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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #45355A it is the complementary color #BACAA5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #45355A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #45355A shade: #4A3555, #5B4768, #6C597B, #7D6B8E and #8E7DA1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #45355A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #45355A shade: #45355A, #342347, #231134, #120021 and #01000E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #45355A shade: #443459, #4E3459, #583459, #593450 and #593446

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #45355A shade: #443459, #3A3459 and #343459

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #45355A shade matches the following richer shades: #443459, #432965, #411D71, #40127C and #3E0688

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #45355A shade: #443459, #46404E, #484B42, #495737 and #4B632B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #45355A shade: #343959, #3A3459, #443459, #4E3459 and #583459

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #45355A shade: #1D1625, #30253F, #443459, #584473 and #6C538D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #45355A shade: #45355A, #593443 and #345935

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #45355A shade: #45355A, #594434 and #345944

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #45355A shade: #45355A, #593443, #4A5934 and #34594B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #45355A shade: #45355A, #593437, #4A5934 and #345956

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 41 / 0 / 65

HEX #45355A

RGB 69 53 90

HSL 265.95, 0.26%, 0.28%

LAB 25.41, 15.75, -19.6

 

Complementary color

CMYK 8 / 0 / 18 / 21

HEX #BACAA5

RGB 186 202 165

HSL 85.95, 0.26%, 0.72%

LAB 79.27, -12.02, 16.67

 

CMYK 13 / 38 / 0 / 67

HEX #4A3555

RGB 74 53 85

HSL 279.38, 0.23%, 0.27%

LAB 25.74, 16.23, -15.77

 

CMYK 13 / 32 / 0 / 59

HEX #5B4768

RGB 91 71 104

HSL 276.36, 0.19%, 0.34%

LAB 33.41, 15.46, -16.01

 

CMYK 12 / 28 / 0 / 52

HEX #6C597B

RGB 108 89 123

HSL 273.53, 0.16%, 0.42%

LAB 40.84, 14.8, -16.27

 

CMYK 12 / 25 / 0 / 44

HEX #7D6B8E

RGB 125 107 142

HSL 270.86, 0.14%, 0.49%

LAB 48.04, 14.23, -16.55

 

CMYK 12 / 22 / 0 / 37

HEX #8E7DA1

RGB 142 125 161

HSL 268.33, 0.16%, 0.56%

LAB 55.06, 13.72, -16.84

 

CMYK 23 / 41 / 0 / 65

HEX #45355A

RGB 69 53 90

HSL 265.95, 0.26%, 0.28%

LAB 25.41, 15.75, -19.6

 

CMYK 27 / 51 / 0 / 72

HEX #342347

RGB 52 35 71

HSL 268.33, 0.34%, 0.21%

LAB 17.4, 16.72, -19.59

 

CMYK 33 / 67 / 0 / 80

HEX #231134

RGB 35 17 52

HSL 270.86, 0.51%, 0.14%

LAB 9.04, 17.85, -19.58

 

CMYK 45 / 100 / 0 / 87

HEX #120021

RGB 18 0 33

HSL 272.73, 1%, 0.06%

LAB 2.15, 12.18, -16.19

 

CMYK 93 / 100 / 0 / 95

HEX #01000E

RGB 1 0 14

HSL 244.29, 1%, 0.03%

LAB 0.34, 2.27, -5.38

 

CMYK 24 / 42 / 0 / 65

HEX #443459

RGB 68 52 89

HSL 265.95, 0.26%, 0.28%

LAB 24.97, 15.79, -19.64

 

CMYK 12 / 42 / 0 / 65

HEX #4E3459

RGB 78 52 89

HSL 282.16, 0.26%, 0.28%

LAB 26.15, 19.31, -17.72

 

CMYK 1 / 42 / 0 / 65

HEX #583459

RGB 88 52 89

HSL 298.38, 0.26%, 0.28%

LAB 27.44, 22.89, -15.62

 

CMYK 0 / 42 / 10 / 65

HEX #593450

RGB 89 52 80

HSL 314.59, 0.26%, 0.28%

LAB 27.18, 21.39, -10.1

 

CMYK 0 / 42 / 21 / 65

HEX #593446

RGB 89 52 70

HSL 330.81, 0.26%, 0.28%

LAB 26.8, 19.51, -4.07

 

CMYK 24 / 42 / 0 / 65

HEX #443459

RGB 68 52 89

HSL 265.95, 0.26%, 0.28%

LAB 24.97, 15.79, -19.64

 

CMYK 35 / 42 / 0 / 65

HEX #3A3459

RGB 58 52 89

HSL 249.73, 0.26%, 0.28%

LAB 23.92, 12.42, -21.36

 

CMYK 42 / 42 / 0 / 65

HEX #343459

RGB 52 52 89

HSL 240, 0.26%, 0.28%

LAB 23.36, 10.51, -22.28

 

CMYK 24 / 42 / 0 / 65

HEX #443459

RGB 68 52 89

HSL 265.95, 0.26%, 0.28%

LAB 24.97, 15.79, -19.64

 

CMYK 34 / 59 / 0 / 60

HEX #432965

RGB 67 41 101

HSL 266, 0.42%, 0.28%

LAB 22.72, 25.99, -31.07

 

CMYK 42 / 74 / 0 / 56

HEX #411D71

RGB 65 29 113

HSL 265.71, 0.59%, 0.28%

LAB 20.81, 35.91, -41.96

 

CMYK 48 / 85 / 0 / 51

HEX #40127C

RGB 64 18 124

HSL 266.04, 0.75%, 0.28%

LAB 19.95, 43.76, -50.41

 

CMYK 54 / 96 / 0 / 47

HEX #3E0688

RGB 62 6 136

HSL 265.85, 0.92%, 0.28%

LAB 19.77, 50.25, -58.32

 

CMYK 24 / 42 / 0 / 65

HEX #443459

RGB 68 52 89

HSL 265.95, 0.26%, 0.28%

LAB 24.97, 15.79, -19.64

 

CMYK 10 / 18 / 0 / 69

HEX #46404E

RGB 70 64 78

HSL 265.71, 0.1%, 0.28%

LAB 28.16, 5.74, -7.52

 

CMYK 4 / 0 / 12 / 71

HEX #484B42

RGB 72 75 66

HSL 80, 0.06%, 0.28%

LAB 31.35, -3.15, 4.94

 

CMYK 16 / 0 / 37 / 66

HEX #495737

RGB 73 87 55

HSL 86.25, 0.23%, 0.28%

LAB 35.02, -11.89, 16.85

 

CMYK 24 / 0 / 57 / 61

HEX #4B632B

RGB 75 99 43

HSL 85.71, 0.39%, 0.28%

LAB 38.89, -19.31, 28.6

 

CMYK 42 / 36 / 0 / 65

HEX #343959

RGB 52 57 89

HSL 231.89, 0.26%, 0.28%

LAB 24.88, 7.08, -19.9

 

CMYK 35 / 42 / 0 / 65

HEX #3A3459

RGB 58 52 89

HSL 249.73, 0.26%, 0.28%

LAB 23.92, 12.42, -21.36

 

CMYK 24 / 42 / 0 / 65

HEX #443459

RGB 68 52 89

HSL 265.95, 0.26%, 0.28%

LAB 24.97, 15.79, -19.64

 

CMYK 12 / 42 / 0 / 65

HEX #4E3459

RGB 78 52 89

HSL 282.16, 0.26%, 0.28%

LAB 26.15, 19.31, -17.72

 

CMYK 1 / 42 / 0 / 65

HEX #583459

RGB 88 52 89

HSL 298.38, 0.26%, 0.28%

LAB 27.44, 22.89, -15.62

 

CMYK 22 / 41 / 0 / 85

HEX #1D1625

RGB 29 22 37

HSL 268, 0.25%, 0.12%

LAB 8.73, 7.45, -9.04

 

CMYK 24 / 41 / 0 / 75

HEX #30253F

RGB 48 37 63

HSL 265.38, 0.26%, 0.2%

LAB 17.04, 11.6, -14.67

 

CMYK 24 / 42 / 0 / 65

HEX #443459

RGB 68 52 89

HSL 265.95, 0.26%, 0.28%

LAB 24.97, 15.79, -19.64

 

CMYK 23 / 41 / 0 / 55

HEX #584473

RGB 88 68 115

HSL 265.53, 0.26%, 0.36%

LAB 32.8, 19.1, -23.91

 

CMYK 23 / 41 / 0 / 45

HEX #6C538D

RGB 108 83 141

HSL 265.86, 0.26%, 0.44%

LAB 40.08, 22.88, -28.4

 

CMYK 23 / 41 / 0 / 65

HEX #45355A

RGB 69 53 90

HSL 265.95, 0.26%, 0.28%

LAB 25.41, 15.75, -19.6

 

CMYK 0 / 42 / 25 / 65

HEX #593443

RGB 89 52 67

HSL 335.68, 0.26%, 0.28%

LAB 26.69, 18.98, -2.23

 

CMYK 42 / 0 / 40 / 65

HEX #345935

RGB 52 89 53

HSL 121.62, 0.26%, 0.28%

LAB 34.26, -21.7, 16.79

 

CMYK 23 / 41 / 0 / 65

HEX #45355A

RGB 69 53 90

HSL 265.95, 0.26%, 0.28%

LAB 25.41, 15.75, -19.6

 

CMYK 0 / 24 / 42 / 65

HEX #594434

RGB 89 68 52

HSL 25.95, 0.26%, 0.28%

LAB 30.65, 6.54, 13.15

 

CMYK 42 / 0 / 24 / 65

HEX #345944

RGB 52 89 68

HSL 145.95, 0.26%, 0.28%

LAB 34.58, -18.6, 8.05

 

CMYK 23 / 41 / 0 / 65

HEX #45355A

RGB 69 53 90

HSL 265.95, 0.26%, 0.28%

LAB 25.41, 15.75, -19.6

 

CMYK 0 / 42 / 25 / 65

HEX #593443

RGB 89 52 67

HSL 335.68, 0.26%, 0.28%

LAB 26.69, 18.98, -2.23

 

CMYK 17 / 0 / 42 / 65

HEX #4A5934

RGB 74 89 52

HSL 84.32, 0.26%, 0.28%

LAB 35.69, -13.06, 19.53

 

CMYK 42 / 0 / 16 / 65

HEX #34594B

RGB 52 89 75

HSL 157.3, 0.26%, 0.28%

LAB 34.77, -16.92, 3.96

 

CMYK 23 / 41 / 0 / 65

HEX #45355A

RGB 69 53 90

HSL 265.95, 0.26%, 0.28%

LAB 25.41, 15.75, -19.6

 

CMYK 0 / 42 / 38 / 65

HEX #593437

RGB 89 52 55

HSL 355.14, 0.26%, 0.28%

LAB 26.32, 17.09, 5.21

 

CMYK 17 / 0 / 42 / 65

HEX #4A5934

RGB 74 89 52

HSL 84.32, 0.26%, 0.28%

LAB 35.69, -13.06, 19.53

 

CMYK 42 / 0 / 3 / 65

HEX #345956

RGB 52 89 86

HSL 175.14, 0.26%, 0.28%

LAB 35.1, -14.02, -2.44

 

Description

Color code: HEX #45355A | qconv.com Color code: HEX #45355A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 69 red, 53 green and 90 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
69 53 90 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, 41 magenta, none yellow and 65 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 41% 0% 65% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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