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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4B365D it is the complementary color #B4C9A2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4B365D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4B365D shade: #503658, #61486B, #725A7E, #836C91 and #947EA4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4B365D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4B365D shade: #4B365D, #3A244A, #291237, #180024 and #070011

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4B365D shade: #4B355D, #56355D, #5D355A, #5D3550 and #5D3545

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4B365D shade: #4B355D, #40355D and #35355D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4B365D shade matches the following richer shades: #4B355D, #4C2A69, #4D1E75, #4E1281 and #4F068D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4B365D shade: #4B355D, #4A4151, #494D45, #48593A and #47652E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4B365D shade: #35355D, #40355D, #4B355D, #55355D and #5D355B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4B365D shade: #211729, #362643, #4B355D, #604578 and #755492

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4B365D shade: #4B365D, #5D3540 and #355D3B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4B365D shade: #4B365D, #5D4B35 and #355D4B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4B365D shade: #4B365D, #5D3540, #485D35 and #355D53

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4B365D shade: #4B365D, #5D3735, #485D35 and #355C5D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 42 / 0 / 64

HEX #4B365D

RGB 75 54 93

HSL 272.31, 0.27%, 0.29%

LAB 26.52, 17.97, -19.78

 

Complementary color

CMYK 10 / 0 / 19 / 21

HEX #B4C9A2

RGB 180 201 162

HSL 92.31, 0.27%, 0.71%

LAB 78.51, -14.16, 17.15

 

CMYK 9 / 39 / 0 / 65

HEX #503658

RGB 80 54 88

HSL 285.88, 0.24%, 0.28%

LAB 26.87, 18.5, -15.93

 

CMYK 9 / 33 / 0 / 58

HEX #61486B

RGB 97 72 107

HSL 282.86, 0.2%, 0.35%

LAB 34.47, 17.7, -16.22

 

CMYK 10 / 29 / 0 / 51

HEX #725A7E

RGB 114 90 126

HSL 280, 0.17%, 0.42%

LAB 41.84, 17.01, -16.51

 

CMYK 10 / 26 / 0 / 43

HEX #836C91

RGB 131 108 145

HSL 277.3, 0.15%, 0.5%

LAB 49, 16.39, -16.81

 

CMYK 10 / 23 / 0 / 36

HEX #947EA4

RGB 148 126 164

HSL 274.74, 0.17%, 0.57%

LAB 55.99, 15.84, -17.12

 

CMYK 19 / 42 / 0 / 64

HEX #4B365D

RGB 75 54 93

HSL 272.31, 0.27%, 0.29%

LAB 26.52, 17.97, -19.78

 

CMYK 22 / 51 / 0 / 71

HEX #3A244A

RGB 58 36 74

HSL 274.74, 0.35%, 0.22%

LAB 18.61, 18.92, -19.68

 

CMYK 25 / 67 / 0 / 78

HEX #291237

RGB 41 18 55

HSL 277.3, 0.51%, 0.14%

LAB 10.41, 19.95, -19.52

 

CMYK 33 / 100 / 0 / 86

HEX #180024

RGB 24 0 36

HSL 280, 1%, 0.07%

LAB 2.9, 15.95, -17.34

 

CMYK 59 / 100 / 0 / 93

HEX #070011

RGB 7 0 17

HSL 264.71, 1%, 0.03%

LAB 0.77, 4.4, -6.35

 

CMYK 19 / 43 / 0 / 64

HEX #4B355D

RGB 75 53 93

HSL 273, 0.27%, 0.29%

LAB 26.25, 18.62, -20.2

 

CMYK 8 / 43 / 0 / 64

HEX #56355D

RGB 86 53 93

HSL 289.5, 0.27%, 0.29%

LAB 27.61, 22.45, -17.98

 

CMYK 0 / 43 / 3 / 64

HEX #5D355A

RGB 93 53 90

HSL 304.5, 0.27%, 0.29%

LAB 28.41, 24.29, -14.72

 

CMYK 0 / 43 / 14 / 64

HEX #5D3550

RGB 93 53 80

HSL 319.5, 0.27%, 0.29%

LAB 27.99, 22.31, -8.83

 

CMYK 0 / 43 / 26 / 64

HEX #5D3545

RGB 93 53 69

HSL 336, 0.27%, 0.29%

LAB 27.58, 20.34, -2.18

 

CMYK 19 / 43 / 0 / 64

HEX #4B355D

RGB 75 53 93

HSL 273, 0.27%, 0.29%

LAB 26.25, 18.62, -20.2

 

CMYK 31 / 43 / 0 / 64

HEX #40355D

RGB 64 53 93

HSL 256.5, 0.27%, 0.29%

LAB 25.03, 14.91, -22.2

 

CMYK 43 / 43 / 0 / 64

HEX #35355D

RGB 53 53 93

HSL 240, 0.27%, 0.29%

LAB 23.98, 11.43, -23.93

 

CMYK 19 / 43 / 0 / 64

HEX #4B355D

RGB 75 53 93

HSL 273, 0.27%, 0.29%

LAB 26.25, 18.62, -20.2

 

CMYK 28 / 60 / 0 / 59

HEX #4C2A69

RGB 76 42 105

HSL 272.38, 0.43%, 0.29%

LAB 24.36, 29, -30.98

 

CMYK 34 / 74 / 0 / 54

HEX #4D1E75

RGB 77 30 117

HSL 272.41, 0.59%, 0.29%

LAB 22.97, 38.95, -40.94

 

CMYK 40 / 86 / 0 / 49

HEX #4E1281

RGB 78 18 129

HSL 272.43, 0.76%, 0.29%

LAB 22.43, 47.07, -49.44

 

CMYK 44 / 96 / 0 / 45

HEX #4F068D

RGB 79 6 141

HSL 272.44, 0.92%, 0.29%

LAB 22.71, 53.16, -56.52

 

CMYK 19 / 43 / 0 / 64

HEX #4B355D

RGB 75 53 93

HSL 273, 0.27%, 0.29%

LAB 26.25, 18.62, -20.2

 

CMYK 9 / 20 / 0 / 68

HEX #4A4151

RGB 74 65 81

HSL 273.75, 0.11%, 0.29%

LAB 28.98, 7.39, -8.2

 

CMYK 5 / 0 / 10 / 70

HEX #494D45

RGB 73 77 69

HSL 90, 0.05%, 0.29%

LAB 32.15, -3.35, 4.19

 

CMYK 19 / 0 / 35 / 65

HEX #48593A

RGB 72 89 58

HSL 92.9, 0.21%, 0.29%

LAB 35.65, -12.96, 15.86

 

CMYK 30 / 0 / 54 / 60

HEX #47652E

RGB 71 101 46

HSL 92.73, 0.37%, 0.29%

LAB 39.32, -21.66, 27.43

 

CMYK 43 / 43 / 0 / 64

HEX #35355D

RGB 53 53 93

HSL 240, 0.27%, 0.29%

LAB 23.98, 11.43, -23.93

 

CMYK 31 / 43 / 0 / 64

HEX #40355D

RGB 64 53 93

HSL 256.5, 0.27%, 0.29%

LAB 25.03, 14.91, -22.2

 

CMYK 19 / 43 / 0 / 64

HEX #4B355D

RGB 75 53 93

HSL 273, 0.27%, 0.29%

LAB 26.25, 18.62, -20.2

 

CMYK 9 / 43 / 0 / 64

HEX #55355D

RGB 85 53 93

HSL 288, 0.27%, 0.29%

LAB 27.48, 22.1, -18.19

 

CMYK 0 / 43 / 2 / 64

HEX #5D355B

RGB 93 53 91

HSL 303, 0.27%, 0.29%

LAB 28.46, 24.5, -15.3

 

CMYK 20 / 44 / 0 / 84

HEX #211729

RGB 33 23 41

HSL 273.33, 0.28%, 0.13%

LAB 9.77, 9.53, -10.37

 

CMYK 19 / 43 / 0 / 74

HEX #362643

RGB 54 38 67

HSL 273.1, 0.28%, 0.21%

LAB 18.26, 14.25, -15.48

 

CMYK 19 / 43 / 0 / 64

HEX #4B355D

RGB 75 53 93

HSL 273, 0.27%, 0.29%

LAB 26.25, 18.62, -20.2

 

CMYK 20 / 43 / 0 / 53

HEX #604578

RGB 96 69 120

HSL 271.76, 0.27%, 0.37%

LAB 34.19, 22.38, -24.81

 

CMYK 20 / 42 / 0 / 43

HEX #755492

RGB 117 84 146

HSL 271.94, 0.27%, 0.45%

LAB 41.53, 26.34, -29.08

 

CMYK 19 / 42 / 0 / 64

HEX #4B365D

RGB 75 54 93

HSL 272.31, 0.27%, 0.29%

LAB 26.52, 17.97, -19.78

 

CMYK 0 / 43 / 31 / 64

HEX #5D3540

RGB 93 53 64

HSL 343.5, 0.27%, 0.29%

LAB 27.42, 19.53, 0.89

 

CMYK 43 / 0 / 37 / 64

HEX #355D3B

RGB 53 93 59

HSL 129, 0.27%, 0.29%

LAB 35.79, -22.28, 15.23

 

CMYK 19 / 42 / 0 / 64

HEX #4B365D

RGB 75 54 93

HSL 272.31, 0.27%, 0.29%

LAB 26.52, 17.97, -19.78

 

CMYK 0 / 19 / 43 / 64

HEX #5D4B35

RGB 93 75 53

HSL 33, 0.27%, 0.29%

LAB 33.17, 4.15, 15.97

 

CMYK 43 / 0 / 19 / 64

HEX #355D4B

RGB 53 93 75

HSL 153, 0.27%, 0.29%

LAB 36.16, -18.79, 5.96

 

CMYK 19 / 42 / 0 / 64

HEX #4B365D

RGB 75 54 93

HSL 272.31, 0.27%, 0.29%

LAB 26.52, 17.97, -19.78

 

CMYK 0 / 43 / 31 / 64

HEX #5D3540

RGB 93 53 64

HSL 343.5, 0.27%, 0.29%

LAB 27.42, 19.53, 0.89

 

CMYK 23 / 0 / 43 / 64

HEX #485D35

RGB 72 93 53

HSL 91.5, 0.27%, 0.29%

LAB 36.86, -16, 20.42

 

CMYK 43 / 0 / 11 / 64

HEX #355D53

RGB 53 93 83

HSL 165, 0.27%, 0.29%

LAB 36.39, -16.78, 1.32

 

CMYK 19 / 42 / 0 / 64

HEX #4B365D

RGB 75 54 93

HSL 272.31, 0.27%, 0.29%

LAB 26.52, 17.97, -19.78

 

CMYK 0 / 41 / 43 / 64

HEX #5D3735

RGB 93 55 53

HSL 3, 0.27%, 0.29%

LAB 27.62, 16.7, 8.44

 

CMYK 23 / 0 / 43 / 64

HEX #485D35

RGB 72 93 53

HSL 91.5, 0.27%, 0.29%

LAB 36.86, -16, 20.42

 

CMYK 43 / 1 / 0 / 64

HEX #355C5D

RGB 53 92 93

HSL 181.5, 0.27%, 0.29%

LAB 36.37, -13.48, -4.92

 

Description

Color code: HEX #4B365D | qconv.com Color code: HEX #4B365D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 75 red, 54 green and 93 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
75 54 93 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 42 magenta, none yellow and 64 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 42% 0% 64% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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