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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 225 215 75 it is the complementary color RGB 30 40 180. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 225 215 75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 225 215 75 shade: RGB 230 215 70, RGB 247 233 89, RGB 255 251 108, RGB 255 255 127 and RGB 255 255 146

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 225 215 75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 225 215 75 shade: RGB 225 215 75, RGB 208 197 56, RGB 191 179 37, RGB 174 161 18 and RGB 157 143 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 225 215 75 shade: RGB 224 214 76, RGB 224 174 76, RGB 224 134 76, RGB 224 94 76 and RGB 224 76 76

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 225 215 75 shade: RGB 224 214 76, RGB 194 224 76, RGB 154 224 76, RGB 114 224 76 and RGB 76 224 78

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 225 215 75 shade matches the following richer shades: RGB 224 214 76 and RGB 241 229 59

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 225 215 75 shade: RGB 224 214 76, RGB 207 200 93, RGB 190 185 110, RGB 173 170 126 and RGB 157 156 143

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 225 215 75 shade: RGB 224 135 76, RGB 224 175 76, RGB 224 214 76, RGB 194 224 76 and RGB 155 224 76

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 225 215 75 shade: RGB 186 176 31, RGB 218 206 40, RGB 224 214 76, RGB 230 222 111 and RGB 236 230 146

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 225 215 75 shade: RGB 225 215 75, RGB 76 224 96 and RGB 155 76 224

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 225 215 75 shade: RGB 225 215 75, RGB 76 224 214 and RGB 214 76 224

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 225 215 75 shade: RGB 225 215 75, RGB 76 224 96, RGB 76 86 224 and RGB 224 76 204

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 225 215 75 shade: RGB 225 215 75, RGB 76 224 140, RGB 76 86 224 and RGB 224 76 160

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 4 / 67 / 12

HEX #E1D74B

RGB 225 215 75

HSL 56, 0.71%, 0.59%

LAB 84.54, -12.67, 67.28

 

Complementary color

CMYK 83 / 78 / 0 / 29

HEX #1E28B4

RGB 30 40 180

HSL 236, 0.71%, 0.41%

LAB 26.99, 47.02, -73.37

 

CMYK 0 / 7 / 70 / 10

HEX #E6D746

RGB 230 215 70

HSL 54.38, 0.76%, 0.59%

LAB 84.93, -10.84, 69.7

 

CMYK 0 / 6 / 64 / 3

HEX #F7E959

RGB 247 233 89

HSL 54.68, 0.91%, 0.66%

LAB 91.13, -11.75, 69.15

 

CMYK 0 / 2 / 58 / 0

HEX #FFFB6C

RGB 255 251 108

HSL 58.37, 1%, 0.71%

LAB 96.55, -16.12, 67.35

 

CMYK 0 / 0 / 50 / 0

HEX #FFFF7F

RGB 255 255 127

HSL 60, 1%, 0.75%

LAB 97.76, -16.62, 60.42

 

CMYK 0 / 0 / 43 / 0

HEX #FFFF92

RGB 255 255 146

HSL 60, 1%, 0.79%

LAB 97.98, -14.92, 51.89

 

CMYK 0 / 4 / 67 / 12

HEX #E1D74B

RGB 225 215 75

HSL 56, 0.71%, 0.59%

LAB 84.54, -12.67, 67.28

 

CMYK 0 / 5 / 73 / 18

HEX #D0C538

RGB 208 197 56

HSL 55.66, 0.62%, 0.52%

LAB 78.24, -11.7, 67.59

 

CMYK 0 / 6 / 81 / 25

HEX #BFB325

RGB 191 179 37

HSL 55.32, 0.68%, 0.45%

LAB 71.86, -10.56, 67.24

 

CMYK 0 / 7 / 90 / 32

HEX #AEA112

RGB 174 161 18

HSL 55, 0.81%, 0.38%

LAB 65.38, -9.19, 65.76

 

CMYK 0 / 9 / 100 / 38

HEX #9D8F00

RGB 157 143 0

HSL 54.65, 1%, 0.31%

LAB 58.8, -7.59, 62.9

 

CMYK 0 / 4 / 66 / 12

HEX #E0D64C

RGB 224 214 76

HSL 55.95, 0.7%, 0.59%

LAB 84.21, -12.53, 66.52

 

CMYK 0 / 22 / 66 / 12

HEX #E0AE4C

RGB 224 174 76

HSL 39.73, 0.7%, 0.59%

LAB 73.96, 8.14, 55.74

 

CMYK 0 / 40 / 66 / 12

HEX #E0864C

RGB 224 134 76

HSL 23.51, 0.7%, 0.59%

LAB 64.5, 29.49, 45.22

 

CMYK 0 / 58 / 66 / 12

HEX #E05E4C

RGB 224 94 76

HSL 7.3, 0.7%, 0.59%

LAB 56.46, 49.59, 35.79

 

CMYK 0 / 66 / 66 / 12

HEX #E04C4C

RGB 224 76 76

HSL 0, 0.7%, 0.59%

LAB 53.53, 57.4, 32.22

 

CMYK 0 / 4 / 66 / 12

HEX #E0D64C

RGB 224 214 76

HSL 55.95, 0.7%, 0.59%

LAB 84.21, -12.53, 66.52

 

CMYK 13 / 0 / 66 / 12

HEX #C2E04C

RGB 194 224 76

HSL 72.16, 0.7%, 0.59%

LAB 84.64, -29.6, 66.25

 

CMYK 31 / 0 / 66 / 12

HEX #9AE04C

RGB 154 224 76

HSL 88.38, 0.7%, 0.59%

LAB 82.22, -44.69, 62.98

 

CMYK 49 / 0 / 66 / 12

HEX #72E04C

RGB 114 224 76

HSL 104.59, 0.7%, 0.59%

LAB 80.41, -57.52, 60.51

 

CMYK 66 / 0 / 65 / 12

HEX #4CE04E

RGB 76 224 78

HSL 120.81, 0.7%, 0.59%

LAB 79.27, -66.43, 58.14

 

CMYK 0 / 4 / 66 / 12

HEX #E0D64C

RGB 224 214 76

HSL 55.95, 0.7%, 0.59%

LAB 84.21, -12.53, 66.52

 

CMYK 0 / 5 / 76 / 5

HEX #F1E53B

RGB 241 229 59

HSL 56.04, 0.87%, 0.59%

LAB 89.42, -13.69, 78.02

 

CMYK 0 / 4 / 66 / 12

HEX #E0D64C

RGB 224 214 76

HSL 55.95, 0.7%, 0.59%

LAB 84.21, -12.53, 66.52

 

CMYK 0 / 3 / 55 / 19

HEX #CFC85D

RGB 207 200 93

HSL 56.32, 0.54%, 0.59%

LAB 79.25, -11.39, 53.47

 

CMYK 0 / 3 / 42 / 25

HEX #BEB96E

RGB 190 185 110

HSL 56.25, 0.38%, 0.59%

LAB 74.04, -9.1, 38.61

 

CMYK 0 / 2 / 27 / 32

HEX #ADAA7E

RGB 173 170 126

HSL 56.17, 0.22%, 0.59%

LAB 68.85, -6.09, 23.13

 

CMYK 0 / 1 / 9 / 38

HEX #9D9C8F

RGB 157 156 143

HSL 55.71, 0.07%, 0.59%

LAB 64.1, -2.02, 6.93

 

CMYK 0 / 40 / 66 / 12

HEX #E0874C

RGB 224 135 76

HSL 23.92, 0.7%, 0.59%

LAB 64.72, 28.96, 45.48

 

CMYK 0 / 22 / 66 / 12

HEX #E0AF4C

RGB 224 175 76

HSL 40.14, 0.7%, 0.59%

LAB 74.21, 7.61, 56

 

CMYK 0 / 4 / 66 / 12

HEX #E0D64C

RGB 224 214 76

HSL 55.95, 0.7%, 0.59%

LAB 84.21, -12.53, 66.52

 

CMYK 13 / 0 / 66 / 12

HEX #C2E04C

RGB 194 224 76

HSL 72.16, 0.7%, 0.59%

LAB 84.64, -29.6, 66.25

 

CMYK 31 / 0 / 66 / 12

HEX #9BE04C

RGB 155 224 76

HSL 87.97, 0.7%, 0.59%

LAB 82.27, -44.33, 63.05

 

CMYK 0 / 5 / 83 / 27

HEX #BAB01F

RGB 186 176 31

HSL 56.13, 0.71%, 0.43%

LAB 70.59, -11.38, 67.58

 

CMYK 0 / 6 / 82 / 15

HEX #DACE28

RGB 218 206 40

HSL 55.96, 0.71%, 0.51%

LAB 81.4, -12.56, 75.56

 

CMYK 0 / 4 / 66 / 12

HEX #E0D64C

RGB 224 214 76

HSL 55.95, 0.7%, 0.59%

LAB 84.21, -12.53, 66.52

 

CMYK 0 / 3 / 52 / 10

HEX #E6DE6F

RGB 230 222 111

HSL 55.97, 0.7%, 0.67%

LAB 87.1, -11.65, 54.73

 

CMYK 0 / 3 / 38 / 7

HEX #ECE692

RGB 236 230 146

HSL 56, 0.7%, 0.75%

LAB 90.09, -9.93, 41.65

 

CMYK 0 / 4 / 67 / 12

HEX #E1D74B

RGB 225 215 75

HSL 56, 0.71%, 0.59%

LAB 84.54, -12.67, 67.28

 

CMYK 66 / 0 / 57 / 12

HEX #4CE060

RGB 76 224 96

HSL 128.11, 0.7%, 0.59%

LAB 79.44, -64.45, 50.59

 

CMYK 31 / 66 / 0 / 12

HEX #9B4CE0

RGB 155 76 224

HSL 272.03, 0.7%, 0.59%

LAB 48.91, 58.97, -62.61

 

CMYK 0 / 4 / 67 / 12

HEX #E1D74B

RGB 225 215 75

HSL 56, 0.71%, 0.59%

LAB 84.54, -12.67, 67.28

 

CMYK 66 / 0 / 4 / 12

HEX #4CE0D6

RGB 76 224 214

HSL 175.95, 0.7%, 0.59%

LAB 81.68, -40.87, -6.59

 

CMYK 4 / 66 / 0 / 12

HEX #D64CE0

RGB 214 76 224

HSL 295.95, 0.7%, 0.59%

LAB 56.93, 71.78, -49.32

 

CMYK 0 / 4 / 67 / 12

HEX #E1D74B

RGB 225 215 75

HSL 56, 0.71%, 0.59%

LAB 84.54, -12.67, 67.28

 

CMYK 66 / 0 / 57 / 12

HEX #4CE060

RGB 76 224 96

HSL 128.11, 0.7%, 0.59%

LAB 79.44, -64.45, 50.59

 

CMYK 66 / 62 / 0 / 12

HEX #4C56E0

RGB 76 86 224

HSL 235.95, 0.7%, 0.59%

LAB 43.62, 39.25, -71.54

 

CMYK 0 / 66 / 9 / 12

HEX #E04CCC

RGB 224 76 204

HSL 308.11, 0.7%, 0.59%

LAB 57.44, 70.89, -37.07

 

CMYK 0 / 4 / 67 / 12

HEX #E1D74B

RGB 225 215 75

HSL 56, 0.71%, 0.59%

LAB 84.54, -12.67, 67.28

 

CMYK 66 / 0 / 38 / 12

HEX #4CE08C

RGB 76 224 140

HSL 145.95, 0.7%, 0.59%

LAB 80.03, -57.72, 29.95

 

CMYK 66 / 62 / 0 / 12

HEX #4C56E0

RGB 76 86 224

HSL 235.95, 0.7%, 0.59%

LAB 43.62, 39.25, -71.54

 

CMYK 0 / 66 / 29 / 12

HEX #E04CA0

RGB 224 76 160

HSL 325.95, 0.7%, 0.59%

LAB 55.64, 64.87, -14.41

 

Description

Color code: RGB 225 215 75 | qconv.com Color code: RGB 225 215 75 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 225 red, 215 green and 75 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
225 215 75 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 4 magenta, 67 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 4% 67% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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