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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #46314D it is the complementary color #B9CEB2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #46314D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #46314D shade: #4B3148, #5C435B, #6D556E, #7E6781 and #8F7994

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #46314D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #46314D shade: #46314D, #351F3A, #240D27, #130014 and #020001

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #46314D shade: #46314D, #4D314D, #4D3145, #4D313E and #4D3136

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #46314D shade: #46314D, #3F314D, #37314D and #31314D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #46314D shade matches the following richer shades: #46314D, #4B2758, #511D62, #56126C and #5B0877

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #46314D shade: #46314D, #413C43, #3C4639, #37502E and #325A24

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #46314D shade: #37314D, #3F314D, #46314D, #4D314D and #4D3145

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #46314D shade: #18111B, #2F2134, #46314D, #5D4166 and #745180

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #46314D shade: #46314D, #4D3133 and #314D3B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #46314D shade: #46314D, #4D4631 and #314D46

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #46314D shade: #46314D, #4D3133, #384D31 and #314D4C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #46314D shade: #46314D, #4D3831, #384D31 and #31464D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 36 / 0 / 70

HEX #46314D

RGB 70 49 77

HSL 285, 0.22%, 0.25%

LAB 23.79, 15.4, -13.53

 

Complementary color

CMYK 10 / 0 / 14 / 19

HEX #B9CEB2

RGB 185 206 178

HSL 105, 0.22%, 0.75%

LAB 80.56, -12.25, 11.55

 

CMYK 0 / 35 / 4 / 71

HEX #4B3148

RGB 75 49 72

HSL 306.92, 0.21%, 0.24%

LAB 24.19, 16.19, -9.51

 

CMYK 0 / 27 / 1 / 64

HEX #5C435B

RGB 92 67 91

HSL 302.4, 0.16%, 0.31%

LAB 31.91, 15.4, -10.03

 

CMYK 1 / 23 / 0 / 57

HEX #6D556E

RGB 109 85 110

HSL 297.6, 0.13%, 0.38%

LAB 39.37, 14.73, -10.51

 

CMYK 2 / 20 / 0 / 49

HEX #7E6781

RGB 126 103 129

HSL 293.08, 0.11%, 0.45%

LAB 46.61, 14.14, -10.97

 

CMYK 3 / 18 / 0 / 42

HEX #8F7994

RGB 143 121 148

HSL 288.89, 0.11%, 0.53%

LAB 53.66, 13.62, -11.41

 

CMYK 9 / 36 / 0 / 70

HEX #46314D

RGB 70 49 77

HSL 285, 0.22%, 0.25%

LAB 23.79, 15.4, -13.53

 

CMYK 9 / 47 / 0 / 77

HEX #351F3A

RGB 53 31 58

HSL 288.89, 0.3%, 0.17%

LAB 15.71, 16.3, -13.19

 

CMYK 8 / 67 / 0 / 85

HEX #240D27

RGB 36 13 39

HSL 293.08, 0.5%, 0.1%

LAB 7.31, 17.15, -12.67

 

CMYK 5 / 100 / 0 / 92

HEX #130014

RGB 19 0 20

HSL 297, 1%, 0.04%

LAB 1.71, 8.82, -6.75

 

CMYK 0 / 100 / 50 / 99

HEX #020001

RGB 2 0 1

HSL 330, 1%, 0%

LAB 0.14, 0.66, -0.19

 

CMYK 9 / 36 / 0 / 70

HEX #46314D

RGB 70 49 77

HSL 285, 0.22%, 0.25%

LAB 23.79, 15.4, -13.53

 

CMYK 0 / 36 / 0 / 70

HEX #4D314D

RGB 77 49 77

HSL 300, 0.22%, 0.25%

LAB 24.67, 18.07, -12.09

 

CMYK 0 / 36 / 10 / 70

HEX #4D3145

RGB 77 49 69

HSL 317.14, 0.22%, 0.25%

LAB 24.33, 16.36, -7.26

 

CMYK 0 / 36 / 19 / 70

HEX #4D313E

RGB 77 49 62

HSL 332.14, 0.22%, 0.25%

LAB 24.07, 14.98, -2.95

 

CMYK 0 / 36 / 30 / 70

HEX #4D3136

RGB 77 49 54

HSL 349.29, 0.22%, 0.25%

LAB 23.81, 13.56, 2.06

 

CMYK 9 / 36 / 0 / 70

HEX #46314D

RGB 70 49 77

HSL 285, 0.22%, 0.25%

LAB 23.79, 15.4, -13.53

 

CMYK 18 / 36 / 0 / 70

HEX #3F314D

RGB 63 49 77

HSL 270, 0.22%, 0.25%

LAB 22.96, 12.78, -14.87

 

CMYK 29 / 36 / 0 / 70

HEX #37314D

RGB 55 49 77

HSL 252.86, 0.22%, 0.25%

LAB 22.11, 9.87, -16.26

 

CMYK 36 / 36 / 0 / 70

HEX #31314D

RGB 49 49 77

HSL 240, 0.22%, 0.25%

LAB 21.53, 7.78, -17.21

 

CMYK 9 / 36 / 0 / 70

HEX #46314D

RGB 70 49 77

HSL 285, 0.22%, 0.25%

LAB 23.79, 15.4, -13.53

 

CMYK 15 / 56 / 0 / 65

HEX #4B2758

RGB 75 39 88

HSL 284.08, 0.39%, 0.25%

LAB 22.48, 26.2, -22.83

 

CMYK 17 / 70 / 0 / 62

HEX #511D62

RGB 81 29 98

HSL 285.22, 0.54%, 0.25%

LAB 21.98, 35.79, -30.18

 

CMYK 20 / 83 / 0 / 58

HEX #56126C

RGB 86 18 108

HSL 285.33, 0.71%, 0.25%

LAB 21.92, 43.71, -36.76

 

CMYK 24 / 93 / 0 / 53

HEX #5B0877

RGB 91 8 119

HSL 284.86, 0.87%, 0.25%

LAB 22.76, 49.58, -42.46

 

CMYK 9 / 36 / 0 / 70

HEX #46314D

RGB 70 49 77

HSL 285, 0.22%, 0.25%

LAB 23.79, 15.4, -13.53

 

CMYK 3 / 10 / 0 / 74

HEX #413C43

RGB 65 60 67

HSL 282.86, 0.06%, 0.25%

LAB 26.04, 3.71, -3.52

 

CMYK 14 / 0 / 19 / 73

HEX #3C4639

RGB 60 70 57

HSL 106.15, 0.1%, 0.25%

LAB 28.48, -6.99, 6.49

 

CMYK 31 / 0 / 43 / 69

HEX #37502E

RGB 55 80 46

HSL 104.12, 0.27%, 0.25%

LAB 31.22, -16.99, 17.07

 

CMYK 44 / 0 / 60 / 65

HEX #325A24

RGB 50 90 36

HSL 104.44, 0.43%, 0.25%

LAB 34.23, -25.59, 26.48

 

CMYK 29 / 36 / 0 / 70

HEX #37314D

RGB 55 49 77

HSL 252.86, 0.22%, 0.25%

LAB 22.11, 9.87, -16.26

 

CMYK 18 / 36 / 0 / 70

HEX #3F314D

RGB 63 49 77

HSL 270, 0.22%, 0.25%

LAB 22.96, 12.78, -14.87

 

CMYK 9 / 36 / 0 / 70

HEX #46314D

RGB 70 49 77

HSL 285, 0.22%, 0.25%

LAB 23.79, 15.4, -13.53

 

CMYK 0 / 36 / 0 / 70

HEX #4D314D

RGB 77 49 77

HSL 300, 0.22%, 0.25%

LAB 24.67, 18.07, -12.09

 

CMYK 0 / 36 / 10 / 70

HEX #4D3145

RGB 77 49 69

HSL 317.14, 0.22%, 0.25%

LAB 24.33, 16.36, -7.26

 

CMYK 11 / 37 / 0 / 89

HEX #18111B

RGB 24 17 27

HSL 282, 0.23%, 0.09%

LAB 6.09, 5.49, -5.49

 

CMYK 10 / 37 / 0 / 80

HEX #2F2134

RGB 47 33 52

HSL 284.21, 0.22%, 0.17%

LAB 15.17, 11.02, -9.85

 

CMYK 9 / 36 / 0 / 70

HEX #46314D

RGB 70 49 77

HSL 285, 0.22%, 0.25%

LAB 23.79, 15.4, -13.53

 

CMYK 9 / 36 / 0 / 60

HEX #5D4166

RGB 93 65 102

HSL 285.41, 0.22%, 0.33%

LAB 31.96, 19.5, -16.97

 

CMYK 9 / 37 / 0 / 50

HEX #745180

RGB 116 81 128

HSL 284.68, 0.22%, 0.41%

LAB 39.84, 23.62, -20.79

 

CMYK 9 / 36 / 0 / 70

HEX #46314D

RGB 70 49 77

HSL 285, 0.22%, 0.25%

LAB 23.79, 15.4, -13.53

 

CMYK 0 / 36 / 34 / 70

HEX #4D3133

RGB 77 49 51

HSL 355.71, 0.22%, 0.25%

LAB 23.72, 13.07, 3.95

 

CMYK 36 / 0 / 23 / 70

HEX #314D3B

RGB 49 77 59

HSL 141.43, 0.22%, 0.25%

LAB 30.1, -15.05, 7.38

 

CMYK 9 / 36 / 0 / 70

HEX #46314D

RGB 70 49 77

HSL 285, 0.22%, 0.25%

LAB 23.79, 15.4, -13.53

 

CMYK 0 / 9 / 36 / 70

HEX #4D4631

RGB 77 70 49

HSL 45, 0.22%, 0.25%

LAB 29.86, -0.77, 13.76

 

CMYK 36 / 0 / 9 / 70

HEX #314D46

RGB 49 77 70

HSL 165, 0.22%, 0.25%

LAB 30.41, -12.36, 0.8

 

CMYK 9 / 36 / 0 / 70

HEX #46314D

RGB 70 49 77

HSL 285, 0.22%, 0.25%

LAB 23.79, 15.4, -13.53

 

CMYK 0 / 36 / 34 / 70

HEX #4D3133

RGB 77 49 51

HSL 355.71, 0.22%, 0.25%

LAB 23.72, 13.07, 3.95

 

CMYK 27 / 0 / 36 / 70

HEX #384D31

RGB 56 77 49

HSL 105, 0.22%, 0.25%

LAB 30.33, -14.37, 14.06

 

CMYK 36 / 0 / 1 / 70

HEX #314D4C

RGB 49 77 76

HSL 177.86, 0.22%, 0.25%

LAB 30.6, -10.74, -2.77

 

CMYK 9 / 36 / 0 / 70

HEX #46314D

RGB 70 49 77

HSL 285, 0.22%, 0.25%

LAB 23.79, 15.4, -13.53

 

CMYK 0 / 27 / 36 / 70

HEX #4D3831

RGB 77 56 49

HSL 15, 0.22%, 0.25%

LAB 25.65, 8.2, 8.01

 

CMYK 27 / 0 / 36 / 70

HEX #384D31

RGB 56 77 49

HSL 105, 0.22%, 0.25%

LAB 30.33, -14.37, 14.06

 

CMYK 36 / 9 / 0 / 70

HEX #31464D

RGB 49 70 77

HSL 195, 0.22%, 0.25%

LAB 28.3, -6.17, -6.84

 

Description

Color code: HEX #46314D | qconv.com Color code: HEX #46314D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 70 red, 49 green and 77 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
70 49 77 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 36 magenta, none yellow and 70 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 36% 0% 70% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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