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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #47741E it is the complementary color #B88BE1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #47741E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #47741E shade: #4C7419, #5D862C, #6E983F, #7FAA52 and #90BC65

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #47741E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #47741E shade: #47741E, #36620B, #255000, #143E00 and #032C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #47741E shade: #47751E, #5F751E, #75741E, #755C1E and #75451E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #47741E shade: #47751E, #30751E, #1E7523, #1E753B and #1E7552

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #47741E shade matches the following richer shades: #47751E, #478112 and #468D06

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #47741E shade: #47751E, #48692A, #495D36, #495142 and #4A454E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #47741E shade: #75741E, #5F751E, #48751E, #31751E and #1E7522

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #47741E shade: #1F330D, #335415, #47751E, #5B9626 and #70B72F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #47741E shade: #47741E, #1E755C and #751E6B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #47741E shade: #47741E, #1E4875 and #751E48

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #47741E shade: #47741E, #1E755C, #4B1E75 and #751E37

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #47741E shade: #47741E, #1E7475, #4B1E75 and #751F1E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 0 / 74 / 55

HEX #47741E

RGB 71 116 30

HSL 91.4, 0.59%, 0.29%

LAB 44.12, -30.6, 40.45

 

Complementary color

CMYK 18 / 38 / 0 / 12

HEX #B88BE1

RGB 184 139 225

HSL 271.4, 0.59%, 0.71%

LAB 65.04, 33.32, -37.36

 

CMYK 34 / 0 / 78 / 55

HEX #4C7419

RGB 76 116 25

HSL 86.37, 0.65%, 0.28%

LAB 44.37, -28.99, 42.72

 

CMYK 31 / 0 / 67 / 47

HEX #5D862C

RGB 93 134 44

HSL 87.33, 0.51%, 0.35%

LAB 51.34, -29.4, 42.4

 

CMYK 28 / 0 / 59 / 40

HEX #6E983F

RGB 110 152 63

HSL 88.31, 0.41%, 0.42%

LAB 58.16, -29.6, 41.5

 

CMYK 25 / 0 / 52 / 33

HEX #7FAA52

RGB 127 170 82

HSL 89.32, 0.35%, 0.49%

LAB 64.86, -29.68, 40.38

 

CMYK 23 / 0 / 46 / 26

HEX #90BC65

RGB 144 188 101

HSL 90.34, 0.39%, 0.57%

LAB 71.44, -29.68, 39.19

 

CMYK 39 / 0 / 74 / 55

HEX #47741E

RGB 71 116 30

HSL 91.4, 0.59%, 0.29%

LAB 44.12, -30.6, 40.45

 

CMYK 45 / 0 / 89 / 62

HEX #36620B

RGB 54 98 11

HSL 90.34, 0.8%, 0.21%

LAB 37.01, -29.97, 40.03

 

CMYK 54 / 0 / 100 / 69

HEX #255000

RGB 37 80 0

HSL 92.25, 1%, 0.16%

LAB 29.74, -28.75, 37.09

 

CMYK 68 / 0 / 100 / 76

HEX #143E00

RGB 20 62 0

HSL 100.65, 1%, 0.12%

LAB 22.28, -26.71, 30.01

 

CMYK 93 / 0 / 100 / 83

HEX #032C00

RGB 3 44 0

HSL 115.91, 1%, 0.09%

LAB 14.52, -24.28, 20.71

 

CMYK 39 / 0 / 74 / 54

HEX #47751E

RGB 71 117 30

HSL 91.72, 0.59%, 0.29%

LAB 44.46, -31.06, 40.79

 

CMYK 19 / 0 / 74 / 54

HEX #5F751E

RGB 95 117 30

HSL 75.17, 0.59%, 0.29%

LAB 45.97, -21.16, 42.81

 

CMYK 0 / 1 / 74 / 54

HEX #75741E

RGB 117 116 30

HSL 59.31, 0.59%, 0.29%

LAB 47.45, -10.6, 44.86

 

CMYK 0 / 21 / 74 / 54

HEX #755C1E

RGB 117 92 30

HSL 42.76, 0.59%, 0.29%

LAB 40.46, 3.21, 37.94

 

CMYK 0 / 41 / 74 / 54

HEX #75451E

RGB 117 69 30

HSL 26.9, 0.59%, 0.29%

LAB 34.26, 17.03, 31.47

 

CMYK 39 / 0 / 74 / 54

HEX #47751E

RGB 71 117 30

HSL 91.72, 0.59%, 0.29%

LAB 44.46, -31.06, 40.79

 

CMYK 59 / 0 / 74 / 54

HEX #30751E

RGB 48 117 30

HSL 107.59, 0.59%, 0.29%

LAB 43.43, -38.73, 39.41

 

CMYK 74 / 0 / 70 / 54

HEX #1E7523

RGB 30 117 35

HSL 123.45, 0.59%, 0.29%

LAB 42.94, -42.51, 36.6

 

CMYK 74 / 0 / 50 / 54

HEX #1E753B

RGB 30 117 59

HSL 140, 0.59%, 0.29%

LAB 43.23, -39.1, 24.76

 

CMYK 74 / 0 / 30 / 54

HEX #1E7552

RGB 30 117 82

HSL 155.86, 0.59%, 0.29%

LAB 43.67, -34.29, 12.14

 

CMYK 39 / 0 / 74 / 54

HEX #47751E

RGB 71 117 30

HSL 91.72, 0.59%, 0.29%

LAB 44.46, -31.06, 40.79

 

CMYK 45 / 0 / 86 / 49

HEX #478112

RGB 71 129 18

HSL 91.35, 0.76%, 0.29%

LAB 48.37, -37.08, 48.53

 

CMYK 50 / 0 / 96 / 45

HEX #468D06

RGB 70 141 6

HSL 91.56, 0.92%, 0.29%

LAB 52.25, -42.76, 54.28

 

CMYK 39 / 0 / 74 / 54

HEX #47751E

RGB 71 117 30

HSL 91.72, 0.59%, 0.29%

LAB 44.46, -31.06, 40.79

 

CMYK 31 / 0 / 60 / 59

HEX #48692A

RGB 72 105 42

HSL 91.43, 0.43%, 0.29%

LAB 40.65, -23.77, 31.14

 

CMYK 22 / 0 / 42 / 64

HEX #495D36

RGB 73 93 54

HSL 90.77, 0.27%, 0.29%

LAB 36.95, -15.43, 19.96

 

CMYK 10 / 0 / 19 / 68

HEX #495142

RGB 73 81 66

HSL 92, 0.1%, 0.29%

LAB 33.34, -6.39, 7.76

 

CMYK 5 / 12 / 0 / 69

HEX #4A454E

RGB 74 69 78

HSL 273.33, 0.06%, 0.29%

LAB 30.06, 4.09, -4.63

 

CMYK 0 / 1 / 74 / 54

HEX #75741E

RGB 117 116 30

HSL 59.31, 0.59%, 0.29%

LAB 47.45, -10.6, 44.86

 

CMYK 19 / 0 / 74 / 54

HEX #5F751E

RGB 95 117 30

HSL 75.17, 0.59%, 0.29%

LAB 45.97, -21.16, 42.81

 

CMYK 38 / 0 / 74 / 54

HEX #48751E

RGB 72 117 30

HSL 91.03, 0.59%, 0.29%

LAB 44.51, -30.68, 40.86

 

CMYK 58 / 0 / 74 / 54

HEX #31751E

RGB 49 117 30

HSL 106.9, 0.59%, 0.29%

LAB 43.46, -38.44, 39.46

 

CMYK 74 / 0 / 71 / 54

HEX #1E7522

RGB 30 117 34

HSL 122.76, 0.59%, 0.29%

LAB 42.93, -42.61, 37.03

 

CMYK 39 / 0 / 75 / 80

HEX #1F330D

RGB 31 51 13

HSL 91.58, 0.59%, 0.13%

LAB 18.75, -15.97, 20.83

 

CMYK 39 / 0 / 75 / 67

HEX #335415

RGB 51 84 21

HSL 91.43, 0.6%, 0.21%

LAB 32.03, -23.88, 31.55

 

CMYK 39 / 0 / 74 / 54

HEX #47751E

RGB 71 117 30

HSL 91.72, 0.59%, 0.29%

LAB 44.46, -31.06, 40.79

 

CMYK 39 / 0 / 75 / 41

HEX #5B9626

RGB 91 150 38

HSL 91.61, 0.6%, 0.37%

LAB 56.26, -37.9, 49.87

 

CMYK 39 / 0 / 74 / 28

HEX #70B72F

RGB 112 183 47

HSL 91.32, 0.59%, 0.45%

LAB 67.66, -44.02, 58.24

 

CMYK 39 / 0 / 74 / 55

HEX #47741E

RGB 71 116 30

HSL 91.4, 0.59%, 0.29%

LAB 44.12, -30.6, 40.45

 

CMYK 74 / 0 / 21 / 54

HEX #1E755C

RGB 30 117 92

HSL 162.76, 0.59%, 0.29%

LAB 43.9, -31.76, 6.55

 

CMYK 0 / 74 / 9 / 54

HEX #751E6B

RGB 117 30 107

HSL 306.9, 0.59%, 0.29%

LAB 28.83, 46.33, -24.78

 

CMYK 39 / 0 / 74 / 55

HEX #47741E

RGB 71 116 30

HSL 91.4, 0.59%, 0.29%

LAB 44.12, -30.6, 40.45

 

CMYK 74 / 38 / 0 / 54

HEX #1E4875

RGB 30 72 117

HSL 211.03, 0.59%, 0.29%

LAB 29.9, 1.95, -30.03

 

CMYK 0 / 74 / 38 / 54

HEX #751E48

RGB 117 30 72

HSL 331.03, 0.59%, 0.29%

LAB 27.24, 41.28, -4.25

 

CMYK 39 / 0 / 74 / 55

HEX #47741E

RGB 71 116 30

HSL 91.4, 0.59%, 0.29%

LAB 44.12, -30.6, 40.45

 

CMYK 74 / 0 / 21 / 54

HEX #1E755C

RGB 30 117 92

HSL 162.76, 0.59%, 0.29%

LAB 43.9, -31.76, 6.55

 

CMYK 36 / 74 / 0 / 54

HEX #4B1E75

RGB 75 30 117

HSL 271.03, 0.59%, 0.29%

LAB 22.68, 38.53, -41.42

 

CMYK 0 / 74 / 53 / 54

HEX #751E37

RGB 117 30 55

HSL 342.76, 0.59%, 0.29%

LAB 26.7, 39.47, 6.42

 

CMYK 39 / 0 / 74 / 55

HEX #47741E

RGB 71 116 30

HSL 91.4, 0.59%, 0.29%

LAB 44.12, -30.6, 40.45

 

CMYK 74 / 1 / 0 / 54

HEX #1E7475

RGB 30 116 117

HSL 180.69, 0.59%, 0.29%

LAB 44.31, -23.96, -7.82

 

CMYK 36 / 74 / 0 / 54

HEX #4B1E75

RGB 75 30 117

HSL 271.03, 0.59%, 0.29%

LAB 22.68, 38.53, -41.42

 

CMYK 0 / 74 / 74 / 54

HEX #751F1E

RGB 117 31 30

HSL 0.69, 0.59%, 0.29%

LAB 26.32, 37.26, 22.58

 

Description

Color code: HEX #47741E | qconv.com Color code: HEX #47741E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 71 red, 116 green and 30 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
71 116 30 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, none magenta, 74 yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 0% 74% 55% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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