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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #480D61 it is the complementary color #B7F29E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #480D61. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #480D61 shade: #4D0D5C, #5E1F6F, #6F3182, #804395 and #9155A8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #480D61. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #480D61 shade: #480D61, #37004E, #26003B, #150028 and #040015

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #480D61 shade: #490D62, #600D62, #620D4E, #620D37 and #620D20

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #480D61 shade: #490D62, #320D62, #1B0D62 and #0D0D62

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #480D61 shade matches the following richer shades: #490D62 and #4D046B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #480D61 shade: #490D62, #451659, #421F50, #3E2847 and #3A313E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #480D61 shade: #1B0D62, #320D62, #490D62, #5F0D62 and #620D4E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #480D61 shade: #13031A, #2E083E, #490D62, #641287 and #7F17AB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #480D61 shade: #480D61, #620D15 and #0D6227

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #480D61 shade: #480D61, #62490D and #0D6249

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #480D61 shade: #480D61, #620D15, #27620D and #0D625A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #480D61 shade: #480D61, #621E0D, #27620D and #0D5162

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 87 / 0 / 62

HEX #480D61

RGB 72 13 97

HSL 282.14, 0.76%, 0.22%

LAB 18.05, 40.27, -35.93

 

Complementary color

CMYK 24 / 0 / 35 / 5

HEX #B7F29E

RGB 183 242 158

HSL 102.14, 0.76%, 0.78%

LAB 89.88, -33.61, 34.69

 

CMYK 16 / 86 / 0 / 64

HEX #4D0D5C

RGB 77 13 92

HSL 288.61, 0.75%, 0.21%

LAB 18.53, 40.18, -31.78

 

CMYK 15 / 72 / 0 / 56

HEX #5E1F6F

RGB 94 31 111

HSL 287.25, 0.56%, 0.28%

LAB 25.28, 40.96, -33.23

 

CMYK 15 / 62 / 0 / 49

HEX #6F3182

RGB 111 49 130

HSL 285.93, 0.45%, 0.35%

LAB 32.23, 40.71, -34.01

 

CMYK 14 / 55 / 0 / 42

HEX #804395

RGB 128 67 149

HSL 284.63, 0.38%, 0.42%

LAB 39.2, 40.07, -34.47

 

CMYK 14 / 49 / 0 / 34

HEX #9155A8

RGB 145 85 168

HSL 283.37, 0.33%, 0.5%

LAB 46.1, 39.28, -34.78

 

CMYK 26 / 87 / 0 / 62

HEX #480D61

RGB 72 13 97

HSL 282.14, 0.76%, 0.22%

LAB 18.05, 40.27, -35.93

 

CMYK 29 / 100 / 0 / 69

HEX #37004E

RGB 55 0 78

HSL 282.31, 1%, 0.15%

LAB 11.7, 37.73, -33.54

 

CMYK 36 / 100 / 0 / 77

HEX #26003B

RGB 38 0 59

HSL 278.64, 1%, 0.12%

LAB 6.57, 30.54, -28.62

 

CMYK 48 / 100 / 0 / 84

HEX #150028

RGB 21 0 40

HSL 271.5, 1%, 0.08%

LAB 2.82, 16.19, -20.59

 

CMYK 81 / 100 / 0 / 92

HEX #040015

RGB 4 0 21

HSL 251.43, 1%, 0.04%

LAB 0.72, 4.48, -8.98

 

CMYK 26 / 87 / 0 / 62

HEX #490D62

RGB 73 13 98

HSL 282.35, 0.77%, 0.22%

LAB 18.3, 40.68, -36.17

 

CMYK 2 / 87 / 0 / 62

HEX #600D62

RGB 96 13 98

HSL 298.59, 0.77%, 0.22%

LAB 22.5, 45.33, -29.19

 

CMYK 0 / 87 / 20 / 62

HEX #620D4E

RGB 98 13 78

HSL 314.12, 0.77%, 0.22%

LAB 21.71, 42.53, -17.06

 

CMYK 0 / 87 / 44 / 62

HEX #620D37

RGB 98 13 55

HSL 330.35, 0.77%, 0.22%

LAB 20.67, 39.56, -2.78

 

CMYK 0 / 87 / 67 / 62

HEX #620D20

RGB 98 13 32

HSL 346.59, 0.77%, 0.22%

LAB 20, 37.54, 12.51

 

CMYK 26 / 87 / 0 / 62

HEX #490D62

RGB 73 13 98

HSL 282.35, 0.77%, 0.22%

LAB 18.3, 40.68, -36.17

 

CMYK 49 / 87 / 0 / 62

HEX #320D62

RGB 50 13 98

HSL 266.12, 0.77%, 0.22%

LAB 14.67, 36.72, -42.26

 

CMYK 72 / 87 / 0 / 62

HEX #1B0D62

RGB 27 13 98

HSL 249.88, 0.77%, 0.22%

LAB 11.98, 33.85, -46.79

 

CMYK 87 / 87 / 0 / 62

HEX #0D0D62

RGB 13 13 98

HSL 240, 0.77%, 0.22%

LAB 10.96, 32.78, -48.51

 

CMYK 26 / 87 / 0 / 62

HEX #490D62

RGB 73 13 98

HSL 282.35, 0.77%, 0.22%

LAB 18.3, 40.68, -36.17

 

CMYK 28 / 96 / 0 / 58

HEX #4D046B

RGB 77 4 107

HSL 282.52, 0.93%, 0.22%

LAB 18.91, 45.89, -41.07

 

CMYK 26 / 87 / 0 / 62

HEX #490D62

RGB 73 13 98

HSL 282.35, 0.77%, 0.22%

LAB 18.3, 40.68, -36.17

 

CMYK 22 / 75 / 0 / 65

HEX #451659

RGB 69 22 89

HSL 282.09, 0.6%, 0.22%

LAB 18.19, 34.11, -30.4

 

CMYK 18 / 61 / 0 / 69

HEX #421F50

RGB 66 31 80

HSL 282.86, 0.44%, 0.22%

LAB 18.87, 26.23, -23.26

 

CMYK 13 / 44 / 0 / 72

HEX #3E2847

RGB 62 40 71

HSL 282.58, 0.28%, 0.22%

LAB 20.03, 16.9, -15.38

 

CMYK 6 / 21 / 0 / 76

HEX #3A313E

RGB 58 49 62

HSL 281.54, 0.12%, 0.22%

LAB 21.74, 6.97, -6.68

 

CMYK 72 / 87 / 0 / 62

HEX #1B0D62

RGB 27 13 98

HSL 249.88, 0.77%, 0.22%

LAB 11.98, 33.85, -46.79

 

CMYK 49 / 87 / 0 / 62

HEX #320D62

RGB 50 13 98

HSL 266.12, 0.77%, 0.22%

LAB 14.67, 36.72, -42.26

 

CMYK 26 / 87 / 0 / 62

HEX #490D62

RGB 73 13 98

HSL 282.35, 0.77%, 0.22%

LAB 18.3, 40.68, -36.17

 

CMYK 3 / 87 / 0 / 62

HEX #5F0D62

RGB 95 13 98

HSL 297.88, 0.77%, 0.22%

LAB 22.31, 45.12, -29.51

 

CMYK 0 / 87 / 20 / 62

HEX #620D4E

RGB 98 13 78

HSL 314.12, 0.77%, 0.22%

LAB 21.71, 42.53, -17.06

 

CMYK 27 / 88 / 0 / 90

HEX #13031A

RGB 19 3 26

HSL 281.74, 0.79%, 0.06%

LAB 2.51, 9.14, -10.04

 

CMYK 26 / 87 / 0 / 76

HEX #2E083E

RGB 46 8 62

HSL 282.22, 0.77%, 0.14%

LAB 9.82, 28.65, -25.45

 

CMYK 26 / 87 / 0 / 62

HEX #490D62

RGB 73 13 98

HSL 282.35, 0.77%, 0.22%

LAB 18.3, 40.68, -36.17

 

CMYK 26 / 87 / 0 / 47

HEX #641287

RGB 100 18 135

HSL 282.05, 0.76%, 0.3%

LAB 26.42, 51.96, -46.56

 

CMYK 26 / 87 / 0 / 33

HEX #7F17AB

RGB 127 23 171

HSL 282.16, 0.76%, 0.38%

LAB 34.12, 62.39, -55.89

 

CMYK 26 / 87 / 0 / 62

HEX #480D61

RGB 72 13 97

HSL 282.14, 0.76%, 0.22%

LAB 18.05, 40.27, -35.93

 

CMYK 0 / 87 / 79 / 62

HEX #620D15

RGB 98 13 21

HSL 354.35, 0.77%, 0.22%

LAB 19.8, 36.92, 19.88

 

CMYK 87 / 0 / 60 / 62

HEX #0D6227

RGB 13 98 39

HSL 138.35, 0.77%, 0.22%

LAB 35.92, -37.71, 26.59

 

CMYK 26 / 87 / 0 / 62

HEX #480D61

RGB 72 13 97

HSL 282.14, 0.76%, 0.22%

LAB 18.05, 40.27, -35.93

 

CMYK 0 / 26 / 87 / 62

HEX #62490D

RGB 98 73 13

HSL 42.35, 0.77%, 0.22%

LAB 32.68, 4.55, 36.94

 

CMYK 87 / 0 / 26 / 62

HEX #0D6249

RGB 13 98 73

HSL 162.35, 0.77%, 0.22%

LAB 36.56, -30.42, 7.57

 

CMYK 26 / 87 / 0 / 62

HEX #480D61

RGB 72 13 97

HSL 282.14, 0.76%, 0.22%

LAB 18.05, 40.27, -35.93

 

CMYK 0 / 87 / 79 / 62

HEX #620D15

RGB 98 13 21

HSL 354.35, 0.77%, 0.22%

LAB 19.8, 36.92, 19.88

 

CMYK 60 / 0 / 87 / 62

HEX #27620D

RGB 39 98 13

HSL 101.65, 0.77%, 0.22%

LAB 36.36, -34.94, 38.6

 

CMYK 87 / 0 / 8 / 62

HEX #0D625A

RGB 13 98 90

HSL 174.35, 0.77%, 0.22%

LAB 37.04, -25.42, -2.21

 

CMYK 26 / 87 / 0 / 62

HEX #480D61

RGB 72 13 97

HSL 282.14, 0.76%, 0.22%

LAB 18.05, 40.27, -35.93

 

CMYK 0 / 69 / 87 / 62

HEX #621E0D

RGB 98 30 13

HSL 12, 0.77%, 0.22%

LAB 22.14, 29.86, 27.11

 

CMYK 60 / 0 / 87 / 62

HEX #27620D

RGB 39 98 13

HSL 101.65, 0.77%, 0.22%

LAB 36.36, -34.94, 38.6

 

CMYK 87 / 17 / 0 / 62

HEX #0D5162

RGB 13 81 98

HSL 192, 0.77%, 0.22%

LAB 31.47, -13.43, -15.61

 

Description

Color code: HEX #480D61 | qconv.com Color code: HEX #480D61 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 72 red, 13 green and 97 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
72 13 97 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, 87 magenta, none yellow and 62 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 87% 0% 62% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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