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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4BEB2D it is the complementary color #B414D2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4BEB2D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4BEB2D shade: #50EB28, #61FD3B, #72FF4E, #83FF61 and #94FF74

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4BEB2D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4BEB2D shade: #4BEB2D, #3AD91A, #29C707, #18B500 and #07A300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4BEB2D shade: #4BEB2D, #7EEB2D, #B1EB2D, #E5EB2D and #EBBE2D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4BEB2D shade: #4BEB2D, #2DEB42, #2DEB75, #2DEBA9 and #2DEBDC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4BEB2D shade matches the following richer shades: #4BEB2D and #3EFE1A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4BEB2D shade: #4BEB2D, #57D83F, #64C652, #71B364 and #7DA177

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4BEB2D shade: #B2EB2D, #7FEB2D, #4CEB2D, #2DEB40 and #2DEB72

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4BEB2D shade: #2AB510, #33DA14, #4BEB2D, #6BEE52 and #8BF278

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4BEB2D shade: #4BEB2D, #2DE5EB and #EB2D98

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4BEB2D shade: #4BEB2D, #2D4CEB and #EB2D4C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4BEB2D shade: #4BEB2D, #2DE5EB, #CB2DEB and #EB332D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4BEB2D shade: #4BEB2D, #2DABEB, #CB2DEB and #EB6C2D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 0 / 81 / 8

HEX #4BEB2D

RGB 75 235 45

HSL 110.53, 0.83%, 0.55%

LAB 82.43, -72.56, 72.42

 

Complementary color

CMYK 14 / 90 / 0 / 18

HEX #B414D2

RGB 180 20 210

HSL 290.53, 0.83%, 0.45%

LAB 45.44, 78.26, -60.04

 

CMYK 66 / 0 / 83 / 8

HEX #50EB28

RGB 80 235 40

HSL 107.69, 0.83%, 0.54%

LAB 82.53, -71.85, 73.79

 

CMYK 62 / 0 / 77 / 1

HEX #61FD3B

RGB 97 253 59

HSL 108.25, 0.98%, 0.61%

LAB 88.5, -73.11, 74.42

 

CMYK 55 / 0 / 69 / 0

HEX #72FF4E

RGB 114 255 78

HSL 107.8, 1%, 0.65%

LAB 89.7, -68.58, 69.53

 

CMYK 49 / 0 / 62 / 0

HEX #83FF61

RGB 131 255 97

HSL 107.09, 1%, 0.69%

LAB 90.42, -62.53, 63.14

 

CMYK 42 / 0 / 55 / 0

HEX #94FF74

RGB 148 255 116

HSL 106.19, 1%, 0.73%

LAB 91.27, -55.73, 56.13

 

CMYK 68 / 0 / 81 / 8

HEX #4BEB2D

RGB 75 235 45

HSL 110.53, 0.83%, 0.55%

LAB 82.43, -72.56, 72.42

 

CMYK 73 / 0 / 88 / 15

HEX #3AD91A

RGB 58 217 26

HSL 109.95, 0.79%, 0.48%

LAB 76.44, -70.79, 71.18

 

CMYK 79 / 0 / 96 / 22

HEX #29C707

RGB 41 199 7

HSL 109.38, 0.93%, 0.4%

LAB 70.41, -68.39, 68.66

 

CMYK 87 / 0 / 100 / 29

HEX #18B500

RGB 24 181 0

HSL 112.04, 1%, 0.35%

LAB 64.36, -65.2, 64.5

 

CMYK 96 / 0 / 100 / 36

HEX #07A300

RGB 7 163 0

HSL 117.42, 1%, 0.32%

LAB 58.26, -61.27, 59.57

 

CMYK 68 / 0 / 81 / 8

HEX #4BEB2D

RGB 75 235 45

HSL 110.53, 0.83%, 0.55%

LAB 82.43, -72.56, 72.42

 

CMYK 46 / 0 / 81 / 8

HEX #7EEB2D

RGB 126 235 45

HSL 94.42, 0.83%, 0.55%

LAB 83.99, -60.12, 74.42

 

CMYK 25 / 0 / 81 / 8

HEX #B1EB2D

RGB 177 235 45

HSL 78.32, 0.83%, 0.55%

LAB 86.48, -42.69, 77.59

 

CMYK 3 / 0 / 81 / 8

HEX #E5EB2D

RGB 229 235 45

HSL 61.89, 0.83%, 0.55%

LAB 89.98, -22.04, 82

 

CMYK 0 / 19 / 81 / 8

HEX #EBBE2D

RGB 235 190 45

HSL 45.79, 0.83%, 0.55%

LAB 78.86, 3.07, 72.61

 

CMYK 68 / 0 / 81 / 8

HEX #4BEB2D

RGB 75 235 45

HSL 110.53, 0.83%, 0.55%

LAB 82.43, -72.56, 72.42

 

CMYK 81 / 0 / 72 / 8

HEX #2DEB42

RGB 45 235 66

HSL 126.63, 0.83%, 0.55%

LAB 82.04, -75.56, 65.44

 

CMYK 81 / 0 / 50 / 8

HEX #2DEB75

RGB 45 235 117

HSL 142.74, 0.83%, 0.55%

LAB 82.52, -69.7, 44.42

 

CMYK 81 / 0 / 28 / 8

HEX #2DEBA9

RGB 45 235 169

HSL 159.16, 0.83%, 0.55%

LAB 83.36, -60.08, 19.45

 

CMYK 81 / 0 / 6 / 8

HEX #2DEBDC

RGB 45 235 220

HSL 175.26, 0.83%, 0.55%

LAB 84.56, -47.5, -5.57

 

CMYK 68 / 0 / 81 / 8

HEX #4BEB2D

RGB 75 235 45

HSL 110.53, 0.83%, 0.55%

LAB 82.43, -72.56, 72.42

 

CMYK 76 / 0 / 90 / 0

HEX #3EFE1A

RGB 62 254 26

HSL 110.53, 0.99%, 0.55%

LAB 87.96, -81.01, 81.04

 

CMYK 68 / 0 / 81 / 8

HEX #4BEB2D

RGB 75 235 45

HSL 110.53, 0.83%, 0.55%

LAB 82.43, -72.56, 72.42

 

CMYK 60 / 0 / 71 / 15

HEX #57D83F

RGB 87 216 63

HSL 110.59, 0.66%, 0.55%

LAB 76.98, -62.69, 61.59

 

CMYK 49 / 0 / 59 / 22

HEX #64C652

RGB 100 198 82

HSL 110.69, 0.5%, 0.55%

LAB 72.03, -50.88, 48.49

 

CMYK 37 / 0 / 44 / 30

HEX #71B364

RGB 113 179 100

HSL 110.13, 0.34%, 0.55%

LAB 67.03, -36.55, 33.79

 

CMYK 22 / 0 / 26 / 37

HEX #7DA177

RGB 125 161 119

HSL 111.43, 0.18%, 0.55%

LAB 62.66, -20.71, 17.95

 

CMYK 24 / 0 / 81 / 8

HEX #B2EB2D

RGB 178 235 45

HSL 78, 0.83%, 0.55%

LAB 86.54, -42.31, 77.67

 

CMYK 46 / 0 / 81 / 8

HEX #7FEB2D

RGB 127 235 45

HSL 94.11, 0.83%, 0.55%

LAB 84.03, -59.81, 74.47

 

CMYK 68 / 0 / 81 / 8

HEX #4CEB2D

RGB 76 235 45

HSL 110.21, 0.83%, 0.55%

LAB 82.46, -72.38, 72.45

 

CMYK 81 / 0 / 73 / 8

HEX #2DEB40

RGB 45 235 64

HSL 126, 0.83%, 0.55%

LAB 82.03, -75.72, 66.11

 

CMYK 81 / 0 / 51 / 8

HEX #2DEB72

RGB 45 235 114

HSL 141.79, 0.83%, 0.55%

LAB 82.48, -70.15, 45.8

 

CMYK 77 / 0 / 91 / 29

HEX #2AB510

RGB 42 181 16

HSL 110.55, 0.84%, 0.39%

LAB 64.63, -62.69, 62.71

 

CMYK 77 / 0 / 91 / 15

HEX #33DA14

RGB 51 218 20

HSL 110.61, 0.83%, 0.47%

LAB 76.62, -72.31, 72.29

 

CMYK 68 / 0 / 81 / 8

HEX #4BEB2D

RGB 75 235 45

HSL 110.53, 0.83%, 0.55%

LAB 82.43, -72.56, 72.42

 

CMYK 55 / 0 / 66 / 7

HEX #6BEE52

RGB 107 238 82

HSL 110.38, 0.82%, 0.63%

LAB 84.42, -64, 62.38

 

CMYK 43 / 0 / 50 / 5

HEX #8BF278

RGB 139 242 120

HSL 110.66, 0.82%, 0.71%

LAB 87.17, -52.72, 49.29

 

CMYK 68 / 0 / 81 / 8

HEX #4BEB2D

RGB 75 235 45

HSL 110.53, 0.83%, 0.55%

LAB 82.43, -72.56, 72.42

 

CMYK 81 / 3 / 0 / 8

HEX #2DE5EB

RGB 45 229 235

HSL 181.89, 0.83%, 0.55%

LAB 83.23, -40.64, -15.46

 

CMYK 0 / 81 / 35 / 8

HEX #EB2D98

RGB 235 45 152

HSL 326.21, 0.83%, 0.55%

LAB 53.82, 76.43, -12.26

 

CMYK 68 / 0 / 81 / 8

HEX #4BEB2D

RGB 75 235 45

HSL 110.53, 0.83%, 0.55%

LAB 82.43, -72.56, 72.42

 

CMYK 81 / 68 / 0 / 8

HEX #2D4CEB

RGB 45 76 235

HSL 230.21, 0.83%, 0.55%

LAB 40.78, 45.89, -82.49

 

CMYK 0 / 81 / 68 / 8

HEX #EB2D4C

RGB 235 45 76

HSL 350.21, 0.83%, 0.55%

LAB 51.91, 70.75, 30.66

 

CMYK 68 / 0 / 81 / 8

HEX #4BEB2D

RGB 75 235 45

HSL 110.53, 0.83%, 0.55%

LAB 82.43, -72.56, 72.42

 

CMYK 81 / 3 / 0 / 8

HEX #2DE5EB

RGB 45 229 235

HSL 181.89, 0.83%, 0.55%

LAB 83.23, -40.64, -15.46

 

CMYK 14 / 81 / 0 / 8

HEX #CB2DEB

RGB 203 45 235

HSL 289.89, 0.83%, 0.55%

LAB 52.48, 81.28, -62.73

 

CMYK 0 / 78 / 81 / 8

HEX #EB332D

RGB 235 51 45

HSL 1.89, 0.83%, 0.55%

LAB 52.08, 68.02, 48.28

 

CMYK 68 / 0 / 81 / 8

HEX #4BEB2D

RGB 75 235 45

HSL 110.53, 0.83%, 0.55%

LAB 82.43, -72.56, 72.42

 

CMYK 81 / 27 / 0 / 8

HEX #2DABEB

RGB 45 171 235

HSL 200.21, 0.83%, 0.55%

LAB 66.28, -11.8, -41.48

 

CMYK 14 / 81 / 0 / 8

HEX #CB2DEB

RGB 203 45 235

HSL 289.89, 0.83%, 0.55%

LAB 52.48, 81.28, -62.73

 

CMYK 0 / 54 / 81 / 8

HEX #EB6C2D

RGB 235 108 45

HSL 19.89, 0.83%, 0.55%

LAB 60.41, 45.66, 56.12

 

Description

Color code: HEX #4BEB2D | qconv.com Color code: HEX #4BEB2D | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 75 red, 235 green and 45 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
75 235 45 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, none magenta, 81 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 0% 81% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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