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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4AE22C it is the complementary color #B51DD3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4AE22C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4AE22C shade: #4FE227, #60F43A, #71FF4D, #82FF60 and #93FF73

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4AE22C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4AE22C shade: #4AE22C, #39D019, #28BE06, #17AC00 and #069A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4AE22C shade: #4AE22C, #7BE22C, #ACE22C, #DDE22C and #E2B52C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4AE22C shade: #4AE22C, #2CE23F, #2CE270, #2CE2A1 and #2CE2D2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4AE22C shade matches the following richer shades: #4AE22C and #3DF518

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4AE22C shade: #4AE22C, #57CE3F, #64BB52, #71A866 and #7E9479

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4AE22C shade: #ABE22C, #7BE22C, #4AE22C, #2CE23E and #2CE26E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4AE22C shade: #2EA516, #38C91B, #4AE22C, #69E750 and #88EC74

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4AE22C shade: #4AE22C, #2CDCE2 and #E22C93

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4AE22C shade: #4AE22C, #2C4AE2 and #E22C4A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4AE22C shade: #4AE22C, #2CDCE2, #C32CE2 and #E2322C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4AE22C shade: #4AE22C, #2CA5E2, #C32CE2 and #E2682C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 0 / 81 / 11

HEX #4AE22C

RGB 74 226 44

HSL 110.11, 0.76%, 0.53%

LAB 79.63, -69.98, 70.09

 

Complementary color

CMYK 14 / 86 / 0 / 17

HEX #B51DD3

RGB 181 29 211

HSL 290.11, 0.76%, 0.47%

LAB 46.18, 77.07, -59.4

 

CMYK 65 / 0 / 83 / 11

HEX #4FE227

RGB 79 226 39

HSL 107.17, 0.76%, 0.52%

LAB 79.73, -69.24, 71.49

 

CMYK 61 / 0 / 76 / 4

HEX #60F43A

RGB 96 244 58

HSL 107.74, 0.89%, 0.59%

LAB 85.75, -70.45, 72.07

 

CMYK 56 / 0 / 70 / 0

HEX #71FF4D

RGB 113 255 77

HSL 107.87, 1%, 0.65%

LAB 89.66, -68.9, 69.84

 

CMYK 49 / 0 / 62 / 0

HEX #82FF60

RGB 130 255 96

HSL 107.17, 1%, 0.69%

LAB 90.37, -62.9, 63.49

 

CMYK 42 / 0 / 55 / 0

HEX #93FF73

RGB 147 255 115

HSL 106.29, 1%, 0.73%

LAB 91.22, -56.14, 56.5

 

CMYK 67 / 0 / 81 / 11

HEX #4AE22C

RGB 74 226 44

HSL 110.11, 0.76%, 0.53%

LAB 79.63, -69.98, 70.09

 

CMYK 73 / 0 / 88 / 18

HEX #39D019

RGB 57 208 25

HSL 109.51, 0.79%, 0.46%

LAB 73.58, -68.26, 68.9

 

CMYK 79 / 0 / 97 / 25

HEX #28BE06

RGB 40 190 6

HSL 108.91, 0.94%, 0.38%

LAB 67.49, -65.9, 66.39

 

CMYK 87 / 0 / 100 / 33

HEX #17AC00

RGB 23 172 0

HSL 111.98, 1%, 0.34%

LAB 61.38, -62.71, 62.12

 

CMYK 96 / 0 / 100 / 40

HEX #069A00

RGB 6 154 0

HSL 117.66, 1%, 0.3%

LAB 55.23, -58.78, 57.13

 

CMYK 67 / 0 / 81 / 11

HEX #4AE22C

RGB 74 226 44

HSL 110.11, 0.76%, 0.53%

LAB 79.63, -69.98, 70.09

 

CMYK 46 / 0 / 81 / 11

HEX #7BE22C

RGB 123 226 44

HSL 93.96, 0.76%, 0.53%

LAB 81.17, -57.69, 72.07

 

CMYK 24 / 0 / 81 / 11

HEX #ACE22C

RGB 172 226 44

HSL 77.8, 0.76%, 0.53%

LAB 83.62, -40.69, 75.2

 

CMYK 2 / 0 / 81 / 11

HEX #DDE22C

RGB 221 226 44

HSL 61.65, 0.76%, 0.53%

LAB 86.97, -21.04, 79.42

 

CMYK 0 / 20 / 81 / 11

HEX #E2B52C

RGB 226 181 44

HSL 45.16, 0.76%, 0.53%

LAB 75.7, 3.87, 69.8

 

CMYK 67 / 0 / 81 / 11

HEX #4AE22C

RGB 74 226 44

HSL 110.11, 0.76%, 0.53%

LAB 79.63, -69.98, 70.09

 

CMYK 81 / 0 / 72 / 11

HEX #2CE23F

RGB 44 226 63

HSL 126.26, 0.76%, 0.53%

LAB 79.21, -73.25, 63.59

 

CMYK 81 / 0 / 50 / 11

HEX #2CE270

RGB 44 226 112

HSL 142.42, 0.76%, 0.53%

LAB 79.67, -67.61, 43.28

 

CMYK 81 / 0 / 29 / 11

HEX #2CE2A1

RGB 44 226 161

HSL 158.57, 0.76%, 0.53%

LAB 80.46, -58.53, 19.59

 

CMYK 81 / 0 / 7 / 11

HEX #2CE2D2

RGB 44 226 210

HSL 174.73, 0.76%, 0.53%

LAB 81.61, -46.45, -4.63

 

CMYK 67 / 0 / 81 / 11

HEX #4AE22C

RGB 74 226 44

HSL 110.11, 0.76%, 0.53%

LAB 79.63, -69.98, 70.09

 

CMYK 75 / 0 / 90 / 4

HEX #3DF518

RGB 61 245 24

HSL 109.95, 0.92%, 0.53%

LAB 85.18, -78.63, 78.98

 

CMYK 67 / 0 / 81 / 11

HEX #4AE22C

RGB 74 226 44

HSL 110.11, 0.76%, 0.53%

LAB 79.63, -69.98, 70.09

 

CMYK 58 / 0 / 69 / 19

HEX #57CE3F

RGB 87 206 63

HSL 109.93, 0.59%, 0.53%

LAB 73.89, -59.17, 58.39

 

CMYK 47 / 0 / 56 / 27

HEX #64BB52

RGB 100 187 82

HSL 109.71, 0.44%, 0.53%

LAB 68.65, -46.45, 44.55

 

CMYK 33 / 0 / 39 / 34

HEX #71A866

RGB 113 168 102

HSL 110, 0.28%, 0.53%

LAB 63.73, -31.15, 28.49

 

CMYK 15 / 0 / 18 / 42

HEX #7E9479

RGB 126 148 121

HSL 108.89, 0.11%, 0.53%

LAB 58.97, -13.18, 11.71

 

CMYK 24 / 0 / 81 / 11

HEX #ABE22C

RGB 171 226 44

HSL 78.13, 0.76%, 0.53%

LAB 83.56, -41.07, 75.12

 

CMYK 46 / 0 / 81 / 11

HEX #7BE22C

RGB 123 226 44

HSL 93.96, 0.76%, 0.53%

LAB 81.17, -57.69, 72.07

 

CMYK 67 / 0 / 81 / 11

HEX #4AE22C

RGB 74 226 44

HSL 110.11, 0.76%, 0.53%

LAB 79.63, -69.98, 70.09

 

CMYK 81 / 0 / 73 / 11

HEX #2CE23E

RGB 44 226 62

HSL 125.93, 0.76%, 0.53%

LAB 79.2, -73.33, 63.94

 

CMYK 81 / 0 / 51 / 11

HEX #2CE26E

RGB 44 226 110

HSL 141.76, 0.76%, 0.53%

LAB 79.64, -67.9, 44.2

 

CMYK 72 / 0 / 87 / 35

HEX #2EA516

RGB 46 165 22

HSL 109.93, 0.76%, 0.37%

LAB 59.48, -56.79, 57.11

 

CMYK 72 / 0 / 87 / 21

HEX #38C91B

RGB 56 201 27

HSL 110, 0.76%, 0.45%

LAB 71.35, -66.21, 66.55

 

CMYK 67 / 0 / 81 / 11

HEX #4AE22C

RGB 74 226 44

HSL 110.11, 0.76%, 0.53%

LAB 79.63, -69.98, 70.09

 

CMYK 55 / 0 / 65 / 9

HEX #69E750

RGB 105 231 80

HSL 110.07, 0.76%, 0.61%

LAB 82.24, -62.17, 60.79

 

CMYK 42 / 0 / 51 / 7

HEX #88EC74

RGB 136 236 116

HSL 110, 0.76%, 0.69%

LAB 85.24, -51.66, 48.79

 

CMYK 67 / 0 / 81 / 11

HEX #4AE22C

RGB 74 226 44

HSL 110.11, 0.76%, 0.53%

LAB 79.63, -69.98, 70.09

 

CMYK 81 / 3 / 0 / 11

HEX #2CDCE2

RGB 44 220 226

HSL 181.98, 0.76%, 0.53%

LAB 80.3, -39.27, -15.09

 

CMYK 0 / 81 / 35 / 11

HEX #E22C93

RGB 226 44 147

HSL 326.04, 0.76%, 0.53%

LAB 51.92, 74.05, -12.31

 

CMYK 67 / 0 / 81 / 11

HEX #4AE22C

RGB 74 226 44

HSL 110.11, 0.76%, 0.53%

LAB 79.63, -69.98, 70.09

 

CMYK 81 / 67 / 0 / 11

HEX #2C4AE2

RGB 44 74 226

HSL 230.11, 0.76%, 0.53%

LAB 39.45, 43.88, -79.56

 

CMYK 0 / 81 / 67 / 11

HEX #E22C4A

RGB 226 44 74

HSL 350.11, 0.76%, 0.53%

LAB 50.05, 68.47, 29.16

 

CMYK 67 / 0 / 81 / 11

HEX #4AE22C

RGB 74 226 44

HSL 110.11, 0.76%, 0.53%

LAB 79.63, -69.98, 70.09

 

CMYK 81 / 3 / 0 / 11

HEX #2CDCE2

RGB 44 220 226

HSL 181.98, 0.76%, 0.53%

LAB 80.3, -39.27, -15.09

 

CMYK 14 / 81 / 0 / 11

HEX #C32CE2

RGB 195 44 226

HSL 289.78, 0.76%, 0.53%

LAB 50.56, 78.61, -60.79

 

CMYK 0 / 78 / 81 / 11

HEX #E2322C

RGB 226 50 44

HSL 1.98, 0.76%, 0.53%

LAB 50.25, 65.7, 46.43

 

CMYK 67 / 0 / 81 / 11

HEX #4AE22C

RGB 74 226 44

HSL 110.11, 0.76%, 0.53%

LAB 79.63, -69.98, 70.09

 

CMYK 81 / 27 / 0 / 11

HEX #2CA5E2

RGB 44 165 226

HSL 200.11, 0.76%, 0.53%

LAB 64.11, -11.73, -39.93

 

CMYK 14 / 81 / 0 / 11

HEX #C32CE2

RGB 195 44 226

HSL 289.78, 0.76%, 0.53%

LAB 50.56, 78.61, -60.79

 

CMYK 0 / 54 / 81 / 11

HEX #E2682C

RGB 226 104 44

HSL 19.78, 0.76%, 0.53%

LAB 58.27, 44.17, 54.07

 

Description

Color code: HEX #4AE22C | qconv.com Color code: HEX #4AE22C | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 74 red, 226 green and 44 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
74 226 44 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, none magenta, 81 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 0% 81% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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