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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #32E091 it is the complementary color #CD1F6E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #32E091. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #32E091 shade: #37E08C, #48F29F, #59FFB2, #6AFFC5 and #7BFFD8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #32E091. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #32E091 shade: #32E091, #21CE7E, #10BC6B, #00AA58 and #009845

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #32E091 shade: #32E091, #32E062, #32E034, #60E032 and #8FE032

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #32E091 shade: #32E091, #32E0C0, #32D1E0, #32A2E0 and #3274E0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #32E091 shade matches the following richer shades: #32E091 and #1FF393

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #32E091 shade: #32E091, #45CD8F, #58BA8E, #6BA78C and #7E948A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #32E091 shade: #32E032, #32E061, #32E08F, #32E0BD and #32D4E0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #32E091 shade: #19A767, #1ECB7D, #32E091, #56E5A4 and #7AEBB8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #32E091 shade: #32E091, #3261E0 and #E04A32

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #32E091 shade: #32E091, #8F32E0 and #E08F32

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #32E091 shade: #32E091, #3261E0, #E03283 and #E0B232

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #32E091 shade: #32E091, #3832E0, #E03283 and #DAE032

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 0 / 35 / 12

HEX #32E091

RGB 50 224 145

HSL 152.76, 0.74%, 0.54%

LAB 79.63, -60.5, 26.77

 

Complementary color

CMYK 0 / 85 / 46 / 20

HEX #CD1F6E

RGB 205 31 110

HSL 332.76, 0.74%, 0.46%

LAB 45.75, 68.42, 0.57

 

CMYK 75 / 0 / 38 / 12

HEX #37E08C

RGB 55 224 140

HSL 150.18, 0.73%, 0.55%

LAB 79.62, -60.87, 29.33

 

CMYK 70 / 0 / 34 / 5

HEX #48F29F

RGB 72 242 159

HSL 150.71, 0.87%, 0.62%

LAB 85.7, -61.54, 27.86

 

CMYK 65 / 0 / 30 / 0

HEX #59FFB2

RGB 89 255 178

HSL 152.17, 1%, 0.67%

LAB 90.26, -60.06, 24.47

 

CMYK 58 / 0 / 23 / 0

HEX #6AFFC5

RGB 106 255 197

HSL 156.64, 1%, 0.71%

LAB 91.06, -53.1, 15.95

 

CMYK 52 / 0 / 15 / 0

HEX #7BFFD8

RGB 123 255 216

HSL 162.27, 1%, 0.74%

LAB 91.99, -45.52, 7.57

 

CMYK 78 / 0 / 35 / 12

HEX #32E091

RGB 50 224 145

HSL 152.76, 0.74%, 0.54%

LAB 79.63, -60.5, 26.77

 

CMYK 84 / 0 / 39 / 19

HEX #21CE7E

RGB 33 206 126

HSL 152.25, 0.72%, 0.47%

LAB 73.53, -59.4, 28.37

 

CMYK 91 / 0 / 43 / 26

HEX #10BC6B

RGB 16 188 107

HSL 151.74, 0.84%, 0.4%

LAB 67.38, -57.85, 30.11

 

CMYK 100 / 0 / 48 / 33

HEX #00AA58

RGB 0 170 88

HSL 151.06, 1%, 0.33%

LAB 61.18, -55.82, 31.96

 

CMYK 100 / 0 / 55 / 40

HEX #009845

RGB 0 152 69

HSL 147.24, 1%, 0.3%

LAB 54.95, -52.92, 33.94

 

CMYK 78 / 0 / 35 / 12

HEX #32E091

RGB 50 224 145

HSL 152.76, 0.74%, 0.54%

LAB 79.63, -60.5, 26.77

 

CMYK 78 / 0 / 56 / 12

HEX #32E062

RGB 50 224 98

HSL 136.55, 0.74%, 0.54%

LAB 78.97, -68.25, 49

 

CMYK 78 / 0 / 77 / 12

HEX #32E034

RGB 50 224 52

HSL 120.69, 0.74%, 0.54%

LAB 78.6, -72.74, 66.66

 

CMYK 57 / 0 / 78 / 12

HEX #60E032

RGB 96 224 50

HSL 104.14, 0.74%, 0.54%

LAB 79.63, -64.16, 68.61

 

CMYK 36 / 0 / 78 / 12

HEX #8FE032

RGB 143 224 50

HSL 87.93, 0.74%, 0.54%

LAB 81.5, -50.12, 71.04

 

CMYK 78 / 0 / 35 / 12

HEX #32E091

RGB 50 224 145

HSL 152.76, 0.74%, 0.54%

LAB 79.63, -60.5, 26.77

 

CMYK 78 / 0 / 14 / 12

HEX #32E0C0

RGB 50 224 192

HSL 168.97, 0.74%, 0.54%

LAB 80.62, -49.81, 3.5

 

CMYK 78 / 7 / 0 / 12

HEX #32D1E0

RGB 50 209 224

HSL 185.17, 0.74%, 0.54%

LAB 77.08, -34.25, -18.87

 

CMYK 78 / 28 / 0 / 12

HEX #32A2E0

RGB 50 162 224

HSL 201.38, 0.74%, 0.54%

LAB 63.26, -10.18, -40.15

 

CMYK 78 / 48 / 0 / 12

HEX #3274E0

RGB 50 116 224

HSL 217.24, 0.74%, 0.54%

LAB 50.16, 17.18, -60.98

 

CMYK 78 / 0 / 35 / 12

HEX #32E091

RGB 50 224 145

HSL 152.76, 0.74%, 0.54%

LAB 79.63, -60.5, 26.77

 

CMYK 87 / 0 / 40 / 5

HEX #1FF393

RGB 31 243 147

HSL 152.83, 0.9%, 0.54%

LAB 85.25, -68.46, 33.21

 

CMYK 78 / 0 / 35 / 12

HEX #32E091

RGB 50 224 145

HSL 152.76, 0.74%, 0.54%

LAB 79.63, -60.5, 26.77

 

CMYK 66 / 0 / 30 / 20

HEX #45CD8F

RGB 69 205 143

HSL 152.65, 0.58%, 0.54%

LAB 74.13, -50.96, 20.38

 

CMYK 53 / 0 / 24 / 27

HEX #58BA8E

RGB 88 186 142

HSL 153.06, 0.42%, 0.54%

LAB 68.86, -39.26, 13.68

 

CMYK 36 / 0 / 16 / 35

HEX #6BA78C

RGB 107 167 140

HSL 153, 0.25%, 0.54%

LAB 63.88, -25.61, 7.85

 

CMYK 15 / 0 / 7 / 42

HEX #7E948A

RGB 126 148 138

HSL 152.73, 0.09%, 0.54%

LAB 59.39, -9.88, 2.66

 

CMYK 78 / 0 / 78 / 12

HEX #32E032

RGB 50 224 50

HSL 120, 0.74%, 0.54%

LAB 78.59, -72.87, 67.25

 

CMYK 78 / 0 / 57 / 12

HEX #32E061

RGB 50 224 97

HSL 136.21, 0.74%, 0.54%

LAB 78.96, -68.38, 49.45

 

CMYK 78 / 0 / 36 / 12

HEX #32E08F

RGB 50 224 143

HSL 152.07, 0.74%, 0.54%

LAB 79.6, -60.89, 27.75

 

CMYK 78 / 0 / 16 / 12

HEX #32E0BD

RGB 50 224 189

HSL 167.93, 0.74%, 0.54%

LAB 80.55, -50.57, 4.98

 

CMYK 78 / 5 / 0 / 12

HEX #32D4E0

RGB 50 212 224

HSL 184.14, 0.74%, 0.54%

LAB 77.96, -35.65, -17.53

 

CMYK 85 / 0 / 38 / 35

HEX #19A767

RGB 25 167 103

HSL 152.96, 0.74%, 0.38%

LAB 60.63, -50.42, 23.34

 

CMYK 85 / 0 / 38 / 20

HEX #1ECB7D

RGB 30 203 125

HSL 152.95, 0.74%, 0.46%

LAB 72.54, -58.77, 27.57

 

CMYK 78 / 0 / 35 / 12

HEX #32E091

RGB 50 224 145

HSL 152.76, 0.74%, 0.54%

LAB 79.63, -60.5, 26.77

 

CMYK 62 / 0 / 28 / 10

HEX #56E5A4

RGB 86 229 164

HSL 152.73, 0.73%, 0.62%

LAB 82.22, -53.21, 20.58

 

CMYK 48 / 0 / 22 / 8

HEX #7AEBB8

RGB 122 235 184

HSL 152.92, 0.74%, 0.7%

LAB 85.51, -43.89, 14.93

 

CMYK 78 / 0 / 35 / 12

HEX #32E091

RGB 50 224 145

HSL 152.76, 0.74%, 0.54%

LAB 79.63, -60.5, 26.77

 

CMYK 78 / 57 / 0 / 12

HEX #3261E0

RGB 50 97 224

HSL 223.79, 0.74%, 0.54%

LAB 45.09, 29.24, -69.18

 

CMYK 0 / 67 / 78 / 12

HEX #E04A32

RGB 224 74 50

HSL 8.28, 0.74%, 0.54%

LAB 52.92, 57.04, 45.87

 

CMYK 78 / 0 / 35 / 12

HEX #32E091

RGB 50 224 145

HSL 152.76, 0.74%, 0.54%

LAB 79.63, -60.5, 26.77

 

CMYK 36 / 78 / 0 / 12

HEX #8F32E0

RGB 143 50 224

HSL 272.07, 0.74%, 0.54%

LAB 43.51, 67.74, -71.44

 

CMYK 0 / 36 / 78 / 12

HEX #E08F32

RGB 224 143 50

HSL 32.07, 0.74%, 0.54%

LAB 66.31, 23.44, 59.04

 

CMYK 78 / 0 / 35 / 12

HEX #32E091

RGB 50 224 145

HSL 152.76, 0.74%, 0.54%

LAB 79.63, -60.5, 26.77

 

CMYK 78 / 57 / 0 / 12

HEX #3261E0

RGB 50 97 224

HSL 223.79, 0.74%, 0.54%

LAB 45.09, 29.24, -69.18

 

CMYK 0 / 78 / 42 / 12

HEX #E03283

RGB 224 50 131

HSL 332.07, 0.74%, 0.54%

LAB 51.57, 70.43, -3.28

 

CMYK 0 / 21 / 78 / 12

HEX #E0B232

RGB 224 178 50

HSL 44.14, 0.74%, 0.54%

LAB 74.77, 4.79, 66.95

 

CMYK 78 / 0 / 35 / 12

HEX #32E091

RGB 50 224 145

HSL 152.76, 0.74%, 0.54%

LAB 79.63, -60.5, 26.77

 

CMYK 75 / 78 / 0 / 12

HEX #3832E0

RGB 56 50 224

HSL 242.07, 0.74%, 0.54%

LAB 35.01, 57.5, -85.73

 

CMYK 0 / 78 / 42 / 12

HEX #E03283

RGB 224 50 131

HSL 332.07, 0.74%, 0.54%

LAB 51.57, 70.43, -3.28

 

CMYK 3 / 0 / 78 / 12

HEX #DAE032

RGB 218 224 50

HSL 62.07, 0.74%, 0.54%

LAB 86.23, -21.12, 77.1

 

Description

Color code: HEX #32E091 | qconv.com Color code: HEX #32E091 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 50 red, 224 green and 145 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
50 224 145 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, none magenta, 35 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 0% 35% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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