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Color name
HEX #B2EB2D

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B2EB2D it is the complementary color #4D14D2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B2EB2D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B2EB2D shade: #B7EB28, #C8FD3B, #D9FF4E, #EAFF61 and #FBFF74

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B2EB2D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B2EB2D shade: #B2EB2D, #A1D91A, #90C707, #7FB500 and #6EA300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B2EB2D shade: #B2EB2D, #E5EB2D, #EBBD2D, #EB8A2D and #EB572D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B2EB2D shade: #B2EB2D, #7EEB2D, #4BEB2D, #2DEB41 and #2DEB75

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B2EB2D shade matches the following richer shades: #B2EB2D and #B9FE1A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B2EB2D shade: #B2EB2D, #AAD83F, #A3C652, #9CB364 and #94A177

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B2EB2D shade: #EBBF2D, #E5EB2D, #B2EB2D, #7FEB2D and #4CEB2D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B2EB2D shade: #83B510, #9FDA14, #B2EB2D, #C0EE52 and #CDF278

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B2EB2D shade: #B2EB2D, #2DEB8C and #D82DEB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B2EB2D shade: #B2EB2D, #2DB2EB and #EB2DB2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B2EB2D shade: #B2EB2D, #2DEB8C, #662DEB and #EB2D8C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B2EB2D shade: #B2EB2D, #2DEBC5, #662DEB and #EB2D53

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 0 / 81 / 8

HEX #B2EB2D

RGB 178 235 45

HSL 78, 0.83%, 0.55%

LAB 86.54, -42.31, 77.67

 

Complementary color

CMYK 63 / 90 / 0 / 18

HEX #4D14D2

RGB 77 20 210

HSL 258, 0.83%, 0.45%

LAB 31.19, 66.47, -83.95

 

CMYK 22 / 0 / 83 / 8

HEX #B7EB28

RGB 183 235 40

HSL 76, 0.83%, 0.54%

LAB 86.82, -40.58, 79.21

 

CMYK 21 / 0 / 77 / 1

HEX #C8FD3B

RGB 200 253 59

HSL 76.39, 0.98%, 0.61%

LAB 92.95, -41.31, 80.19

 

CMYK 15 / 0 / 69 / 0

HEX #D9FF4E

RGB 217 255 78

HSL 72.88, 1%, 0.65%

LAB 94.66, -34.79, 76.17

 

CMYK 8 / 0 / 62 / 0

HEX #EAFF61

RGB 234 255 97

HSL 67.97, 1%, 0.69%

LAB 95.95, -27.05, 70.75

 

CMYK 2 / 0 / 55 / 0

HEX #FBFF74

RGB 251 255 116

HSL 61.73, 1%, 0.73%

LAB 97.35, -19.05, 64.73

 

CMYK 24 / 0 / 81 / 8

HEX #B2EB2D

RGB 178 235 45

HSL 78, 0.83%, 0.55%

LAB 86.54, -42.31, 77.67

 

CMYK 26 / 0 / 88 / 15

HEX #A1D91A

RGB 161 217 26

HSL 77.59, 0.79%, 0.48%

LAB 80.34, -41.49, 76.04

 

CMYK 28 / 0 / 96 / 22

HEX #90C707

RGB 144 199 7

HSL 77.19, 0.93%, 0.4%

LAB 74.06, -40.47, 73.11

 

CMYK 30 / 0 / 100 / 29

HEX #7FB500

RGB 127 181 0

HSL 77.9, 1%, 0.35%

LAB 67.69, -39.22, 68.54

 

CMYK 33 / 0 / 100 / 36

HEX #6EA300

RGB 110 163 0

HSL 79.51, 1%, 0.32%

LAB 61.23, -37.85, 63.16

 

CMYK 24 / 0 / 81 / 8

HEX #B2EB2D

RGB 178 235 45

HSL 78, 0.83%, 0.55%

LAB 86.54, -42.31, 77.67

 

CMYK 3 / 0 / 81 / 8

HEX #E5EB2D

RGB 229 235 45

HSL 61.89, 0.83%, 0.55%

LAB 89.98, -22.04, 82

 

CMYK 0 / 20 / 81 / 8

HEX #EBBD2D

RGB 235 189 45

HSL 45.47, 0.83%, 0.55%

LAB 78.61, 3.59, 72.39

 

CMYK 0 / 41 / 81 / 8

HEX #EB8A2D

RGB 235 138 45

HSL 29.37, 0.83%, 0.55%

LAB 66.54, 30.49, 61.71

 

CMYK 0 / 63 / 81 / 8

HEX #EB572D

RGB 235 87 45

HSL 13.26, 0.83%, 0.55%

LAB 56.75, 55.22, 52.71

 

CMYK 24 / 0 / 81 / 8

HEX #B2EB2D

RGB 178 235 45

HSL 78, 0.83%, 0.55%

LAB 86.54, -42.31, 77.67

 

CMYK 46 / 0 / 81 / 8

HEX #7EEB2D

RGB 126 235 45

HSL 94.42, 0.83%, 0.55%

LAB 83.99, -60.12, 74.42

 

CMYK 68 / 0 / 81 / 8

HEX #4BEB2D

RGB 75 235 45

HSL 110.53, 0.83%, 0.55%

LAB 82.43, -72.56, 72.42

 

CMYK 81 / 0 / 72 / 8

HEX #2DEB41

RGB 45 235 65

HSL 126.32, 0.83%, 0.55%

LAB 82.03, -75.64, 65.78

 

CMYK 81 / 0 / 50 / 8

HEX #2DEB75

RGB 45 235 117

HSL 142.74, 0.83%, 0.55%

LAB 82.52, -69.7, 44.42

 

CMYK 24 / 0 / 81 / 8

HEX #B2EB2D

RGB 178 235 45

HSL 78, 0.83%, 0.55%

LAB 86.54, -42.31, 77.67

 

CMYK 27 / 0 / 90 / 0

HEX #B9FE1A

RGB 185 254 26

HSL 78.16, 0.99%, 0.55%

LAB 92.25, -48.35, 86.35

 

CMYK 24 / 0 / 81 / 8

HEX #B2EB2D

RGB 178 235 45

HSL 78, 0.83%, 0.55%

LAB 86.54, -42.31, 77.67

 

CMYK 21 / 0 / 71 / 15

HEX #AAD83F

RGB 170 216 63

HSL 78.04, 0.66%, 0.55%

LAB 80.75, -36.09, 66.62

 

CMYK 18 / 0 / 59 / 22

HEX #A3C652

RGB 163 198 82

HSL 78.1, 0.5%, 0.55%

LAB 75.32, -29.11, 53.11

 

CMYK 13 / 0 / 44 / 30

HEX #9CB364

RGB 156 179 100

HSL 77.47, 0.34%, 0.55%

LAB 69.63, -20.79, 37.62

 

CMYK 8 / 0 / 26 / 37

HEX #94A177

RGB 148 161 119

HSL 78.57, 0.18%, 0.55%

LAB 64.26, -12.1, 20.39

 

CMYK 0 / 19 / 81 / 8

HEX #EBBF2D

RGB 235 191 45

HSL 46.11, 0.83%, 0.55%

LAB 79.11, 2.55, 72.82

 

CMYK 3 / 0 / 81 / 8

HEX #E5EB2D

RGB 229 235 45

HSL 61.89, 0.83%, 0.55%

LAB 89.98, -22.04, 82

 

CMYK 24 / 0 / 81 / 8

HEX #B2EB2D

RGB 178 235 45

HSL 78, 0.83%, 0.55%

LAB 86.54, -42.31, 77.67

 

CMYK 46 / 0 / 81 / 8

HEX #7FEB2D

RGB 127 235 45

HSL 94.11, 0.83%, 0.55%

LAB 84.03, -59.81, 74.47

 

CMYK 68 / 0 / 81 / 8

HEX #4CEB2D

RGB 76 235 45

HSL 110.21, 0.83%, 0.55%

LAB 82.46, -72.38, 72.45

 

CMYK 28 / 0 / 91 / 29

HEX #83B510

RGB 131 181 16

HSL 78.18, 0.84%, 0.39%

LAB 67.95, -37.39, 66.83

 

CMYK 27 / 0 / 91 / 15

HEX #9FDA14

RGB 159 218 20

HSL 77.88, 0.83%, 0.47%

LAB 80.5, -42.82, 77.08

 

CMYK 24 / 0 / 81 / 8

HEX #B2EB2D

RGB 178 235 45

HSL 78, 0.83%, 0.55%

LAB 86.54, -42.31, 77.67

 

CMYK 19 / 0 / 66 / 7

HEX #C0EE52

RGB 192 238 82

HSL 77.69, 0.82%, 0.63%

LAB 88.43, -36.44, 67.84

 

CMYK 15 / 0 / 50 / 5

HEX #CDF278

RGB 205 242 120

HSL 78.2, 0.82%, 0.71%

LAB 90.71, -30.27, 54.39

 

CMYK 24 / 0 / 81 / 8

HEX #B2EB2D

RGB 178 235 45

HSL 78, 0.83%, 0.55%

LAB 86.54, -42.31, 77.67

 

CMYK 81 / 0 / 40 / 8

HEX #2DEB8C

RGB 45 235 140

HSL 150, 0.83%, 0.55%

LAB 82.84, -65.89, 33.57

 

CMYK 8 / 81 / 0 / 8

HEX #D82DEB

RGB 216 45 235

HSL 294, 0.83%, 0.55%

LAB 54.53, 83.54, -59.33

 

CMYK 24 / 0 / 81 / 8

HEX #B2EB2D

RGB 178 235 45

HSL 78, 0.83%, 0.55%

LAB 86.54, -42.31, 77.67

 

CMYK 81 / 24 / 0 / 8

HEX #2DB2EB

RGB 45 178 235

HSL 198, 0.83%, 0.55%

LAB 68.31, -15.59, -38.3

 

CMYK 0 / 81 / 24 / 8

HEX #EB2DB2

RGB 235 45 178

HSL 318, 0.83%, 0.55%

LAB 54.82, 79.29, -26.02

 

CMYK 24 / 0 / 81 / 8

HEX #B2EB2D

RGB 178 235 45

HSL 78, 0.83%, 0.55%

LAB 86.54, -42.31, 77.67

 

CMYK 81 / 0 / 40 / 8

HEX #2DEB8C

RGB 45 235 140

HSL 150, 0.83%, 0.55%

LAB 82.84, -65.89, 33.57

 

CMYK 57 / 81 / 0 / 8

HEX #662DEB

RGB 102 45 235

HSL 258, 0.83%, 0.55%

LAB 39.07, 66.87, -85.17

 

CMYK 0 / 81 / 40 / 8

HEX #EB2D8C

RGB 235 45 140

HSL 330, 0.83%, 0.55%

LAB 53.42, 75.26, -5.72

 

CMYK 24 / 0 / 81 / 8

HEX #B2EB2D

RGB 178 235 45

HSL 78, 0.83%, 0.55%

LAB 86.54, -42.31, 77.67

 

CMYK 81 / 0 / 16 / 8

HEX #2DEBC5

RGB 45 235 197

HSL 168, 0.83%, 0.55%

LAB 83.97, -53.51, 5.68

 

CMYK 57 / 81 / 0 / 8

HEX #662DEB

RGB 102 45 235

HSL 258, 0.83%, 0.55%

LAB 39.07, 66.87, -85.17

 

CMYK 0 / 81 / 65 / 8

HEX #EB2D53

RGB 235 45 83

HSL 348, 0.83%, 0.55%

LAB 52.02, 71.1, 26.63

 

Description

Color code: HEX #B2EB2D | qconv.com Color code: HEX #B2EB2D | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 235 green and 45 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 235 45 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, none magenta, 81 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 0% 81% 8% C M Y K

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