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Color name
HEX #4B9012

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4B9012 it is the complementary color #B46FED. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4B9012. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4B9012 shade: #50900D, #61A220, #72B433, #83C646 and #94D859

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4B9012. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4B9012 shade: #4B9012, #3A7E00, #296C00, #185A00 and #074800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4B9012 shade: #4B9111, #6D9111, #909111, #916F11 and #914D11

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4B9012 shade: #4B9111, #299111, #11911D, #11913F and #119161

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4B9012 shade matches the following richer shades: #4B9111 and #4A9E04

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4B9012 shade: #4B9111, #4C841F, #4E762C, #4F6939 and #505C46

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4B9012 shade: #919111, #6F9111, #4D9111, #2B9111 and #11911A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4B9012 shade: #254708, #386C0D, #4B9111, #5EB516 and #71DA1B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4B9012 shade: #4B9012, #11916F and #911180

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4B9012 shade: #4B9012, #114D91 and #91114D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4B9012 shade: #4B9012, #11916F, #551191 and #911133

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4B9012 shade: #4B9012, #118D91, #551191 and #911611

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 0 / 88 / 44

HEX #4B9012

RGB 75 144 18

HSL 92.86, 0.78%, 0.32%

LAB 53.48, -41.96, 53.11

 

Complementary color

CMYK 24 / 53 / 0 / 7

HEX #B46FED

RGB 180 111 237

HSL 272.86, 0.78%, 0.68%

LAB 59.15, 50.14, -53.33

 

CMYK 44 / 0 / 91 / 44

HEX #50900D

RGB 80 144 13

HSL 89.31, 0.83%, 0.31%

LAB 53.69, -40.44, 54.44

 

CMYK 40 / 0 / 80 / 36

HEX #61A220

RGB 97 162 32

HSL 90, 0.67%, 0.38%

LAB 60.33, -41.27, 55.87

 

CMYK 37 / 0 / 72 / 29

HEX #72B433

RGB 114 180 51

HSL 90.7, 0.56%, 0.45%

LAB 66.87, -41.79, 56.04

 

CMYK 34 / 0 / 65 / 22

HEX #83C646

RGB 131 198 70

HSL 91.41, 0.53%, 0.53%

LAB 73.32, -42.1, 55.54

 

CMYK 31 / 0 / 59 / 15

HEX #94D859

RGB 148 216 89

HSL 92.13, 0.62%, 0.6%

LAB 79.69, -42.26, 54.7

 

CMYK 48 / 0 / 88 / 44

HEX #4B9012

RGB 75 144 18

HSL 92.86, 0.78%, 0.32%

LAB 53.48, -41.96, 53.11

 

CMYK 54 / 0 / 100 / 51

HEX #3A7E00

RGB 58 126 0

HSL 92.38, 1%, 0.25%

LAB 46.74, -40.81, 50.81

 

CMYK 62 / 0 / 100 / 58

HEX #296C00

RGB 41 108 0

HSL 97.22, 1%, 0.21%

LAB 39.91, -38.89, 45.16

 

CMYK 73 / 0 / 100 / 65

HEX #185A00

RGB 24 90 0

HSL 104, 1%, 0.18%

LAB 32.93, -36.53, 39.41

 

CMYK 90 / 0 / 100 / 72

HEX #074800

RGB 7 72 0

HSL 114.17, 1%, 0.14%

LAB 25.8, -33.39, 33.38

 

CMYK 48 / 0 / 88 / 43

HEX #4B9111

RGB 75 145 17

HSL 92.81, 0.79%, 0.32%

LAB 53.8, -42.4, 53.62

 

CMYK 25 / 0 / 88 / 43

HEX #6D9111

RGB 109 145 17

HSL 76.88, 0.79%, 0.32%

LAB 55.63, -29.63, 55.9

 

CMYK 1 / 0 / 88 / 43

HEX #909111

RGB 144 145 17

HSL 60.47, 0.79%, 0.32%

LAB 58.25, -14.3, 59.14

 

CMYK 0 / 23 / 88 / 43

HEX #916F11

RGB 145 111 17

HSL 44.06, 0.79%, 0.32%

LAB 48.8, 4.95, 51.49

 

CMYK 0 / 47 / 88 / 43

HEX #914D11

RGB 145 77 17

HSL 28.13, 0.79%, 0.32%

LAB 40.19, 24.53, 44.43

 

CMYK 48 / 0 / 88 / 43

HEX #4B9111

RGB 75 145 17

HSL 92.81, 0.79%, 0.32%

LAB 53.8, -42.4, 53.62

 

CMYK 72 / 0 / 88 / 43

HEX #299111

RGB 41 145 17

HSL 108.75, 0.79%, 0.32%

LAB 52.69, -51.37, 52.22

 

CMYK 88 / 0 / 80 / 43

HEX #11911D

RGB 17 145 29

HSL 125.63, 0.79%, 0.32%

LAB 52.35, -54.11, 48.43

 

CMYK 88 / 0 / 57 / 43

HEX #11913F

RGB 17 145 63

HSL 141.56, 0.79%, 0.32%

LAB 52.65, -50.39, 34.21

 

CMYK 88 / 0 / 33 / 43

HEX #119161

RGB 17 145 97

HSL 157.5, 0.79%, 0.32%

LAB 53.2, -43.93, 16.6

 

CMYK 48 / 0 / 88 / 43

HEX #4B9111

RGB 75 145 17

HSL 92.81, 0.79%, 0.32%

LAB 53.8, -42.4, 53.62

 

CMYK 53 / 0 / 97 / 38

HEX #4A9E04

RGB 74 158 4

HSL 92.73, 0.95%, 0.32%

LAB 57.96, -48.15, 59.29

 

CMYK 48 / 0 / 88 / 43

HEX #4B9111

RGB 75 145 17

HSL 92.81, 0.79%, 0.32%

LAB 53.8, -42.4, 53.62

 

CMYK 42 / 0 / 77 / 48

HEX #4C841F

RGB 76 132 31

HSL 93.27, 0.62%, 0.32%

LAB 49.66, -35.88, 45.68

 

CMYK 34 / 0 / 63 / 54

HEX #4E762C

RGB 78 118 44

HSL 92.43, 0.46%, 0.32%

LAB 45.3, -27.6, 35.53

 

CMYK 25 / 0 / 46 / 59

HEX #4F6939

RGB 79 105 57

HSL 92.5, 0.3%, 0.32%

LAB 41.31, -19.02, 23.89

 

CMYK 13 / 0 / 24 / 64

HEX #505C46

RGB 80 92 70

HSL 92.73, 0.14%, 0.32%

LAB 37.48, -9.24, 11.14

 

CMYK 0 / 0 / 88 / 43

HEX #919111

RGB 145 145 17

HSL 60, 0.79%, 0.32%

LAB 58.33, -13.85, 59.24

 

CMYK 23 / 0 / 88 / 43

HEX #6F9111

RGB 111 145 17

HSL 75.94, 0.79%, 0.32%

LAB 55.76, -28.79, 56.06

 

CMYK 47 / 0 / 88 / 43

HEX #4D9111

RGB 77 145 17

HSL 91.88, 0.79%, 0.32%

LAB 53.89, -41.74, 53.73

 

CMYK 70 / 0 / 88 / 43

HEX #2B9111

RGB 43 145 17

HSL 107.81, 0.79%, 0.32%

LAB 52.74, -50.98, 52.28

 

CMYK 88 / 0 / 82 / 43

HEX #11911A

RGB 17 145 26

HSL 124.22, 0.79%, 0.32%

LAB 52.34, -54.31, 49.36

 

CMYK 48 / 0 / 89 / 72

HEX #254708

RGB 37 71 8

HSL 92.38, 0.8%, 0.15%

LAB 26.5, -24.12, 31.14

 

CMYK 48 / 0 / 88 / 58

HEX #386C0D

RGB 56 108 13

HSL 92.84, 0.79%, 0.24%

LAB 40.56, -33.57, 42.67

 

CMYK 48 / 0 / 88 / 43

HEX #4B9111

RGB 75 145 17

HSL 92.81, 0.79%, 0.32%

LAB 53.8, -42.4, 53.62

 

CMYK 48 / 0 / 88 / 29

HEX #5EB516

RGB 94 181 22

HSL 92.83, 0.78%, 0.4%

LAB 66.12, -50.35, 63.48

 

CMYK 48 / 0 / 88 / 15

HEX #71DA1B

RGB 113 218 27

HSL 92.98, 0.78%, 0.48%

LAB 78.31, -58.37, 73.22

 

CMYK 48 / 0 / 88 / 44

HEX #4B9012

RGB 75 144 18

HSL 92.86, 0.78%, 0.32%

LAB 53.48, -41.96, 53.11

 

CMYK 88 / 0 / 23 / 43

HEX #11916F

RGB 17 145 111

HSL 164.06, 0.79%, 0.32%

LAB 53.51, -40.52, 9.08

 

CMYK 0 / 88 / 12 / 43

HEX #911180

RGB 145 17 128

HSL 307.97, 0.79%, 0.32%

LAB 33.94, 59.51, -29.69

 

CMYK 48 / 0 / 88 / 44

HEX #4B9012

RGB 75 144 18

HSL 92.86, 0.78%, 0.32%

LAB 53.48, -41.96, 53.11

 

CMYK 88 / 47 / 0 / 43

HEX #114D91

RGB 17 77 145

HSL 211.88, 0.79%, 0.32%

LAB 32.86, 8.5, -42.66

 

CMYK 0 / 88 / 47 / 43

HEX #91114D

RGB 145 17 77

HSL 331.88, 0.79%, 0.32%

LAB 31.71, 53.41, -0.33

 

CMYK 48 / 0 / 88 / 44

HEX #4B9012

RGB 75 144 18

HSL 92.86, 0.78%, 0.32%

LAB 53.48, -41.96, 53.11

 

CMYK 88 / 0 / 23 / 43

HEX #11916F

RGB 17 145 111

HSL 164.06, 0.79%, 0.32%

LAB 53.51, -40.52, 9.08

 

CMYK 41 / 88 / 0 / 43

HEX #551191

RGB 85 17 145

HSL 271.88, 0.79%, 0.32%

LAB 24.88, 52.18, -55.41

 

CMYK 0 / 88 / 65 / 43

HEX #911133

RGB 145 17 51

HSL 344.06, 0.79%, 0.32%

LAB 31.02, 51.43, 15.94

 

CMYK 48 / 0 / 88 / 44

HEX #4B9012

RGB 75 144 18

HSL 92.86, 0.78%, 0.32%

LAB 53.48, -41.96, 53.11

 

CMYK 88 / 3 / 0 / 43

HEX #118D91

RGB 17 141 145

HSL 181.88, 0.79%, 0.32%

LAB 53.18, -28.8, -11.01

 

CMYK 41 / 88 / 0 / 43

HEX #551191

RGB 85 17 145

HSL 271.88, 0.79%, 0.32%

LAB 24.88, 52.18, -55.41

 

CMYK 0 / 85 / 88 / 43

HEX #911611

RGB 145 22 17

HSL 2.34, 0.79%, 0.32%

LAB 30.96, 48.88, 36.77

 

Description

Color code: HEX #4B9012 | qconv.com Color code: HEX #4B9012 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 75 red, 144 green and 18 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
75 144 18 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, none magenta, 88 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 0% 88% 44% C M Y K

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Provide designers and agencies with accurate color values.

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