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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #467BAE it is the complementary color #B98451. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #467BAE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #467BAE shade: #4B7BA9, #5C8DBC, #6D9FCF, #7EB1E2 and #8FC3F5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #467BAE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #467BAE shade: #467BAE, #35699B, #245788, #134575 and #023362

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #467BAE shade: #457BAF, #455FAF, #4845AF, #6545AF and #8145AF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #467BAE shade: #457BAF, #455FAF and #4545AF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #467BAE shade matches the following richer shades: #457BAF, #317BC2, #1E7CD6 and #0A7CEA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #467BAE shade: #457BAF, #597B9B, #6D7A87, #817A73 and #94795F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #467BAE shade: #45AFA9, #4598AF, #457CAF, #4560AF and #4745AF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #467BAE shade: #2E5174, #3A6691, #457BAF, #5E8FBF and #7CA4CA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #467BAE shade: #467BAE, #8D45AF and #A6AF45

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #467BAE shade: #467BAE, #AF457C and #7CAF45

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #467BAE shade: #467BAE, #8D45AF, #AF7845 and #67AF45

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #467BAE shade: #467BAE, #AD45AF, #AF7845 and #47AF45

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 29 / 0 / 32

HEX #467BAE

RGB 70 123 174

HSL 209.42, 0.43%, 0.48%

LAB 50.13, -1.94, -32.4

 

Complementary color

CMYK 0 / 29 / 56 / 27

HEX #B98451

RGB 185 132 81

HSL 29.42, 0.43%, 0.52%

LAB 59.35, 14.67, 35.36

 

CMYK 56 / 27 / 0 / 34

HEX #4B7BA9

RGB 75 123 169

HSL 209.36, 0.39%, 0.48%

LAB 50.13, -2.52, -29.47

 

CMYK 51 / 25 / 0 / 26

HEX #5C8DBC

RGB 92 141 188

HSL 209.38, 0.42%, 0.55%

LAB 57.03, -3.15, -29.59

 

CMYK 47 / 23 / 0 / 19

HEX #6D9FCF

RGB 109 159 207

HSL 209.39, 0.51%, 0.62%

LAB 63.8, -3.64, -29.72

 

CMYK 44 / 22 / 0 / 11

HEX #7EB1E2

RGB 126 177 226

HSL 209.4, 0.63%, 0.69%

LAB 70.43, -4.05, -29.88

 

CMYK 42 / 20 / 0 / 4

HEX #8FC3F5

RGB 143 195 245

HSL 209.41, 0.84%, 0.76%

LAB 76.96, -4.39, -30.05

 

CMYK 60 / 29 / 0 / 32

HEX #467BAE

RGB 70 123 174

HSL 209.42, 0.43%, 0.48%

LAB 50.13, -1.94, -32.4

 

CMYK 66 / 32 / 0 / 39

HEX #35699B

RGB 53 105 155

HSL 209.41, 0.49%, 0.41%

LAB 43.1, -0.92, -32.32

 

CMYK 74 / 36 / 0 / 47

HEX #245788

RGB 36 87 136

HSL 209.4, 0.58%, 0.34%

LAB 35.92, 0.48, -32.24

 

CMYK 84 / 41 / 0 / 54

HEX #134575

RGB 19 69 117

HSL 209.39, 0.72%, 0.27%

LAB 28.59, 2.46, -32.13

 

CMYK 98 / 48 / 0 / 62

HEX #023362

RGB 2 51 98

HSL 209.38, 0.96%, 0.2%

LAB 21.07, 5.2, -32

 

CMYK 61 / 30 / 0 / 31

HEX #457BAF

RGB 69 123 175

HSL 209.43, 0.43%, 0.48%

LAB 50.13, -1.81, -32.97

 

CMYK 61 / 46 / 0 / 31

HEX #455FAF

RGB 69 95 175

HSL 225.28, 0.43%, 0.48%

LAB 42.07, 15.54, -45.73

 

CMYK 59 / 61 / 0 / 31

HEX #4845AF

RGB 72 69 175

HSL 241.7, 0.43%, 0.48%

LAB 35.46, 32.73, -56.38

 

CMYK 42 / 61 / 0 / 31

HEX #6545AF

RGB 101 69 175

HSL 258.11, 0.43%, 0.48%

LAB 38.05, 38.6, -52.05

 

CMYK 26 / 61 / 0 / 31

HEX #8145AF

RGB 129 69 175

HSL 273.96, 0.43%, 0.48%

LAB 41.25, 45.19, -46.75

 

CMYK 61 / 30 / 0 / 31

HEX #457BAF

RGB 69 123 175

HSL 209.43, 0.43%, 0.48%

LAB 50.13, -1.81, -32.97

 

CMYK 61 / 46 / 0 / 31

HEX #455FAF

RGB 69 95 175

HSL 225.28, 0.43%, 0.48%

LAB 42.07, 15.54, -45.73

 

CMYK 61 / 61 / 0 / 31

HEX #4545AF

RGB 69 69 175

HSL 240, 0.43%, 0.48%

LAB 35.24, 32.2, -56.75

 

CMYK 61 / 30 / 0 / 31

HEX #457BAF

RGB 69 123 175

HSL 209.43, 0.43%, 0.48%

LAB 50.13, -1.81, -32.97

 

CMYK 75 / 37 / 0 / 24

HEX #317BC2

RGB 49 123 194

HSL 209.38, 0.6%, 0.48%

LAB 50.35, 1.6, -43.62

 

CMYK 86 / 42 / 0 / 16

HEX #1E7CD6

RGB 30 124 214

HSL 209.35, 0.75%, 0.48%

LAB 51.32, 6.63, -53.48

 

CMYK 96 / 47 / 0 / 8

HEX #0A7CEA

RGB 10 124 234

HSL 209.46, 0.92%, 0.48%

LAB 52.31, 13.41, -63.16

 

CMYK 61 / 30 / 0 / 31

HEX #457BAF

RGB 69 123 175

HSL 209.43, 0.43%, 0.48%

LAB 50.13, -1.81, -32.97

 

CMYK 43 / 21 / 0 / 39

HEX #597B9B

RGB 89 123 155

HSL 209.09, 0.27%, 0.48%

LAB 50.28, -3.33, -21.02

 

CMYK 19 / 10 / 0 / 47

HEX #6D7A87

RGB 109 122 135

HSL 210, 0.11%, 0.48%

LAB 50.59, -1.84, -8.7

 

CMYK 0 / 5 / 11 / 49

HEX #817A73

RGB 129 122 115

HSL 30, 0.06%, 0.48%

LAB 51.64, 1.36, 4.78

 

CMYK 0 / 18 / 36 / 42

HEX #94795F

RGB 148 121 95

HSL 29.43, 0.22%, 0.48%

LAB 52.73, 6.59, 18.21

 

CMYK 61 / 0 / 3 / 31

HEX #45AFA9

RGB 69 175 169

HSL 176.6, 0.43%, 0.48%

LAB 65.58, -31.53, -6

 

CMYK 61 / 13 / 0 / 31

HEX #4598AF

RGB 69 152 175

HSL 193.02, 0.43%, 0.48%

LAB 58.8, -18.16, -19.56

 

CMYK 61 / 29 / 0 / 31

HEX #457CAF

RGB 69 124 175

HSL 208.87, 0.43%, 0.48%

LAB 50.42, -2.4, -32.51

 

CMYK 61 / 45 / 0 / 31

HEX #4560AF

RGB 69 96 175

HSL 224.72, 0.43%, 0.48%

LAB 42.35, 14.9, -45.28

 

CMYK 59 / 61 / 0 / 31

HEX #4745AF

RGB 71 69 175

HSL 241.13, 0.43%, 0.48%

LAB 35.38, 32.55, -56.51

 

CMYK 60 / 30 / 0 / 55

HEX #2E5174

RGB 46 81 116

HSL 210, 0.43%, 0.32%

LAB 33.41, -1.19, -23.83

 

CMYK 60 / 30 / 0 / 43

HEX #3A6691

RGB 58 102 145

HSL 209.66, 0.43%, 0.4%

LAB 41.92, -1.58, -28.2

 

CMYK 61 / 30 / 0 / 31

HEX #457BAF

RGB 69 123 175

HSL 209.43, 0.43%, 0.48%

LAB 50.13, -1.81, -32.97

 

CMYK 51 / 25 / 0 / 25

HEX #5E8FBF

RGB 94 143 191

HSL 209.69, 0.43%, 0.56%

LAB 57.83, -2.91, -30.04

 

CMYK 39 / 19 / 0 / 21

HEX #7CA4CA

RGB 124 164 202

HSL 209.23, 0.42%, 0.64%

LAB 65.83, -3.97, -23.75

 

CMYK 60 / 29 / 0 / 32

HEX #467BAE

RGB 70 123 174

HSL 209.42, 0.43%, 0.48%

LAB 50.13, -1.94, -32.4

 

CMYK 19 / 61 / 0 / 31

HEX #8D45AF

RGB 141 69 175

HSL 280.75, 0.43%, 0.48%

LAB 42.78, 48.17, -44.2

 

CMYK 5 / 0 / 61 / 31

HEX #A6AF45

RGB 166 175 69

HSL 65.09, 0.43%, 0.48%

LAB 68.89, -17.61, 51.82

 

CMYK 60 / 29 / 0 / 32

HEX #467BAE

RGB 70 123 174

HSL 209.42, 0.43%, 0.48%

LAB 50.13, -1.94, -32.4

 

CMYK 0 / 61 / 29 / 31

HEX #AF457C

RGB 175 69 124

HSL 328.87, 0.43%, 0.48%

LAB 45.39, 48.95, -9.14

 

CMYK 29 / 0 / 61 / 31

HEX #7CAF45

RGB 124 175 69

HSL 88.87, 0.43%, 0.48%

LAB 66.04, -34.48, 47.86

 

CMYK 60 / 29 / 0 / 32

HEX #467BAE

RGB 70 123 174

HSL 209.42, 0.43%, 0.48%

LAB 50.13, -1.94, -32.4

 

CMYK 19 / 61 / 0 / 31

HEX #8D45AF

RGB 141 69 175

HSL 280.75, 0.43%, 0.48%

LAB 42.78, 48.17, -44.2

 

CMYK 0 / 31 / 61 / 31

HEX #AF7845

RGB 175 120 69

HSL 28.87, 0.43%, 0.48%

LAB 55.05, 16.11, 36.28

 

CMYK 41 / 0 / 61 / 31

HEX #67AF45

RGB 103 175 69

HSL 100.75, 0.43%, 0.48%

LAB 64.94, -41.9, 46.33

 

CMYK 60 / 29 / 0 / 32

HEX #467BAE

RGB 70 123 174

HSL 209.42, 0.43%, 0.48%

LAB 50.13, -1.94, -32.4

 

CMYK 1 / 61 / 0 / 31

HEX #AD45AF

RGB 173 69 175

HSL 298.87, 0.43%, 0.48%

LAB 47.28, 56.32, -36.78

 

CMYK 0 / 31 / 61 / 31

HEX #AF7845

RGB 175 120 69

HSL 28.87, 0.43%, 0.48%

LAB 55.05, 16.11, 36.28

 

CMYK 59 / 0 / 61 / 31

HEX #47AF45

RGB 71 175 69

HSL 118.87, 0.43%, 0.48%

LAB 63.7, -51.15, 44.58

 

Description

Color code: HEX #467BAE | qconv.com Color code: HEX #467BAE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 70 red, 123 green and 174 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
70 123 174 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, 29 magenta, none yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 29% 0% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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