07, 8.38, -39.51

 

CMYK 0 / 87 / 48 / 49

HEX #821144

RGB 130 17 68

HSL 332.92, 0.77%, 0.29%

LAB 28.28, 48.65, 0.28

 

CMYK 48 / 0 / 86 / 49

HEX #448212

RGB 68 130 18

HSL 93.21, 0.76%, 0.29%

LAB 48.56, -38.54, 48.65

 

CMYK 87 / 0 / 22 / 49

HEX #118266

RGB 17 130 102

HSL 165.13, 0.77%, 0.29%

LAB 48.32, -36.46, 6.91

 

CMYK 39 / 87 / 0 / 49

HEX #4F1182

RGB 79 17 130

HSL 272.92, 0.77%, 0.29%

LAB 22.57, 47.79, -49.85

 

CMYK 0 / 87 / 65 / 49

HEX #82112D

RGB 130 17 45

HSL 345.13, 0.77%, 0.29%

LAB 27.67, 46.85, 14.94

 

CMYK 48 / 0 / 86 / 49

HEX #448212

RGB 68 130 18

HSL 93.21, 0.76%, 0.29%

LAB 48.56, -38.54, 48.65

 

CMYK 87 / 5 / 0 / 49

HEX #117C82

RGB 17 124 130

HSL 183.19, 0.77%, 0.29%

LAB 47.17, -25.2, -11.28

 

CMYK 39 / 87 / 0 / 49

HEX #4F1182

RGB 79 17 130

HSL 272.92, 0.77%, 0.29%

LAB 22.57, 47.79, -49.85

 

CMYK 0 / 82 / 87 / 49

HEX #821711

RGB 130 23 17

HSL 3.19, 0.77%, 0.29%

LAB 27.84, 43.98, 32.81

 

Description

Color code: HEX #448212 | qconv.com Color code: HEX #448212 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 68 red, 130 green and 18 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
68 130 18 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, none magenta, 86 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 0% 86% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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