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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #495877 it is the complementary color #B6A788. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #495877. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #495877 shade: #4E5872, #5F6A85, #707C98, #818EAB and #92A0BE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #495877. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #495877 shade: #495877, #384664, #273451, #16223E and #05102B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #495877 shade: #495878, #494C78, #534978, #604978 and #6C4978

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #495877 shade: #495878, #494C78 and #494978

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #495877 shade matches the following richer shades: #495878, #395387, #2A4D97, #1A48A7 and #0A43B6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #495877 shade: #495878, #595E68, #696358, #786949 and #886E39

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #495877 shade: #497178, #496578, #495978, #494C78 and #524978

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #495877 shade: #2A3244, #39455E, #495878, #596B91 and #6E80A6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #495877 shade: #495877, #714978 and #6B7849

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #495877 shade: #495877, #784959 and #597849

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #495877 shade: #495877, #714978, #786849 and #4F7849

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #495877 shade: #495877, #784970, #786849 and #497851

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 26 / 0 / 53

HEX #495877

RGB 73 88 119

HSL 220.43, 0.24%, 0.38%

LAB 37.35, 2.63, -19.44

 

Complementary color

CMYK 0 / 8 / 25 / 29

HEX #B6A788

RGB 182 167 136

HSL 40.43, 0.24%, 0.62%

LAB 69.01, 0.47, 18.02

 

CMYK 32 / 23 / 0 / 55

HEX #4E5872

RGB 78 88 114

HSL 223.33, 0.19%, 0.38%

LAB 37.51, 2.78, -16.08

 

CMYK 29 / 20 / 0 / 48

HEX #5F6A85

RGB 95 106 133

HSL 222.63, 0.17%, 0.45%

LAB 44.85, 2.45, -16.29

 

CMYK 26 / 18 / 0 / 40

HEX #707C98

RGB 112 124 152

HSL 222, 0.16%, 0.52%

LAB 51.98, 2.16, -16.54

 

CMYK 25 / 17 / 0 / 33

HEX #818EAB

RGB 129 142 171

HSL 221.43, 0.2%, 0.59%

LAB 58.93, 1.92, -16.81

 

CMYK 23 / 16 / 0 / 25

HEX #92A0BE

RGB 146 160 190

HSL 220.91, 0.25%, 0.66%

LAB 65.73, 1.69, -17.1

 

CMYK 39 / 26 / 0 / 53

HEX #495877

RGB 73 88 119

HSL 220.43, 0.24%, 0.38%

LAB 37.35, 2.63, -19.44

 

CMYK 44 / 30 / 0 / 61

HEX #384664

RGB 56 70 100

HSL 220.91, 0.28%, 0.31%

LAB 29.77, 3.15, -19.37

 

CMYK 52 / 36 / 0 / 68

HEX #273451

RGB 39 52 81

HSL 221.43, 0.35%, 0.24%

LAB 21.88, 3.87, -19.39

 

CMYK 65 / 45 / 0 / 76

HEX #16223E

RGB 22 34 62

HSL 222, 0.48%, 0.16%

LAB 13.61, 4.98, -19.53

 

CMYK 88 / 63 / 0 / 83

HEX #05102B

RGB 5 16 43

HSL 222.63, 0.79%, 0.09%

LAB 5.21, 5.54, -19.19

 

CMYK 39 / 27 / 0 / 53

HEX #495878

RGB 73 88 120

HSL 220.85, 0.24%, 0.38%

LAB 37.39, 2.93, -19.99

 

CMYK 39 / 37 / 0 / 53

HEX #494C78

RGB 73 76 120

HSL 236.17, 0.24%, 0.38%

LAB 33.86, 10.61, -25.49

 

CMYK 31 / 39 / 0 / 53

HEX #534978

RGB 83 73 120

HSL 252.77, 0.24%, 0.38%

LAB 33.9, 15.65, -25.36

 

CMYK 20 / 39 / 0 / 53

HEX #604978

RGB 96 73 120

HSL 269.36, 0.24%, 0.38%

LAB 35.22, 19.88, -23.2

 

CMYK 10 / 39 / 0 / 53

HEX #6C4978

RGB 108 73 120

HSL 284.68, 0.24%, 0.38%

LAB 36.57, 23.92, -20.99

 

CMYK 39 / 27 / 0 / 53

HEX #495878

RGB 73 88 120

HSL 220.85, 0.24%, 0.38%

LAB 37.39, 2.93, -19.99

 

CMYK 39 / 37 / 0 / 53

HEX #494C78

RGB 73 76 120

HSL 236.17, 0.24%, 0.38%

LAB 33.86, 10.61, -25.49

 

CMYK 39 / 39 / 0 / 53

HEX #494978

RGB 73 73 120

HSL 240, 0.24%, 0.38%

LAB 33, 12.56, -26.84

 

CMYK 39 / 27 / 0 / 53

HEX #495878

RGB 73 88 120

HSL 220.85, 0.24%, 0.38%

LAB 37.39, 2.93, -19.99

 

CMYK 58 / 39 / 0 / 47

HEX #395387

RGB 57 83 135

HSL 220, 0.41%, 0.38%

LAB 35.61, 6.74, -32.07

 

CMYK 72 / 49 / 0 / 41

HEX #2A4D97

RGB 42 77 151

HSL 220.73, 0.56%, 0.38%

LAB 34.05, 13.78, -44.34

 

CMYK 84 / 57 / 0 / 35

HEX #1A48A7

RGB 26 72 167

HSL 220.43, 0.73%, 0.38%

LAB 33.23, 21.6, -55.34

 

CMYK 95 / 63 / 0 / 29

HEX #0A43B6

RGB 10 67 182

HSL 220.12, 0.9%, 0.38%

LAB 32.82, 30.04, -64.95

 

CMYK 39 / 27 / 0 / 53

HEX #495878

RGB 73 88 120

HSL 220.85, 0.24%, 0.38%

LAB 37.39, 2.93, -19.99

 

CMYK 14 / 10 / 0 / 59

HEX #595E68

RGB 89 94 104

HSL 220, 0.08%, 0.38%

LAB 39.8, 0.33, -6.36

 

CMYK 0 / 6 / 16 / 59

HEX #696358

RGB 105 99 88

HSL 38.82, 0.09%, 0.38%

LAB 42.2, 0.3, 7.1

 

CMYK 0 / 13 / 39 / 53

HEX #786949

RGB 120 105 73

HSL 40.85, 0.24%, 0.38%

LAB 45.05, 0.91, 20.19

 

CMYK 0 / 19 / 58 / 47

HEX #886E39

RGB 136 110 57

HSL 40.25, 0.41%, 0.38%

LAB 47.86, 3.5, 33.06

 

CMYK 39 / 6 / 0 / 53

HEX #497178

RGB 73 113 120

HSL 188.94, 0.24%, 0.38%

LAB 45.06, -12.05, -8.32

 

CMYK 39 / 16 / 0 / 53

HEX #496578

RGB 73 101 120

HSL 204.26, 0.24%, 0.38%

LAB 41.34, -5.05, -13.93

 

CMYK 39 / 26 / 0 / 53

HEX #495978

RGB 73 89 120

HSL 219.57, 0.24%, 0.38%

LAB 37.69, 2.3, -19.52

 

CMYK 39 / 37 / 0 / 53

HEX #494C78

RGB 73 76 120

HSL 236.17, 0.24%, 0.38%

LAB 33.86, 10.61, -25.49

 

CMYK 32 / 39 / 0 / 53

HEX #524978

RGB 82 73 120

HSL 251.49, 0.24%, 0.38%

LAB 33.81, 15.33, -25.52

 

CMYK 38 / 26 / 0 / 73

HEX #2A3244

RGB 42 50 68

HSL 221.54, 0.24%, 0.22%

LAB 20.79, 1.83, -12.33

 

CMYK 39 / 27 / 0 / 63

HEX #39455E

RGB 57 69 94

HSL 220.54, 0.25%, 0.3%

LAB 29.25, 2.23, -16.33

 

CMYK 39 / 27 / 0 / 53

HEX #495878

RGB 73 88 120

HSL 220.85, 0.24%, 0.38%

LAB 37.39, 2.93, -19.99

 

CMYK 39 / 26 / 0 / 43

HEX #596B91

RGB 89 107 145

HSL 220.71, 0.24%, 0.46%

LAB 45.2, 3.31, -22.96

 

CMYK 34 / 23 / 0 / 35

HEX #6E80A6

RGB 110 128 166

HSL 220.71, 0.24%, 0.54%

LAB 53.5, 2.86, -22.35

 

CMYK 39 / 26 / 0 / 53

HEX #495877

RGB 73 88 119

HSL 220.43, 0.24%, 0.38%

LAB 37.35, 2.63, -19.44

 

CMYK 6 / 39 / 0 / 53

HEX #714978

RGB 113 73 120

HSL 291.06, 0.24%, 0.38%

LAB 37.17, 25.63, -20.02

 

CMYK 11 / 0 / 39 / 53

HEX #6B7849

RGB 107 120 73

HSL 76.6, 0.24%, 0.38%

LAB 48.31, -13.25, 24.23

 

CMYK 39 / 26 / 0 / 53

HEX #495877

RGB 73 88 119

HSL 220.43, 0.24%, 0.38%

LAB 37.35, 2.63, -19.44

 

CMYK 0 / 39 / 26 / 53

HEX #784959

RGB 120 73 89

HSL 339.57, 0.24%, 0.38%

LAB 36.89, 22.37, -0.96

 

CMYK 26 / 0 / 39 / 53

HEX #597849

RGB 89 120 73

HSL 99.57, 0.24%, 0.38%

LAB 47.02, -20.55, 22.31

 

CMYK 39 / 26 / 0 / 53

HEX #495877

RGB 73 88 119

HSL 220.43, 0.24%, 0.38%

LAB 37.35, 2.63, -19.44

 

CMYK 6 / 39 / 0 / 53

HEX #714978

RGB 113 73 120

HSL 291.06, 0.24%, 0.38%

LAB 37.17, 25.63, -20.02

 

CMYK 0 / 13 / 39 / 53

HEX #786849

RGB 120 104 73

HSL 39.57, 0.24%, 0.38%

LAB 44.77, 1.5, 19.81

 

CMYK 34 / 0 / 39 / 53

HEX #4F7849

RGB 79 120 73

HSL 112.34, 0.24%, 0.38%

LAB 46.41, -24.31, 21.39

 

CMYK 39 / 26 / 0 / 53

HEX #495877

RGB 73 88 119

HSL 220.43, 0.24%, 0.38%

LAB 37.35, 2.63, -19.44

 

CMYK 0 / 39 / 7 / 53

HEX #784970

RGB 120 73 112

HSL 310.21, 0.24%, 0.38%

LAB 37.71, 26.44, -14.14

 

CMYK 0 / 13 / 39 / 53

HEX #786849

RGB 120 104 73

HSL 39.57, 0.24%, 0.38%

LAB 44.77, 1.5, 19.81

 

CMYK 39 / 0 / 33 / 53

HEX #497851

RGB 73 120 81

HSL 130.21, 0.24%, 0.38%

LAB 46.24, -24.97, 16.5

 

Description

Color code: HEX #495877 | qconv.com Color code: HEX #495877 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 73 red, 88 green and 119 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
73 88 119 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, 26 magenta, none yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 26% 0% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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