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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4CE870 it is the complementary color #B3178F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4CE870. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4CE870 shade: #51E86B, #62FA7E, #73FF91, #84FFA4 and #95FFB7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4CE870. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4CE870 shade: #4CE870, #3BD65D, #2AC44A, #19B237 and #08A024

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4CE870 shade: #4AE76E, #50E74A, #7AE74A, #A5E74A and #CFE74A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4CE870 shade: #4AE76E, #4AE799, #4AE7C3, #4AE1E7 and #4AB6E7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4CE870 shade matches the following richer shades: #4AE76E and #39F865

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4CE870 shade: #4AE76E, #5AD777, #6BC680, #7BB689 and #8CA592

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4CE870 shade: #7CE74A, #52E74A, #4AE76C, #4AE796 and #4AE7C0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4CE870 shade: #19C541, #25E251, #4AE76E, #6EEC8B and #93F1A9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4CE870 shade: #4CE870, #4AA6E7 and #E74A67

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4CE870 shade: #4CE870, #6C4AE7 and #E76C4A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4CE870 shade: #4CE870, #4AA6E7, #E74AC5 and #E78B4A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4CE870 shade: #4CE870, #4A76E7, #E74AC5 and #E7BB4A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 0 / 52 / 9

HEX #4CE870

RGB 76 232 112

HSL 133.85, 0.77%, 0.6%

LAB 82.07, -65.13, 46.35

 

Complementary color

CMYK 0 / 87 / 20 / 30

HEX #B3178F

RGB 179 23 143

HSL 313.85, 0.77%, 0.4%

LAB 41.5, 67.54, -26.64

 

CMYK 65 / 0 / 54 / 9

HEX #51E86B

RGB 81 232 107

HSL 130.33, 0.77%, 0.61%

LAB 82.12, -64.89, 48.78

 

CMYK 61 / 0 / 50 / 2

HEX #62FA7E

RGB 98 250 126

HSL 131.05, 0.94%, 0.68%

LAB 88.2, -65.32, 47.43

 

CMYK 55 / 0 / 43 / 0

HEX #73FF91

RGB 115 255 145

HSL 132.86, 1%, 0.73%

LAB 90.42, -60.69, 41.24

 

CMYK 48 / 0 / 36 / 0

HEX #84FFA4

RGB 132 255 164

HSL 135.61, 1%, 0.76%

LAB 91.28, -53.55, 33.12

 

CMYK 42 / 0 / 28 / 0

HEX #95FFB7

RGB 149 255 183

HSL 139.25, 1%, 0.79%

LAB 92.28, -45.8, 25.02

 

CMYK 67 / 0 / 52 / 9

HEX #4CE870

RGB 76 232 112

HSL 133.85, 0.77%, 0.6%

LAB 82.07, -65.13, 46.35

 

CMYK 72 / 0 / 57 / 16

HEX #3BD65D

RGB 59 214 93

HSL 133.16, 0.65%, 0.54%

LAB 75.95, -64.35, 47.76

 

CMYK 79 / 0 / 62 / 23

HEX #2AC44A

RGB 42 196 74

HSL 132.47, 0.65%, 0.47%

LAB 69.8, -63.16, 49.11

 

CMYK 86 / 0 / 69 / 30

HEX #19B237

RGB 25 178 55

HSL 131.76, 0.75%, 0.4%

LAB 63.61, -61.37, 50.28

 

CMYK 95 / 0 / 78 / 37

HEX #08A024

RGB 8 160 36

HSL 131.05, 0.9%, 0.33%

LAB 57.39, -58.78, 50.97

 

CMYK 68 / 0 / 52 / 9

HEX #4AE76E

RGB 74 231 110

HSL 133.76, 0.77%, 0.6%

LAB 81.69, -65.41, 46.83

 

CMYK 65 / 0 / 68 / 9

HEX #50E74A

RGB 80 231 74

HSL 117.71, 0.77%, 0.6%

LAB 81.48, -68.34, 62.12

 

CMYK 47 / 0 / 68 / 9

HEX #7AE74A

RGB 122 231 74

HSL 101.66, 0.77%, 0.6%

LAB 82.8, -58.04, 63.91

 

CMYK 29 / 0 / 68 / 9

HEX #A5E74A

RGB 165 231 74

HSL 85.22, 0.77%, 0.6%

LAB 84.82, -43.9, 66.63

 

CMYK 10 / 0 / 68 / 9

HEX #CFE74A

RGB 207 231 74

HSL 69.17, 0.77%, 0.6%

LAB 87.44, -27.85, 70.15

 

CMYK 68 / 0 / 52 / 9

HEX #4AE76E

RGB 74 231 110

HSL 133.76, 0.77%, 0.6%

LAB 81.69, -65.41, 46.83

 

CMYK 68 / 0 / 34 / 9

HEX #4AE799

RGB 74 231 153

HSL 150.19, 0.77%, 0.6%

LAB 82.33, -58.26, 26.37

 

CMYK 68 / 0 / 16 / 9

HEX #4AE7C3

RGB 74 231 195

HSL 166.24, 0.77%, 0.6%

LAB 83.2, -49.04, 5.69

 

CMYK 68 / 3 / 0 / 9

HEX #4AE1E7

RGB 74 225 231

HSL 182.29, 0.77%, 0.6%

LAB 82.42, -36.93, -14.51

 

CMYK 68 / 21 / 0 / 9

HEX #4AB6E7

RGB 74 182 231

HSL 198.73, 0.77%, 0.6%

LAB 69.95, -15.63, -33.52

 

CMYK 68 / 0 / 52 / 9

HEX #4AE76E

RGB 74 231 110

HSL 133.76, 0.77%, 0.6%

LAB 81.69, -65.41, 46.83

 

CMYK 77 / 0 / 59 / 3

HEX #39F865

RGB 57 248 101

HSL 133.82, 0.93%, 0.6%

LAB 86.48, -74.65, 56.48

 

CMYK 68 / 0 / 52 / 9

HEX #4AE76E

RGB 74 231 110

HSL 133.76, 0.77%, 0.6%

LAB 81.69, -65.41, 46.83

 

CMYK 58 / 0 / 45 / 16

HEX #5AD777

RGB 90 215 119

HSL 133.92, 0.61%, 0.6%

LAB 77.34, -55.07, 37.13

 

CMYK 46 / 0 / 35 / 22

HEX #6BC680

RGB 107 198 128

HSL 133.85, 0.44%, 0.6%

LAB 72.94, -42.35, 26.87

 

CMYK 32 / 0 / 25 / 29

HEX #7BB689

RGB 123 182 137

HSL 134.24, 0.29%, 0.6%

LAB 69.09, -28.59, 16.95

 

CMYK 15 / 0 / 12 / 35

HEX #8CA592

RGB 140 165 146

HSL 134.4, 0.12%, 0.6%

LAB 65.41, -12.51, 6.95

 

CMYK 46 / 0 / 68 / 9

HEX #7CE74A

RGB 124 231 74

HSL 100.89, 0.77%, 0.6%

LAB 82.88, -57.45, 64.02

 

CMYK 65 / 0 / 68 / 9

HEX #52E74A

RGB 82 231 74

HSL 116.94, 0.77%, 0.6%

LAB 81.53, -67.95, 62.19

 

CMYK 68 / 0 / 53 / 9

HEX #4AE76C

RGB 74 231 108

HSL 132.99, 0.77%, 0.6%

LAB 81.67, -65.68, 47.73

 

CMYK 68 / 0 / 35 / 9

HEX #4AE796

RGB 74 231 150

HSL 149.04, 0.77%, 0.6%

LAB 82.28, -58.84, 27.84

 

CMYK 68 / 0 / 17 / 9

HEX #4AE7C0

RGB 74 231 192

HSL 165.1, 0.77%, 0.6%

LAB 83.13, -49.77, 7.17

 

CMYK 87 / 0 / 67 / 23

HEX #19C541

RGB 25 197 65

HSL 133.95, 0.77%, 0.44%

LAB 69.84, -66.19, 52.92

 

CMYK 84 / 0 / 64 / 11

HEX #25E251

RGB 37 226 81

HSL 133.97, 0.77%, 0.52%

LAB 79.26, -72.28, 56.71

 

CMYK 68 / 0 / 52 / 9

HEX #4AE76E

RGB 74 231 110

HSL 133.76, 0.77%, 0.6%

LAB 81.69, -65.41, 46.83

 

CMYK 53 / 0 / 41 / 7

HEX #6EEC8B

RGB 110 236 139

HSL 133.81, 0.77%, 0.68%

LAB 84.57, -55.44, 36.6

 

CMYK 39 / 0 / 30 / 5

HEX #93F1A9

RGB 147 241 169

HSL 134.04, 0.77%, 0.76%

LAB 87.96, -42.73, 26.22

 

CMYK 67 / 0 / 52 / 9

HEX #4CE870

RGB 76 232 112

HSL 133.85, 0.77%, 0.6%

LAB 82.07, -65.13, 46.35

 

CMYK 68 / 28 / 0 / 9

HEX #4AA6E7

RGB 74 166 231

HSL 204.84, 0.77%, 0.6%

LAB 65.36, -6.93, -40.68

 

CMYK 0 / 68 / 55 / 9

HEX #E74A67

RGB 231 74 103

HSL 348.92, 0.77%, 0.6%

LAB 54.93, 62.11, 18.43

 

CMYK 67 / 0 / 52 / 9

HEX #4CE870

RGB 76 232 112

HSL 133.85, 0.77%, 0.6%

LAB 82.07, -65.13, 46.35

 

CMYK 53 / 68 / 0 / 9

HEX #6C4AE7

RGB 108 74 231

HSL 252.99, 0.77%, 0.6%

LAB 44.02, 53.11, -74.74

 

CMYK 0 / 53 / 68 / 9

HEX #E76C4A

RGB 231 108 74

HSL 12.99, 0.77%, 0.6%

LAB 60.08, 45.38, 41.42

 

CMYK 67 / 0 / 52 / 9

HEX #4CE870

RGB 76 232 112

HSL 133.85, 0.77%, 0.6%

LAB 82.07, -65.13, 46.35

 

CMYK 68 / 28 / 0 / 9

HEX #4AA6E7

RGB 74 166 231

HSL 204.84, 0.77%, 0.6%

LAB 65.36, -6.93, -40.68

 

CMYK 0 / 68 / 15 / 9

HEX #E74AC5

RGB 231 74 197

HSL 312.99, 0.77%, 0.6%

LAB 57.96, 72.3, -32.18

 

CMYK 0 / 40 / 68 / 9

HEX #E78B4A

RGB 231 139 74

HSL 24.84, 0.77%, 0.6%

LAB 66.48, 29.57, 48.7

 

CMYK 67 / 0 / 52 / 9

HEX #4CE870

RGB 76 232 112

HSL 133.85, 0.77%, 0.6%

LAB 82.07, -65.13, 46.35

 

CMYK 68 / 49 / 0 / 9

HEX #4A76E7

RGB 74 118 231

HSL 223.18, 0.77%, 0.6%

LAB 52.04, 21.54, -61.83

 

CMYK 0 / 68 / 15 / 9

HEX #E74AC5

RGB 231 74 197

HSL 312.99, 0.77%, 0.6%

LAB 57.96, 72.3, -32.18

 

CMYK 0 / 19 / 68 / 9

HEX #E7BB4A

RGB 231 187 74

HSL 43.18, 0.77%, 0.6%

LAB 77.89, 4.14, 60.99

 

Description

Color code: HEX #4CE870 | qconv.com Color code: HEX #4CE870 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 76 red, 232 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
76 232 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, none magenta, 52 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 0% 52% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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