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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #475690 it is the complementary color #B8A96F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #475690. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #475690 shade: #4C568B, #5D689E, #6E7AB1, #7F8CC4 and #909ED7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #475690. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #475690 shade: #475690, #36447D, #25326A, #142057 and #030E44

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #475690 shade: #46558F, #4B468F, #5E468F, #72468F and #86468F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #475690 shade: #46558F and #46468F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #475690 shade matches the following richer shades: #46558F, #354BA0, #2441B2, #1237C3 and #012CD4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #475690 shade: #46558F, #585F7E, #696A6C, #7A745B and #8C7E4A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #475690 shade: #467D8F, #46698F, #46568F, #4A468F and #5D468F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #475690 shade: #2B3458, #394573, #46558F, #5466AB and #707FB8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #475690 shade: #475690, #8E468F and #738F46

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #475690 shade: #475690, #8F4656 and #568F46

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #475690 shade: #475690, #8E468F, #8F7F46 and #478F46

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #475690 shade: #475690, #8F467A, #8F7F46 and #468F5B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 40 / 0 / 44

HEX #475690

RGB 71 86 144

HSL 227.67, 0.34%, 0.42%

LAB 37.86, 11.22, -33.93

 

Complementary color

CMYK 0 / 8 / 40 / 28

HEX #B8A96F

RGB 184 169 111

HSL 47.67, 0.34%, 0.58%

LAB 69.27, -3.02, 31.89

 

CMYK 45 / 38 / 0 / 45

HEX #4C568B

RGB 76 86 139

HSL 230.48, 0.29%, 0.42%

LAB 37.94, 10.92, -30.74

 

CMYK 41 / 34 / 0 / 38

HEX #5D689E

RGB 93 104 158

HSL 229.85, 0.26%, 0.49%

LAB 45.22, 10.11, -30.62

 

CMYK 38 / 31 / 0 / 31

HEX #6E7AB1

RGB 110 122 177

HSL 229.25, 0.3%, 0.56%

LAB 52.3, 9.45, -30.57

 

CMYK 35 / 29 / 0 / 23

HEX #7F8CC4

RGB 127 140 196

HSL 228.7, 0.37%, 0.63%

LAB 59.21, 8.89, -30.58

 

CMYK 33 / 27 / 0 / 16

HEX #909ED7

RGB 144 158 215

HSL 228.17, 0.47%, 0.7%

LAB 65.97, 8.41, -30.62

 

CMYK 51 / 40 / 0 / 44

HEX #475690

RGB 71 86 144

HSL 227.67, 0.34%, 0.42%

LAB 37.86, 11.22, -33.93

 

CMYK 57 / 46 / 0 / 51

HEX #36447D

RGB 54 68 125

HSL 228.17, 0.4%, 0.35%

LAB 30.4, 12.45, -34.17

 

CMYK 65 / 53 / 0 / 58

HEX #25326A

RGB 37 50 106

HSL 228.7, 0.48%, 0.28%

LAB 22.71, 14.11, -34.49

 

CMYK 77 / 63 / 0 / 66

HEX #142057

RGB 20 32 87

HSL 229.25, 0.63%, 0.21%

LAB 14.79, 16.49, -34.82

 

CMYK 96 / 79 / 0 / 73

HEX #030E44

RGB 3 14 68

HSL 229.85, 0.92%, 0.14%

LAB 6.78, 19.44, -34.87

 

CMYK 51 / 41 / 0 / 44

HEX #46558F

RGB 70 85 143

HSL 227.67, 0.34%, 0.42%

LAB 37.45, 11.29, -33.98

 

CMYK 48 / 51 / 0 / 44

HEX #4B468F

RGB 75 70 143

HSL 244.11, 0.34%, 0.42%

LAB 33.69, 22.26, -39.94

 

CMYK 34 / 51 / 0 / 44

HEX #5E468F

RGB 94 70 143

HSL 259.73, 0.34%, 0.42%

LAB 35.49, 27.26, -36.97

 

CMYK 20 / 51 / 0 / 44

HEX #72468F

RGB 114 70 143

HSL 276.16, 0.34%, 0.42%

LAB 37.74, 32.99, -33.25

 

CMYK 6 / 51 / 0 / 44

HEX #86468F

RGB 134 70 143

HSL 292.6, 0.34%, 0.42%

LAB 40.3, 38.93, -29.05

 

CMYK 51 / 41 / 0 / 44

HEX #46558F

RGB 70 85 143

HSL 227.67, 0.34%, 0.42%

LAB 37.45, 11.29, -33.98

 

CMYK 51 / 51 / 0 / 44

HEX #46468F

RGB 70 70 143

HSL 240, 0.34%, 0.42%

LAB 33.28, 21.05, -40.62

 

CMYK 51 / 41 / 0 / 44

HEX #46558F

RGB 70 85 143

HSL 227.67, 0.34%, 0.42%

LAB 37.45, 11.29, -33.98

 

CMYK 67 / 53 / 0 / 37

HEX #354BA0

RGB 53 75 160

HSL 227.66, 0.5%, 0.42%

LAB 34.66, 20.27, -48.78

 

CMYK 80 / 63 / 0 / 30

HEX #2441B2

RGB 36 65 178

HSL 227.75, 0.66%, 0.42%

LAB 32.63, 31.45, -62.86

 

CMYK 91 / 72 / 0 / 24

HEX #1237C3

RGB 18 55 195

HSL 227.46, 0.83%, 0.42%

LAB 31.35, 42.96, -75.03

 

CMYK 100 / 79 / 0 / 17

HEX #012CD4

RGB 1 44 212

HSL 227.77, 0.99%, 0.42%

LAB 30.79, 54.6, -85.88

 

CMYK 51 / 41 / 0 / 44

HEX #46558F

RGB 70 85 143

HSL 227.67, 0.34%, 0.42%

LAB 37.45, 11.29, -33.98

 

CMYK 30 / 25 / 0 / 51

HEX #585F7E

RGB 88 95 126

HSL 228.95, 0.18%, 0.42%

LAB 40.84, 5.01, -18.25

 

CMYK 3 / 2 / 0 / 58

HEX #696A6C

RGB 105 106 108

HSL 220, 0.01%, 0.42%

LAB 44.79, 0.03, -1.26

 

CMYK 0 / 5 / 25 / 52

HEX #7A745B

RGB 122 116 91

HSL 48.39, 0.15%, 0.42%

LAB 48.74, -2.06, 14.67

 

CMYK 0 / 10 / 47 / 45

HEX #8C7E4A

RGB 140 126 74

HSL 47.27, 0.31%, 0.42%

LAB 52.94, -2.2, 30.15

 

CMYK 51 / 13 / 0 / 44

HEX #467D8F

RGB 70 125 143

HSL 194.79, 0.34%, 0.42%

LAB 49.44, -12.96, -15.37

 

CMYK 51 / 27 / 0 / 44

HEX #46698F

RGB 70 105 143

HSL 211.23, 0.34%, 0.42%

LAB 43.34, -1.28, -24.73

 

CMYK 51 / 40 / 0 / 44

HEX #46568F

RGB 70 86 143

HSL 226.85, 0.34%, 0.42%

LAB 37.74, 10.64, -33.52

 

CMYK 48 / 51 / 0 / 44

HEX #4A468F

RGB 74 70 143

HSL 243.29, 0.34%, 0.42%

LAB 33.6, 22.01, -40.08

 

CMYK 35 / 51 / 0 / 44

HEX #5D468F

RGB 93 70 143

HSL 258.9, 0.34%, 0.42%

LAB 35.38, 26.98, -37.14

 

CMYK 51 / 41 / 0 / 65

HEX #2B3458

RGB 43 52 88

HSL 228, 0.34%, 0.26%

LAB 22.56, 7.49, -22.93

 

CMYK 50 / 40 / 0 / 55

HEX #394573

RGB 57 69 115

HSL 227.59, 0.34%, 0.34%

LAB 30.31, 9.06, -28.02

 

CMYK 51 / 41 / 0 / 44

HEX #46558F

RGB 70 85 143

HSL 227.67, 0.34%, 0.42%

LAB 37.45, 11.29, -33.98

 

CMYK 51 / 40 / 0 / 33

HEX #5466AB

RGB 84 102 171

HSL 227.59, 0.34%, 0.5%

LAB 44.7, 13.04, -39.14

 

CMYK 39 / 31 / 0 / 28

HEX #707FB8

RGB 112 127 184

HSL 227.5, 0.34%, 0.58%

LAB 54.12, 9.01, -31.75

 

CMYK 51 / 40 / 0 / 44

HEX #475690

RGB 71 86 144

HSL 227.67, 0.34%, 0.42%

LAB 37.86, 11.22, -33.93

 

CMYK 1 / 51 / 0 / 44

HEX #8E468F

RGB 142 70 143

HSL 299.18, 0.34%, 0.42%

LAB 41.4, 41.33, -27.25

 

CMYK 20 / 0 / 51 / 44

HEX #738F46

RGB 115 143 70

HSL 83.01, 0.34%, 0.42%

LAB 55.82, -22.44, 35.35

 

CMYK 51 / 40 / 0 / 44

HEX #475690

RGB 71 86 144

HSL 227.67, 0.34%, 0.42%

LAB 37.86, 11.22, -33.93

 

CMYK 0 / 51 / 40 / 44

HEX #8F4656

RGB 143 70 86

HSL 346.85, 0.34%, 0.42%

LAB 39.4, 32.6, 4.96

 

CMYK 40 / 0 / 51 / 44

HEX #568F46

RGB 86 143 70

HSL 106.85, 0.34%, 0.42%

LAB 54.1, -33.35, 32.86

 

CMYK 51 / 40 / 0 / 44

HEX #475690

RGB 71 86 144

HSL 227.67, 0.34%, 0.42%

LAB 37.86, 11.22, -33.93

 

CMYK 1 / 51 / 0 / 44

HEX #8E468F

RGB 142 70 143

HSL 299.18, 0.34%, 0.42%

LAB 41.4, 41.33, -27.25

 

CMYK 0 / 11 / 51 / 44

HEX #8F7F46

RGB 143 127 70

HSL 46.85, 0.34%, 0.42%

LAB 53.45, -1.85, 33

 

CMYK 50 / 0 / 51 / 44

HEX #478F46

RGB 71 143 70

HSL 119.18, 0.34%, 0.42%

LAB 53.41, -38.15, 31.86

 

CMYK 51 / 40 / 0 / 44

HEX #475690

RGB 71 86 144

HSL 227.67, 0.34%, 0.42%

LAB 37.86, 11.22, -33.93

 

CMYK 0 / 51 / 15 / 44

HEX #8F467A

RGB 143 70 122

HSL 317.26, 0.34%, 0.42%

LAB 40.61, 37.86, -15.62

 

CMYK 0 / 11 / 51 / 44

HEX #8F7F46

RGB 143 127 70

HSL 46.85, 0.34%, 0.42%

LAB 53.45, -1.85, 33

 

CMYK 51 / 0 / 36 / 44

HEX #468F5B

RGB 70 143 91

HSL 137.26, 0.34%, 0.42%

LAB 53.71, -34.94, 20.87

 

Description

Color code: HEX #475690 | qconv.com Color code: HEX #475690 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 71 red, 86 green and 144 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
71 86 144 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, 40 magenta, none yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 40% 0% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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