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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4A183F it is the complementary color #B5E7C0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4A183F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4A183F shade: #4F183A, #602A4D, #713C60, #824E73 and #936086

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4A183F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4A183F shade: #4A183F, #39062C, #280019, #170006 and #060000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4A183F shade: #49173E, #491730, #491723 and #491717

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4A183F shade: #49173E, #461749, #391749, #2C1749 and #1E1749

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4A183F shade matches the following richer shades: #49173E, #500F42, #580847 and #60004B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4A183F shade: #49173E, #411F39, #392735, #312F31 and #29372C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4A183F shade: #391749, #461749, #49173E, #491731 and #491724

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4A183F shade: #0A0309, #2A0D23, #49173E, #682158 and #872B73

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4A183F shade: #4A183F, #492C17 and #174940

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4A183F shade: #4A183F, #3E4917 and #173E49

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4A183F shade: #4A183F, #492C17, #174922 and #173449

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4A183F shade: #4A183F, #493B17, #174922 and #172549

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 68 / 15 / 71

HEX #4A183F

RGB 74 24 63

HSL 313.2, 0.51%, 0.19%

LAB 17.77, 29.03, -13.23

 

Complementary color

CMYK 22 / 0 / 17 / 9

HEX #B5E7C0

RGB 181 231 192

HSL 133.2, 0.51%, 0.81%

LAB 87.38, -23.59, 13.8

 

CMYK 0 / 70 / 27 / 69

HEX #4F183A

RGB 79 24 58

HSL 322.91, 0.53%, 0.2%

LAB 18.46, 29.84, -8.6

 

CMYK 0 / 56 / 20 / 62

HEX #602A4D

RGB 96 42 77

HSL 321.11, 0.39%, 0.27%

LAB 25.8, 29.33, -10.12

 

CMYK 0 / 47 / 15 / 56

HEX #713C60

RGB 113 60 96

HSL 319.25, 0.31%, 0.34%

LAB 33.11, 28.53, -11.16

 

CMYK 0 / 40 / 12 / 49

HEX #824E73

RGB 130 78 115

HSL 317.31, 0.25%, 0.41%

LAB 40.3, 27.68, -11.95

 

CMYK 0 / 35 / 9 / 42

HEX #936086

RGB 147 96 134

HSL 315.29, 0.21%, 0.48%

LAB 47.35, 26.87, -12.61

 

CMYK 0 / 68 / 15 / 71

HEX #4A183F

RGB 74 24 63

HSL 313.2, 0.51%, 0.19%

LAB 17.77, 29.03, -13.23

 

CMYK 0 / 89 / 23 / 78

HEX #39062C

RGB 57 6 44

HSL 315.29, 0.81%, 0.12%

LAB 10.42, 28.75, -11.25

 

CMYK 0 / 100 / 38 / 84

HEX #280019

RGB 40 0 25

HSL 322.5, 1%, 0.08%

LAB 4.71, 22.11, -5.68

 

CMYK 0 / 100 / 74 / 91

HEX #170006

RGB 23 0 6

HSL 344.35, 1%, 0.05%

LAB 1.76, 8.22, 0.33

 

CMYK 0 / 100 / 100 / 98

HEX #060000

RGB 6 0 0

HSL 0, 1%, 0.01%

LAB 0.35, 1.57, 0.55

 

CMYK 0 / 68 / 15 / 71

HEX #49173E

RGB 73 23 62

HSL 313.2, 0.52%, 0.19%

LAB 17.35, 29.04, -13.19

 

CMYK 0 / 68 / 34 / 71

HEX #491730

RGB 73 23 48

HSL 330, 0.52%, 0.19%

LAB 16.71, 26.72, -4.27

 

CMYK 0 / 68 / 52 / 71

HEX #491723

RGB 73 23 35

HSL 345.6, 0.52%, 0.19%

LAB 16.26, 25.01, 4.4

 

CMYK 0 / 68 / 68 / 71

HEX #491717

RGB 73 23 23

HSL 0, 0.52%, 0.19%

LAB 15.96, 23.85, 12.6

 

CMYK 0 / 68 / 15 / 71

HEX #49173E

RGB 73 23 62

HSL 313.2, 0.52%, 0.19%

LAB 17.35, 29.04, -13.19

 

CMYK 4 / 68 / 0 / 71

HEX #461749

RGB 70 23 73

HSL 296.4, 0.52%, 0.19%

LAB 17.44, 30.28, -20.72

 

CMYK 22 / 68 / 0 / 71

HEX #391749

RGB 57 23 73

HSL 280.8, 0.52%, 0.19%

LAB 15.3, 26.49, -24.26

 

CMYK 40 / 68 / 0 / 71

HEX #2C1749

RGB 44 23 73

HSL 265.2, 0.52%, 0.19%

LAB 13.41, 22.88, -27.4

 

CMYK 59 / 68 / 0 / 71

HEX #1E1749

RGB 30 23 73

HSL 248.4, 0.52%, 0.19%

LAB 11.76, 19.42, -30.15

 

CMYK 0 / 68 / 15 / 71

HEX #49173E

RGB 73 23 62

HSL 313.2, 0.52%, 0.19%

LAB 17.35, 29.04, -13.19

 

CMYK 0 / 81 / 18 / 69

HEX #500F42

RGB 80 15 66

HSL 312.92, 0.68%, 0.19%

LAB 17.65, 35.35, -15.42

 

CMYK 0 / 91 / 19 / 65

HEX #580847

RGB 88 8 71

HSL 312.75, 0.83%, 0.19%

LAB 18.81, 40.34, -16.95

 

CMYK 0 / 100 / 22 / 62

HEX #60004B

RGB 96 0 75

HSL 313.13, 1%, 0.19%

LAB 20.02, 44.85, -17.68

 

CMYK 0 / 68 / 15 / 71

HEX #49173E

RGB 73 23 62

HSL 313.2, 0.52%, 0.19%

LAB 17.35, 29.04, -13.19

 

CMYK 0 / 52 / 12 / 75

HEX #411F39

RGB 65 31 57

HSL 314.12, 0.35%, 0.19%

LAB 17.46, 20.67, -9.65

 

CMYK 0 / 32 / 7 / 78

HEX #392735

RGB 57 39 53

HSL 313.33, 0.19%, 0.19%

LAB 18.27, 11.28, -5.73

 

CMYK 0 / 4 / 0 / 81

HEX #312F31

RGB 49 47 49

HSL 300, 0.02%, 0.19%

LAB 19.67, 1.36, -0.96

 

CMYK 25 / 0 / 20 / 78

HEX #29372C

RGB 41 55 44

HSL 132.86, 0.15%, 0.19%

LAB 21.53, -8.53, 5.03

 

CMYK 22 / 68 / 0 / 71

HEX #391749

RGB 57 23 73

HSL 280.8, 0.52%, 0.19%

LAB 15.3, 26.49, -24.26

 

CMYK 4 / 68 / 0 / 71

HEX #461749

RGB 70 23 73

HSL 296.4, 0.52%, 0.19%

LAB 17.44, 30.28, -20.72

 

CMYK 0 / 68 / 15 / 71

HEX #49173E

RGB 73 23 62

HSL 313.2, 0.52%, 0.19%

LAB 17.35, 29.04, -13.19

 

CMYK 0 / 68 / 33 / 71

HEX #491731

RGB 73 23 49

HSL 328.8, 0.52%, 0.19%

LAB 16.75, 26.87, -4.93

 

CMYK 0 / 68 / 51 / 71

HEX #491724

RGB 73 23 36

HSL 344.4, 0.52%, 0.19%

LAB 16.29, 25.13, 3.73

 

CMYK 0 / 70 / 10 / 96

HEX #0A0309

RGB 10 3 9

HSL 308.57, 0.54%, 0.03%

LAB 1.35, 2.67, -1.63

 

CMYK 0 / 69 / 17 / 84

HEX #2A0D23

RGB 42 13 35

HSL 314.48, 0.53%, 0.11%

LAB 8.14, 18.57, -8.27

 

CMYK 0 / 68 / 15 / 71

HEX #49173E

RGB 73 23 62

HSL 313.2, 0.52%, 0.19%

LAB 17.35, 29.04, -13.19

 

CMYK 0 / 68 / 15 / 59

HEX #682158

RGB 104 33 88

HSL 313.52, 0.52%, 0.27%

LAB 25.97, 38.36, -17.04

 

CMYK 0 / 68 / 15 / 47

HEX #872B73

RGB 135 43 115

HSL 313.04, 0.52%, 0.35%

LAB 34.22, 47.26, -21.21

 

CMYK 0 / 68 / 15 / 71

HEX #4A183F

RGB 74 24 63

HSL 313.2, 0.51%, 0.19%

LAB 17.77, 29.03, -13.23

 

CMYK 0 / 40 / 68 / 71

HEX #492C17

RGB 73 44 23

HSL 25.2, 0.52%, 0.19%

LAB 21.13, 10.97, 18.98

 

CMYK 68 / 0 / 12 / 71

HEX #174940

RGB 23 73 64

HSL 169.2, 0.52%, 0.19%

LAB 27.62, -19.16, 0.46

 

CMYK 0 / 68 / 15 / 71

HEX #4A183F

RGB 74 24 63

HSL 313.2, 0.51%, 0.19%

LAB 17.77, 29.03, -13.23

 

CMYK 15 / 0 / 68 / 71

HEX #3E4917

RGB 62 73 23

HSL 73.2, 0.52%, 0.19%

LAB 29.03, -12.91, 27.64

 

CMYK 68 / 15 / 0 / 71

HEX #173E49

RGB 23 62 73

HSL 193.2, 0.52%, 0.19%

LAB 24.03, -9.77, -10.82

 

CMYK 0 / 68 / 15 / 71

HEX #4A183F

RGB 74 24 63

HSL 313.2, 0.51%, 0.19%

LAB 17.77, 29.03, -13.23

 

CMYK 0 / 40 / 68 / 71

HEX #492C17

RGB 73 44 23

HSL 25.2, 0.52%, 0.19%

LAB 21.13, 10.97, 18.98

 

CMYK 68 / 0 / 53 / 71

HEX #174922

RGB 23 73 34

HSL 133.2, 0.52%, 0.19%

LAB 26.91, -26.52, 18.45

 

CMYK 68 / 29 / 0 / 71

HEX #173449

RGB 23 52 73

HSL 205.2, 0.52%, 0.19%

LAB 20.52, -3.27, -16.23

 

CMYK 0 / 68 / 15 / 71

HEX #4A183F

RGB 74 24 63

HSL 313.2, 0.51%, 0.19%

LAB 17.77, 29.03, -13.23

 

CMYK 0 / 19 / 68 / 71

HEX #493B17

RGB 73 59 23

HSL 43.2, 0.52%, 0.19%

LAB 25.58, 1.2, 24.13

 

CMYK 68 / 0 / 53 / 71

HEX #174922

RGB 23 73 34

HSL 133.2, 0.52%, 0.19%

LAB 26.91, -26.52, 18.45

 

CMYK 68 / 49 / 0 / 71

HEX #172549

RGB 23 37 73

HSL 223.2, 0.52%, 0.19%

LAB 15.42, 7.46, -24.28

 

Description

Color code: HEX #4A183F | qconv.com Color code: HEX #4A183F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 74 red, 24 green and 63 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
74 24 63 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 68 magenta, 15 yellow and 71 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 68% 15% 71% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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