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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #38C91B it is the complementary color #C736E4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #38C91B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #38C91B shade: #3DC916, #4EDB29, #5FED3C, #70FF4F and #81FF62

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #38C91B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #38C91B shade: #38C91B, #27B708, #16A500, #059300 and #008100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #38C91B shade: #38C91B, #67C91B, #96C91B, #C5C91B and #C99F1B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #38C91B shade: #38C91B, #1BC92D, #1BC95C, #1BC98B and #1BC9BA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #38C91B shade matches the following richer shades: #38C91B and #2CDC08

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #38C91B shade: #38C91B, #44B72E, #51A440, #5D9253 and #6A7F65

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #38C91B shade: #95C91B, #67C91B, #38C91B, #1BC92C and #1BC95B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #38C91B shade: #248111, #2EA516, #38C91B, #4AE22C and #69E750

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #38C91B shade: #38C91B, #1BC4C9 and #C91B7E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #38C91B shade: #38C91B, #1B38C9 and #C91B38

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #38C91B shade: #38C91B, #1BC4C9, #AC1BC9 and #C9211B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #38C91B shade: #38C91B, #1B8FC9, #AC1BC9 and #C9551B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 0 / 87 / 21

HEX #38C91B

RGB 56 201 27

HSL 110, 0.76%, 0.45%

LAB 71.35, -66.21, 66.55

 

Complementary color

CMYK 13 / 76 / 0 / 11

HEX #C736E4

RGB 199 54 228

HSL 290, 0.76%, 0.55%

LAB 52.27, 76.9, -59.15

 

CMYK 70 / 0 / 89 / 21

HEX #3DC916

RGB 61 201 22

HSL 106.93, 0.8%, 0.44%

LAB 71.43, -65.5, 67.63

 

CMYK 64 / 0 / 81 / 14

HEX #4EDB29

RGB 78 219 41

HSL 107.53, 0.71%, 0.51%

LAB 77.54, -67.09, 69

 

CMYK 60 / 0 / 75 / 7

HEX #5FED3C

RGB 95 237 60

HSL 108.14, 0.83%, 0.58%

LAB 83.61, -68.22, 69.36

 

CMYK 56 / 0 / 69 / 0

HEX #70FF4F

RGB 112 255 79

HSL 108.75, 1%, 0.65%

LAB 89.64, -68.99, 69.09

 

CMYK 49 / 0 / 62 / 0

HEX #81FF62

RGB 129 255 98

HSL 108.15, 1%, 0.69%

LAB 90.35, -62.98, 62.63

 

CMYK 72 / 0 / 87 / 21

HEX #38C91B

RGB 56 201 27

HSL 110, 0.76%, 0.45%

LAB 71.35, -66.21, 66.55

 

CMYK 79 / 0 / 96 / 28

HEX #27B708

RGB 39 183 8

HSL 109.37, 0.92%, 0.37%

LAB 65.21, -63.91, 64.28

 

CMYK 87 / 0 / 100 / 35

HEX #16A500

RGB 22 165 0

HSL 112, 1%, 0.32%

LAB 59.05, -60.78, 60.24

 

CMYK 97 / 0 / 100 / 42

HEX #059300

RGB 5 147 0

HSL 117.96, 1%, 0.29%

LAB 52.84, -56.84, 55.21

 

CMYK 100 / 0 / 100 / 49

HEX #008100

RGB 0 129 0

HSL 120, 1%, 0.25%

LAB 46.58, -51.99, 50.18

 

CMYK 72 / 0 / 87 / 21

HEX #38C91B

RGB 56 201 27

HSL 110, 0.76%, 0.45%

LAB 71.35, -66.21, 66.55

 

CMYK 49 / 0 / 87 / 21

HEX #67C91B

RGB 103 201 27

HSL 93.79, 0.76%, 0.45%

LAB 72.72, -55.03, 68.28

 

CMYK 25 / 0 / 87 / 21

HEX #96C91B

RGB 150 201 27

HSL 77.59, 0.76%, 0.45%

LAB 75.04, -38.64, 71.17

 

CMYK 2 / 0 / 87 / 21

HEX #C5C91B

RGB 197 201 27

HSL 61.38, 0.76%, 0.45%

LAB 78.3, -19.35, 75.2

 

CMYK 0 / 21 / 87 / 21

HEX #C99F1B

RGB 201 159 27

HSL 45.52, 0.76%, 0.45%

LAB 67.5, 4.14, 66.6

 

CMYK 72 / 0 / 87 / 21

HEX #38C91B

RGB 56 201 27

HSL 110, 0.76%, 0.45%

LAB 71.35, -66.21, 66.55

 

CMYK 87 / 0 / 78 / 21

HEX #1BC92D

RGB 27 201 45

HSL 126.21, 0.76%, 0.45%

LAB 71.01, -68.9, 61.37

 

CMYK 87 / 0 / 54 / 21

HEX #1BC95C

RGB 27 201 92

HSL 142.41, 0.76%, 0.45%

LAB 71.4, -63.95, 42.68

 

CMYK 87 / 0 / 31 / 21

HEX #1BC98B

RGB 27 201 139

HSL 158.62, 0.76%, 0.45%

LAB 72.14, -55.35, 19.66

 

CMYK 87 / 0 / 7 / 21

HEX #1BC9BA

RGB 27 201 186

HSL 174.83, 0.76%, 0.45%

LAB 73.25, -43.52, -4.09

 

CMYK 72 / 0 / 87 / 21

HEX #38C91B

RGB 56 201 27

HSL 110, 0.76%, 0.45%

LAB 71.35, -66.21, 66.55

 

CMYK 80 / 0 / 96 / 14

HEX #2CDC08

RGB 44 220 8

HSL 109.81, 0.93%, 0.45%

LAB 77.12, -74.04, 74.05

 

CMYK 72 / 0 / 87 / 21

HEX #38C91B

RGB 56 201 27

HSL 110, 0.76%, 0.45%

LAB 71.35, -66.21, 66.55

 

CMYK 63 / 0 / 75 / 28

HEX #44B72E

RGB 68 183 46

HSL 110.36, 0.6%, 0.45%

LAB 65.98, -56.89, 56.36

 

CMYK 51 / 0 / 61 / 36

HEX #51A440

RGB 81 164 64

HSL 109.8, 0.44%, 0.45%

LAB 60.49, -44.74, 43.31

 

CMYK 36 / 0 / 43 / 43

HEX #5D9253

RGB 93 146 83

HSL 110.48, 0.28%, 0.45%

LAB 55.59, -30.49, 27.92

 

CMYK 17 / 0 / 20 / 50

HEX #6A7F65

RGB 106 127 101

HSL 108.46, 0.11%, 0.45%

LAB 50.9, -12.96, 11.65

 

CMYK 26 / 0 / 87 / 21

HEX #95C91B

RGB 149 201 27

HSL 77.93, 0.76%, 0.45%

LAB 74.98, -39.03, 71.1

 

CMYK 49 / 0 / 87 / 21

HEX #67C91B

RGB 103 201 27

HSL 93.79, 0.76%, 0.45%

LAB 72.72, -55.03, 68.28

 

CMYK 72 / 0 / 87 / 21

HEX #38C91B

RGB 56 201 27

HSL 110, 0.76%, 0.45%

LAB 71.35, -66.21, 66.55

 

CMYK 87 / 0 / 78 / 21

HEX #1BC92C

RGB 27 201 44

HSL 125.86, 0.76%, 0.45%

LAB 71, -68.97, 61.68

 

CMYK 87 / 0 / 55 / 21

HEX #1BC95B

RGB 27 201 91

HSL 142.07, 0.76%, 0.45%

LAB 71.39, -64.09, 43.14

 

CMYK 72 / 0 / 87 / 49

HEX #248111

RGB 36 129 17

HSL 109.82, 0.77%, 0.29%

LAB 47.13, -46.94, 47.22

 

CMYK 72 / 0 / 87 / 35

HEX #2EA516

RGB 46 165 22

HSL 109.93, 0.76%, 0.37%

LAB 59.48, -56.79, 57.11

 

CMYK 72 / 0 / 87 / 21

HEX #38C91B

RGB 56 201 27

HSL 110, 0.76%, 0.45%

LAB 71.35, -66.21, 66.55

 

CMYK 67 / 0 / 81 / 11

HEX #4AE22C

RGB 74 226 44

HSL 110.11, 0.76%, 0.53%

LAB 79.63, -69.98, 70.09

 

CMYK 55 / 0 / 65 / 9

HEX #69E750

RGB 105 231 80

HSL 110.07, 0.76%, 0.61%

LAB 82.24, -62.17, 60.79

 

CMYK 72 / 0 / 87 / 21

HEX #38C91B

RGB 56 201 27

HSL 110, 0.76%, 0.45%

LAB 71.35, -66.21, 66.55

 

CMYK 87 / 2 / 0 / 21

HEX #1BC4C9

RGB 27 196 201

HSL 181.72, 0.76%, 0.45%

LAB 72.18, -36.9, -13.84

 

CMYK 0 / 87 / 37 / 21

HEX #C91B7E

RGB 201 27 126

HSL 325.86, 0.76%, 0.45%

LAB 45.23, 69.73, -10.15

 

CMYK 72 / 0 / 87 / 21

HEX #38C91B

RGB 56 201 27

HSL 110, 0.76%, 0.45%

LAB 71.35, -66.21, 66.55

 

CMYK 87 / 72 / 0 / 21

HEX #1B38C9

RGB 27 56 201

HSL 230, 0.76%, 0.45%

LAB 32.43, 44.89, -76.75

 

CMYK 0 / 87 / 72 / 21

HEX #C91B38

RGB 201 27 56

HSL 350, 0.76%, 0.45%

LAB 43.49, 64.77, 30.87

 

CMYK 72 / 0 / 87 / 21

HEX #38C91B

RGB 56 201 27

HSL 110, 0.76%, 0.45%

LAB 71.35, -66.21, 66.55

 

CMYK 87 / 2 / 0 / 21

HEX #1BC4C9

RGB 27 196 201

HSL 181.72, 0.76%, 0.45%

LAB 72.18, -36.9, -13.84

 

CMYK 14 / 87 / 0 / 21

HEX #AC1BC9

RGB 172 27 201

HSL 290, 0.76%, 0.45%

LAB 43.9, 74.28, -57.38

 

CMYK 0 / 84 / 87 / 21

HEX #C9211B

RGB 201 33 27

HSL 2.07, 0.76%, 0.45%

LAB 43.63, 62.6, 47.13

 

CMYK 72 / 0 / 87 / 21

HEX #38C91B

RGB 56 201 27

HSL 110, 0.76%, 0.45%

LAB 71.35, -66.21, 66.55

 

CMYK 87 / 29 / 0 / 21

HEX #1B8FC9

RGB 27 143 201

HSL 200, 0.76%, 0.45%

LAB 56.18, -9.74, -38.43

 

CMYK 14 / 87 / 0 / 21

HEX #AC1BC9

RGB 172 27 201

HSL 290, 0.76%, 0.45%

LAB 43.9, 74.28, -57.38

 

CMYK 0 / 58 / 87 / 21

HEX #C9551B

RGB 201 85 27

HSL 20, 0.76%, 0.45%

LAB 50.68, 43.42, 52.91

 

Description

Color code: HEX #38C91B | qconv.com Color code: HEX #38C91B | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 56 red, 201 green and 27 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
56 201 27 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, none magenta, 87 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 0% 87% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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