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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #44BAC7 it is the complementary color #BB4538. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #44BAC7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #44BAC7 shade: #49BAC2, #5ACCD5, #6BDEE8, #7CF0FB and #8DFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #44BAC7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #44BAC7 shade: #44BAC7, #33A8B4, #2296A1, #11848E and #00727B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #44BAC7 shade: #42B9C6, #4295C6, #4272C6, #424EC6 and #5A42C6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #44BAC7 shade: #42B9C6, #4295C6, #4272C6, #424EC6 and #4242C6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #44BAC7 shade matches the following richer shades: #42B9C6, #2EC9DA and #1AD9EE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #44BAC7 shade: #42B9C6, #56A9B2, #6A999F, #7D898B and #917A77

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #44BAC7 shade: #42C68B, #42C6AE, #42BBC6, #4298C6 and #4275C6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #44BAC7 shade: #2A828C, #33A0AC, #42B9C6, #62C5D0 and #82D0D9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #44BAC7 shade: #44BAC7, #6742C6 and #C69C42

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #44BAC7 shade: #44BAC7, #C642BB and #BBC642

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #44BAC7 shade: #44BAC7, #6742C6, #C64D42 and #A1C642

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #44BAC7 shade: #44BAC7, #8F42C6, #C64D42 and #79C642

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 7 / 0 / 22

HEX #44BAC7

RGB 68 186 199

HSL 185.95, 0.54%, 0.52%

LAB 69.8, -28.46, -16.26

 

Complementary color

CMYK 0 / 63 / 70 / 27

HEX #BB4538

RGB 187 69 56

HSL 5.95, 0.54%, 0.48%

LAB 45.78, 46.79, 32.91

 

CMYK 62 / 4 / 0 / 24

HEX #49BAC2

RGB 73 186 194

HSL 183.97, 0.5%, 0.52%

LAB 69.77, -29.12, -13.55

 

CMYK 58 / 4 / 0 / 16

HEX #5ACCD5

RGB 90 204 213

HSL 184.39, 0.59%, 0.59%

LAB 76.17, -29.52, -14.23

 

CMYK 54 / 4 / 0 / 9

HEX #6BDEE8

RGB 107 222 232

HSL 184.8, 0.73%, 0.66%

LAB 82.48, -29.81, -14.85

 

CMYK 51 / 4 / 0 / 2

HEX #7CF0FB

RGB 124 240 251

HSL 185.2, 0.94%, 0.74%

LAB 88.72, -30.01, -15.44

 

CMYK 45 / 0 / 0 / 0

HEX #8DFFFF

RGB 141 255 255

HSL 180, 1%, 0.78%

LAB 93.63, -32.47, -10.13

 

CMYK 66 / 7 / 0 / 22

HEX #44BAC7

RGB 68 186 199

HSL 185.95, 0.54%, 0.52%

LAB 69.8, -28.46, -16.26

 

CMYK 72 / 7 / 0 / 29

HEX #33A8B4

RGB 51 168 180

HSL 185.58, 0.56%, 0.45%

LAB 63.35, -27.72, -15.53

 

CMYK 79 / 7 / 0 / 37

HEX #2296A1

RGB 34 150 161

HSL 185.2, 0.65%, 0.38%

LAB 56.81, -26.7, -14.71

 

CMYK 88 / 7 / 0 / 44

HEX #11848E

RGB 17 132 142

HSL 184.8, 0.79%, 0.31%

LAB 50.19, -25.28, -13.78

 

CMYK 100 / 7 / 0 / 52

HEX #00727B

RGB 0 114 123

HSL 184.39, 1%, 0.24%

LAB 43.46, -23.48, -12.74

 

CMYK 67 / 7 / 0 / 22

HEX #42B9C6

RGB 66 185 198

HSL 185.91, 0.54%, 0.52%

LAB 69.42, -28.57, -16.29

 

CMYK 67 / 25 / 0 / 22

HEX #4295C6

RGB 66 149 198

HSL 202.27, 0.54%, 0.52%

LAB 58.72, -9.66, -32.7

 

CMYK 67 / 42 / 0 / 22

HEX #4272C6

RGB 66 114 198

HSL 218.18, 0.54%, 0.52%

LAB 48.6, 11.1, -48.66

 

CMYK 67 / 61 / 0 / 22

HEX #424EC6

RGB 66 78 198

HSL 234.55, 0.54%, 0.52%

LAB 39.04, 33.93, -64.08

 

CMYK 55 / 67 / 0 / 22

HEX #5A42C6

RGB 90 66 198

HSL 250.91, 0.54%, 0.52%

LAB 38.11, 44.91, -65.53

 

CMYK 67 / 7 / 0 / 22

HEX #42B9C6

RGB 66 185 198

HSL 185.91, 0.54%, 0.52%

LAB 69.42, -28.57, -16.29

 

CMYK 67 / 25 / 0 / 22

HEX #4295C6

RGB 66 149 198

HSL 202.27, 0.54%, 0.52%

LAB 58.72, -9.66, -32.7

 

CMYK 67 / 42 / 0 / 22

HEX #4272C6

RGB 66 114 198

HSL 218.18, 0.54%, 0.52%

LAB 48.6, 11.1, -48.66

 

CMYK 67 / 61 / 0 / 22

HEX #424EC6

RGB 66 78 198

HSL 234.55, 0.54%, 0.52%

LAB 39.04, 33.93, -64.08

 

CMYK 67 / 67 / 0 / 22

HEX #4242C6

RGB 66 66 198

HSL 240, 0.54%, 0.52%

LAB 36.24, 41.32, -68.67

 

CMYK 67 / 7 / 0 / 22

HEX #42B9C6

RGB 66 185 198

HSL 185.91, 0.54%, 0.52%

LAB 69.42, -28.57, -16.29

 

CMYK 79 / 8 / 0 / 15

HEX #2EC9DA

RGB 46 201 218

HSL 185.93, 0.7%, 0.52%

LAB 74.46, -32.65, -19.61

 

CMYK 89 / 9 / 0 / 7

HEX #1AD9EE

RGB 26 217 238

HSL 185.94, 0.86%, 0.52%

LAB 79.62, -35.39, -22.52

 

CMYK 67 / 7 / 0 / 22

HEX #42B9C6

RGB 66 185 198

HSL 185.91, 0.54%, 0.52%

LAB 69.42, -28.57, -16.29

 

CMYK 52 / 5 / 0 / 30

HEX #56A9B2

RGB 86 169 178

HSL 185.87, 0.37%, 0.52%

LAB 64.62, -22.66, -12.39

 

CMYK 33 / 4 / 0 / 38

HEX #6A999F

RGB 106 153 159

HSL 186.79, 0.22%, 0.52%

LAB 60.2, -14.23, -8.22

 

CMYK 10 / 1 / 0 / 45

HEX #7D898B

RGB 125 137 139

HSL 188.57, 0.06%, 0.52%

LAB 56.2, -3.93, -2.57

 

CMYK 0 / 16 / 18 / 43

HEX #917A77

RGB 145 122 119

HSL 6.92, 0.11%, 0.52%

LAB 53.24, 8.37, 4.94

 

CMYK 67 / 0 / 30 / 22

HEX #42C68B

RGB 66 198 139

HSL 153.18, 0.54%, 0.52%

LAB 71.83, -49.5, 19.33

 

CMYK 67 / 0 / 12 / 22

HEX #42C6AE

RGB 66 198 174

HSL 169.09, 0.54%, 0.52%

LAB 72.63, -41.29, 1.59

 

CMYK 67 / 6 / 0 / 22

HEX #42BBC6

RGB 66 187 198

HSL 185, 0.54%, 0.52%

LAB 70.02, -29.55, -15.39

 

CMYK 67 / 23 / 0 / 22

HEX #4298C6

RGB 66 152 198

HSL 200.91, 0.54%, 0.52%

LAB 59.61, -11.34, -31.32

 

CMYK 67 / 41 / 0 / 22

HEX #4275C6

RGB 66 117 198

HSL 216.82, 0.54%, 0.52%

LAB 49.45, 9.24, -47.31

 

CMYK 70 / 7 / 0 / 45

HEX #2A828C

RGB 42 130 140

HSL 186.12, 0.54%, 0.36%

LAB 49.92, -22.16, -12.97

 

CMYK 70 / 7 / 0 / 33

HEX #33A0AC

RGB 51 160 172

HSL 185.95, 0.54%, 0.44%

LAB 60.63, -26.19, -15.15

 

CMYK 67 / 7 / 0 / 22

HEX #42B9C6

RGB 66 185 198

HSL 185.91, 0.54%, 0.52%

LAB 69.42, -28.57, -16.29

 

CMYK 53 / 5 / 0 / 18

HEX #62C5D0

RGB 98 197 208

HSL 186, 0.54%, 0.6%

LAB 74.24, -25.92, -14.39

 

CMYK 40 / 4 / 0 / 15

HEX #82D0D9

RGB 130 208 217

HSL 186.21, 0.53%, 0.68%

LAB 78.96, -21.7, -12.03

 

CMYK 66 / 7 / 0 / 22

HEX #44BAC7

RGB 68 186 199

HSL 185.95, 0.54%, 0.52%

LAB 69.8, -28.46, -16.26

 

CMYK 48 / 67 / 0 / 22

HEX #6742C6

RGB 103 66 198

HSL 256.82, 0.54%, 0.52%

LAB 39.34, 47.18, -63.47

 

CMYK 0 / 21 / 67 / 22

HEX #C69C42

RGB 198 156 66

HSL 40.91, 0.54%, 0.52%

LAB 66.65, 6.03, 51.58

 

CMYK 66 / 7 / 0 / 22

HEX #44BAC7

RGB 68 186 199

HSL 185.95, 0.54%, 0.52%

LAB 69.8, -28.46, -16.26

 

CMYK 0 / 67 / 6 / 22

HEX #C642BB

RGB 198 66 187

HSL 305, 0.54%, 0.52%

LAB 51.26, 65.76, -37.28

 

CMYK 6 / 0 / 67 / 22

HEX #BBC642

RGB 187 198 66

HSL 65, 0.54%, 0.52%

LAB 76.89, -20.54, 62

 

CMYK 66 / 7 / 0 / 22

HEX #44BAC7

RGB 68 186 199

HSL 185.95, 0.54%, 0.52%

LAB 69.8, -28.46, -16.26

 

CMYK 48 / 67 / 0 / 22

HEX #6742C6

RGB 103 66 198

HSL 256.82, 0.54%, 0.52%

LAB 39.34, 47.18, -63.47

 

CMYK 0 / 61 / 67 / 22

HEX #C64D42

RGB 198 77 66

HSL 5, 0.54%, 0.52%

LAB 49.14, 47.61, 31.61

 

CMYK 19 / 0 / 67 / 22

HEX #A1C642

RGB 161 198 66

HSL 76.82, 0.54%, 0.52%

LAB 75.05, -31.11, 59.53

 

CMYK 66 / 7 / 0 / 22

HEX #44BAC7

RGB 68 186 199

HSL 185.95, 0.54%, 0.52%

LAB 69.8, -28.46, -16.26

 

CMYK 28 / 67 / 0 / 22

HEX #8F42C6

RGB 143 66 198

HSL 275, 0.54%, 0.52%

LAB 43.96, 55.22, -55.76

 

CMYK 0 / 61 / 67 / 22

HEX #C64D42

RGB 198 77 66

HSL 5, 0.54%, 0.52%

LAB 49.14, 47.61, 31.61

 

CMYK 39 / 0 / 67 / 22

HEX #79C642

RGB 121 198 66

HSL 95, 0.54%, 0.52%

LAB 72.79, -45.87, 56.46

 

Description

Color code: HEX #44BAC7 | qconv.com Color code: HEX #44BAC7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 68 red, 186 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
68 186 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, 7 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 7% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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