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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #45CD8F it is the complementary color #BA3270. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #45CD8F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #45CD8F shade: #4ACD8A, #5BDF9D, #6CF1B0, #7DFFC3 and #8EFFD6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #45CD8F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #45CD8F shade: #45CD8F, #34BB7C, #23A969, #129756 and #018543

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #45CD8F shade: #45CD8F, #45CD6B, #45CD46, #69CD45 and #8ECD45

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #45CD8F shade: #45CD8F, #45CDB4, #45C2CD, #459DCD and #4578CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #45CD8F shade matches the following richer shades: #45CD8F, #32E091 and #1FF393

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #45CD8F shade: #45CD8F, #58BA8E, #6BA78C, #7E948A and #918189

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #45CD8F shade: #45CD45, #45CD69, #45CD8E, #45CDB2 and #45C4CD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #45CD8F shade: #289865, #31B87B, #45CD8F, #66D6A3 and #86DFB6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #45CD8F shade: #45CD8F, #4569CD and #CD5745

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #45CD8F shade: #45CD8F, #8E45CD and #CD8E45

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #45CD8F shade: #45CD8F, #4569CD, #CD4585 and #CDA945

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #45CD8F shade: #45CD8F, #4A45CD, #CD4585 and #C9CD45

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 0 / 30 / 20

HEX #45CD8F

RGB 69 205 143

HSL 152.65, 0.58%, 0.54%

LAB 74.13, -50.96, 20.38

 

Complementary color

CMYK 0 / 73 / 40 / 27

HEX #BA3270

RGB 186 50 112

HSL 332.65, 0.58%, 0.46%

LAB 44.07, 58.46, -3.54

 

CMYK 64 / 0 / 33 / 20

HEX #4ACD8A

RGB 74 205 138

HSL 149.31, 0.57%, 0.55%

LAB 74.16, -51.08, 23.08

 

CMYK 59 / 0 / 30 / 13

HEX #5BDF9D

RGB 91 223 157

HSL 150, 0.67%, 0.62%

LAB 80.42, -51.23, 21.77

 

CMYK 55 / 0 / 27 / 5

HEX #6CF1B0

RGB 108 241 176

HSL 150.68, 0.83%, 0.68%

LAB 86.62, -51.26, 20.56

 

CMYK 51 / 0 / 24 / 0

HEX #7DFFC3

RGB 125 255 195

HSL 152.31, 1%, 0.75%

LAB 91.6, -49.52, 17.83

 

CMYK 44 / 0 / 16 / 0

HEX #8EFFD6

RGB 142 255 214

HSL 158.23, 1%, 0.78%

LAB 92.63, -41.59, 9.6

 

CMYK 66 / 0 / 30 / 20

HEX #45CD8F

RGB 69 205 143

HSL 152.65, 0.58%, 0.54%

LAB 74.13, -50.96, 20.38

 

CMYK 72 / 0 / 34 / 27

HEX #34BB7C

RGB 52 187 124

HSL 152, 0.56%, 0.47%

LAB 67.82, -50.5, 21.81

 

CMYK 79 / 0 / 38 / 34

HEX #23A969

RGB 35 169 105

HSL 151.34, 0.66%, 0.4%

LAB 61.44, -49.72, 23.37

 

CMYK 88 / 0 / 43 / 41

HEX #129756

RGB 18 151 86

HSL 150.68, 0.79%, 0.33%

LAB 55, -48.46, 25.1

 

CMYK 99 / 0 / 50 / 48

HEX #018543

RGB 1 133 67

HSL 150, 0.99%, 0.26%

LAB 48.49, -46.66, 26.97

 

CMYK 66 / 0 / 30 / 20

HEX #45CD8F

RGB 69 205 143

HSL 152.65, 0.58%, 0.54%

LAB 74.13, -50.96, 20.38

 

CMYK 66 / 0 / 48 / 20

HEX #45CD6B

RGB 69 205 107

HSL 136.76, 0.58%, 0.54%

LAB 73.54, -57.5, 38.15

 

CMYK 66 / 0 / 66 / 20

HEX #45CD46

RGB 69 205 70

HSL 120.44, 0.58%, 0.54%

LAB 73.13, -62.18, 54.66

 

CMYK 49 / 0 / 66 / 20

HEX #69CD45

RGB 105 205 69

HSL 104.12, 0.58%, 0.54%

LAB 74.25, -53.45, 56.6

 

CMYK 31 / 0 / 66 / 20

HEX #8ECD45

RGB 142 205 69

HSL 87.79, 0.58%, 0.54%

LAB 75.97, -41.29, 58.95

 

CMYK 66 / 0 / 30 / 20

HEX #45CD8F

RGB 69 205 143

HSL 152.65, 0.58%, 0.54%

LAB 74.13, -50.96, 20.38

 

CMYK 66 / 0 / 12 / 20

HEX #45CDB4

RGB 69 205 180

HSL 168.97, 0.58%, 0.54%

LAB 74.97, -42.37, 1.74

 

CMYK 66 / 5 / 0 / 20

HEX #45C2CD

RGB 69 194 205

HSL 184.85, 0.58%, 0.54%

LAB 72.4, -30.45, -15.62

 

CMYK 66 / 23 / 0 / 20

HEX #459DCD

RGB 69 157 205

HSL 201.18, 0.58%, 0.54%

LAB 61.47, -11.31, -32.35

 

CMYK 66 / 41 / 0 / 20

HEX #4578CD

RGB 69 120 205

HSL 217.5, 0.58%, 0.54%

LAB 50.81, 10.36, -49.12

 

CMYK 66 / 0 / 30 / 20

HEX #45CD8F

RGB 69 205 143

HSL 152.65, 0.58%, 0.54%

LAB 74.13, -50.96, 20.38

 

CMYK 78 / 0 / 35 / 12

HEX #32E091

RGB 50 224 145

HSL 152.76, 0.74%, 0.54%

LAB 79.63, -60.5, 26.77

 

CMYK 87 / 0 / 40 / 5

HEX #1FF393

RGB 31 243 147

HSL 152.83, 0.9%, 0.54%

LAB 85.25, -68.46, 33.21

 

CMYK 66 / 0 / 30 / 20

HEX #45CD8F

RGB 69 205 143

HSL 152.65, 0.58%, 0.54%

LAB 74.13, -50.96, 20.38

 

CMYK 53 / 0 / 24 / 27

HEX #58BA8E

RGB 88 186 142

HSL 153.06, 0.42%, 0.54%

LAB 68.86, -39.26, 13.68

 

CMYK 36 / 0 / 16 / 35

HEX #6BA78C

RGB 107 167 140

HSL 153, 0.25%, 0.54%

LAB 63.88, -25.61, 7.85

 

CMYK 15 / 0 / 7 / 42

HEX #7E948A

RGB 126 148 138

HSL 152.73, 0.09%, 0.54%

LAB 59.39, -9.88, 2.66

 

CMYK 0 / 11 / 6 / 43

HEX #918189

RGB 145 129 137

HSL 330, 0.07%, 0.54%

LAB 55.61, 7.55, -2.09

 

CMYK 66 / 0 / 66 / 20

HEX #45CD45

RGB 69 205 69

HSL 120, 0.58%, 0.54%

LAB 73.13, -62.28, 55.06

 

CMYK 66 / 0 / 49 / 20

HEX #45CD69

RGB 69 205 105

HSL 135.88, 0.58%, 0.54%

LAB 73.51, -57.81, 39.11

 

CMYK 66 / 0 / 31 / 20

HEX #45CD8E

RGB 69 205 142

HSL 152.21, 0.58%, 0.54%

LAB 74.11, -51.16, 20.89

 

CMYK 66 / 0 / 13 / 20

HEX #45CDB2

RGB 69 205 178

HSL 168.09, 0.58%, 0.54%

LAB 74.91, -42.88, 2.75

 

CMYK 66 / 4 / 0 / 20

HEX #45C4CD

RGB 69 196 205

HSL 183.97, 0.58%, 0.54%

LAB 72.99, -31.41, -14.73

 

CMYK 74 / 0 / 34 / 40

HEX #289865

RGB 40 152 101

HSL 152.68, 0.58%, 0.38%

LAB 55.93, -43.19, 18.15

 

CMYK 73 / 0 / 33 / 28

HEX #31B87B

RGB 49 184 123

HSL 152.89, 0.58%, 0.46%

LAB 66.8, -49.97, 20.94

 

CMYK 66 / 0 / 30 / 20

HEX #45CD8F

RGB 69 205 143

HSL 152.65, 0.58%, 0.54%

LAB 74.13, -50.96, 20.38

 

CMYK 52 / 0 / 24 / 16

HEX #66D6A3

RGB 102 214 163

HSL 152.68, 0.58%, 0.62%

LAB 78.21, -43.84, 15.59

 

CMYK 40 / 0 / 18 / 13

HEX #86DFB6

RGB 134 223 182

HSL 152.36, 0.58%, 0.7%

LAB 82.5, -35.84, 11.79

 

CMYK 66 / 0 / 30 / 20

HEX #45CD8F

RGB 69 205 143

HSL 152.65, 0.58%, 0.54%

LAB 74.13, -50.96, 20.38

 

CMYK 66 / 49 / 0 / 20

HEX #4569CD

RGB 69 105 205

HSL 224.12, 0.58%, 0.54%

LAB 46.68, 19.73, -55.74

 

CMYK 0 / 58 / 66 / 20

HEX #CD5745

RGB 205 87 69

HSL 7.94, 0.58%, 0.54%

LAB 52.09, 45.64, 33.73

 

CMYK 66 / 0 / 30 / 20

HEX #45CD8F

RGB 69 205 143

HSL 152.65, 0.58%, 0.54%

LAB 74.13, -50.96, 20.38

 

CMYK 31 / 66 / 0 / 20

HEX #8E45CD

RGB 142 69 205

HSL 272.21, 0.58%, 0.54%

LAB 44.82, 55.19, -58.43

 

CMYK 0 / 31 / 66 / 20

HEX #CD8E45

RGB 205 142 69

HSL 32.21, 0.58%, 0.54%

LAB 63.96, 16.85, 47.45

 

CMYK 66 / 0 / 30 / 20

HEX #45CD8F

RGB 69 205 143

HSL 152.65, 0.58%, 0.54%

LAB 74.13, -50.96, 20.38

 

CMYK 66 / 49 / 0 / 20

HEX #4569CD

RGB 69 105 205

HSL 224.12, 0.58%, 0.54%

LAB 46.68, 19.73, -55.74

 

CMYK 0 / 66 / 35 / 20

HEX #CD4585

RGB 205 69 133

HSL 331.76, 0.58%, 0.54%

LAB 50.6, 59.07, -6.28

 

CMYK 0 / 18 / 66 / 20

HEX #CDA945

RGB 205 169 69

HSL 44.12, 0.58%, 0.54%

LAB 70.72, 2.26, 54.81

 

CMYK 66 / 0 / 30 / 20

HEX #45CD8F

RGB 69 205 143

HSL 152.65, 0.58%, 0.54%

LAB 74.13, -50.96, 20.38

 

CMYK 64 / 66 / 0 / 20

HEX #4A45CD

RGB 74 69 205

HSL 242.21, 0.58%, 0.54%

LAB 38.06, 42.91, -69.73

 

CMYK 0 / 66 / 35 / 20

HEX #CD4585

RGB 205 69 133

HSL 331.76, 0.58%, 0.54%

LAB 50.6, 59.07, -6.28

 

CMYK 2 / 0 / 66 / 20

HEX #C9CD45

RGB 201 205 69

HSL 61.76, 0.58%, 0.54%

LAB 79.9, -18.01, 64.26

 

Description

Color code: HEX #45CD8F | qconv.com Color code: HEX #45CD8F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 69 red, 205 green and 143 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
69 205 143 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, none magenta, 30 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 0% 30% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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