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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4B576C it is the complementary color #B4A893. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4B576C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4B576C shade: #505767, #61697A, #727B8D, #838DA0 and #949FB3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4B576C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4B576C shade: #4B576C, #3A4559, #293346, #182133 and #070F20

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4B576C shade: #4B576C, #4B4E6C, #514B6C, #594B6C and #624B6C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4B576C shade: #4B576C, #4B4E6C and #4B4B6C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4B576C shade matches the following richer shades: #4B576C, #3C537B, #2D4F8A, #1E4B98 and #0F47A7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4B576C shade: #4B576C, #5A5B5D, #685F4E, #77633F and #866730

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4B576C shade: #4B696C, #4B606C, #4B576C, #4B4E6C and #504B6C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4B576C shade: #29303B, #3A4353, #4B576C, #5C6A84 and #6F7F9B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4B576C shade: #4B576C, #664B6C and #646C4B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4B576C shade: #4B576C, #6C4B57 and #576C4B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4B576C shade: #4B576C, #664B6C, #6C604B and #506C4B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4B576C shade: #4B576C, #6C4B67, #6C604B and #4B6C4F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 19 / 0 / 58

HEX #4B576C

RGB 75 87 108

HSL 218.18, 0.18%, 0.36%

LAB 36.73, 0.74, -13.57

 

Complementary color

CMYK 0 / 7 / 18 / 29

HEX #B4A893

RGB 180 168 147

HSL 38.18, 0.18%, 0.64%

LAB 69.34, 0.8, 12.41

 

CMYK 22 / 16 / 0 / 60

HEX #505767

RGB 80 87 103

HSL 221.74, 0.13%, 0.36%

LAB 36.93, 1.12, -10.12

 

CMYK 20 / 14 / 0 / 52

HEX #61697A

RGB 97 105 122

HSL 220.8, 0.11%, 0.43%

LAB 44.3, 0.91, -10.49

 

CMYK 19 / 13 / 0 / 45

HEX #727B8D

RGB 114 123 141

HSL 220, 0.11%, 0.5%

LAB 51.46, 0.71, -10.88

 

CMYK 18 / 12 / 0 / 37

HEX #838DA0

RGB 131 141 160

HSL 219.31, 0.13%, 0.57%

LAB 58.43, 0.53, -11.28

 

CMYK 17 / 11 / 0 / 30

HEX #949FB3

RGB 148 159 179

HSL 218.71, 0.17%, 0.64%

LAB 65.24, 0.36, -11.68

 

CMYK 31 / 19 / 0 / 58

HEX #4B576C

RGB 75 87 108

HSL 218.18, 0.18%, 0.36%

LAB 36.73, 0.74, -13.57

 

CMYK 35 / 22 / 0 / 65

HEX #3A4559

RGB 58 69 89

HSL 218.71, 0.21%, 0.29%

LAB 29.1, 1.04, -13.33

 

CMYK 41 / 27 / 0 / 73

HEX #293346

RGB 41 51 70

HSL 219.31, 0.26%, 0.22%

LAB 21.14, 1.44, -13.16

 

CMYK 53 / 35 / 0 / 80

HEX #182133

RGB 24 33 51

HSL 220, 0.36%, 0.15%

LAB 12.74, 2.04, -13.09

 

CMYK 78 / 53 / 0 / 87

HEX #070F20

RGB 7 15 32

HSL 220.8, 0.64%, 0.08%

LAB 4.44, 2.15, -12

 

CMYK 31 / 19 / 0 / 58

HEX #4B576C

RGB 75 87 108

HSL 218.18, 0.18%, 0.36%

LAB 36.73, 0.74, -13.57

 

CMYK 31 / 28 / 0 / 58

HEX #4B4E6C

RGB 75 78 108

HSL 234.55, 0.18%, 0.36%

LAB 34.04, 6.43, -17.7

 

CMYK 25 / 31 / 0 / 58

HEX #514B6C

RGB 81 75 108

HSL 250.91, 0.18%, 0.36%

LAB 33.7, 10.39, -18.18

 

CMYK 18 / 31 / 0 / 58

HEX #594B6C

RGB 89 75 108

HSL 265.45, 0.18%, 0.36%

LAB 34.48, 13.19, -16.92

 

CMYK 9 / 31 / 0 / 58

HEX #624B6C

RGB 98 75 108

HSL 281.82, 0.18%, 0.36%

LAB 35.42, 16.42, -15.38

 

CMYK 31 / 19 / 0 / 58

HEX #4B576C

RGB 75 87 108

HSL 218.18, 0.18%, 0.36%

LAB 36.73, 0.74, -13.57

 

CMYK 31 / 28 / 0 / 58

HEX #4B4E6C

RGB 75 78 108

HSL 234.55, 0.18%, 0.36%

LAB 34.04, 6.43, -17.7

 

CMYK 31 / 31 / 0 / 58

HEX #4B4B6C

RGB 75 75 108

HSL 240, 0.18%, 0.36%

LAB 33.16, 8.36, -19.06

 

CMYK 31 / 19 / 0 / 58

HEX #4B576C

RGB 75 87 108

HSL 218.18, 0.18%, 0.36%

LAB 36.73, 0.74, -13.57

 

CMYK 51 / 33 / 0 / 52

HEX #3C537B

RGB 60 83 123

HSL 218.1, 0.34%, 0.36%

LAB 35.16, 3.37, -25.38

 

CMYK 67 / 43 / 0 / 46

HEX #2D4F8A

RGB 45 79 138

HSL 218.06, 0.51%, 0.36%

LAB 33.95, 7.99, -36.57

 

CMYK 80 / 51 / 0 / 40

HEX #1E4B98

RGB 30 75 152

HSL 217.87, 0.67%, 0.36%

LAB 33.08, 13.94, -46.53

 

CMYK 91 / 57 / 0 / 35

HEX #0F47A7

RGB 15 71 167

HSL 217.89, 0.84%, 0.36%

LAB 32.7, 21.53, -56.22

 

CMYK 31 / 19 / 0 / 58

HEX #4B576C

RGB 75 87 108

HSL 218.18, 0.18%, 0.36%

LAB 36.73, 0.74, -13.57

 

CMYK 3 / 2 / 0 / 64

HEX #5A5B5D

RGB 90 91 93

HSL 220, 0.02%, 0.36%

LAB 38.63, 0.04, -1.29

 

CMYK 0 / 9 / 25 / 59

HEX #685F4E

RGB 104 95 78

HSL 39.23, 0.14%, 0.36%

LAB 40.7, 0.56, 11.05

 

CMYK 0 / 17 / 47 / 53

HEX #77633F

RGB 119 99 63

HSL 38.57, 0.31%, 0.36%

LAB 43.07, 2.78, 23.41

 

CMYK 0 / 23 / 64 / 47

HEX #866730

RGB 134 103 48

HSL 38.37, 0.47%, 0.36%

LAB 45.61, 5.93, 35.15

 

CMYK 31 / 3 / 0 / 58

HEX #4B696C

RGB 75 105 108

HSL 185.45, 0.18%, 0.36%

LAB 42.28, -10.08, -5.22

 

CMYK 31 / 11 / 0 / 58

HEX #4B606C

RGB 75 96 108

HSL 201.82, 0.18%, 0.36%

LAB 39.49, -4.78, -9.4

 

CMYK 31 / 19 / 0 / 58

HEX #4B576C

RGB 75 87 108

HSL 218.18, 0.18%, 0.36%

LAB 36.73, 0.74, -13.57

 

CMYK 31 / 28 / 0 / 58

HEX #4B4E6C

RGB 75 78 108

HSL 234.55, 0.18%, 0.36%

LAB 34.04, 6.43, -17.7

 

CMYK 26 / 31 / 0 / 58

HEX #504B6C

RGB 80 75 108

HSL 249.09, 0.18%, 0.36%

LAB 33.61, 10.05, -18.33

 

CMYK 31 / 19 / 0 / 77

HEX #29303B

RGB 41 48 59

HSL 216.67, 0.18%, 0.2%

LAB 19.64, 0.06, -7.96

 

CMYK 30 / 19 / 0 / 67

HEX #3A4353

RGB 58 67 83

HSL 218.4, 0.18%, 0.28%

LAB 28.22, 0.59, -10.8

 

CMYK 31 / 19 / 0 / 58

HEX #4B576C

RGB 75 87 108

HSL 218.18, 0.18%, 0.36%

LAB 36.73, 0.74, -13.57

 

CMYK 30 / 20 / 0 / 48

HEX #5C6A84

RGB 92 106 132

HSL 219, 0.18%, 0.44%

LAB 44.59, 1.21, -16.11

 

CMYK 28 / 18 / 0 / 39

HEX #6F7F9B

RGB 111 127 155

HSL 218.18, 0.18%, 0.52%

LAB 52.87, 0.86, -16.94

 

CMYK 31 / 19 / 0 / 58

HEX #4B576C

RGB 75 87 108

HSL 218.18, 0.18%, 0.36%

LAB 36.73, 0.74, -13.57

 

CMYK 6 / 31 / 0 / 58

HEX #664B6C

RGB 102 75 108

HSL 289.09, 0.18%, 0.36%

LAB 35.87, 17.88, -14.66

 

CMYK 7 / 0 / 31 / 58

HEX #646C4B

RGB 100 108 75

HSL 74.55, 0.18%, 0.36%

LAB 44.15, -9.22, 17.5

 

CMYK 31 / 19 / 0 / 58

HEX #4B576C

RGB 75 87 108

HSL 218.18, 0.18%, 0.36%

LAB 36.73, 0.74, -13.57

 

CMYK 0 / 31 / 19 / 58

HEX #6C4B57

RGB 108 75 87

HSL 338.18, 0.18%, 0.36%

LAB 35.81, 16, -1.47

 

CMYK 19 / 0 / 31 / 58

HEX #576C4B

RGB 87 108 75

HSL 98.18, 0.18%, 0.36%

LAB 43.15, -14.57, 15.98

 

CMYK 31 / 19 / 0 / 58

HEX #4B576C

RGB 75 87 108

HSL 218.18, 0.18%, 0.36%

LAB 36.73, 0.74, -13.57

 

CMYK 6 / 31 / 0 / 58

HEX #664B6C

RGB 102 75 108

HSL 289.09, 0.18%, 0.36%

LAB 35.87, 17.88, -14.66

 

CMYK 0 / 11 / 31 / 58

HEX #6C604B

RGB 108 96 75

HSL 38.18, 0.18%, 0.36%

LAB 41.31, 1.23, 13.77

 

CMYK 26 / 0 / 31 / 58

HEX #506C4B

RGB 80 108 75

HSL 110.91, 0.18%, 0.36%

LAB 42.67, -17.31, 15.25

 

CMYK 31 / 19 / 0 / 58

HEX #4B576C

RGB 75 87 108

HSL 218.18, 0.18%, 0.36%

LAB 36.73, 0.74, -13.57

 

CMYK 0 / 31 / 5 / 58

HEX #6C4B67

RGB 108 75 103

HSL 309.09, 0.18%, 0.36%

LAB 36.37, 19.04, -10.71

 

CMYK 0 / 11 / 31 / 58

HEX #6C604B

RGB 108 96 75

HSL 38.18, 0.18%, 0.36%

LAB 41.31, 1.23, 13.77

 

CMYK 31 / 0 / 27 / 58

HEX #4B6C4F

RGB 75 108 79

HSL 127.27, 0.18%, 0.36%

LAB 42.44, -18.43, 12.5

 

Description

Color code: HEX #4B576C | qconv.com Color code: HEX #4B576C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 75 red, 87 green and 108 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
75 87 108 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, 19 magenta, none yellow and 58 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 19% 0% 58% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

28% - Barclays
Link: http://www.barclays.com

21% - 404 > GLAD HOTELS
Link: http://glad-hotels.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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