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Color name
HEX #4BAEE2

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4BAEE2 it is the complementary color #B4511D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4BAEE2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4BAEE2 shade: #50AEDD, #61C0F0, #72D2FF, #83E4FF and #94F6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4BAEE2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4BAEE2 shade: #4BAEE2, #3A9CCF, #298ABC, #1878A9 and #076696

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4BAEE2 shade: #4BADE1, #4B85E1, #4B5CE1, #624BE1 and #8A4BE1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4BAEE2 shade: #4BADE1, #4B85E1, #4B5CE1 and #4B4BE1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4BAEE2 shade matches the following richer shades: #4BADE1 and #3AB3F2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4BAEE2 shade: #4BADE1, #5CA8D0, #6DA3BF, #7D9EAE and #8E989E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4BAEE2 shade: #4BE1C3, #4BD7E1, #4BAFE1, #4B87E1 and #4B5FE1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4BAEE2 shade: #1E85BB, #279DDB, #4BADE1, #6EBDE7 and #92CDED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4BAEE2 shade: #4BAEE2, #9B4BE1 and #E1D74B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4BAEE2 shade: #4BAEE2, #E14BAF and #AFE14B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4BAEE2 shade: #4BAEE2, #9B4BE1, #E17D4B and #91E14B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4BAEE2 shade: #4BAEE2, #C84BE1, #E17D4B and #64E14B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 23 / 0 / 11

HEX #4BAEE2

RGB 75 174 226

HSL 200.66, 0.72%, 0.59%

LAB 67.47, -12.81, -34.63

 

Complementary color

CMYK 0 / 55 / 84 / 29

HEX #B4511D

RGB 180 81 29

HSL 20.66, 0.72%, 0.41%

LAB 46.55, 37.33, 47.24

 

CMYK 64 / 21 / 0 / 13

HEX #50AEDD

RGB 80 174 221

HSL 200, 0.67%, 0.59%

LAB 67.43, -13.59, -31.95

 

CMYK 60 / 20 / 0 / 6

HEX #61C0F0

RGB 97 192 240

HSL 200.14, 0.83%, 0.66%

LAB 73.89, -14.3, -32.25

 

CMYK 55 / 18 / 0 / 0

HEX #72D2FF

RGB 114 210 255

HSL 199.15, 1%, 0.72%

LAB 80.12, -16.03, -30.65

 

CMYK 49 / 11 / 0 / 0

HEX #83E4FF

RGB 131 228 255

HSL 193.06, 1%, 0.76%

LAB 85.77, -21.63, -21.96

 

CMYK 42 / 4 / 0 / 0

HEX #94F6FF

RGB 148 246 255

HSL 185.05, 1%, 0.79%

LAB 91.43, -26.59, -13.38

 

CMYK 67 / 23 / 0 / 11

HEX #4BAEE2

RGB 75 174 226

HSL 200.66, 0.72%, 0.59%

LAB 67.47, -12.81, -34.63

 

CMYK 72 / 25 / 0 / 19

HEX #3A9CCF

RGB 58 156 207

HSL 200.54, 0.61%, 0.52%

LAB 60.94, -11.73, -34.31

 

CMYK 78 / 27 / 0 / 26

HEX #298ABC

RGB 41 138 188

HSL 200.41, 0.64%, 0.45%

LAB 54.32, -10.35, -33.95

 

CMYK 86 / 29 / 0 / 34

HEX #1878A9

RGB 24 120 169

HSL 200.28, 0.75%, 0.38%

LAB 47.61, -8.54, -33.52

 

CMYK 95 / 32 / 0 / 41

HEX #076696

RGB 7 102 150

HSL 200.14, 0.91%, 0.31%

LAB 40.82, -6.18, -33.01

 

CMYK 67 / 23 / 0 / 12

HEX #4BADE1

RGB 75 173 225

HSL 200.8, 0.71%, 0.59%

LAB 67.14, -12.59, -34.6

 

CMYK 67 / 41 / 0 / 12

HEX #4B85E1

RGB 75 133 225

HSL 216.8, 0.71%, 0.59%

LAB 55.79, 10.39, -52.45

 

CMYK 67 / 59 / 0 / 12

HEX #4B5CE1

RGB 75 92 225

HSL 233.2, 0.71%, 0.59%

LAB 45.06, 35.77, -69.75

 

CMYK 56 / 67 / 0 / 12

HEX #624BE1

RGB 98 75 225

HSL 249.2, 0.71%, 0.59%

LAB 42.86, 49.25, -73.27

 

CMYK 39 / 67 / 0 / 12

HEX #8A4BE1

RGB 138 75 225

HSL 265.2, 0.71%, 0.59%

LAB 46.81, 56.29, -66.68

 

CMYK 67 / 23 / 0 / 12

HEX #4BADE1

RGB 75 173 225

HSL 200.8, 0.71%, 0.59%

LAB 67.14, -12.59, -34.6

 

CMYK 67 / 41 / 0 / 12

HEX #4B85E1

RGB 75 133 225

HSL 216.8, 0.71%, 0.59%

LAB 55.79, 10.39, -52.45

 

CMYK 67 / 59 / 0 / 12

HEX #4B5CE1

RGB 75 92 225

HSL 233.2, 0.71%, 0.59%

LAB 45.06, 35.77, -69.75

 

CMYK 67 / 67 / 0 / 12

HEX #4B4BE1

RGB 75 75 225

HSL 240, 0.71%, 0.59%

LAB 41.16, 46.02, -76.13

 

CMYK 67 / 23 / 0 / 12

HEX #4BADE1

RGB 75 173 225

HSL 200.8, 0.71%, 0.59%

LAB 67.14, -12.59, -34.6

 

CMYK 76 / 26 / 0 / 5

HEX #3AB3F2

RGB 58 179 242

HSL 200.54, 0.88%, 0.59%

LAB 69.15, -12.46, -40.79

 

CMYK 67 / 23 / 0 / 12

HEX #4BADE1

RGB 75 173 225

HSL 200.8, 0.71%, 0.59%

LAB 67.14, -12.59, -34.6

 

CMYK 56 / 19 / 0 / 18

HEX #5CA8D0

RGB 92 168 208

HSL 200.69, 0.55%, 0.59%

LAB 65.62, -12.13, -27.53

 

CMYK 43 / 15 / 0 / 25

HEX #6DA3BF

RGB 109 163 191

HSL 200.49, 0.39%, 0.59%

LAB 64.33, -10.38, -19.99

 

CMYK 28 / 9 / 0 / 32

HEX #7D9EAE

RGB 125 158 174

HSL 199.59, 0.23%, 0.59%

LAB 63.24, -7.56, -12.03

 

CMYK 10 / 4 / 0 / 38

HEX #8E989E

RGB 142 152 158

HSL 202.5, 0.08%, 0.59%

LAB 62.23, -2.33, -4.38

 

CMYK 67 / 0 / 13 / 12

HEX #4BE1C3

RGB 75 225 195

HSL 168, 0.71%, 0.59%

LAB 81.45, -46.35, 3.16

 

CMYK 67 / 4 / 0 / 12

HEX #4BD7E1

RGB 75 215 225

HSL 184, 0.71%, 0.59%

LAB 79.35, -33.83, -15.93

 

CMYK 67 / 22 / 0 / 12

HEX #4BAFE1

RGB 75 175 225

HSL 200, 0.71%, 0.59%

LAB 67.72, -13.67, -33.7

 

CMYK 67 / 40 / 0 / 12

HEX #4B87E1

RGB 75 135 225

HSL 216, 0.71%, 0.59%

LAB 56.35, 9.18, -51.57

 

CMYK 67 / 58 / 0 / 12

HEX #4B5FE1

RGB 75 95 225

HSL 232, 0.71%, 0.59%

LAB 45.79, 33.91, -68.56

 

CMYK 84 / 29 / 0 / 27

HEX #1E85BB

RGB 30 133 187

HSL 200.64, 0.72%, 0.43%

LAB 52.55, -8.92, -36.16

 

CMYK 82 / 28 / 0 / 14

HEX #279DDB

RGB 39 157 219

HSL 200.67, 0.71%, 0.51%

LAB 61.36, -10.21, -40.37

 

CMYK 67 / 23 / 0 / 12

HEX #4BADE1

RGB 75 173 225

HSL 200.8, 0.71%, 0.59%

LAB 67.14, -12.59, -34.6

 

CMYK 52 / 18 / 0 / 9

HEX #6EBDE7

RGB 110 189 231

HSL 200.83, 0.72%, 0.67%

LAB 73.21, -12.8, -28.4

 

CMYK 38 / 14 / 0 / 7

HEX #92CDED

RGB 146 205 237

HSL 201.1, 0.72%, 0.75%

LAB 79.55, -11.01, -21.79

 

CMYK 67 / 23 / 0 / 11

HEX #4BAEE2

RGB 75 174 226

HSL 200.66, 0.72%, 0.59%

LAB 67.47, -12.81, -34.63

 

CMYK 31 / 67 / 0 / 12

HEX #9B4BE1

RGB 155 75 225

HSL 272, 0.71%, 0.59%

LAB 48.81, 59.67, -63.34

 

CMYK 0 / 4 / 67 / 12

HEX #E1D74B

RGB 225 215 75

HSL 56, 0.71%, 0.59%

LAB 84.54, -12.67, 67.28

 

CMYK 67 / 23 / 0 / 11

HEX #4BAEE2

RGB 75 174 226

HSL 200.66, 0.72%, 0.59%

LAB 67.47, -12.81, -34.63

 

CMYK 0 / 67 / 22 / 12

HEX #E14BAF

RGB 225 75 175

HSL 320, 0.71%, 0.59%

LAB 56.22, 67.42, -22.26

 

CMYK 22 / 0 / 67 / 12

HEX #AFE14B

RGB 175 225 75

HSL 80, 0.71%, 0.59%

LAB 83.69, -37.49, 65.27

 

CMYK 67 / 23 / 0 / 11

HEX #4BAEE2

RGB 75 174 226

HSL 200.66, 0.72%, 0.59%

LAB 67.47, -12.81, -34.63

 

CMYK 31 / 67 / 0 / 12

HEX #9B4BE1

RGB 155 75 225

HSL 272, 0.71%, 0.59%

LAB 48.81, 59.67, -63.34

 

CMYK 0 / 44 / 67 / 12

HEX #E17D4B

RGB 225 125 75

HSL 20, 0.71%, 0.59%

LAB 62.66, 34.56, 43.66

 

CMYK 36 / 0 / 67 / 12

HEX #91E14B

RGB 145 225 75

HSL 92, 0.71%, 0.59%

LAB 82.04, -48.31, 63.04

 

CMYK 67 / 23 / 0 / 11

HEX #4BAEE2

RGB 75 174 226

HSL 200.66, 0.72%, 0.59%

LAB 67.47, -12.81, -34.63

 

CMYK 11 / 67 / 0 / 12

HEX #C84BE1

RGB 200 75 225

HSL 290, 0.71%, 0.59%

LAB 54.81, 69.24, -53.37

 

CMYK 0 / 44 / 67 / 12

HEX #E17D4B

RGB 225 125 75

HSL 20, 0.71%, 0.59%

LAB 62.66, 34.56, 43.66

 

CMYK 56 / 0 / 67 / 12

HEX #64E14B

RGB 100 225 75

HSL 110, 0.71%, 0.59%

LAB 80.22, -61.72, 60.55

 

Description

Color code: HEX #4BAEE2 | qconv.com Color code: HEX #4BAEE2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 75 red, 174 green and 226 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
75 174 226 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, 23 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 23% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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