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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #44C473 it is the complementary color #BB3B8C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #44C473. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #44C473 shade: #49C46E, #5AD681, #6BE894, #7CFAA7 and #8DFFBA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #44C473. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #44C473 shade: #44C473, #33B260, #22A04D, #118E3A and #007C27

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #44C473 shade: #44C473, #44C451, #5AC444, #7DC444 and #9FC444

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #44C473 shade: #44C473, #44C496, #44C4B8, #44ADC4 and #448BC4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #44C473 shade matches the following richer shades: #44C473, #31D86E and #1DEB69

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #44C473 shade: #44C473, #58B078, #6C9C7E, #808883 and #947588

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #44C473 shade: #5AC444, #44C451, #44C473, #44C495 and #44C4B7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #44C473 shade: #2B8A4E, #35AA60, #44C473, #64CE8B and #83D8A2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #44C473 shade: #44C473, #447CC4 and #C44449

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #44C473 shade: #44C473, #7344C4 and #C47344

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #44C473 shade: #44C473, #447CC4, #C44495 and #C48D44

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #44C473 shade: #44C473, #4455C4, #C44495 and #C4B344

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 0 / 41 / 23

HEX #44C473

RGB 68 196 115

HSL 142.03, 0.52%, 0.52%

LAB 70.83, -53, 30.63

 

Complementary color

CMYK 0 / 68 / 25 / 27

HEX #BB3B8C

RGB 187 59 140

HSL 322.03, 0.52%, 0.48%

LAB 46.43, 58.75, -17.09

 

CMYK 63 / 0 / 44 / 23

HEX #49C46E

RGB 73 196 110

HSL 138.05, 0.51%, 0.53%

LAB 70.89, -52.87, 33.29

 

CMYK 58 / 0 / 40 / 16

HEX #5AD681

RGB 90 214 129

HSL 138.87, 0.6%, 0.6%

LAB 77.19, -53.04, 31.88

 

CMYK 54 / 0 / 36 / 9

HEX #6BE894

RGB 107 232 148

HSL 139.68, 0.73%, 0.66%

LAB 83.43, -53.06, 30.56

 

CMYK 50 / 0 / 33 / 2

HEX #7CFAA7

RGB 124 250 167

HSL 140.48, 0.93%, 0.73%

LAB 89.6, -52.98, 29.32

 

CMYK 45 / 0 / 27 / 0

HEX #8DFFBA

RGB 141 255 186

HSL 143.68, 1%, 0.78%

LAB 92.01, -47.38, 23.08

 

CMYK 65 / 0 / 41 / 23

HEX #44C473

RGB 68 196 115

HSL 142.03, 0.52%, 0.52%

LAB 70.83, -53, 30.63

 

CMYK 71 / 0 / 46 / 30

HEX #33B260

RGB 51 178 96

HSL 141.26, 0.55%, 0.45%

LAB 64.47, -52.5, 32.15

 

CMYK 79 / 0 / 52 / 37

HEX #22A04D

RGB 34 160 77

HSL 140.48, 0.65%, 0.38%

LAB 58.05, -51.6, 33.76

 

CMYK 88 / 0 / 59 / 44

HEX #118E3A

RGB 17 142 58

HSL 139.68, 0.79%, 0.31%

LAB 51.58, -50.09, 35.42

 

CMYK 100 / 0 / 69 / 51

HEX #007C27

RGB 0 124 39

HSL 138.87, 1%, 0.24%

LAB 45.03, -47.89, 36.95

 

CMYK 65 / 0 / 41 / 23

HEX #44C473

RGB 68 196 115

HSL 142.03, 0.52%, 0.52%

LAB 70.83, -53, 30.63

 

CMYK 65 / 0 / 59 / 23

HEX #44C451

RGB 68 196 81

HSL 126.09, 0.52%, 0.52%

LAB 70.39, -58.06, 46.78

 

CMYK 54 / 0 / 65 / 23

HEX #5AC444

RGB 90 196 68

HSL 109.69, 0.52%, 0.52%

LAB 70.92, -54.3, 53.25

 

CMYK 36 / 0 / 65 / 23

HEX #7DC444

RGB 125 196 68

HSL 93.28, 0.52%, 0.52%

LAB 72.4, -43.5, 55.29

 

CMYK 19 / 0 / 65 / 23

HEX #9FC444

RGB 159 196 68

HSL 77.34, 0.52%, 0.52%

LAB 74.36, -30.83, 57.96

 

CMYK 65 / 0 / 41 / 23

HEX #44C473

RGB 68 196 115

HSL 142.03, 0.52%, 0.52%

LAB 70.83, -53, 30.63

 

CMYK 65 / 0 / 23 / 23

HEX #44C496

RGB 68 196 150

HSL 158.44, 0.52%, 0.52%

LAB 71.49, -45.91, 12.97

 

CMYK 65 / 0 / 6 / 23

HEX #44C4B8

RGB 68 196 184

HSL 174.38, 0.52%, 0.52%

LAB 72.34, -37.44, -4.27

 

CMYK 65 / 12 / 0 / 23

HEX #44ADC4

RGB 68 173 196

HSL 190.78, 0.52%, 0.52%

LAB 65.83, -22.84, -20.63

 

CMYK 65 / 29 / 0 / 23

HEX #448BC4

RGB 68 139 196

HSL 206.72, 0.52%, 0.52%

LAB 55.77, -4.3, -36.18

 

CMYK 65 / 0 / 41 / 23

HEX #44C473

RGB 68 196 115

HSL 142.03, 0.52%, 0.52%

LAB 70.83, -53, 30.63

 

CMYK 77 / 0 / 49 / 15

HEX #31D86E

RGB 49 216 110

HSL 141.92, 0.68%, 0.52%

LAB 76.61, -64, 40.45

 

CMYK 88 / 0 / 55 / 8

HEX #1DEB69

RGB 29 235 105

HSL 142.14, 0.84%, 0.52%

LAB 82.22, -72.76, 49.62

 

CMYK 65 / 0 / 41 / 23

HEX #44C473

RGB 68 196 115

HSL 142.03, 0.52%, 0.52%

LAB 70.83, -53, 30.63

 

CMYK 50 / 0 / 32 / 31

HEX #58B078

RGB 88 176 120

HSL 141.82, 0.36%, 0.52%

LAB 65.34, -39.31, 20.76

 

CMYK 31 / 0 / 19 / 39

HEX #6C9C7E

RGB 108 156 126

HSL 142.5, 0.2%, 0.52%

LAB 60.31, -22.69, 10.62

 

CMYK 6 / 0 / 4 / 47

HEX #808883

RGB 128 136 131

HSL 142.5, 0.03%, 0.52%

LAB 55.92, -3.94, 1.66

 

CMYK 0 / 21 / 8 / 42

HEX #947588

RGB 148 117 136

HSL 323.23, 0.13%, 0.52%

LAB 52.73, 15.43, -5.74

 

CMYK 54 / 0 / 65 / 23

HEX #5AC444

RGB 90 196 68

HSL 109.69, 0.52%, 0.52%

LAB 70.92, -54.3, 53.25

 

CMYK 65 / 0 / 59 / 23

HEX #44C451

RGB 68 196 81

HSL 126.09, 0.52%, 0.52%

LAB 70.39, -58.06, 46.78

 

CMYK 65 / 0 / 41 / 23

HEX #44C473

RGB 68 196 115

HSL 142.03, 0.52%, 0.52%

LAB 70.83, -53, 30.63

 

CMYK 65 / 0 / 24 / 23

HEX #44C495

RGB 68 196 149

HSL 157.97, 0.52%, 0.52%

LAB 71.47, -46.14, 13.47

 

CMYK 65 / 0 / 7 / 23

HEX #44C4B7

RGB 68 196 183

HSL 173.91, 0.52%, 0.52%

LAB 72.31, -37.71, -3.77

 

CMYK 69 / 0 / 43 / 46

HEX #2B8A4E

RGB 43 138 78

HSL 142.11, 0.52%, 0.35%

LAB 50.97, -41.64, 24.28

 

CMYK 69 / 0 / 44 / 33

HEX #35AA60

RGB 53 170 96

HSL 142.05, 0.52%, 0.44%

LAB 61.96, -49.13, 28.91

 

CMYK 65 / 0 / 41 / 23

HEX #44C473

RGB 68 196 115

HSL 142.03, 0.52%, 0.52%

LAB 70.83, -53, 30.63

 

CMYK 51 / 0 / 33 / 19

HEX #64CE8B

RGB 100 206 139

HSL 142.08, 0.52%, 0.6%

LAB 75.27, -45.64, 24.2

 

CMYK 39 / 0 / 25 / 15

HEX #83D8A2

RGB 131 216 162

HSL 141.88, 0.52%, 0.68%

LAB 79.92, -37.41, 18.69

 

CMYK 65 / 0 / 41 / 23

HEX #44C473

RGB 68 196 115

HSL 142.03, 0.52%, 0.52%

LAB 70.83, -53, 30.63

 

CMYK 65 / 37 / 0 / 23

HEX #447CC4

RGB 68 124 196

HSL 213.75, 0.52%, 0.52%

LAB 51.42, 4.59, -43.03

 

CMYK 0 / 65 / 63 / 23

HEX #C44449

RGB 196 68 73

HSL 357.66, 0.52%, 0.52%

LAB 47.43, 51.31, 25.29

 

CMYK 65 / 0 / 41 / 23

HEX #44C473

RGB 68 196 115

HSL 142.03, 0.52%, 0.52%

LAB 70.83, -53, 30.63

 

CMYK 41 / 65 / 0 / 23

HEX #7344C4

RGB 115 68 196

HSL 262.03, 0.52%, 0.52%

LAB 40.84, 47.87, -59.81

 

CMYK 0 / 41 / 65 / 23

HEX #C47344

RGB 196 115 68

HSL 22.03, 0.52%, 0.52%

LAB 56.5, 27.7, 39.18

 

CMYK 65 / 0 / 41 / 23

HEX #44C473

RGB 68 196 115

HSL 142.03, 0.52%, 0.52%

LAB 70.83, -53, 30.63

 

CMYK 65 / 37 / 0 / 23

HEX #447CC4

RGB 68 124 196

HSL 213.75, 0.52%, 0.52%

LAB 51.42, 4.59, -43.03

 

CMYK 0 / 65 / 24 / 23

HEX #C44495

RGB 196 68 149

HSL 322.03, 0.52%, 0.52%

LAB 49.54, 58.88, -17.6

 

CMYK 0 / 28 / 65 / 23

HEX #C48D44

RGB 196 141 68

HSL 34.22, 0.52%, 0.52%

LAB 62.68, 13.47, 46.22

 

CMYK 65 / 0 / 41 / 23

HEX #44C473

RGB 68 196 115

HSL 142.03, 0.52%, 0.52%

LAB 70.83, -53, 30.63

 

CMYK 65 / 57 / 0 / 23

HEX #4455C4

RGB 68 85 196

HSL 232.03, 0.52%, 0.52%

LAB 40.75, 29.11, -60.13

 

CMYK 0 / 65 / 24 / 23

HEX #C44495

RGB 196 68 149

HSL 322.03, 0.52%, 0.52%

LAB 49.54, 58.88, -17.6

 

CMYK 0 / 9 / 65 / 23

HEX #C4B344

RGB 196 179 68

HSL 52.03, 0.52%, 0.52%

LAB 72.49, -6.95, 56.86

 

Description

Color code: HEX #44C473 | qconv.com Color code: HEX #44C473 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 68 red, 196 green and 115 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
68 196 115 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, none magenta, 41 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 0% 41% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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