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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 180 94 74 it is the complementary color RGB 75 161 181. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 180 94 74. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 180 94 74 shade: RGB 185 94 69, RGB 202 112 88, RGB 219 130 107, RGB 236 148 126 and RGB 253 166 145

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 180 94 74. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 180 94 74 shade: RGB 180 94 74, RGB 163 76 55, RGB 146 58 36, RGB 129 40 17 and RGB 112 22 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 180 94 74 shade: RGB 181 94 73 and RGB 181 73 73

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 180 94 74 shade: RGB 181 94 73, RGB 181 123 73, RGB 181 151 73, RGB 181 180 73 and RGB 152 181 73

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 180 94 74 shade matches the following richer shades: RGB 181 94 73, RGB 201 81 53, RGB 222 68 32 and RGB 242 55 12

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 180 94 74 shade: RGB 181 94 73, RGB 160 107 94, RGB 139 119 115, RGB 119 132 135 and RGB 98 145 156

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 180 94 74 shade: RGB 181 73 111, RGB 181 73 82, RGB 181 93 73, RGB 181 122 73 and RGB 181 150 73

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 180 94 74 shade: RGB 122 63 50, RGB 151 78 61, RGB 181 94 73, RGB 193 120 103 and RGB 204 146 132

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 180 94 74 shade: RGB 180 94 74, RGB 139 181 73 and RGB 73 97 181

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 180 94 74 shade: RGB 180 94 74, RGB 73 181 93 and RGB 93 73 181

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 180 94 74 shade: RGB 180 94 74, RGB 139 181 73, RGB 73 161 181 and RGB 115 73 181

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 180 94 74 shade: RGB 180 94 74, RGB 107 181 73, RGB 73 161 181 and RGB 147 73 181

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 48 / 59 / 29

HEX #B45E4A

RGB 180 94 74

HSL 11.32, 0.42%, 0.5%

LAB 49.74, 32.93, 27.13

 

Complementary color

CMYK 59 / 11 / 0 / 29

HEX #4BA1B5

RGB 75 161 181

HSL 191.32, 0.42%, 0.5%

LAB 61.93, -19.94, -18.17

 

CMYK 0 / 49 / 63 / 27

HEX #B95E45

RGB 185 94 69

HSL 12.93, 0.46%, 0.5%

LAB 50.39, 34.54, 30.96

 

CMYK 0 / 45 / 56 / 21

HEX #CA7058

RGB 202 112 88

HSL 12.63, 0.52%, 0.57%

LAB 56.93, 33.17, 28.93

 

CMYK 0 / 41 / 51 / 14

HEX #DB826B

RGB 219 130 107

HSL 12.32, 0.61%, 0.64%

LAB 63.41, 31.92, 27.15

 

CMYK 0 / 37 / 47 / 7

HEX #EC947E

RGB 236 148 126

HSL 12, 0.74%, 0.71%

LAB 69.84, 30.79, 25.56

 

CMYK 0 / 34 / 43 / 1

HEX #FDA691

RGB 253 166 145

HSL 11.67, 0.96%, 0.78%

LAB 76.19, 29.76, 24.13

 

CMYK 0 / 48 / 59 / 29

HEX #B45E4A

RGB 180 94 74

HSL 11.32, 0.42%, 0.5%

LAB 49.74, 32.93, 27.13

 

CMYK 0 / 53 / 66 / 36

HEX #A34C37

RGB 163 76 55

HSL 11.67, 0.5%, 0.43%

LAB 43.11, 34.35, 29.35

 

CMYK 0 / 60 / 75 / 43

HEX #923A24

RGB 146 58 36

HSL 12, 0.6%, 0.36%

LAB 36.49, 35.82, 31.92

 

CMYK 0 / 69 / 87 / 49

HEX #812811

RGB 129 40 17

HSL 12.32, 0.77%, 0.29%

LAB 29.97, 37.2, 34.64

 

CMYK 0 / 80 / 100 / 56

HEX #701600

RGB 112 22 0

HSL 11.79, 1%, 0.22%

LAB 23.73, 38.01, 35.08

 

CMYK 0 / 48 / 60 / 29

HEX #B55E49

RGB 181 94 73

HSL 11.67, 0.43%, 0.5%

LAB 49.87, 33.25, 27.9

 

CMYK 0 / 60 / 60 / 29

HEX #B54949

RGB 181 73 73

HSL 0, 0.43%, 0.5%

LAB 45.73, 43.87, 22.6

 

CMYK 0 / 48 / 60 / 29

HEX #B55E49

RGB 181 94 73

HSL 11.67, 0.43%, 0.5%

LAB 49.87, 33.25, 27.9

 

CMYK 0 / 32 / 60 / 29

HEX #B57B49

RGB 181 123 73

HSL 27.78, 0.43%, 0.5%

LAB 56.56, 17.32, 36.13

 

CMYK 0 / 17 / 60 / 29

HEX #B59749

RGB 181 151 73

HSL 43.33, 0.43%, 0.5%

LAB 63.7, 1.82, 44.52

 

CMYK 0 / 1 / 60 / 29

HEX #B5B449

RGB 181 180 73

HSL 59.44, 0.43%, 0.5%

LAB 71.52, -13.54, 53.27

 

CMYK 16 / 0 / 60 / 29

HEX #98B549

RGB 152 181 73

HSL 76.11, 0.43%, 0.5%

LAB 69.61, -26.06, 50.55

 

CMYK 0 / 48 / 60 / 29

HEX #B55E49

RGB 181 94 73

HSL 11.67, 0.43%, 0.5%

LAB 49.87, 33.25, 27.9

 

CMYK 0 / 60 / 74 / 21

HEX #C95135

RGB 201 81 53

HSL 11.35, 0.58%, 0.5%

LAB 50.17, 46.18, 40.19

 

CMYK 0 / 69 / 86 / 13

HEX #DE4420

RGB 222 68 32

HSL 11.37, 0.75%, 0.5%

LAB 51.57, 58.2, 53.09

 

CMYK 0 / 77 / 95 / 5

HEX #F2370C

RGB 242 55 12

HSL 11.22, 0.91%, 0.5%

LAB 53.64, 68.34, 63.08

 

CMYK 0 / 48 / 60 / 29

HEX #B55E49

RGB 181 94 73

HSL 11.67, 0.43%, 0.5%

LAB 49.87, 33.25, 27.9

 

CMYK 0 / 33 / 41 / 37

HEX #A06B5E

RGB 160 107 94

HSL 11.82, 0.26%, 0.5%

LAB 50.45, 19.53, 15.91

 

CMYK 0 / 14 / 17 / 45

HEX #8B7773

RGB 139 119 115

HSL 10, 0.09%, 0.5%

LAB 51.75, 7.05, 5.06

 

CMYK 12 / 2 / 0 / 47

HEX #778487

RGB 119 132 135

HSL 191.25, 0.06%, 0.5%

LAB 54.21, -4.09, -3.24

 

CMYK 37 / 7 / 0 / 39

HEX #62919C

RGB 98 145 156

HSL 191.38, 0.23%, 0.5%

LAB 57.32, -12.97, -10.87

 

CMYK 0 / 60 / 39 / 29

HEX #B5496F

RGB 181 73 111

HSL 338.89, 0.43%, 0.5%

LAB 46.63, 47.43, 0.72

 

CMYK 0 / 60 / 55 / 29

HEX #B54952

RGB 181 73 82

HSL 355, 0.43%, 0.5%

LAB 45.9, 44.58, 17.39

 

CMYK 0 / 49 / 60 / 29

HEX #B55D49

RGB 181 93 73

HSL 11.11, 0.43%, 0.5%

LAB 49.66, 33.78, 27.63

 

CMYK 0 / 33 / 60 / 29

HEX #B57A49

RGB 181 122 73

HSL 27.22, 0.43%, 0.5%

LAB 56.31, 17.88, 35.83

 

CMYK 0 / 17 / 60 / 29

HEX #B59649

RGB 181 150 73

HSL 42.78, 0.43%, 0.5%

LAB 63.44, 2.37, 44.21

 

CMYK 0 / 48 / 59 / 52

HEX #7A3F32

RGB 122 63 50

HSL 10.83, 0.42%, 0.34%

LAB 33.82, 24.24, 19.41

 

CMYK 0 / 48 / 60 / 41

HEX #974E3D

RGB 151 78 61

HSL 11.33, 0.42%, 0.42%

LAB 41.79, 28.86, 23.78

 

CMYK 0 / 48 / 60 / 29

HEX #B55E49

RGB 181 94 73

HSL 11.67, 0.43%, 0.5%

LAB 49.87, 33.25, 27.9

 

CMYK 0 / 38 / 47 / 24

HEX #C17867

RGB 193 120 103

HSL 11.33, 0.42%, 0.58%

LAB 57.8, 26.66, 21.35

 

CMYK 0 / 28 / 35 / 20

HEX #CC9284

RGB 204 146 132

HSL 11.67, 0.41%, 0.66%

LAB 65.8, 20.07, 16.12

 

CMYK 0 / 48 / 59 / 29

HEX #B45E4A

RGB 180 94 74

HSL 11.32, 0.42%, 0.5%

LAB 49.74, 32.93, 27.13

 

CMYK 23 / 0 / 60 / 29

HEX #8BB549

RGB 139 181 73

HSL 83.33, 0.43%, 0.5%

LAB 68.76, -31.2, 49.36

 

CMYK 60 / 46 / 0 / 29

HEX #4961B5

RGB 73 97 181

HSL 226.67, 0.43%, 0.5%

LAB 43.21, 17.13, -47.4

 

CMYK 0 / 48 / 59 / 29

HEX #B45E4A

RGB 180 94 74

HSL 11.32, 0.42%, 0.5%

LAB 49.74, 32.93, 27.13

 

CMYK 60 / 0 / 49 / 29

HEX #49B55D

RGB 73 181 93

HSL 131.11, 0.43%, 0.5%

LAB 65.95, -49.76, 35.66

 

CMYK 49 / 60 / 0 / 29

HEX #5D49B5

RGB 93 73 181

HSL 251.11, 0.43%, 0.5%

LAB 38.6, 36.27, -54.75

 

CMYK 0 / 48 / 59 / 29

HEX #B45E4A

RGB 180 94 74

HSL 11.32, 0.42%, 0.5%

LAB 49.74, 32.93, 27.13

 

CMYK 23 / 0 / 60 / 29

HEX #8BB549

RGB 139 181 73

HSL 83.33, 0.43%, 0.5%

LAB 68.76, -31.2, 49.36

 

CMYK 60 / 11 / 0 / 29

HEX #49A1B5

RGB 73 161 181

HSL 191.11, 0.43%, 0.5%

LAB 61.86, -20.32, -18.28

 

CMYK 36 / 60 / 0 / 29

HEX #7349B5

RGB 115 73 181

HSL 263.33, 0.43%, 0.5%

LAB 40.81, 41.16, -51.08

 

CMYK 0 / 48 / 59 / 29

HEX #B45E4A

RGB 180 94 74

HSL 11.32, 0.42%, 0.5%

LAB 49.74, 32.93, 27.13

 

CMYK 41 / 0 / 60 / 29

HEX #6BB549

RGB 107 181 73

HSL 101.11, 0.43%, 0.5%

LAB 67.02, -42.73, 46.91

 

CMYK 60 / 11 / 0 / 29

HEX #49A1B5

RGB 73 161 181

HSL 191.11, 0.43%, 0.5%

LAB 61.86, -20.32, -18.28

 

CMYK 19 / 60 / 0 / 29

HEX #9349B5

RGB 147 73 181

HSL 281.11, 0.43%, 0.5%

LAB 44.67, 48.98, -44.68

 

Description

Color code: RGB 180 94 74 | qconv.com Color code: RGB 180 94 74 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 94 green and 74 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 94 74 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 48 magenta, 59 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 48% 59% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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