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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF9645 it is the complementary color #5069BA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF9645. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AF9645 shade: #B49640, #C5A853, #D6BA66, #E7CC79 and #F8DE8C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF9645. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AF9645 shade: #AF9645, #9E8432, #8D721F, #7C600C and #6B4E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AF9645 shade: #AF9645, #AF7945, #AF5D45 and #AF4545

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AF9645 shade: #AF9645, #ABAF45, #8FAF45, #72AF45 and #56AF45

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AF9645 shade matches the following richer shades: #AF9645, #C2A031, #D6AB1E and #EAB50A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AF9645 shade: #AF9645, #9B8B59, #87816D, #737681 and #5F6C94

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AF9645 shade: #AF5C45, #AF7845, #AF9445, #ADAF45 and #91AF45

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AF9645 shade: #74632E, #917C3A, #AF9645, #BFA85E and #CAB87C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AF9645 shade: #AF9645, #4BAF45 and #6A45AF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AF9645 shade: #AF9645, #45AF94 and #9445AF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AF9645 shade: #AF9645, #4BAF45, #4560AF and #A945AF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AF9645 shade: #AF9645, #45AF60, #4560AF and #AF4594

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 61 / 31

HEX #AF9645

RGB 175 150 69

HSL 45.85, 0.43%, 0.48%

LAB 62.81, -0.55, 45.28

 

Complementary color

CMYK 57 / 44 / 0 / 27

HEX #5069BA

RGB 80 105 186

HSL 225.85, 0.43%, 0.52%

LAB 46.12, 15.2, -45.66

 

CMYK 0 / 17 / 64 / 29

HEX #B49640

RGB 180 150 64

HSL 44.48, 0.48%, 0.48%

LAB 63.25, 1.3, 48.28

 

CMYK 0 / 15 / 58 / 23

HEX #C5A853

RGB 197 168 83

HSL 44.74, 0.5%, 0.55%

LAB 69.82, 0.31, 47.11

 

CMYK 0 / 13 / 52 / 16

HEX #D6BA66

RGB 214 186 102

HSL 45, 0.58%, 0.62%

LAB 76.3, -0.53, 45.86

 

CMYK 0 / 12 / 48 / 9

HEX #E7CC79

RGB 231 204 121

HSL 45.27, 0.7%, 0.69%

LAB 82.68, -1.23, 44.62

 

CMYK 0 / 10 / 44 / 3

HEX #F8DE8C

RGB 248 222 140

HSL 45.56, 0.89%, 0.76%

LAB 88.97, -1.84, 43.39

 

CMYK 0 / 14 / 61 / 31

HEX #AF9645

RGB 175 150 69

HSL 45.85, 0.43%, 0.48%

LAB 62.81, -0.55, 45.28

 

CMYK 0 / 16 / 68 / 38

HEX #9E8432

RGB 158 132 50

HSL 45.56, 0.52%, 0.41%

LAB 56.09, 0.52, 46.36

 

CMYK 0 / 19 / 78 / 45

HEX #8D721F

RGB 141 114 31

HSL 45.27, 0.64%, 0.34%

LAB 49.25, 1.84, 47.01

 

CMYK 0 / 23 / 90 / 51

HEX #7C600C

RGB 124 96 12

HSL 45, 0.82%, 0.27%

LAB 42.27, 3.51, 46.56

 

CMYK 0 / 27 / 100 / 58

HEX #6B4E00

RGB 107 78 0

HSL 43.74, 1%, 0.21%

LAB 35.15, 5.61, 43.79

 

CMYK 0 / 14 / 61 / 31

HEX #AF9645

RGB 175 150 69

HSL 45.85, 0.43%, 0.48%

LAB 62.81, -0.55, 45.28

 

CMYK 0 / 31 / 61 / 31

HEX #AF7945

RGB 175 121 69

HSL 29.43, 0.43%, 0.48%

LAB 55.3, 15.55, 36.58

 

CMYK 0 / 47 / 61 / 31

HEX #AF5D45

RGB 175 93 69

HSL 13.58, 0.43%, 0.48%

LAB 48.73, 31.08, 28.57

 

CMYK 0 / 61 / 61 / 31

HEX #AF4545

RGB 175 69 69

HSL 0, 0.43%, 0.48%

LAB 43.94, 43.32, 22.5

 

CMYK 0 / 14 / 61 / 31

HEX #AF9645

RGB 175 150 69

HSL 45.85, 0.43%, 0.48%

LAB 62.81, -0.55, 45.28

 

CMYK 2 / 0 / 61 / 31

HEX #ABAF45

RGB 171 175 69

HSL 62.26, 0.43%, 0.48%

LAB 69.29, -15.5, 52.37

 

CMYK 18 / 0 / 61 / 31

HEX #8FAF45

RGB 143 175 69

HSL 78.11, 0.43%, 0.48%

LAB 67.22, -27.1, 49.51

 

CMYK 35 / 0 / 61 / 31

HEX #72AF45

RGB 114 175 69

HSL 94.53, 0.43%, 0.48%

LAB 65.49, -38.12, 47.09

 

CMYK 51 / 0 / 61 / 31

HEX #56AF45

RGB 86 175 69

HSL 110.38, 0.43%, 0.48%

LAB 64.22, -47.17, 45.31

 

CMYK 0 / 14 / 61 / 31

HEX #AF9645

RGB 175 150 69

HSL 45.85, 0.43%, 0.48%

LAB 62.81, -0.55, 45.28

 

CMYK 0 / 18 / 75 / 24

HEX #C2A031

RGB 194 160 49

HSL 45.93, 0.6%, 0.48%

LAB 67.15, 1.24, 59.07

 

CMYK 0 / 20 / 86 / 16

HEX #D6AB1E

RGB 214 171 30

HSL 45.98, 0.75%, 0.48%

LAB 71.9, 3.53, 69.99

 

CMYK 0 / 23 / 96 / 8

HEX #EAB50A

RGB 234 181 10

HSL 45.8, 0.92%, 0.48%

LAB 76.41, 6.66, 77.77

 

CMYK 0 / 14 / 61 / 31

HEX #AF9645

RGB 175 150 69

HSL 45.85, 0.43%, 0.48%

LAB 62.81, -0.55, 45.28

 

CMYK 0 / 10 / 43 / 39

HEX #9B8B59

RGB 155 139 89

HSL 45.45, 0.27%, 0.48%

LAB 58.18, -1.32, 28.9

 

CMYK 0 / 4 / 19 / 47

HEX #87816D

RGB 135 129 109

HSL 46.15, 0.11%, 0.48%

LAB 53.98, -1.29, 11.67

 

CMYK 11 / 9 / 0 / 49

HEX #737681

RGB 115 118 129

HSL 227.14, 0.06%, 0.48%

LAB 49.72, 1.22, -6.41

 

CMYK 36 / 27 / 0 / 42

HEX #5F6C94

RGB 95 108 148

HSL 225.28, 0.22%, 0.48%

LAB 46.04, 5.34, -23.41

 

CMYK 0 / 47 / 61 / 31

HEX #AF5C45

RGB 175 92 69

HSL 13.02, 0.43%, 0.48%

LAB 48.51, 31.62, 28.3

 

CMYK 0 / 31 / 61 / 31

HEX #AF7845

RGB 175 120 69

HSL 28.87, 0.43%, 0.48%

LAB 55.05, 16.11, 36.28

 

CMYK 0 / 15 / 61 / 31

HEX #AF9445

RGB 175 148 69

HSL 44.72, 0.43%, 0.48%

LAB 62.27, 0.54, 44.68

 

CMYK 1 / 0 / 61 / 31

HEX #ADAF45

RGB 173 175 69

HSL 61.13, 0.43%, 0.48%

LAB 69.45, -14.65, 52.59

 

CMYK 17 / 0 / 61 / 31

HEX #91AF45

RGB 145 175 69

HSL 76.98, 0.43%, 0.48%

LAB 67.36, -26.29, 49.7

 

CMYK 0 / 15 / 60 / 55

HEX #74632E

RGB 116 99 46

HSL 45.43, 0.43%, 0.32%

LAB 42.51, -0.28, 32.14

 

CMYK 0 / 14 / 60 / 43

HEX #917C3A

RGB 145 124 58

HSL 45.52, 0.43%, 0.4%

LAB 52.66, -0.32, 38.38

 

CMYK 0 / 14 / 61 / 31

HEX #AF9645

RGB 175 150 69

HSL 45.85, 0.43%, 0.48%

LAB 62.81, -0.55, 45.28

 

CMYK 0 / 12 / 51 / 25

HEX #BFA85E

RGB 191 168 94

HSL 45.77, 0.43%, 0.56%

LAB 69.39, -1.32, 41

 

CMYK 0 / 9 / 39 / 21

HEX #CAB87C

RGB 202 184 124

HSL 46.15, 0.42%, 0.64%

LAB 75.01, -2.19, 32.81

 

CMYK 0 / 14 / 61 / 31

HEX #AF9645

RGB 175 150 69

HSL 45.85, 0.43%, 0.48%

LAB 62.81, -0.55, 45.28

 

CMYK 57 / 0 / 61 / 31

HEX #4BAF45

RGB 75 175 69

HSL 116.6, 0.43%, 0.48%

LAB 63.82, -50.15, 44.76

 

CMYK 39 / 61 / 0 / 31

HEX #6A45AF

RGB 106 69 175

HSL 260.94, 0.43%, 0.48%

LAB 38.58, 39.73, -51.18

 

CMYK 0 / 14 / 61 / 31

HEX #AF9645

RGB 175 150 69

HSL 45.85, 0.43%, 0.48%

LAB 62.81, -0.55, 45.28

 

CMYK 61 / 0 / 15 / 31

HEX #45AF94

RGB 69 175 148

HSL 164.72, 0.43%, 0.48%

LAB 65.01, -37.03, 4.83

 

CMYK 15 / 61 / 0 / 31

HEX #9445AF

RGB 148 69 175

HSL 284.72, 0.43%, 0.48%

LAB 43.72, 49.94, -42.65

 

CMYK 0 / 14 / 61 / 31

HEX #AF9645

RGB 175 150 69

HSL 45.85, 0.43%, 0.48%

LAB 62.81, -0.55, 45.28

 

CMYK 57 / 0 / 61 / 31

HEX #4BAF45

RGB 75 175 69

HSL 116.6, 0.43%, 0.48%

LAB 63.82, -50.15, 44.76

 

CMYK 61 / 45 / 0 / 31

HEX #4560AF

RGB 69 96 175

HSL 224.72, 0.43%, 0.48%

LAB 42.35, 14.9, -45.28

 

CMYK 3 / 61 / 0 / 31

HEX #A945AF

RGB 169 69 175

HSL 296.6, 0.43%, 0.48%

LAB 46.69, 55.29, -37.75

 

CMYK 0 / 14 / 61 / 31

HEX #AF9645

RGB 175 150 69

HSL 45.85, 0.43%, 0.48%

LAB 62.81, -0.55, 45.28

 

CMYK 61 / 0 / 45 / 31

HEX #45AF60

RGB 69 175 96

HSL 135.28, 0.43%, 0.48%

LAB 63.97, -47.84, 31.6

 

CMYK 61 / 45 / 0 / 31

HEX #4560AF

RGB 69 96 175

HSL 224.72, 0.43%, 0.48%

LAB 42.35, 14.9, -45.28

 

CMYK 0 / 61 / 15 / 31

HEX #AF4594

RGB 175 69 148

HSL 315.28, 0.43%, 0.48%

LAB 46.32, 52.38, -22.23

 

Description

Color code: HEX #AF9645 | qconv.com Color code: HEX #AF9645 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 150 green and 69 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 150 69 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 61 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 61% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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