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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D5AC2E it is the complementary color #2A53D1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D5AC2E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D5AC2E shade: #DAAC29, #EBBE3C, #FCD04F, #FFE262 and #FFF475

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D5AC2E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D5AC2E shade: #D5AC2E, #C49A1B, #B38808, #A27600 and #916400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D5AC2E shade: #D5AC2E, #D57F2E, #D5522E and #D52E2E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D5AC2E shade: #D5AC2E, #D1D52E, #A4D52E, #77D52E and #4AD52E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D5AC2E shade matches the following richer shades: #D5AC2E, #E9B61A and #FEC105

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D5AC2E shade: #D5AC2E, #C1A242, #AD9856, #998D6A and #84837F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D5AC2E shade: #D5522E, #D57F2E, #D5AB2E, #D2D52E and #A6D52E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D5AC2E shade: #94771D, #B69224, #D5AC2E, #DCBA50 and #E3C773

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D5AC2E shade: #D5AC2E, #36D52E and #682ED5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D5AC2E shade: #D5AC2E, #2ED5AB and #AB2ED5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D5AC2E shade: #D5AC2E, #36D52E, #2E58D5 and #CD2ED5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D5AC2E shade: #D5AC2E, #2ED558, #2E58D5 and #D52EAB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 78 / 16

HEX #D5AC2E

RGB 213 172 46

HSL 45.27, 0.67%, 0.51%

LAB 72.13, 3.04, 65.48

 

Complementary color

CMYK 80 / 60 / 0 / 18

HEX #2A53D1

RGB 42 83 209

HSL 225.27, 0.67%, 0.49%

LAB 40.05, 31.9, -68.84

 

CMYK 0 / 21 / 81 / 15

HEX #DAAC29

RGB 218 172 41

HSL 44.41, 0.71%, 0.51%

LAB 72.61, 5.05, 67.71

 

CMYK 0 / 19 / 74 / 8

HEX #EBBE3C

RGB 235 190 60

HSL 44.57, 0.81%, 0.58%

LAB 78.93, 3.61, 67.7

 

CMYK 0 / 17 / 69 / 1

HEX #FCD04F

RGB 252 208 79

HSL 44.74, 0.97%, 0.65%

LAB 85.19, 2.36, 67.13

 

CMYK 0 / 11 / 62 / 0

HEX #FFE262

RGB 255 226 98

HSL 48.92, 1%, 0.69%

LAB 90.11, -4.45, 64.52

 

CMYK 0 / 4 / 54 / 0

HEX #FFF475

RGB 255 244 117

HSL 55.22, 1%, 0.73%

LAB 94.84, -12.06, 61.51

 

CMYK 0 / 19 / 78 / 16

HEX #D5AC2E

RGB 213 172 46

HSL 45.27, 0.67%, 0.51%

LAB 72.13, 3.04, 65.48

 

CMYK 0 / 21 / 86 / 23

HEX #C49A1B

RGB 196 154 27

HSL 45.09, 0.76%, 0.44%

LAB 65.69, 4.61, 64.91

 

CMYK 0 / 24 / 96 / 30

HEX #B38808

RGB 179 136 8

HSL 44.91, 0.91%, 0.37%

LAB 59.17, 6.45, 62.92

 

CMYK 0 / 27 / 100 / 36

HEX #A27600

RGB 162 118 0

HSL 43.7, 1%, 0.32%

LAB 52.55, 8.6, 58.76

 

CMYK 0 / 31 / 100 / 43

HEX #916400

RGB 145 100 0

HSL 41.38, 1%, 0.28%

LAB 45.82, 10.96, 53.24

 

CMYK 0 / 19 / 78 / 16

HEX #D5AC2E

RGB 213 172 46

HSL 45.27, 0.67%, 0.51%

LAB 72.13, 3.04, 65.48

 

CMYK 0 / 40 / 78 / 16

HEX #D57F2E

RGB 213 127 46

HSL 29.1, 0.67%, 0.51%

LAB 61.24, 27.23, 55.37

 

CMYK 0 / 62 / 78 / 16

HEX #D5522E

RGB 213 82 46

HSL 12.93, 0.67%, 0.51%

LAB 52.26, 49.76, 46.62

 

CMYK 0 / 78 / 78 / 16

HEX #D52E2E

RGB 213 46 46

HSL 0, 0.67%, 0.51%

LAB 47.36, 63.15, 41.63

 

CMYK 0 / 19 / 78 / 16

HEX #D5AC2E

RGB 213 172 46

HSL 45.27, 0.67%, 0.51%

LAB 72.13, 3.04, 65.48

 

CMYK 2 / 0 / 78 / 16

HEX #D1D52E

RGB 209 213 46

HSL 61.44, 0.67%, 0.51%

LAB 82.56, -19.65, 74.69

 

CMYK 23 / 0 / 78 / 16

HEX #A4D52E

RGB 164 213 46

HSL 77.6, 0.67%, 0.51%

LAB 79.43, -37.91, 70.7

 

CMYK 44 / 0 / 78 / 16

HEX #77D52E

RGB 119 213 46

HSL 93.77, 0.67%, 0.51%

LAB 77.11, -53.86, 67.71

 

CMYK 65 / 0 / 78 / 16

HEX #4AD52E

RGB 74 213 46

HSL 109.94, 0.67%, 0.51%

LAB 75.6, -65.7, 65.75

 

CMYK 0 / 19 / 78 / 16

HEX #D5AC2E

RGB 213 172 46

HSL 45.27, 0.67%, 0.51%

LAB 72.13, 3.04, 65.48

 

CMYK 0 / 22 / 89 / 9

HEX #E9B61A

RGB 233 182 26

HSL 45.22, 0.82%, 0.51%

LAB 76.59, 5.92, 75.42

 

CMYK 0 / 24 / 98 / 0

HEX #FEC105

RGB 254 193 5

HSL 45.3, 0.99%, 0.51%

LAB 81.41, 8.96, 82.77

 

CMYK 0 / 19 / 78 / 16

HEX #D5AC2E

RGB 213 172 46

HSL 45.27, 0.67%, 0.51%

LAB 72.13, 3.04, 65.48

 

CMYK 0 / 16 / 66 / 24

HEX #C1A242

RGB 193 162 66

HSL 45.35, 0.51%, 0.51%

LAB 67.7, 0.62, 52.56

 

CMYK 0 / 12 / 50 / 32

HEX #AD9856

RGB 173 152 86

HSL 45.52, 0.35%, 0.51%

LAB 63.35, -1.07, 37.35

 

CMYK 0 / 8 / 31 / 40

HEX #998D6A

RGB 153 141 106

HSL 44.68, 0.19%, 0.51%

LAB 58.85, -1.14, 20.33

 

CMYK 0 / 1 / 4 / 48

HEX #84837F

RGB 132 131 127

HSL 48, 0.02%, 0.51%

LAB 54.73, -0.4, 2.28

 

CMYK 0 / 62 / 78 / 16

HEX #D5522E

RGB 213 82 46

HSL 12.93, 0.67%, 0.51%

LAB 52.26, 49.76, 46.62

 

CMYK 0 / 40 / 78 / 16

HEX #D57F2E

RGB 213 127 46

HSL 29.1, 0.67%, 0.51%

LAB 61.24, 27.23, 55.37

 

CMYK 0 / 20 / 78 / 16

HEX #D5AB2E

RGB 213 171 46

HSL 44.91, 0.67%, 0.51%

LAB 71.87, 3.57, 65.25

 

CMYK 1 / 0 / 78 / 16

HEX #D2D52E

RGB 210 213 46

HSL 61.08, 0.67%, 0.51%

LAB 82.64, -19.23, 74.79

 

CMYK 22 / 0 / 78 / 16

HEX #A6D52E

RGB 166 213 46

HSL 76.89, 0.67%, 0.51%

LAB 79.55, -37.13, 70.86

 

CMYK 0 / 20 / 80 / 42

HEX #94771D

RGB 148 119 29

HSL 45.38, 0.67%, 0.35%

LAB 51.36, 2.18, 49.99

 

CMYK 0 / 20 / 80 / 29

HEX #B69224

RGB 182 146 36

HSL 45.21, 0.67%, 0.43%

LAB 62.19, 2.97, 58.68

 

CMYK 0 / 19 / 78 / 16

HEX #D5AC2E

RGB 213 172 46

HSL 45.27, 0.67%, 0.51%

LAB 72.13, 3.04, 65.48

 

CMYK 0 / 15 / 64 / 14

HEX #DCBA50

RGB 220 186 80

HSL 45.43, 0.67%, 0.59%

LAB 76.63, 0.36, 56.73

 

CMYK 0 / 12 / 49 / 11

HEX #E3C773

RGB 227 199 115

HSL 45, 0.67%, 0.67%

LAB 80.97, -0.82, 45.4

 

CMYK 0 / 19 / 78 / 16

HEX #D5AC2E

RGB 213 172 46

HSL 45.27, 0.67%, 0.51%

LAB 72.13, 3.04, 65.48

 

CMYK 75 / 0 / 78 / 16

HEX #36D52E

RGB 54 213 46

HSL 117.13, 0.67%, 0.51%

LAB 75.18, -69.25, 65.21

 

CMYK 51 / 78 / 0 / 16

HEX #682ED5

RGB 104 46 213

HSL 260.84, 0.67%, 0.51%

LAB 37.3, 61.04, -75.49

 

CMYK 0 / 19 / 78 / 16

HEX #D5AC2E

RGB 213 172 46

HSL 45.27, 0.67%, 0.51%

LAB 72.13, 3.04, 65.48

 

CMYK 78 / 0 / 20 / 16

HEX #2ED5AB

RGB 46 213 171

HSL 164.91, 0.67%, 0.51%

LAB 76.75, -50.95, 9.09

 

CMYK 20 / 78 / 0 / 16

HEX #AB2ED5

RGB 171 46 213

HSL 284.91, 0.67%, 0.51%

LAB 46.2, 71.51, -60.61

 

CMYK 0 / 19 / 78 / 16

HEX #D5AC2E

RGB 213 172 46

HSL 45.27, 0.67%, 0.51%

LAB 72.13, 3.04, 65.48

 

CMYK 75 / 0 / 78 / 16

HEX #36D52E

RGB 54 213 46

HSL 117.13, 0.67%, 0.51%

LAB 75.18, -69.25, 65.21

 

CMYK 78 / 59 / 0 / 16

HEX #2E58D5

RGB 46 88 213

HSL 224.91, 0.67%, 0.51%

LAB 41.79, 30.54, -68.3

 

CMYK 4 / 78 / 0 / 16

HEX #CD2ED5

RGB 205 46 213

HSL 297.13, 0.67%, 0.51%

LAB 51.54, 77.76, -51.74

 

CMYK 0 / 19 / 78 / 16

HEX #D5AC2E

RGB 213 172 46

HSL 45.27, 0.67%, 0.51%

LAB 72.13, 3.04, 65.48

 

CMYK 78 / 0 / 59 / 16

HEX #2ED558

RGB 46 213 88

HSL 135.09, 0.67%, 0.51%

LAB 75.37, -66.46, 49.3

 

CMYK 78 / 59 / 0 / 16

HEX #2E58D5

RGB 46 88 213

HSL 224.91, 0.67%, 0.51%

LAB 41.79, 30.54, -68.3

 

CMYK 0 / 78 / 20 / 16

HEX #D52EAB

RGB 213 46 171

HSL 315.09, 0.67%, 0.51%

LAB 50.73, 73.34, -28.56

 

Description

Color code: HEX #D5AC2E | qconv.com Color code: HEX #D5AC2E | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 172 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 172 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 78 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 78% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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