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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4558B4 it is the complementary color #BAA74B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4558B4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4558B4 shade: #4A58AF, #5B6AC2, #6C7CD5, #7D8EE8 and #8EA0FB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4558B4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4558B4 shade: #4558B4, #3446A1, #23348E, #12227B and #011068

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4558B4 shade: #4457B5, #4F44B5, #6E44B5, #8C44B5 and #AA44B5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4558B4 shade: #4457B5 and #4444B5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4558B4 shade matches the following richer shades: #4457B5, #304AC9, #1C3DDD and #0830F1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4558B4 shade: #4457B5, #5865A0, #6D728C, #817F78 and #958D64

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4558B4 shade: #4495B5, #4477B5, #4459B5, #4E44B5 and #6C44B5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4558B4 shade: #2E3A79, #394997, #4457B5, #6071C2 and #7E8BCE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4558B4 shade: #4558B4, #B544B3 and #86B544

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4558B4 shade: #4558B4, #B54459 and #59B544

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4558B4 shade: #4558B4, #B544B3, #B5A044 and #44B546

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4558B4 shade: #4558B4, #B54491, #B5A044 and #44B568

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 51 / 0 / 29

HEX #4558B4

RGB 69 88 180

HSL 229.73, 0.45%, 0.49%

LAB 40.48, 21.77, -51.23

 

Complementary color

CMYK 0 / 10 / 60 / 27

HEX #BAA74B

RGB 186 167 75

HSL 49.73, 0.45%, 0.51%

LAB 68.45, -4.47, 49.07

 

CMYK 58 / 50 / 0 / 31

HEX #4A58AF

RGB 74 88 175

HSL 231.68, 0.41%, 0.49%

LAB 40.46, 21.02, -48.29

 

CMYK 53 / 45 / 0 / 24

HEX #5B6AC2

RGB 91 106 194

HSL 231.26, 0.46%, 0.56%

LAB 47.53, 19.57, -47.99

 

CMYK 49 / 42 / 0 / 16

HEX #6C7CD5

RGB 108 124 213

HSL 230.86, 0.56%, 0.63%

LAB 54.46, 18.38, -47.73

 

CMYK 46 / 39 / 0 / 9

HEX #7D8EE8

RGB 125 142 232

HSL 230.47, 0.7%, 0.7%

LAB 61.25, 17.37, -47.52

 

CMYK 43 / 36 / 0 / 2

HEX #8EA0FB

RGB 142 160 251

HSL 230.09, 0.93%, 0.77%

LAB 67.92, 16.51, -47.37

 

CMYK 62 / 51 / 0 / 29

HEX #4558B4

RGB 69 88 180

HSL 229.73, 0.45%, 0.49%

LAB 40.48, 21.77, -51.23

 

CMYK 68 / 57 / 0 / 37

HEX #3446A1

RGB 52 70 161

HSL 230.09, 0.51%, 0.42%

LAB 33.32, 23.79, -51.55

 

CMYK 75 / 63 / 0 / 44

HEX #23348E

RGB 35 52 142

HSL 230.47, 0.6%, 0.35%

LAB 26.06, 26.32, -51.81

 

CMYK 85 / 72 / 0 / 52

HEX #12227B

RGB 18 34 123

HSL 230.86, 0.74%, 0.28%

LAB 18.81, 29.44, -51.8

 

CMYK 99 / 85 / 0 / 59

HEX #011068

RGB 1 16 104

HSL 231.26, 0.98%, 0.21%

LAB 11.8, 32.67, -51.1

 

CMYK 62 / 52 / 0 / 29

HEX #4457B5

RGB 68 87 181

HSL 229.91, 0.45%, 0.49%

LAB 40.22, 22.58, -52.24

 

CMYK 56 / 62 / 0 / 29

HEX #4F44B5

RGB 79 68 181

HSL 245.84, 0.45%, 0.49%

LAB 36.24, 36.56, -58.64

 

CMYK 39 / 62 / 0 / 29

HEX #6E44B5

RGB 110 68 181

HSL 262.3, 0.45%, 0.49%

LAB 39.22, 42.81, -53.68

 

CMYK 23 / 62 / 0 / 29

HEX #8C44B5

RGB 140 68 181

HSL 278.23, 0.45%, 0.49%

LAB 42.83, 49.75, -47.67

 

CMYK 6 / 62 / 0 / 29

HEX #AA44B5

RGB 170 68 181

HSL 294.16, 0.45%, 0.49%

LAB 47, 57.09, -40.79

 

CMYK 62 / 52 / 0 / 29

HEX #4457B5

RGB 68 87 181

HSL 229.91, 0.45%, 0.49%

LAB 40.22, 22.58, -52.24

 

CMYK 62 / 62 / 0 / 29

HEX #4444B5

RGB 68 68 181

HSL 240, 0.45%, 0.49%

LAB 35.4, 34.68, -60.05

 

CMYK 62 / 52 / 0 / 29

HEX #4457B5

RGB 68 87 181

HSL 229.91, 0.45%, 0.49%

LAB 40.22, 22.58, -52.24

 

CMYK 76 / 63 / 0 / 21

HEX #304AC9

RGB 48 74 201

HSL 229.8, 0.61%, 0.49%

LAB 37.38, 35.3, -68.58

 

CMYK 87 / 72 / 0 / 13

HEX #1C3DDD

RGB 28 61 221

HSL 229.74, 0.78%, 0.49%

LAB 35.61, 48.95, -83.07

 

CMYK 97 / 80 / 0 / 5

HEX #0830F1

RGB 8 48 241

HSL 229.7, 0.94%, 0.49%

LAB 35.04, 61.92, -95.41

 

CMYK 62 / 52 / 0 / 29

HEX #4457B5

RGB 68 87 181

HSL 229.91, 0.45%, 0.49%

LAB 40.22, 22.58, -52.24

 

CMYK 45 / 37 / 0 / 37

HEX #5865A0

RGB 88 101 160

HSL 229.17, 0.29%, 0.49%

LAB 44.12, 11.21, -33.55

 

CMYK 22 / 19 / 0 / 45

HEX #6D728C

RGB 109 114 140

HSL 230.32, 0.12%, 0.49%

LAB 48.49, 4.08, -14.82

 

CMYK 0 / 2 / 7 / 49

HEX #817F78

RGB 129 127 120

HSL 46.67, 0.04%, 0.49%

LAB 53.17, -0.59, 4.06

 

CMYK 0 / 5 / 33 / 42

HEX #958D64

RGB 149 141 100

HSL 50.2, 0.2%, 0.49%

LAB 58.38, -3.6, 22.99

 

CMYK 62 / 18 / 0 / 29

HEX #4495B5

RGB 68 149 181

HSL 196.99, 0.45%, 0.49%

LAB 58.09, -14.85, -24.06

 

CMYK 62 / 34 / 0 / 29

HEX #4477B5

RGB 68 119 181

HSL 212.92, 0.45%, 0.49%

LAB 49.2, 2.43, -37.9

 

CMYK 62 / 51 / 0 / 29

HEX #4459B5

RGB 68 89 181

HSL 228.85, 0.45%, 0.49%

LAB 40.75, 21.29, -51.37

 

CMYK 57 / 62 / 0 / 29

HEX #4E44B5

RGB 78 68 181

HSL 245.31, 0.45%, 0.49%

LAB 36.16, 36.38, -58.78

 

CMYK 40 / 62 / 0 / 29

HEX #6C44B5

RGB 108 68 181

HSL 261.24, 0.45%, 0.49%

LAB 39, 42.37, -54.04

 

CMYK 62 / 52 / 0 / 53

HEX #2E3A79

RGB 46 58 121

HSL 230.4, 0.45%, 0.33%

LAB 26.7, 16.04, -37.61

 

CMYK 62 / 52 / 0 / 41

HEX #394997

RGB 57 73 151

HSL 229.79, 0.45%, 0.41%

LAB 33.71, 19.04, -44.85

 

CMYK 62 / 52 / 0 / 29

HEX #4457B5

RGB 68 87 181

HSL 229.91, 0.45%, 0.49%

LAB 40.22, 22.58, -52.24

 

CMYK 51 / 42 / 0 / 24

HEX #6071C2

RGB 96 113 194

HSL 229.59, 0.45%, 0.57%

LAB 49.73, 16.38, -44.47

 

CMYK 39 / 33 / 0 / 19

HEX #7E8BCE

RGB 126 139 206

HSL 230.25, 0.45%, 0.65%

LAB 59.3, 11.94, -36.07

 

CMYK 62 / 51 / 0 / 29

HEX #4558B4

RGB 69 88 180

HSL 229.73, 0.45%, 0.49%

LAB 40.48, 21.77, -51.23

 

CMYK 0 / 62 / 1 / 29

HEX #B544B3

RGB 181 68 179

HSL 301.06, 0.45%, 0.49%

LAB 48.53, 59.48, -37.09

 

CMYK 26 / 0 / 62 / 29

HEX #86B544

RGB 134 181 68

HSL 84.96, 0.45%, 0.49%

LAB 68.41, -33.55, 51.1

 

CMYK 62 / 51 / 0 / 29

HEX #4558B4

RGB 69 88 180

HSL 229.73, 0.45%, 0.49%

LAB 40.48, 21.77, -51.23

 

CMYK 0 / 62 / 51 / 29

HEX #B54459

RGB 181 68 89

HSL 348.85, 0.45%, 0.49%

LAB 45.19, 47.49, 12.14

 

CMYK 51 / 0 / 62 / 29

HEX #59B544

RGB 89 181 68

HSL 108.85, 0.45%, 0.49%

LAB 66.2, -48.8, 48.04

 

CMYK 62 / 51 / 0 / 29

HEX #4558B4

RGB 69 88 180

HSL 229.73, 0.45%, 0.49%

LAB 40.48, 21.77, -51.23

 

CMYK 0 / 62 / 1 / 29

HEX #B544B3

RGB 181 68 179

HSL 301.06, 0.45%, 0.49%

LAB 48.53, 59.48, -37.09

 

CMYK 0 / 12 / 62 / 29

HEX #B5A044

RGB 181 160 68

HSL 48.85, 0.45%, 0.49%

LAB 66.05, -3.4, 49.52

 

CMYK 62 / 0 / 61 / 29

HEX #44B546

RGB 68 181 70

HSL 121.06, 0.45%, 0.49%

LAB 65.53, -53.96, 46.19

 

CMYK 62 / 51 / 0 / 29

HEX #4558B4

RGB 69 88 180

HSL 229.73, 0.45%, 0.49%

LAB 40.48, 21.77, -51.23

 

CMYK 0 / 62 / 20 / 29

HEX #B54491

RGB 181 68 145

HSL 319.12, 0.45%, 0.49%

LAB 46.98, 54.09, -19.34

 

CMYK 0 / 12 / 62 / 29

HEX #B5A044

RGB 181 160 68

HSL 48.85, 0.45%, 0.49%

LAB 66.05, -3.4, 49.52

 

CMYK 62 / 0 / 43 / 29

HEX #44B568

RGB 68 181 104

HSL 139.12, 0.45%, 0.49%

LAB 65.96, -49.08, 29.99

 

Description

Color code: HEX #4558B4 | qconv.com Color code: HEX #4558B4 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 69 red, 88 green and 180 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
69 88 180 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, 51 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 51% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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