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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4BFAAB it is the complementary color #B40554. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4BFAAB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4BFAAB shade: #50FAA6, #61FFB9, #72FFCC, #83FFDF and #94FFF2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4BFAAB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4BFAAB shade: #4BFAAB, #3AE898, #29D685, #18C472 and #07B25F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4BFAAB shade: #4BFAAB, #4BFA7C, #4BFA4D, #79FA4B and #A8FA4B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4BFAAB shade: #4BFAAB, #4BFADA, #4BEBFA, #4BBCFA and #4B8DFA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4BFAAB shade matches the following richer shades: #4BFAAB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4BFAAB shade: #4BFAAB, #5AEBAA, #69DCA8, #78CDA7 and #87BEA5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4BFAAB shade: #4BFA4B, #4BFA7A, #4BFAA9, #4BFAD7 and #4BEEFA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4BFAAB shade: #06ED85, #23F998, #4BFAAB, #74FBBE and #9CFCD1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4BFAAB shade: #4BFAAB, #4B7AFA and #FA634B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4BFAAB shade: #4BFAAB, #A94BFA and #FAA94B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4BFAAB shade: #4BFAAB, #4B7AFA, #FA4B9D and #FACB4B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4BFAAB shade: #4BFAAB, #514BFA, #FA4B9D and #F4FA4B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 0 / 32 / 2

HEX #4BFAAB

RGB 75 250 171

HSL 152.91, 0.95%, 0.64%

LAB 88.36, -61.74, 25.38

 

Complementary color

CMYK 0 / 97 / 53 / 29

HEX #B40554

RGB 180 5 84

HSL 332.91, 0.95%, 0.36%

LAB 38.64, 64.22, 6.05

 

CMYK 68 / 0 / 34 / 2

HEX #50FAA6

RGB 80 250 166

HSL 150.35, 0.94%, 0.65%

LAB 88.37, -61.97, 27.94

 

CMYK 62 / 0 / 27 / 0

HEX #61FFB9

RGB 97 255 185

HSL 153.42, 1%, 0.69%

LAB 90.58, -57.27, 21.39

 

CMYK 55 / 0 / 20 / 0

HEX #72FFCC

RGB 114 255 204

HSL 158.3, 1%, 0.72%

LAB 91.44, -50.02, 12.93

 

CMYK 49 / 0 / 13 / 0

HEX #83FFDF

RGB 131 255 223

HSL 164.52, 1%, 0.76%

LAB 92.43, -42.21, 4.62

 

CMYK 42 / 0 / 5 / 0

HEX #94FFF2

RGB 148 255 242

HSL 172.71, 1%, 0.79%

LAB 93.55, -33.95, -3.49

 

CMYK 70 / 0 / 32 / 2

HEX #4BFAAB

RGB 75 250 171

HSL 152.91, 0.95%, 0.64%

LAB 88.36, -61.74, 25.38

 

CMYK 75 / 0 / 34 / 9

HEX #3AE898

RGB 58 232 152

HSL 152.41, 0.79%, 0.57%

LAB 82.31, -61.11, 26.81

 

CMYK 81 / 0 / 38 / 16

HEX #29D685

RGB 41 214 133

HSL 151.91, 0.68%, 0.5%

LAB 76.23, -60.17, 28.36

 

CMYK 88 / 0 / 42 / 23

HEX #18C472

RGB 24 196 114

HSL 151.4, 0.78%, 0.43%

LAB 70.1, -58.84, 30.04

 

CMYK 96 / 0 / 47 / 30

HEX #07B25F

RGB 7 178 95

HSL 150.88, 0.92%, 0.36%

LAB 63.93, -56.99, 31.85

 

CMYK 70 / 0 / 32 / 2

HEX #4BFAAB

RGB 75 250 171

HSL 152.91, 0.95%, 0.64%

LAB 88.36, -61.74, 25.38

 

CMYK 70 / 0 / 50 / 2

HEX #4BFA7C

RGB 75 250 124

HSL 136.8, 0.95%, 0.64%

LAB 87.64, -69.78, 47.56

 

CMYK 70 / 0 / 69 / 2

HEX #4BFA4D

RGB 75 250 77

HSL 120.69, 0.95%, 0.64%

LAB 87.19, -75.09, 66.98

 

CMYK 52 / 0 / 70 / 2

HEX #79FA4B

RGB 121 250 75

HSL 104.23, 0.95%, 0.64%

LAB 88.42, -65.24, 69.36

 

CMYK 33 / 0 / 70 / 2

HEX #A8FA4B

RGB 168 250 75

HSL 88.11, 0.95%, 0.64%

LAB 90.42, -50.79, 72.03

 

CMYK 70 / 0 / 32 / 2

HEX #4BFAAB

RGB 75 250 171

HSL 152.91, 0.95%, 0.64%

LAB 88.36, -61.74, 25.38

 

CMYK 70 / 0 / 13 / 2

HEX #4BFADA

RGB 75 250 218

HSL 169.03, 0.95%, 0.64%

LAB 89.36, -51.2, 2.57

 

CMYK 70 / 6 / 0 / 2

HEX #4BEBFA

RGB 75 235 250

HSL 185.14, 0.95%, 0.64%

LAB 85.91, -36.02, -19.28

 

CMYK 70 / 25 / 0 / 2

HEX #4BBCFA

RGB 75 188 250

HSL 201.26, 0.95%, 0.64%

LAB 72.47, -12.55, -39.9

 

CMYK 70 / 44 / 0 / 2

HEX #4B8DFA

RGB 75 141 250

HSL 217.37, 0.95%, 0.64%

LAB 59.39, 14.28, -60.58

 

CMYK 70 / 0 / 32 / 2

HEX #4BFAAB

RGB 75 250 171

HSL 152.91, 0.95%, 0.64%

LAB 88.36, -61.74, 25.38

 

CMYK 70 / 0 / 32 / 2

HEX #4BFAAB

RGB 75 250 171

HSL 152.91, 0.95%, 0.64%

LAB 88.36, -61.74, 25.38

 

CMYK 62 / 0 / 28 / 8

HEX #5AEBAA

RGB 90 235 170

HSL 153.1, 0.78%, 0.64%

LAB 84.22, -53.64, 20.26

 

CMYK 52 / 0 / 24 / 14

HEX #69DCA8

RGB 105 220 168

HSL 152.87, 0.62%, 0.64%

LAB 80.19, -44.7, 15.75

 

CMYK 41 / 0 / 19 / 20

HEX #78CDA7

RGB 120 205 167

HSL 153.18, 0.46%, 0.64%

LAB 76.34, -34.42, 10.93

 

CMYK 29 / 0 / 13 / 25

HEX #87BEA5

RGB 135 190 165

HSL 152.73, 0.3%, 0.64%

LAB 72.69, -23.23, 6.9

 

CMYK 70 / 0 / 70 / 2

HEX #4BFA4B

RGB 75 250 75

HSL 120, 0.95%, 0.64%

LAB 87.18, -75.25, 67.69

 

CMYK 70 / 0 / 51 / 2

HEX #4BFA7A

RGB 75 250 122

HSL 136.11, 0.95%, 0.64%

LAB 87.62, -70.07, 48.47

 

CMYK 70 / 0 / 32 / 2

HEX #4BFAA9

RGB 75 250 169

HSL 152.23, 0.95%, 0.64%

LAB 88.32, -62.14, 26.34

 

CMYK 70 / 0 / 14 / 2

HEX #4BFAD7

RGB 75 250 215

HSL 168, 0.95%, 0.64%

LAB 89.29, -51.94, 4.02

 

CMYK 70 / 5 / 0 / 2

HEX #4BEEFA

RGB 75 238 250

HSL 184.11, 0.95%, 0.64%

LAB 86.77, -37.41, -17.98

 

CMYK 97 / 0 / 44 / 7

HEX #06ED85

RGB 6 237 133

HSL 152.99, 0.95%, 0.48%

LAB 83.07, -70.05, 37.3

 

CMYK 86 / 0 / 39 / 2

HEX #23F998

RGB 35 249 152

HSL 152.8, 0.95%, 0.56%

LAB 87.18, -69.31, 33.28

 

CMYK 70 / 0 / 32 / 2

HEX #4BFAAB

RGB 75 250 171

HSL 152.91, 0.95%, 0.64%

LAB 88.36, -61.74, 25.38

 

CMYK 54 / 0 / 24 / 2

HEX #74FBBE

RGB 116 251 190

HSL 152.89, 0.94%, 0.72%

LAB 90.06, -50.86, 18.18

 

CMYK 38 / 0 / 17 / 1

HEX #9CFCD1

RGB 156 252 209

HSL 153.13, 0.94%, 0.8%

LAB 92.26, -37.66, 11.73

 

CMYK 70 / 0 / 32 / 2

HEX #4BFAAB

RGB 75 250 171

HSL 152.91, 0.95%, 0.64%

LAB 88.36, -61.74, 25.38

 

CMYK 70 / 51 / 0 / 2

HEX #4B7AFA

RGB 75 122 250

HSL 223.89, 0.95%, 0.64%

LAB 54.36, 25.87, -68.66

 

CMYK 0 / 60 / 70 / 2

HEX #FA634B

RGB 250 99 75

HSL 8.23, 0.95%, 0.64%

LAB 61.44, 56.34, 43.23

 

CMYK 70 / 0 / 32 / 2

HEX #4BFAAB

RGB 75 250 171

HSL 152.91, 0.95%, 0.64%

LAB 88.36, -61.74, 25.38

 

CMYK 32 / 70 / 0 / 2

HEX #A94BFA

RGB 169 75 250

HSL 272.23, 0.95%, 0.64%

LAB 52.25, 68.02, -71.72

 

CMYK 0 / 32 / 70 / 2

HEX #FAA94B

RGB 250 169 75

HSL 32.23, 0.95%, 0.64%

LAB 75.58, 21.62, 58.76

 

CMYK 70 / 0 / 32 / 2

HEX #4BFAAB

RGB 75 250 171

HSL 152.91, 0.95%, 0.64%

LAB 88.36, -61.74, 25.38

 

CMYK 70 / 51 / 0 / 2

HEX #4B7AFA

RGB 75 122 250

HSL 223.89, 0.95%, 0.64%

LAB 54.36, 25.87, -68.66

 

CMYK 0 / 70 / 37 / 2

HEX #FA4B9D

RGB 250 75 157

HSL 331.89, 0.95%, 0.64%

LAB 59.7, 71.96, -6.14

 

CMYK 0 / 19 / 70 / 2

HEX #FACB4B

RGB 250 203 75

HSL 43.89, 0.95%, 0.64%

LAB 83.73, 3.89, 67.18

 

CMYK 70 / 0 / 32 / 2

HEX #4BFAAB

RGB 75 250 171

HSL 152.91, 0.95%, 0.64%

LAB 88.36, -61.74, 25.38

 

CMYK 68 / 70 / 0 / 2

HEX #514BFA

RGB 81 75 250

HSL 242.06, 0.95%, 0.64%

LAB 43.78, 54.67, -85.92

 

CMYK 0 / 70 / 37 / 2

HEX #FA4B9D

RGB 250 75 157

HSL 331.89, 0.95%, 0.64%

LAB 59.7, 71.96, -6.14

 

CMYK 2 / 0 / 70 / 2

HEX #F4FA4B

RGB 244 250 75

HSL 62.06, 0.95%, 0.64%

LAB 95.21, -21.95, 78.37

 

Description

Color code: HEX #4BFAAB | qconv.com Color code: HEX #4BFAAB | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 75 red, 250 green and 171 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
75 250 171 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, none magenta, 32 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 0% 32% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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