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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #46C33B it is the complementary color #B93CC4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #46C33B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #46C33B shade: #4BC336, #5CD549, #6DE75C, #7EF96F and #8FFF82

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #46C33B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #46C33B shade: #46C33B, #35B128, #249F15, #138D02 and #027B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #46C33B shade: #45C43A, #6AC43A, #90C43A, #B5C43A and #C4AE3A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #46C33B shade: #45C43A, #3AC454, #3AC479, #3AC49E and #3AC4C4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #46C33B shade matches the following richer shades: #45C43A, #34D826 and #23ED11

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #46C33B shade: #45C43A, #57AF4F, #689B63, #798678 and #8A718D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #46C33B shade: #8FC43A, #6AC43A, #46C43A, #3AC453 and #3AC478

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #46C33B shade: #2F8427, #3AA431, #45C43A, #63CD5A and #81D77A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #46C33B shade: #46C33B, #3AB4C4 and #C43A7D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #46C33B shade: #46C33B, #3A46C4 and #C43A46

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #46C33B shade: #46C33B, #3AB4C4, #B83AC4 and #C44A3A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #46C33B shade: #46C33B, #3A8AC4, #B83AC4 and #C4743A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 0 / 70 / 24

HEX #46C33B

RGB 70 195 59

HSL 115.15, 0.54%, 0.5%

LAB 69.93, -59.57, 55.63

 

Complementary color

CMYK 6 / 69 / 0 / 23

HEX #B93CC4

RGB 185 60 196

HSL 295.15, 0.54%, 0.5%

LAB 48.92, 66.49, -46.32

 

CMYK 62 / 0 / 72 / 24

HEX #4BC336

RGB 75 195 54

HSL 111.06, 0.57%, 0.49%

LAB 70.03, -58.87, 57.65

 

CMYK 57 / 0 / 66 / 16

HEX #5CD549

RGB 92 213 73

HSL 111.86, 0.63%, 0.56%

LAB 76.28, -59.57, 57.04

 

CMYK 53 / 0 / 60 / 9

HEX #6DE75C

RGB 109 231 92

HSL 112.66, 0.74%, 0.63%

LAB 82.47, -59.98, 56.11

 

CMYK 49 / 0 / 55 / 2

HEX #7EF96F

RGB 126 249 111

HSL 113.48, 0.92%, 0.71%

LAB 88.61, -60.19, 55.01

 

CMYK 44 / 0 / 49 / 0

HEX #8FFF82

RGB 143 255 130

HSL 113.76, 1%, 0.75%

LAB 91.22, -55.55, 49.62

 

CMYK 64 / 0 / 70 / 24

HEX #46C33B

RGB 70 195 59

HSL 115.15, 0.54%, 0.5%

LAB 69.93, -59.57, 55.63

 

CMYK 70 / 0 / 77 / 31

HEX #35B128

RGB 53 177 40

HSL 114.31, 0.63%, 0.43%

LAB 63.63, -58.41, 55.95

 

CMYK 77 / 0 / 87 / 38

HEX #249F15

RGB 36 159 21

HSL 113.48, 0.77%, 0.35%

LAB 57.29, -56.6, 55.33

 

CMYK 87 / 0 / 99 / 45

HEX #138D02

RGB 19 141 2

HSL 112.66, 0.97%, 0.28%

LAB 50.91, -53.92, 53.36

 

CMYK 98 / 0 / 100 / 52

HEX #027B00

RGB 2 123 0

HSL 119.02, 1%, 0.24%

LAB 44.49, -50.07, 48.51

 

CMYK 65 / 0 / 70 / 23

HEX #45C43A

RGB 69 196 58

HSL 115.22, 0.54%, 0.5%

LAB 70.21, -60.21, 56.3

 

CMYK 46 / 0 / 70 / 23

HEX #6AC43A

RGB 106 196 58

HSL 99.13, 0.54%, 0.5%

LAB 71.45, -50.52, 57.97

 

CMYK 27 / 0 / 70 / 23

HEX #90C43A

RGB 144 196 58

HSL 82.61, 0.54%, 0.5%

LAB 73.36, -37.32, 60.53

 

CMYK 8 / 0 / 70 / 23

HEX #B5C43A

RGB 181 196 58

HSL 66.52, 0.54%, 0.5%

LAB 75.83, -22.5, 63.8

 

CMYK 0 / 11 / 70 / 23

HEX #C4AE3A

RGB 196 174 58

HSL 50.43, 0.54%, 0.5%

LAB 71.09, -4.89, 59.52

 

CMYK 65 / 0 / 70 / 23

HEX #45C43A

RGB 69 196 58

HSL 115.22, 0.54%, 0.5%

LAB 70.21, -60.21, 56.3

 

CMYK 70 / 0 / 57 / 23

HEX #3AC454

RGB 58 196 84

HSL 131.3, 0.54%, 0.5%

LAB 70.19, -59.55, 45.11

 

CMYK 70 / 0 / 38 / 23

HEX #3AC479

RGB 58 196 121

HSL 147.39, 0.54%, 0.5%

LAB 70.71, -53.64, 27.29

 

CMYK 70 / 0 / 19 / 23

HEX #3AC49E

RGB 58 196 158

HSL 163.48, 0.54%, 0.5%

LAB 71.45, -45.62, 8.55

 

CMYK 70 / 0 / 0 / 23

HEX #3AC4C4

RGB 58 196 196

HSL 180, 0.54%, 0.5%

LAB 72.47, -35.52, -10.63

 

CMYK 65 / 0 / 70 / 23

HEX #45C43A

RGB 69 196 58

HSL 115.22, 0.54%, 0.5%

LAB 70.21, -60.21, 56.3

 

CMYK 76 / 0 / 82 / 15

HEX #34D826

RGB 52 216 38

HSL 115.28, 0.7%, 0.5%

LAB 76.06, -70.89, 68.2

 

CMYK 85 / 0 / 93 / 7

HEX #23ED11

RGB 35 237 17

HSL 115.09, 0.87%, 0.5%

LAB 82.36, -79.5, 77.41

 

CMYK 65 / 0 / 70 / 23

HEX #45C43A

RGB 69 196 58

HSL 115.22, 0.54%, 0.5%

LAB 70.21, -60.21, 56.3

 

CMYK 50 / 0 / 55 / 31

HEX #57AF4F

RGB 87 175 79

HSL 115, 0.38%, 0.5%

LAB 64.36, -45.71, 40.77

 

CMYK 33 / 0 / 36 / 39

HEX #689B63

RGB 104 155 99

HSL 114.64, 0.22%, 0.5%

LAB 59.24, -28.49, 24.11

 

CMYK 10 / 0 / 10 / 47

HEX #798678

RGB 121 134 120

HSL 115.71, 0.06%, 0.5%

LAB 54.52, -7.58, 5.92

 

CMYK 2 / 20 / 0 / 45

HEX #8A718D

RGB 138 113 141

HSL 293.57, 0.11%, 0.5%

LAB 50.85, 15.07, -11.59

 

CMYK 27 / 0 / 70 / 23

HEX #8FC43A

RGB 143 196 58

HSL 83.04, 0.54%, 0.5%

LAB 73.3, -37.7, 60.45

 

CMYK 46 / 0 / 70 / 23

HEX #6AC43A

RGB 106 196 58

HSL 99.13, 0.54%, 0.5%

LAB 71.45, -50.52, 57.97

 

CMYK 64 / 0 / 70 / 23

HEX #46C43A

RGB 70 196 58

HSL 114.78, 0.54%, 0.5%

LAB 70.24, -60, 56.33

 

CMYK 70 / 0 / 58 / 23

HEX #3AC453

RGB 58 196 83

HSL 130.87, 0.54%, 0.5%

LAB 70.18, -59.67, 45.56

 

CMYK 70 / 0 / 39 / 23

HEX #3AC478

RGB 58 196 120

HSL 146.96, 0.54%, 0.5%

LAB 70.69, -53.83, 27.79

 

CMYK 64 / 0 / 70 / 48

HEX #2F8427

RGB 47 132 39

HSL 114.84, 0.54%, 0.34%

LAB 48.58, -43.98, 41.02

 

CMYK 65 / 0 / 70 / 36

HEX #3AA431

RGB 58 164 49

HSL 115.3, 0.54%, 0.42%

LAB 59.59, -52.22, 48.62

 

CMYK 65 / 0 / 70 / 23

HEX #45C43A

RGB 69 196 58

HSL 115.22, 0.54%, 0.5%

LAB 70.21, -60.21, 56.3

 

CMYK 52 / 0 / 56 / 20

HEX #63CD5A

RGB 99 205 90

HSL 115.3, 0.53%, 0.58%

LAB 74.22, -52.98, 47.37

 

CMYK 40 / 0 / 43 / 16

HEX #81D77A

RGB 129 215 122

HSL 115.48, 0.54%, 0.66%

LAB 78.85, -44.2, 37.85

 

CMYK 64 / 0 / 70 / 24

HEX #46C33B

RGB 70 195 59

HSL 115.15, 0.54%, 0.5%

LAB 69.93, -59.57, 55.63

 

CMYK 70 / 8 / 0 / 23

HEX #3AB4C4

RGB 58 180 196

HSL 186.96, 0.54%, 0.5%

LAB 67.67, -27.84, -17.86

 

CMYK 0 / 70 / 36 / 23

HEX #C43A7D

RGB 196 58 125

HSL 330.87, 0.54%, 0.5%

LAB 47.29, 59.81, -6.55

 

CMYK 64 / 0 / 70 / 24

HEX #46C33B

RGB 70 195 59

HSL 115.15, 0.54%, 0.5%

LAB 69.93, -59.57, 55.63

 

CMYK 70 / 64 / 0 / 23

HEX #3A46C4

RGB 58 70 196

HSL 234.78, 0.54%, 0.5%

LAB 36.49, 37.17, -67.1

 

CMYK 0 / 70 / 64 / 23

HEX #C43A46

RGB 196 58 70

HSL 354.78, 0.54%, 0.5%

LAB 45.91, 55.13, 25.16

 

CMYK 64 / 0 / 70 / 24

HEX #46C33B

RGB 70 195 59

HSL 115.15, 0.54%, 0.5%

LAB 69.93, -59.57, 55.63

 

CMYK 70 / 8 / 0 / 23

HEX #3AB4C4

RGB 58 180 196

HSL 186.96, 0.54%, 0.5%

LAB 67.67, -27.84, -17.86

 

CMYK 6 / 70 / 0 / 23

HEX #B83AC4

RGB 184 58 196

HSL 294.78, 0.54%, 0.5%

LAB 48.51, 67, -46.98

 

CMYK 0 / 62 / 70 / 23

HEX #C44A3A

RGB 196 74 58

HSL 6.96, 0.54%, 0.5%

LAB 48.18, 47.83, 34.96

 

CMYK 64 / 0 / 70 / 24

HEX #46C33B

RGB 70 195 59

HSL 115.15, 0.54%, 0.5%

LAB 69.93, -59.57, 55.63

 

CMYK 70 / 30 / 0 / 23

HEX #3A8AC4

RGB 58 138 196

HSL 205.22, 0.54%, 0.5%

LAB 55.14, -5.33, -37.19

 

CMYK 6 / 70 / 0 / 23

HEX #B83AC4

RGB 184 58 196

HSL 294.78, 0.54%, 0.5%

LAB 48.51, 67, -46.98

 

CMYK 0 / 41 / 70 / 23

HEX #C4743A

RGB 196 116 58

HSL 25.22, 0.54%, 0.5%

LAB 56.62, 26.57, 44.44

 

Description

Color code: HEX #46C33B | qconv.com Color code: HEX #46C33B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 70 red, 195 green and 59 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
70 195 59 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, none magenta, 70 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 0% 70% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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