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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4AD52E it is the complementary color #B52AD1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4AD52E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4AD52E shade: #4FD529, #60E73C, #71F94F, #82FF62 and #93FF75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4AD52E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4AD52E shade: #4AD52E, #39C31B, #28B108, #179F00 and #068D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4AD52E shade: #4AD52E, #77D52E, #A4D52E, #D1D52E and #D5AC2E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4AD52E shade: #4AD52E, #2ED53F, #2ED56C, #2ED599 and #2ED5C6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4AD52E shade matches the following richer shades: #4AD52E, #3CE91A and #2FFE05

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4AD52E shade: #4AD52E, #57C142, #65AD56, #72996A and #80847F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4AD52E shade: #A6D52E, #79D52E, #4DD52E, #2ED53C and #2ED568

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4AD52E shade: #31941D, #3CB624, #4AD52E, #68DC50 and #86E373

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4AD52E shade: #4AD52E, #2ED2D5 and #D52E90

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4AD52E shade: #4AD52E, #2E4DD5 and #D52E4D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4AD52E shade: #4AD52E, #2ED2D5, #B72ED5 and #D5312E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4AD52E shade: #4AD52E, #2EA0D5, #B72ED5 and #D5632E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 0 / 78 / 16

HEX #4AD52E

RGB 74 213 46

HSL 109.94, 0.67%, 0.51%

LAB 75.6, -65.7, 65.75

 

Complementary color

CMYK 13 / 80 / 0 / 18

HEX #B52AD1

RGB 181 42 209

HSL 289.94, 0.67%, 0.49%

LAB 47.08, 73.71, -56.8

 

CMYK 63 / 0 / 81 / 16

HEX #4FD529

RGB 79 213 41

HSL 106.74, 0.68%, 0.5%

LAB 75.71, -64.91, 67.31

 

CMYK 58 / 0 / 74 / 9

HEX #60E73C

RGB 96 231 60

HSL 107.37, 0.78%, 0.57%

LAB 81.82, -65.95, 67.6

 

CMYK 55 / 0 / 68 / 2

HEX #71F94F

RGB 113 249 79

HSL 108, 0.93%, 0.64%

LAB 87.89, -66.65, 67.27

 

CMYK 49 / 0 / 62 / 0

HEX #82FF62

RGB 130 255 98

HSL 107.77, 1%, 0.69%

LAB 90.39, -62.71, 62.68

 

CMYK 42 / 0 / 54 / 0

HEX #93FF75

RGB 147 255 117

HSL 106.96, 1%, 0.73%

LAB 91.24, -55.92, 55.64

 

CMYK 65 / 0 / 78 / 16

HEX #4AD52E

RGB 74 213 46

HSL 109.94, 0.67%, 0.51%

LAB 75.6, -65.7, 65.75

 

CMYK 71 / 0 / 86 / 24

HEX #39C31B

RGB 57 195 27

HSL 109.29, 0.76%, 0.44%

LAB 69.45, -64.16, 64.9

 

CMYK 77 / 0 / 95 / 31

HEX #28B108

RGB 40 177 8

HSL 108.64, 0.91%, 0.36%

LAB 63.27, -61.97, 62.69

 

CMYK 86 / 0 / 100 / 38

HEX #179F00

RGB 23 159 0

HSL 111.32, 1%, 0.31%

LAB 57.05, -58.93, 58.65

 

CMYK 96 / 0 / 100 / 45

HEX #068D00

RGB 6 141 0

HSL 117.45, 1%, 0.28%

LAB 50.79, -55.04, 53.57

 

CMYK 65 / 0 / 78 / 16

HEX #4AD52E

RGB 74 213 46

HSL 109.94, 0.67%, 0.51%

LAB 75.6, -65.7, 65.75

 

CMYK 44 / 0 / 78 / 16

HEX #77D52E

RGB 119 213 46

HSL 93.77, 0.67%, 0.51%

LAB 77.11, -53.86, 67.71

 

CMYK 23 / 0 / 78 / 16

HEX #A4D52E

RGB 164 213 46

HSL 77.6, 0.67%, 0.51%

LAB 79.43, -37.91, 70.7

 

CMYK 2 / 0 / 78 / 16

HEX #D1D52E

RGB 209 213 46

HSL 61.44, 0.67%, 0.51%

LAB 82.56, -19.65, 74.69

 

CMYK 0 / 19 / 78 / 16

HEX #D5AC2E

RGB 213 172 46

HSL 45.27, 0.67%, 0.51%

LAB 72.13, 3.04, 65.48

 

CMYK 65 / 0 / 78 / 16

HEX #4AD52E

RGB 74 213 46

HSL 109.94, 0.67%, 0.51%

LAB 75.6, -65.7, 65.75

 

CMYK 78 / 0 / 70 / 16

HEX #2ED53F

RGB 46 213 63

HSL 126.11, 0.67%, 0.51%

LAB 75.16, -69.1, 59.43

 

CMYK 78 / 0 / 49 / 16

HEX #2ED56C

RGB 46 213 108

HSL 142.28, 0.67%, 0.51%

LAB 75.61, -63.65, 40.16

 

CMYK 78 / 0 / 28 / 16

HEX #2ED599

RGB 46 213 153

HSL 158.44, 0.67%, 0.51%

LAB 76.36, -55.14, 18.1

 

CMYK 78 / 0 / 7 / 16

HEX #2ED5C6

RGB 46 213 198

HSL 174.61, 0.67%, 0.51%

LAB 77.43, -43.94, -4.38

 

CMYK 65 / 0 / 78 / 16

HEX #4AD52E

RGB 74 213 46

HSL 109.94, 0.67%, 0.51%

LAB 75.6, -65.7, 65.75

 

CMYK 74 / 0 / 89 / 9

HEX #3CE91A

RGB 60 233 26

HSL 110.14, 0.82%, 0.51%

LAB 81.46, -75.23, 75.51

 

CMYK 81 / 0 / 98 / 0

HEX #2FFE05

RGB 47 254 5

HSL 109.88, 0.99%, 0.51%

LAB 87.73, -83.2, 82.92

 

CMYK 65 / 0 / 78 / 16

HEX #4AD52E

RGB 74 213 46

HSL 109.94, 0.67%, 0.51%

LAB 75.6, -65.7, 65.75

 

CMYK 55 / 0 / 66 / 24

HEX #57C142

RGB 87 193 66

HSL 110.08, 0.51%, 0.51%

LAB 69.87, -54.15, 52.91

 

CMYK 42 / 0 / 50 / 32

HEX #65AD56

RGB 101 173 86

HSL 109.66, 0.35%, 0.51%

LAB 64.42, -39.71, 37.53

 

CMYK 25 / 0 / 31 / 40

HEX #72996A

RGB 114 153 106

HSL 109.79, 0.19%, 0.51%

LAB 59.34, -22.81, 20.5

 

CMYK 3 / 0 / 4 / 48

HEX #80847F

RGB 128 132 127

HSL 108, 0.02%, 0.51%

LAB 54.68, -2.47, 2.17

 

CMYK 22 / 0 / 78 / 16

HEX #A6D52E

RGB 166 213 46

HSL 76.89, 0.67%, 0.51%

LAB 79.55, -37.13, 70.86

 

CMYK 43 / 0 / 78 / 16

HEX #79D52E

RGB 121 213 46

HSL 93.05, 0.67%, 0.51%

LAB 77.19, -53.23, 67.82

 

CMYK 64 / 0 / 78 / 16

HEX #4DD52E

RGB 77 213 46

HSL 108.86, 0.67%, 0.51%

LAB 75.68, -65.07, 65.85

 

CMYK 78 / 0 / 72 / 16

HEX #2ED53C

RGB 46 213 60

HSL 125.03, 0.67%, 0.51%

LAB 75.14, -69.35, 60.5

 

CMYK 78 / 0 / 51 / 16

HEX #2ED568

RGB 46 213 104

HSL 140.84, 0.67%, 0.51%

LAB 75.56, -64.26, 42.04

 

CMYK 67 / 0 / 80 / 42

HEX #31941D

RGB 49 148 29

HSL 109.92, 0.67%, 0.35%

LAB 53.94, -50.1, 50.15

 

CMYK 67 / 0 / 80 / 29

HEX #3CB624

RGB 60 182 36

HSL 110.14, 0.67%, 0.43%

LAB 65.39, -58.94, 58.93

 

CMYK 65 / 0 / 78 / 16

HEX #4AD52E

RGB 74 213 46

HSL 109.94, 0.67%, 0.51%

LAB 75.6, -65.7, 65.75

 

CMYK 53 / 0 / 64 / 14

HEX #68DC50

RGB 104 220 80

HSL 109.71, 0.67%, 0.59%

LAB 78.87, -58.4, 57.11

 

CMYK 41 / 0 / 49 / 11

HEX #86E373

RGB 134 227 115

HSL 109.82, 0.67%, 0.67%

LAB 82.51, -48.69, 45.91

 

CMYK 65 / 0 / 78 / 16

HEX #4AD52E

RGB 74 213 46

HSL 109.94, 0.67%, 0.51%

LAB 75.6, -65.7, 65.75

 

CMYK 78 / 1 / 0 / 16

HEX #2ED2D5

RGB 46 210 213

HSL 181.08, 0.67%, 0.51%

LAB 76.97, -38.35, -13.13

 

CMYK 0 / 78 / 32 / 16

HEX #D52E90

RGB 213 46 144

HSL 324.79, 0.67%, 0.51%

LAB 49.63, 70.11, -14.2

 

CMYK 65 / 0 / 78 / 16

HEX #4AD52E

RGB 74 213 46

HSL 109.94, 0.67%, 0.51%

LAB 75.6, -65.7, 65.75

 

CMYK 78 / 64 / 0 / 16

HEX #2E4DD5

RGB 46 77 213

HSL 228.86, 0.67%, 0.51%

LAB 39.06, 37.55, -72.77

 

CMYK 0 / 78 / 64 / 16

HEX #D52E4D

RGB 213 46 77

HSL 348.86, 0.67%, 0.51%

LAB 47.8, 64.52, 23.97

 

CMYK 65 / 0 / 78 / 16

HEX #4AD52E

RGB 74 213 46

HSL 109.94, 0.67%, 0.51%

LAB 75.6, -65.7, 65.75

 

CMYK 78 / 1 / 0 / 16

HEX #2ED2D5

RGB 46 210 213

HSL 181.08, 0.67%, 0.51%

LAB 76.97, -38.35, -13.13

 

CMYK 14 / 78 / 0 / 16

HEX #B72ED5

RGB 183 46 213

HSL 289.22, 0.67%, 0.51%

LAB 48.04, 73.66, -57.54

 

CMYK 0 / 77 / 78 / 16

HEX #D5312E

RGB 213 49 46

HSL 1.08, 0.67%, 0.51%

LAB 47.68, 62.27, 41.96

 

CMYK 65 / 0 / 78 / 16

HEX #4AD52E

RGB 74 213 46

HSL 109.94, 0.67%, 0.51%

LAB 75.6, -65.7, 65.75

 

CMYK 78 / 25 / 0 / 16

HEX #2EA0D5

RGB 46 160 213

HSL 199.04, 0.67%, 0.51%

LAB 62.11, -13.31, -35.86

 

CMYK 14 / 78 / 0 / 16

HEX #B72ED5

RGB 183 46 213

HSL 289.22, 0.67%, 0.51%

LAB 48.04, 73.66, -57.54

 

CMYK 0 / 54 / 78 / 16

HEX #D5632E

RGB 213 99 46

HSL 19.04, 0.67%, 0.51%

LAB 55.35, 41.74, 49.67

 

Description

Color code: HEX #4AD52E | qconv.com Color code: HEX #4AD52E | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 74 red, 213 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
74 213 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, none magenta, 78 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 0% 78% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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