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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4BA1B5 it is the complementary color #B45E4A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4BA1B5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4BA1B5 shade: #50A1B0, #61B3C3, #72C5D6, #83D7E9 and #94E9FC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4BA1B5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4BA1B5 shade: #4BA1B5, #3A8FA2, #297D8F, #186B7C and #075969

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4BA1B5 shade: #49A0B5, #4983B5, #4967B5, #494AB5 and #6649B5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4BA1B5 shade: #49A0B5, #4983B5, #4967B5, #494AB5 and #4949B5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4BA1B5 shade matches the following richer shades: #49A0B5, #35ADC9, #20BADE and #0CC7F2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4BA1B5 shade: #49A0B5, #5E93A0, #73878B, #877A77 and #9C6D62

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4BA1B5 shade: #49B58F, #49B5AC, #49A1B5, #4984B5 and #4968B5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4BA1B5 shade: #326C7A, #3D8697, #49A0B5, #67B0C1 and #84BFCC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4BA1B5 shade: #4BA1B5, #7349B5 and #B59D49

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4BA1B5 shade: #4BA1B5, #B549A1 and #A1B549

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4BA1B5 shade: #4BA1B5, #7349B5, #B55D49 and #8BB549

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4BA1B5 shade: #4BA1B5, #9349B5, #B55D49 and #6BB549

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 11 / 0 / 29

HEX #4BA1B5

RGB 75 161 181

HSL 191.32, 0.42%, 0.5%

LAB 61.93, -19.94, -18.17

 

Complementary color

CMYK 0 / 48 / 59 / 29

HEX #B45E4A

RGB 180 94 74

HSL 11.32, 0.42%, 0.5%

LAB 49.74, 32.93, 27.13

 

CMYK 55 / 9 / 0 / 31

HEX #50A1B0

RGB 80 161 176

HSL 189.38, 0.38%, 0.5%

LAB 61.94, -20.39, -15.33

 

CMYK 50 / 8 / 0 / 24

HEX #61B3C3

RGB 97 179 195

HSL 189.8, 0.45%, 0.57%

LAB 68.55, -20.63, -15.86

 

CMYK 47 / 8 / 0 / 16

HEX #72C5D6

RGB 114 197 214

HSL 190.2, 0.55%, 0.64%

LAB 75.05, -20.79, -16.36

 

CMYK 44 / 8 / 0 / 9

HEX #83D7E9

RGB 131 215 233

HSL 190.59, 0.7%, 0.71%

LAB 81.46, -20.9, -16.83

 

CMYK 41 / 8 / 0 / 1

HEX #94E9FC

RGB 148 233 252

HSL 190.96, 0.95%, 0.78%

LAB 87.78, -20.98, -17.29

 

CMYK 59 / 11 / 0 / 29

HEX #4BA1B5

RGB 75 161 181

HSL 191.32, 0.42%, 0.5%

LAB 61.93, -19.94, -18.17

 

CMYK 64 / 12 / 0 / 36

HEX #3A8FA2

RGB 58 143 162

HSL 190.96, 0.47%, 0.43%

LAB 55.23, -19.42, -17.63

 

CMYK 71 / 13 / 0 / 44

HEX #297D8F

RGB 41 125 143

HSL 190.59, 0.55%, 0.36%

LAB 48.41, -18.67, -17.02

 

CMYK 81 / 14 / 0 / 51

HEX #186B7C

RGB 24 107 124

HSL 190.2, 0.68%, 0.29%

LAB 41.48, -17.57, -16.32

 

CMYK 93 / 15 / 0 / 59

HEX #075969

RGB 7 89 105

HSL 189.8, 0.88%, 0.22%

LAB 34.42, -15.93, -15.49

 

CMYK 60 / 12 / 0 / 29

HEX #49A0B5

RGB 73 160 181

HSL 191.67, 0.43%, 0.5%

LAB 61.56, -19.8, -18.74

 

CMYK 60 / 28 / 0 / 29

HEX #4983B5

RGB 73 131 181

HSL 207.78, 0.43%, 0.5%

LAB 52.93, -3.73, -32.04

 

CMYK 60 / 43 / 0 / 29

HEX #4967B5

RGB 73 103 181

HSL 223.33, 0.43%, 0.5%

LAB 44.88, 13.33, -44.75

 

CMYK 60 / 59 / 0 / 29

HEX #494AB5

RGB 73 74 181

HSL 239.44, 0.43%, 0.5%

LAB 37.21, 31.77, -57.09

 

CMYK 44 / 60 / 0 / 29

HEX #6649B5

RGB 102 73 181

HSL 256.11, 0.43%, 0.5%

LAB 39.46, 38.2, -53.33

 

CMYK 60 / 12 / 0 / 29

HEX #49A0B5

RGB 73 160 181

HSL 191.67, 0.43%, 0.5%

LAB 61.56, -19.8, -18.74

 

CMYK 60 / 28 / 0 / 29

HEX #4983B5

RGB 73 131 181

HSL 207.78, 0.43%, 0.5%

LAB 52.93, -3.73, -32.04

 

CMYK 60 / 43 / 0 / 29

HEX #4967B5

RGB 73 103 181

HSL 223.33, 0.43%, 0.5%

LAB 44.88, 13.33, -44.75

 

CMYK 60 / 59 / 0 / 29

HEX #494AB5

RGB 73 74 181

HSL 239.44, 0.43%, 0.5%

LAB 37.21, 31.77, -57.09

 

CMYK 60 / 60 / 0 / 29

HEX #4949B5

RGB 73 73 181

HSL 240, 0.43%, 0.5%

LAB 36.96, 32.4, -57.49

 

CMYK 60 / 12 / 0 / 29

HEX #49A0B5

RGB 73 160 181

HSL 191.67, 0.43%, 0.5%

LAB 61.56, -19.8, -18.74

 

CMYK 74 / 14 / 0 / 21

HEX #35ADC9

RGB 53 173 201

HSL 191.35, 0.58%, 0.5%

LAB 65.64, -23.4, -23.72

 

CMYK 86 / 16 / 0 / 13

HEX #20BADE

RGB 32 186 222

HSL 191.37, 0.75%, 0.5%

LAB 69.96, -25.11, -28.66

 

CMYK 95 / 18 / 0 / 5

HEX #0CC7F2

RGB 12 199 242

HSL 191.22, 0.91%, 0.5%

LAB 74.4, -25.9, -32.67

 

CMYK 60 / 12 / 0 / 29

HEX #49A0B5

RGB 73 160 181

HSL 191.67, 0.43%, 0.5%

LAB 61.56, -19.8, -18.74

 

CMYK 41 / 8 / 0 / 37

HEX #5E93A0

RGB 94 147 160

HSL 191.82, 0.26%, 0.5%

LAB 57.83, -14.09, -12.4

 

CMYK 17 / 3 / 0 / 45

HEX #73878B

RGB 115 135 139

HSL 190, 0.09%, 0.5%

LAB 54.9, -6.28, -4.57

 

CMYK 0 / 10 / 12 / 47

HEX #877A77

RGB 135 122 119

HSL 11.25, 0.06%, 0.5%

LAB 52.29, 4.43, 3.44

 

CMYK 0 / 30 / 37 / 39

HEX #9C6D62

RGB 156 109 98

HSL 11.38, 0.23%, 0.5%

LAB 50.55, 17.23, 13.63

 

CMYK 60 / 0 / 21 / 29

HEX #49B58F

RGB 73 181 143

HSL 158.89, 0.43%, 0.5%

LAB 66.86, -40.12, 10.25

 

CMYK 60 / 0 / 5 / 29

HEX #49B5AC

RGB 73 181 172

HSL 175, 0.43%, 0.5%

LAB 67.61, -32.84, -4.66

 

CMYK 60 / 11 / 0 / 29

HEX #49A1B5

RGB 73 161 181

HSL 191.11, 0.43%, 0.5%

LAB 61.86, -20.32, -18.28

 

CMYK 60 / 27 / 0 / 29

HEX #4984B5

RGB 73 132 181

HSL 207.22, 0.43%, 0.5%

LAB 53.23, -4.31, -31.58

 

CMYK 60 / 43 / 0 / 29

HEX #4968B5

RGB 73 104 181

HSL 222.78, 0.43%, 0.5%

LAB 45.16, 12.7, -44.3

 

CMYK 59 / 11 / 0 / 52

HEX #326C7A

RGB 50 108 122

HSL 191.67, 0.42%, 0.34%

LAB 42.47, -14.5, -13.53

 

CMYK 60 / 11 / 0 / 41

HEX #3D8697

RGB 61 134 151

HSL 191.33, 0.42%, 0.42%

LAB 52.15, -17.46, -15.95

 

CMYK 60 / 12 / 0 / 29

HEX #49A0B5

RGB 73 160 181

HSL 191.67, 0.43%, 0.5%

LAB 61.56, -19.8, -18.74

 

CMYK 47 / 9 / 0 / 24

HEX #67B0C1

RGB 103 176 193

HSL 191.33, 0.42%, 0.58%

LAB 67.86, -18.25, -15.77

 

CMYK 35 / 6 / 0 / 20

HEX #84BFCC

RGB 132 191 204

HSL 190.83, 0.41%, 0.66%

LAB 73.89, -15.75, -12.6

 

CMYK 59 / 11 / 0 / 29

HEX #4BA1B5

RGB 75 161 181

HSL 191.32, 0.42%, 0.5%

LAB 61.93, -19.94, -18.17

 

CMYK 36 / 60 / 0 / 29

HEX #7349B5

RGB 115 73 181

HSL 263.33, 0.43%, 0.5%

LAB 40.81, 41.16, -51.08

 

CMYK 0 / 13 / 60 / 29

HEX #B59D49

RGB 181 157 73

HSL 46.67, 0.43%, 0.5%

LAB 65.29, -1.43, 46.33

 

CMYK 59 / 11 / 0 / 29

HEX #4BA1B5

RGB 75 161 181

HSL 191.32, 0.42%, 0.5%

LAB 61.93, -19.94, -18.17

 

CMYK 0 / 60 / 11 / 29

HEX #B549A1

RGB 181 73 161

HSL 311.11, 0.43%, 0.5%

LAB 48.46, 54.32, -26.59

 

CMYK 11 / 0 / 60 / 29

HEX #A1B549

RGB 161 181 73

HSL 71.11, 0.43%, 0.5%

LAB 70.25, -22.4, 51.43

 

CMYK 59 / 11 / 0 / 29

HEX #4BA1B5

RGB 75 161 181

HSL 191.32, 0.42%, 0.5%

LAB 61.93, -19.94, -18.17

 

CMYK 36 / 60 / 0 / 29

HEX #7349B5

RGB 115 73 181

HSL 263.33, 0.43%, 0.5%

LAB 40.81, 41.16, -51.08

 

CMYK 0 / 49 / 60 / 29

HEX #B55D49

RGB 181 93 73

HSL 11.11, 0.43%, 0.5%

LAB 49.66, 33.78, 27.63

 

CMYK 23 / 0 / 60 / 29

HEX #8BB549

RGB 139 181 73

HSL 83.33, 0.43%, 0.5%

LAB 68.76, -31.2, 49.36

 

CMYK 59 / 11 / 0 / 29

HEX #4BA1B5

RGB 75 161 181

HSL 191.32, 0.42%, 0.5%

LAB 61.93, -19.94, -18.17

 

CMYK 19 / 60 / 0 / 29

HEX #9349B5

RGB 147 73 181

HSL 281.11, 0.43%, 0.5%

LAB 44.67, 48.98, -44.68

 

CMYK 0 / 49 / 60 / 29

HEX #B55D49

RGB 181 93 73

HSL 11.11, 0.43%, 0.5%

LAB 49.66, 33.78, 27.63

 

CMYK 41 / 0 / 60 / 29

HEX #6BB549

RGB 107 181 73

HSL 101.11, 0.43%, 0.5%

LAB 67.02, -42.73, 46.91

 

Description

Color code: HEX #4BA1B5 | qconv.com Color code: HEX #4BA1B5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 75 red, 161 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
75 161 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, 11 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 11% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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