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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4BA6B3 it is the complementary color #B4594C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4BA6B3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4BA6B3 shade: #50A6AE, #61B8C1, #72CAD4, #83DCE7 and #94EEFA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4BA6B3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4BA6B3 shade: #4BA6B3, #3A94A0, #29828D, #18707A and #075E67

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4BA6B3 shade: #4BA6B3, #4B8AB3, #4B6EB3, #4B52B3 and #604BB3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4BA6B3 shade: #4BA6B3, #4B8AB3, #4B6EB3, #4B52B3 and #4B4BB3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4BA6B3 shade matches the following richer shades: #4BA6B3, #36B6C8, #21C5DD and #0DD5F1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4BA6B3 shade: #4BA6B3, #5F979F, #74878A, #897875 and #9D6861

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4BA6B3 shade: #4BB388, #4BB3A4, #4BA7B3, #4B8BB3 and #4B6FB3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4BA6B3 shade: #327079, #3F8B96, #4BA6B3, #68B4BF and #85C3CC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4BA6B3 shade: #4BA6B3, #6C4BB3 and #B3964B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4BA6B3 shade: #4BA6B3, #B34BA7 and #A7B34B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4BA6B3 shade: #4BA6B3, #6C4BB3, #B3574B and #92B34B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4BA6B3 shade: #4BA6B3, #8B4BB3, #B3574B and #73B34B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 7 / 0 / 30

HEX #4BA6B3

RGB 75 166 179

HSL 187.5, 0.41%, 0.5%

LAB 63.36, -23.11, -14.88

 

Complementary color

CMYK 0 / 51 / 58 / 29

HEX #B4594C

RGB 180 89 76

HSL 7.5, 0.41%, 0.5%

LAB 48.72, 35.73, 24.66

 

CMYK 54 / 5 / 0 / 32

HEX #50A6AE

RGB 80 166 174

HSL 185.11, 0.37%, 0.5%

LAB 63.37, -23.54, -12.05

 

CMYK 50 / 5 / 0 / 24

HEX #61B8C1

RGB 97 184 193

HSL 185.63, 0.44%, 0.57%

LAB 69.95, -23.73, -12.66

 

CMYK 46 / 5 / 0 / 17

HEX #72CAD4

RGB 114 202 212

HSL 186.12, 0.53%, 0.64%

LAB 76.42, -23.84, -13.22

 

CMYK 43 / 5 / 0 / 9

HEX #83DCE7

RGB 131 220 231

HSL 186.6, 0.68%, 0.71%

LAB 82.8, -23.9, -13.76

 

CMYK 41 / 5 / 0 / 2

HEX #94EEFA

RGB 148 238 250

HSL 187.06, 0.91%, 0.78%

LAB 89.09, -23.94, -14.27

 

CMYK 58 / 7 / 0 / 30

HEX #4BA6B3

RGB 75 166 179

HSL 187.5, 0.41%, 0.5%

LAB 63.36, -23.11, -14.88

 

CMYK 64 / 7 / 0 / 37

HEX #3A94A0

RGB 58 148 160

HSL 187.06, 0.47%, 0.43%

LAB 56.7, -22.66, -14.25

 

CMYK 71 / 8 / 0 / 45

HEX #29828D

RGB 41 130 141

HSL 186.6, 0.55%, 0.36%

LAB 49.93, -21.99, -13.54

 

CMYK 80 / 8 / 0 / 52

HEX #18707A

RGB 24 112 122

HSL 186.12, 0.67%, 0.29%

LAB 43.04, -20.98, -12.73

 

CMYK 93 / 9 / 0 / 60

HEX #075E67

RGB 7 94 103

HSL 185.63, 0.87%, 0.22%

LAB 36.04, -19.45, -11.77

 

CMYK 58 / 7 / 0 / 30

HEX #4BA6B3

RGB 75 166 179

HSL 187.5, 0.41%, 0.5%

LAB 63.36, -23.11, -14.88

 

CMYK 58 / 23 / 0 / 30

HEX #4B8AB3

RGB 75 138 179

HSL 203.65, 0.41%, 0.5%

LAB 55, -8, -27.67

 

CMYK 58 / 39 / 0 / 30

HEX #4B6EB3

RGB 75 110 179

HSL 219.81, 0.41%, 0.5%

LAB 46.85, 8.68, -40.44

 

CMYK 58 / 54 / 0 / 30

HEX #4B52B3

RGB 75 82 179

HSL 235.96, 0.41%, 0.5%

LAB 39.22, 26.41, -52.65

 

CMYK 46 / 58 / 0 / 30

HEX #604BB3

RGB 96 75 179

HSL 252.12, 0.41%, 0.5%

LAB 39.2, 35.12, -52.6

 

CMYK 58 / 7 / 0 / 30

HEX #4BA6B3

RGB 75 166 179

HSL 187.5, 0.41%, 0.5%

LAB 63.36, -23.11, -14.88

 

CMYK 58 / 23 / 0 / 30

HEX #4B8AB3

RGB 75 138 179

HSL 203.65, 0.41%, 0.5%

LAB 55, -8, -27.67

 

CMYK 58 / 39 / 0 / 30

HEX #4B6EB3

RGB 75 110 179

HSL 219.81, 0.41%, 0.5%

LAB 46.85, 8.68, -40.44

 

CMYK 58 / 54 / 0 / 30

HEX #4B52B3

RGB 75 82 179

HSL 235.96, 0.41%, 0.5%

LAB 39.22, 26.41, -52.65

 

CMYK 58 / 58 / 0 / 30

HEX #4B4BB3

RGB 75 75 179

HSL 240, 0.41%, 0.5%

LAB 37.45, 30.84, -55.51

 

CMYK 58 / 7 / 0 / 30

HEX #4BA6B3

RGB 75 166 179

HSL 187.5, 0.41%, 0.5%

LAB 63.36, -23.11, -14.88

 

CMYK 73 / 9 / 0 / 22

HEX #36B6C8

RGB 54 182 200

HSL 187.4, 0.57%, 0.5%

LAB 68.32, -28.11, -19.08

 

CMYK 85 / 11 / 0 / 13

HEX #21C5DD

RGB 33 197 221

HSL 187.66, 0.74%, 0.5%

LAB 73.2, -30.81, -23.15

 

CMYK 95 / 12 / 0 / 5

HEX #0DD5F1

RGB 13 213 241

HSL 187.37, 0.9%, 0.5%

LAB 78.48, -33.04, -25.88

 

CMYK 58 / 7 / 0 / 30

HEX #4BA6B3

RGB 75 166 179

HSL 187.5, 0.41%, 0.5%

LAB 63.36, -23.11, -14.88

 

CMYK 40 / 5 / 0 / 38

HEX #5F979F

RGB 95 151 159

HSL 187.5, 0.25%, 0.5%

LAB 59.04, -16.24, -10.02

 

CMYK 16 / 2 / 0 / 46

HEX #74878A

RGB 116 135 138

HSL 188.18, 0.09%, 0.5%

LAB 54.94, -6.17, -3.92

 

CMYK 0 / 12 / 15 / 46

HEX #897875

RGB 137 120 117

HSL 9, 0.08%, 0.5%

LAB 51.88, 6.02, 4.05

 

CMYK 0 / 34 / 38 / 38

HEX #9D6861

RGB 157 104 97

HSL 7, 0.24%, 0.5%

LAB 49.41, 20.38, 12.65

 

CMYK 58 / 0 / 24 / 30

HEX #4BB388

RGB 75 179 136

HSL 155.19, 0.41%, 0.5%

LAB 66.15, -40.41, 13.08

 

CMYK 58 / 0 / 8 / 30

HEX #4BB3A4

RGB 75 179 164

HSL 171.35, 0.41%, 0.5%

LAB 66.84, -33.64, -1.36

 

CMYK 58 / 7 / 0 / 30

HEX #4BA7B3

RGB 75 167 179

HSL 186.92, 0.41%, 0.5%

LAB 63.66, -23.62, -14.43

 

CMYK 58 / 22 / 0 / 30

HEX #4B8BB3

RGB 75 139 179

HSL 203.08, 0.41%, 0.5%

LAB 55.29, -8.57, -27.22

 

CMYK 58 / 38 / 0 / 30

HEX #4B6FB3

RGB 75 111 179

HSL 219.23, 0.41%, 0.5%

LAB 47.13, 8.06, -39.99

 

CMYK 59 / 7 / 0 / 53

HEX #327079

RGB 50 112 121

HSL 187.61, 0.42%, 0.34%

LAB 43.72, -17.05, -11.03

 

CMYK 58 / 7 / 0 / 41

HEX #3F8B96

RGB 63 139 150

HSL 187.59, 0.41%, 0.42%

LAB 53.73, -20.04, -12.97

 

CMYK 58 / 7 / 0 / 30

HEX #4BA6B3

RGB 75 166 179

HSL 187.5, 0.41%, 0.5%

LAB 63.36, -23.11, -14.88

 

CMYK 46 / 6 / 0 / 25

HEX #68B4BF

RGB 104 180 191

HSL 187.59, 0.4%, 0.58%

LAB 69, -20.61, -12.95

 

CMYK 35 / 4 / 0 / 20

HEX #85C3CC

RGB 133 195 204

HSL 187.61, 0.41%, 0.66%

LAB 75.06, -17.54, -10.84

 

CMYK 58 / 7 / 0 / 30

HEX #4BA6B3

RGB 75 166 179

HSL 187.5, 0.41%, 0.5%

LAB 63.36, -23.11, -14.88

 

CMYK 40 / 58 / 0 / 30

HEX #6C4BB3

RGB 108 75 179

HSL 259.04, 0.41%, 0.5%

LAB 40.37, 37.84, -50.65

 

CMYK 0 / 16 / 58 / 30

HEX #B3964B

RGB 179 150 75

HSL 43.27, 0.41%, 0.5%

LAB 63.26, 1.65, 42.97

 

CMYK 58 / 7 / 0 / 30

HEX #4BA6B3

RGB 75 166 179

HSL 187.5, 0.41%, 0.5%

LAB 63.36, -23.11, -14.88

 

CMYK 0 / 58 / 7 / 30

HEX #B34BA7

RGB 179 75 167

HSL 306.92, 0.41%, 0.5%

LAB 48.77, 53.85, -29.68

 

CMYK 7 / 0 / 58 / 30

HEX #A7B34B

RGB 167 179 75

HSL 66.92, 0.41%, 0.5%

LAB 70.15, -18.76, 50.54

 

CMYK 58 / 7 / 0 / 30

HEX #4BA6B3

RGB 75 166 179

HSL 187.5, 0.41%, 0.5%

LAB 63.36, -23.11, -14.88

 

CMYK 40 / 58 / 0 / 30

HEX #6C4BB3

RGB 108 75 179

HSL 259.04, 0.41%, 0.5%

LAB 40.37, 37.84, -50.65

 

CMYK 0 / 51 / 58 / 30

HEX #B3574B

RGB 179 87 75

HSL 6.92, 0.41%, 0.5%

LAB 48.14, 36.3, 24.47

 

CMYK 18 / 0 / 58 / 30

HEX #92B34B

RGB 146 179 75

HSL 79.04, 0.41%, 0.5%

LAB 68.65, -27.32, 48.44

 

CMYK 58 / 7 / 0 / 30

HEX #4BA6B3

RGB 75 166 179

HSL 187.5, 0.41%, 0.5%

LAB 63.36, -23.11, -14.88

 

CMYK 22 / 58 / 0 / 30

HEX #8B4BB3

RGB 139 75 179

HSL 276.92, 0.41%, 0.5%

LAB 43.91, 45.47, -44.78

 

CMYK 0 / 51 / 58 / 30

HEX #B3574B

RGB 179 87 75

HSL 6.92, 0.41%, 0.5%

LAB 48.14, 36.3, 24.47

 

CMYK 36 / 0 / 58 / 30

HEX #73B34B

RGB 115 179 75

HSL 96.92, 0.41%, 0.5%

LAB 66.82, -38.94, 45.87

 

Description

Color code: HEX #4BA6B3 | qconv.com Color code: HEX #4BA6B3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 75 red, 166 green and 179 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
75 166 179 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, 7 magenta, none yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 7% 0% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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