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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #455CAE it is the complementary color #BAA351. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #455CAE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #455CAE shade: #4A5CA9, #5B6EBC, #6C80CF, #7D92E2 and #8EA4F5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #455CAE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #455CAE shade: #455CAE, #344A9B, #233888, #122675 and #011462

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #455CAE shade: #455CAF, #4B45AF, #6745AF, #8345AF and #A045AF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #455CAE shade: #455CAF and #4545AF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #455CAE shade matches the following richer shades: #455CAF, #3151C2, #1E46D6 and #0A3BEA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #455CAE shade: #455CAF, #59679B, #6D7387, #817E73 and #94895F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #455CAE shade: #4596AF, #457AAF, #455EAF, #4945AF and #6545AF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #455CAE shade: #2E3D74, #3A4D91, #455CAF, #5E73BF and #7C8DCA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #455CAE shade: #455CAE, #AB45AF and #88AF45

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #455CAE shade: #455CAE, #AF455E and #5EAF45

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #455CAE shade: #455CAE, #AB45AF, #AF9645 and #49AF45

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #455CAE shade: #455CAE, #AF4592, #AF9645 and #45AF61

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 47 / 0 / 32

HEX #455CAE

RGB 69 92 174

HSL 226.86, 0.43%, 0.48%

LAB 41.18, 17.11, -46.57

 

Complementary color

CMYK 0 / 12 / 56 / 27

HEX #BAA351

RGB 186 163 81

HSL 46.86, 0.43%, 0.52%

LAB 67.45, -1.88, 45.05

 

CMYK 56 / 46 / 0 / 34

HEX #4A5CA9

RGB 74 92 169

HSL 228.63, 0.39%, 0.48%

LAB 41.18, 16.43, -43.6

 

CMYK 52 / 41 / 0 / 26

HEX #5B6EBC

RGB 91 110 188

HSL 228.25, 0.42%, 0.55%

LAB 48.27, 15.17, -43.35

 

CMYK 48 / 38 / 0 / 19

HEX #6C80CF

RGB 108 128 207

HSL 227.88, 0.51%, 0.62%

LAB 55.21, 14.14, -43.15

 

CMYK 45 / 35 / 0 / 11

HEX #7D92E2

RGB 125 146 226

HSL 227.52, 0.64%, 0.69%

LAB 62.01, 13.28, -43

 

CMYK 42 / 33 / 0 / 4

HEX #8EA4F5

RGB 142 164 245

HSL 227.18, 0.84%, 0.76%

LAB 68.67, 12.54, -42.91

 

CMYK 60 / 47 / 0 / 32

HEX #455CAE

RGB 69 92 174

HSL 226.86, 0.43%, 0.48%

LAB 41.18, 17.11, -46.57

 

CMYK 66 / 52 / 0 / 39

HEX #344A9B

RGB 52 74 155

HSL 227.18, 0.5%, 0.41%

LAB 33.97, 18.92, -46.87

 

CMYK 74 / 59 / 0 / 47

HEX #233888

RGB 35 56 136

HSL 227.52, 0.59%, 0.34%

LAB 26.63, 21.26, -47.15

 

CMYK 85 / 68 / 0 / 54

HEX #122675

RGB 18 38 117

HSL 227.88, 0.73%, 0.26%

LAB 19.22, 24.3, -47.29

 

CMYK 99 / 80 / 0 / 62

HEX #011462

RGB 1 20 98

HSL 228.25, 0.98%, 0.19%

LAB 11.88, 27.87, -46.99

 

CMYK 61 / 47 / 0 / 31

HEX #455CAF

RGB 69 92 175

HSL 226.98, 0.43%, 0.48%

LAB 41.24, 17.46, -47.06

 

CMYK 57 / 61 / 0 / 31

HEX #4B45AF

RGB 75 69 175

HSL 243.4, 0.43%, 0.48%

LAB 35.69, 33.28, -56

 

CMYK 41 / 61 / 0 / 31

HEX #6745AF

RGB 103 69 175

HSL 259.25, 0.43%, 0.48%

LAB 38.26, 39.05, -51.71

 

CMYK 25 / 61 / 0 / 31

HEX #8345AF

RGB 131 69 175

HSL 275.09, 0.43%, 0.48%

LAB 41.5, 45.68, -46.34

 

CMYK 9 / 61 / 0 / 31

HEX #A045AF

RGB 160 69 175

HSL 291.51, 0.43%, 0.48%

LAB 45.39, 52.99, -39.89

 

CMYK 61 / 47 / 0 / 31

HEX #455CAF

RGB 69 92 175

HSL 226.98, 0.43%, 0.48%

LAB 41.24, 17.46, -47.06

 

CMYK 61 / 61 / 0 / 31

HEX #4545AF

RGB 69 69 175

HSL 240, 0.43%, 0.48%

LAB 35.24, 32.2, -56.75

 

CMYK 61 / 47 / 0 / 31

HEX #455CAF

RGB 69 92 175

HSL 226.98, 0.43%, 0.48%

LAB 41.24, 17.46, -47.06

 

CMYK 75 / 58 / 0 / 24

HEX #3151C2

RGB 49 81 194

HSL 226.76, 0.6%, 0.48%

LAB 38.61, 28.34, -62.5

 

CMYK 86 / 67 / 0 / 16

HEX #1E46D6

RGB 30 70 214

HSL 226.96, 0.75%, 0.48%

LAB 36.95, 41.14, -76.82

 

CMYK 96 / 75 / 0 / 8

HEX #0A3BEA

RGB 10 59 234

HSL 226.88, 0.92%, 0.48%

LAB 36.24, 53.98, -89.45

 

CMYK 61 / 47 / 0 / 31

HEX #455CAF

RGB 69 92 175

HSL 226.98, 0.43%, 0.48%

LAB 41.24, 17.46, -47.06

 

CMYK 43 / 34 / 0 / 39

HEX #59679B

RGB 89 103 155

HSL 227.27, 0.27%, 0.48%

LAB 44.51, 8.72, -29.98

 

CMYK 19 / 15 / 0 / 47

HEX #6D7387

RGB 109 115 135

HSL 226.15, 0.11%, 0.48%

LAB 48.59, 2.26, -11.71

 

CMYK 0 / 2 / 11 / 49

HEX #817E73

RGB 129 126 115

HSL 47.14, 0.06%, 0.48%

LAB 52.76, -0.93, 6.39

 

CMYK 0 / 7 / 36 / 42

HEX #94895F

RGB 148 137 95

HSL 47.55, 0.22%, 0.48%

LAB 57.09, -2.45, 24.05

 

CMYK 61 / 14 / 0 / 31

HEX #4596AF

RGB 69 150 175

HSL 194.15, 0.43%, 0.48%

LAB 58.2, -17.09, -20.49

 

CMYK 61 / 30 / 0 / 31

HEX #457AAF

RGB 69 122 175

HSL 210, 0.43%, 0.48%

LAB 49.83, -1.22, -33.44

 

CMYK 61 / 46 / 0 / 31

HEX #455EAF

RGB 69 94 175

HSL 225.85, 0.43%, 0.48%

LAB 41.79, 16.18, -46.17

 

CMYK 58 / 61 / 0 / 31

HEX #4945AF

RGB 73 69 175

HSL 242.26, 0.43%, 0.48%

LAB 35.53, 32.91, -56.26

 

CMYK 42 / 61 / 0 / 31

HEX #6545AF

RGB 101 69 175

HSL 258.11, 0.43%, 0.48%

LAB 38.05, 38.6, -52.05

 

CMYK 60 / 47 / 0 / 55

HEX #2E3D74

RGB 46 61 116

HSL 227.14, 0.43%, 0.32%

LAB 27.24, 12.13, -33.58

 

CMYK 60 / 47 / 0 / 43

HEX #3A4D91

RGB 58 77 145

HSL 226.9, 0.43%, 0.4%

LAB 34.5, 14.44, -39.93

 

CMYK 61 / 47 / 0 / 31

HEX #455CAF

RGB 69 92 175

HSL 226.98, 0.43%, 0.48%

LAB 41.24, 17.46, -47.06

 

CMYK 51 / 40 / 0 / 25

HEX #5E73BF

RGB 94 115 191

HSL 227.01, 0.43%, 0.56%

LAB 49.98, 13.74, -42.35

 

CMYK 39 / 30 / 0 / 21

HEX #7C8DCA

RGB 124 141 202

HSL 226.92, 0.42%, 0.64%

LAB 59.52, 9.11, -33.48

 

CMYK 60 / 47 / 0 / 32

HEX #455CAE

RGB 69 92 174

HSL 226.86, 0.43%, 0.48%

LAB 41.18, 17.11, -46.57

 

CMYK 2 / 61 / 0 / 31

HEX #AB45AF

RGB 171 69 175

HSL 297.74, 0.43%, 0.48%

LAB 46.99, 55.81, -37.27

 

CMYK 22 / 0 / 61 / 31

HEX #88AF45

RGB 136 175 69

HSL 82.08, 0.43%, 0.48%

LAB 66.77, -29.87, 48.88

 

CMYK 60 / 47 / 0 / 32

HEX #455CAE

RGB 69 92 174

HSL 226.86, 0.43%, 0.48%

LAB 41.18, 17.11, -46.57

 

CMYK 0 / 61 / 46 / 31

HEX #AF455E

RGB 175 69 94

HSL 345.85, 0.43%, 0.48%

LAB 44.49, 45.47, 7.93

 

CMYK 46 / 0 / 61 / 31

HEX #5EAF45

RGB 94 175 69

HSL 105.85, 0.43%, 0.48%

LAB 64.54, -44.78, 45.76

 

CMYK 60 / 47 / 0 / 32

HEX #455CAE

RGB 69 92 174

HSL 226.86, 0.43%, 0.48%

LAB 41.18, 17.11, -46.57

 

CMYK 2 / 61 / 0 / 31

HEX #AB45AF

RGB 171 69 175

HSL 297.74, 0.43%, 0.48%

LAB 46.99, 55.81, -37.27

 

CMYK 0 / 14 / 61 / 31

HEX #AF9645

RGB 175 150 69

HSL 45.85, 0.43%, 0.48%

LAB 62.81, -0.55, 45.28

 

CMYK 58 / 0 / 61 / 31

HEX #49AF45

RGB 73 175 69

HSL 117.74, 0.43%, 0.48%

LAB 63.76, -50.66, 44.66

 

CMYK 60 / 47 / 0 / 32

HEX #455CAE

RGB 69 92 174

HSL 226.86, 0.43%, 0.48%

LAB 41.18, 17.11, -46.57

 

CMYK 0 / 61 / 17 / 31

HEX #AF4592

RGB 175 69 146

HSL 316.42, 0.43%, 0.48%

LAB 46.24, 52.07, -21.16

 

CMYK 0 / 14 / 61 / 31

HEX #AF9645

RGB 175 150 69

HSL 45.85, 0.43%, 0.48%

LAB 62.81, -0.55, 45.28

 

CMYK 61 / 0 / 45 / 31

HEX #45AF61

RGB 69 175 97

HSL 135.85, 0.43%, 0.48%

LAB 63.99, -47.67, 31.1

 

Description

Color code: HEX #455CAE | qconv.com Color code: HEX #455CAE | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 69 red, 92 green and 174 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
69 92 174 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, 47 magenta, none yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 47% 0% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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