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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #469726 it is the complementary color #B968D9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #469726. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #469726 shade: #4B9721, #5CA934, #6DBB47, #7ECD5A and #8FDF6D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #469726. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #469726 shade: #469726, #358513, #247300, #136100 and #024F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #469726 shade: #459625, #649625, #829625, #968C25 and #966D25

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #469726 shade: #459625, #279625, #259642, #259661 and #25967F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #469726 shade matches the following richer shades: #459625, #3FA616 and #38B507

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #469726 shade: #459625, #4C8735, #537844, #596953 and #605962

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #469726 shade: #829625, #649625, #459625, #279625 and #259642

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #469726 shade: #275415, #36751D, #459625, #55B72D and #68CF3F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #469726 shade: #469726, #25968D and #962573

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #469726 shade: #469726, #254596 and #962545

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #469726 shade: #469726, #25968D, #762596 and #96252F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #469726 shade: #469726, #257E96, #762596 and #963E25

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 0 / 75 / 41

HEX #469726

RGB 70 151 38

HSL 103.01, 0.6%, 0.37%

LAB 55.66, -45.18, 48.96

 

Complementary color

CMYK 15 / 52 / 0 / 15

HEX #B968D9

RGB 185 104 217

HSL 283.01, 0.6%, 0.63%

LAB 57.29, 50.74, -45.04

 

CMYK 50 / 0 / 78 / 41

HEX #4B9721

RGB 75 151 33

HSL 98.64, 0.64%, 0.36%

LAB 55.83, -44.02, 50.95

 

CMYK 46 / 0 / 69 / 34

HEX #5CA934

RGB 92 169 52

HSL 99.49, 0.53%, 0.43%

LAB 62.42, -44.54, 50.75

 

CMYK 42 / 0 / 62 / 27

HEX #6DBB47

RGB 109 187 71

HSL 100.34, 0.46%, 0.51%

LAB 68.93, -44.8, 49.99

 

CMYK 39 / 0 / 56 / 20

HEX #7ECD5A

RGB 126 205 90

HSL 101.22, 0.53%, 0.58%

LAB 75.35, -44.9, 48.97

 

CMYK 36 / 0 / 51 / 13

HEX #8FDF6D

RGB 143 223 109

HSL 102.11, 0.64%, 0.65%

LAB 81.69, -44.88, 47.84

 

CMYK 54 / 0 / 75 / 41

HEX #469726

RGB 70 151 38

HSL 103.01, 0.6%, 0.37%

LAB 55.66, -45.18, 48.96

 

CMYK 60 / 0 / 86 / 48

HEX #358513

RGB 53 133 19

HSL 102.11, 0.75%, 0.3%

LAB 48.98, -44.26, 48.55

 

CMYK 69 / 0 / 100 / 55

HEX #247300

RGB 36 115 0

HSL 101.22, 1%, 0.23%

LAB 42.21, -42.75, 46.92

 

CMYK 80 / 0 / 100 / 62

HEX #136100

RGB 19 97 0

HSL 108.25, 1%, 0.19%

LAB 35.38, -39.99, 41.31

 

CMYK 97 / 0 / 100 / 69

HEX #024F00

RGB 2 79 0

HSL 118.48, 1%, 0.15%

LAB 28.39, -36.54, 35.61

 

CMYK 54 / 0 / 75 / 41

HEX #459625

RGB 69 150 37

HSL 103.01, 0.6%, 0.37%

LAB 55.29, -45.16, 48.94

 

CMYK 33 / 0 / 75 / 41

HEX #649625

RGB 100 150 37

HSL 86.55, 0.6%, 0.37%

LAB 56.74, -34.63, 50.86

 

CMYK 13 / 0 / 75 / 41

HEX #829625

RGB 130 150 37

HSL 70.62, 0.6%, 0.37%

LAB 58.69, -22.34, 53.41

 

CMYK 0 / 7 / 75 / 41

HEX #968C25

RGB 150 140 37

HSL 54.69, 0.6%, 0.37%

LAB 57.44, -8.21, 52.81

 

CMYK 0 / 27 / 75 / 41

HEX #966D25

RGB 150 109 37

HSL 38.23, 0.6%, 0.37%

LAB 48.95, 9.18, 44.57

 

CMYK 54 / 0 / 75 / 41

HEX #459625

RGB 69 150 37

HSL 103.01, 0.6%, 0.37%

LAB 55.29, -45.16, 48.94

 

CMYK 74 / 0 / 75 / 41

HEX #279625

RGB 39 150 37

HSL 118.94, 0.6%, 0.37%

LAB 54.43, -52.19, 47.79

 

CMYK 75 / 0 / 56 / 41

HEX #259642

RGB 37 150 66

HSL 135.4, 0.6%, 0.37%

LAB 54.66, -49.26, 35.19

 

CMYK 75 / 0 / 35 / 41

HEX #259661

RGB 37 150 97

HSL 151.86, 0.6%, 0.37%

LAB 55.14, -43.69, 19.29

 

CMYK 75 / 0 / 15 / 41

HEX #25967F

RGB 37 150 127

HSL 167.79, 0.6%, 0.37%

LAB 55.82, -36.42, 3.29

 

CMYK 54 / 0 / 75 / 41

HEX #459625

RGB 69 150 37

HSL 103.01, 0.6%, 0.37%

LAB 55.29, -45.16, 48.94

 

CMYK 62 / 0 / 87 / 35

HEX #3FA616

RGB 63 166 22

HSL 102.92, 0.77%, 0.37%

LAB 60.24, -53.51, 57.94

 

CMYK 69 / 0 / 96 / 29

HEX #38B507

RGB 56 181 7

HSL 103.1, 0.93%, 0.37%

LAB 64.89, -60.49, 64.27

 

CMYK 54 / 0 / 75 / 41

HEX #459625

RGB 69 150 37

HSL 103.01, 0.6%, 0.37%

LAB 55.29, -45.16, 48.94

 

CMYK 44 / 0 / 61 / 47

HEX #4C8735

RGB 76 135 53

HSL 103.17, 0.44%, 0.37%

LAB 50.83, -35.24, 37.41

 

CMYK 31 / 0 / 43 / 53

HEX #537844

RGB 83 120 68

HSL 102.69, 0.28%, 0.37%

LAB 46.56, -23.62, 24.45

 

CMYK 15 / 0 / 21 / 59

HEX #596953

RGB 89 105 83

HSL 103.64, 0.12%, 0.37%

LAB 42.54, -10.65, 10.4

 

CMYK 2 / 9 / 0 / 62

HEX #605962

RGB 96 89 98

HSL 286.67, 0.05%, 0.37%

LAB 38.75, 4.69, -4.15

 

CMYK 13 / 0 / 75 / 41

HEX #829625

RGB 130 150 37

HSL 70.62, 0.6%, 0.37%

LAB 58.69, -22.34, 53.41

 

CMYK 33 / 0 / 75 / 41

HEX #649625

RGB 100 150 37

HSL 86.55, 0.6%, 0.37%

LAB 56.74, -34.63, 50.86

 

CMYK 54 / 0 / 75 / 41

HEX #459625

RGB 69 150 37

HSL 103.01, 0.6%, 0.37%

LAB 55.29, -45.16, 48.94

 

CMYK 74 / 0 / 75 / 41

HEX #279625

RGB 39 150 37

HSL 118.94, 0.6%, 0.37%

LAB 54.43, -52.19, 47.79

 

CMYK 75 / 0 / 56 / 41

HEX #259642

RGB 37 150 66

HSL 135.4, 0.6%, 0.37%

LAB 54.66, -49.26, 35.19

 

CMYK 54 / 0 / 75 / 67

HEX #275415

RGB 39 84 21

HSL 102.86, 0.6%, 0.21%

LAB 31.41, -28.39, 30.71

 

CMYK 54 / 0 / 75 / 54

HEX #36751D

RGB 54 117 29

HSL 102.95, 0.6%, 0.29%

LAB 43.65, -37.03, 40.11

 

CMYK 54 / 0 / 75 / 41

HEX #459625

RGB 69 150 37

HSL 103.01, 0.6%, 0.37%

LAB 55.29, -45.16, 48.94

 

CMYK 54 / 0 / 75 / 28

HEX #55B72D

RGB 85 183 45

HSL 102.61, 0.61%, 0.45%

LAB 66.51, -52.64, 57.41

 

CMYK 50 / 0 / 70 / 19

HEX #68CF3F

RGB 104 207 63

HSL 102.92, 0.6%, 0.53%

LAB 74.78, -55, 59.5

 

CMYK 54 / 0 / 75 / 41

HEX #469726

RGB 70 151 38

HSL 103.01, 0.6%, 0.37%

LAB 55.66, -45.18, 48.96

 

CMYK 75 / 0 / 6 / 41

HEX #25968D

RGB 37 150 141

HSL 175.22, 0.6%, 0.37%

LAB 56.22, -32.49, -4.15

 

CMYK 0 / 75 / 23 / 41

HEX #962573

RGB 150 37 115

HSL 318.58, 0.6%, 0.37%

LAB 36.07, 53.54, -18.14

 

CMYK 54 / 0 / 75 / 41

HEX #469726

RGB 70 151 38

HSL 103.01, 0.6%, 0.37%

LAB 55.66, -45.18, 48.96

 

CMYK 75 / 54 / 0 / 41

HEX #254596

RGB 37 69 150

HSL 223.01, 0.6%, 0.37%

LAB 31.47, 18.08, -47.92

 

CMYK 0 / 75 / 54 / 41

HEX #962545

RGB 150 37 69

HSL 343.01, 0.6%, 0.37%

LAB 34.47, 48.47, 8.99

 

CMYK 54 / 0 / 75 / 41

HEX #469726

RGB 70 151 38

HSL 103.01, 0.6%, 0.37%

LAB 55.66, -45.18, 48.96

 

CMYK 75 / 0 / 6 / 41

HEX #25968D

RGB 37 150 141

HSL 175.22, 0.6%, 0.37%

LAB 56.22, -32.49, -4.15

 

CMYK 21 / 75 / 0 / 41

HEX #762596

RGB 118 37 150

HSL 283.01, 0.6%, 0.37%

LAB 32.65, 52.06, -45.62

 

CMYK 0 / 75 / 69 / 41

HEX #96252F

RGB 150 37 47

HSL 354.69, 0.6%, 0.37%

LAB 34.01, 46.94, 22.56

 

CMYK 54 / 0 / 75 / 41

HEX #469726

RGB 70 151 38

HSL 103.01, 0.6%, 0.37%

LAB 55.66, -45.18, 48.96

 

CMYK 75 / 16 / 0 / 41

HEX #257E96

RGB 37 126 150

HSL 192.74, 0.6%, 0.37%

LAB 48.91, -17.42, -20.39

 

CMYK 21 / 75 / 0 / 41

HEX #762596

RGB 118 37 150

HSL 283.01, 0.6%, 0.37%

LAB 32.65, 52.06, -45.62

 

CMYK 0 / 59 / 75 / 41

HEX #963E25

RGB 150 62 37

HSL 13.27, 0.6%, 0.37%

LAB 37.95, 35.42, 33.15

 

Description

Color code: HEX #469726 | qconv.com Color code: HEX #469726 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 70 red, 151 green and 38 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
70 151 38 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, none magenta, 75 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 0% 75% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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