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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4C505B it is the complementary color #B3AFA4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4C505B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4C505B shade: #515056, #626269, #73747C, #84868F and #9598A2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4C505B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4C505B shade: #4C505B, #3B3E48, #2A2C35, #191A22 and #08080F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4C505B shade: #4C505B, #4C4C5B, #504C5B, #544C5B and #584C5B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4C505B shade: #4C505B and #4C4C5B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4C505B shade matches the following richer shades: #4C505B, #3E4A69, #314376, #233D84 and #163792

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4C505B shade: #4C505B, #5A564E, #675D40, #756332 and #836A25

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4C505B shade: #4C585B, #4C545B, #4C505B, #4C4C5B and #504C5B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4C505B shade: #27292E, #393C45, #4C505B, #5F6472 and #727888

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4C505B shade: #4C505B, #5A4C5B and #565B4C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4C505B shade: #4C505B, #5B4C50 and #505B4C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4C505B shade: #4C505B, #5A4C5B, #5B574C and #4D5B4C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4C505B shade: #4C505B, #5B4C58, #5B574C and #4C5B50

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 12 / 0 / 64

HEX #4C505B

RGB 76 80 91

HSL 224, 0.09%, 0.33%

LAB 34.04, 0.99, -6.98

 

Complementary color

CMYK 0 / 2 / 8 / 30

HEX #B3AFA4

RGB 179 175 164

HSL 44, 0.09%, 0.67%

LAB 71.5, -0.55, 6.13

 

CMYK 6 / 7 / 0 / 66

HEX #515056

RGB 81 80 86

HSL 250, 0.04%, 0.33%

LAB 34.31, 1.73, -3.37

 

CMYK 7 / 7 / 0 / 59

HEX #626269

RGB 98 98 105

HSL 240, 0.03%, 0.4%

LAB 41.77, 1.51, -3.96

 

CMYK 7 / 6 / 0 / 51

HEX #73747C

RGB 115 116 124

HSL 233.33, 0.04%, 0.47%

LAB 49, 1.3, -4.53

 

CMYK 8 / 6 / 0 / 44

HEX #84868F

RGB 132 134 143

HSL 229.09, 0.05%, 0.54%

LAB 56.03, 1.11, -5.08

 

CMYK 8 / 6 / 0 / 36

HEX #9598A2

RGB 149 152 162

HSL 226.15, 0.07%, 0.61%

LAB 62.89, 0.94, -5.61

 

CMYK 16 / 12 / 0 / 64

HEX #4C505B

RGB 76 80 91

HSL 224, 0.09%, 0.33%

LAB 34.04, 0.99, -6.98

 

CMYK 18 / 14 / 0 / 72

HEX #3B3E48

RGB 59 62 72

HSL 226.15, 0.1%, 0.26%

LAB 26.28, 1.22, -6.52

 

CMYK 21 / 17 / 0 / 79

HEX #2A2C35

RGB 42 44 53

HSL 229.09, 0.12%, 0.19%

LAB 18.15, 1.48, -6.08

 

CMYK 26 / 24 / 0 / 87

HEX #191A22

RGB 25 26 34

HSL 233.33, 0.15%, 0.12%

LAB 9.49, 1.81, -5.67

 

CMYK 47 / 47 / 0 / 94

HEX #08080F

RGB 8 8 15

HSL 240, 0.3%, 0.05%

LAB 2.35, 1.08, -2.93

 

CMYK 16 / 12 / 0 / 64

HEX #4C505B

RGB 76 80 91

HSL 224, 0.09%, 0.33%

LAB 34.04, 0.99, -6.98

 

CMYK 16 / 16 / 0 / 64

HEX #4C4C5B

RGB 76 76 91

HSL 240, 0.09%, 0.33%

LAB 32.83, 3.52, -8.8

 

CMYK 12 / 16 / 0 / 64

HEX #504C5B

RGB 80 76 91

HSL 256, 0.09%, 0.33%

LAB 33.2, 5.04, -8.21

 

CMYK 8 / 16 / 0 / 64

HEX #544C5B

RGB 84 76 91

HSL 272, 0.09%, 0.33%

LAB 33.58, 6.58, -7.6

 

CMYK 3 / 16 / 0 / 64

HEX #584C5B

RGB 88 76 91

HSL 288, 0.09%, 0.33%

LAB 33.98, 8.14, -6.96

 

CMYK 16 / 12 / 0 / 64

HEX #4C505B

RGB 76 80 91

HSL 224, 0.09%, 0.33%

LAB 34.04, 0.99, -6.98

 

CMYK 16 / 16 / 0 / 64

HEX #4C4C5B

RGB 76 76 91

HSL 240, 0.09%, 0.33%

LAB 32.83, 3.52, -8.8

 

CMYK 16 / 12 / 0 / 64

HEX #4C505B

RGB 76 80 91

HSL 224, 0.09%, 0.33%

LAB 34.04, 0.99, -6.98

 

CMYK 41 / 30 / 0 / 59

HEX #3E4A69

RGB 62 74 105

HSL 223.26, 0.26%, 0.33%

LAB 31.67, 3.95, -19.55

 

CMYK 58 / 43 / 0 / 54

HEX #314376

RGB 49 67 118

HSL 224.35, 0.41%, 0.33%

LAB 29.35, 9.45, -31.47

 

CMYK 73 / 54 / 0 / 48

HEX #233D84

RGB 35 61 132

HSL 223.92, 0.58%, 0.33%

LAB 27.74, 16.22, -42.87

 

CMYK 85 / 62 / 0 / 43

HEX #163792

RGB 22 55 146

HSL 224.03, 0.74%, 0.33%

LAB 26.67, 24.5, -53.29

 

CMYK 16 / 12 / 0 / 64

HEX #4C505B

RGB 76 80 91

HSL 224, 0.09%, 0.33%

LAB 34.04, 0.99, -6.98

 

CMYK 0 / 4 / 13 / 65

HEX #5A564E

RGB 90 86 78

HSL 40, 0.07%, 0.33%

LAB 36.7, 0.04, 5.23

 

CMYK 0 / 10 / 38 / 60

HEX #675D40

RGB 103 93 64

HSL 44.62, 0.23%, 0.33%

LAB 39.72, -0.76, 18.14

 

CMYK 0 / 15 / 57 / 54

HEX #756332

RGB 117 99 50

HSL 43.88, 0.4%, 0.33%

LAB 42.67, 0.54, 30.19

 

CMYK 0 / 19 / 72 / 49

HEX #836A25

RGB 131 106 37

HSL 44.04, 0.56%, 0.33%

LAB 46, 2.05, 40.88

 

CMYK 16 / 3 / 0 / 64

HEX #4C585B

RGB 76 88 91

HSL 192, 0.09%, 0.33%

LAB 36.5, -3.95, -3.32

 

CMYK 16 / 8 / 0 / 64

HEX #4C545B

RGB 76 84 91

HSL 208, 0.09%, 0.33%

LAB 35.27, -1.5, -5.15

 

CMYK 16 / 12 / 0 / 64

HEX #4C505B

RGB 76 80 91

HSL 224, 0.09%, 0.33%

LAB 34.04, 0.99, -6.98

 

CMYK 16 / 16 / 0 / 64

HEX #4C4C5B

RGB 76 76 91

HSL 240, 0.09%, 0.33%

LAB 32.83, 3.52, -8.8

 

CMYK 12 / 16 / 0 / 64

HEX #504C5B

RGB 80 76 91

HSL 256, 0.09%, 0.33%

LAB 33.2, 5.04, -8.21

 

CMYK 15 / 11 / 0 / 82

HEX #27292E

RGB 39 41 46

HSL 222.86, 0.08%, 0.17%

LAB 16.57, 0.4, -3.57

 

CMYK 17 / 13 / 0 / 73

HEX #393C45

RGB 57 60 69

HSL 225, 0.1%, 0.25%

LAB 25.36, 0.97, -5.95

 

CMYK 16 / 12 / 0 / 64

HEX #4C505B

RGB 76 80 91

HSL 224, 0.09%, 0.33%

LAB 34.04, 0.99, -6.98

 

CMYK 17 / 12 / 0 / 55

HEX #5F6472

RGB 95 100 114

HSL 224.21, 0.09%, 0.41%

LAB 42.4, 1.26, -8.53

 

CMYK 16 / 12 / 0 / 47

HEX #727888

RGB 114 120 136

HSL 223.64, 0.09%, 0.49%

LAB 50.44, 1.29, -9.48

 

CMYK 16 / 12 / 0 / 64

HEX #4C505B

RGB 76 80 91

HSL 224, 0.09%, 0.33%

LAB 34.04, 0.99, -6.98

 

CMYK 1 / 16 / 0 / 64

HEX #5A4C5B

RGB 90 76 91

HSL 296, 0.09%, 0.33%

LAB 34.19, 8.92, -6.63

 

CMYK 5 / 0 / 16 / 64

HEX #565B4C

RGB 86 91 76

HSL 80, 0.09%, 0.33%

LAB 37.81, -5.04, 7.99

 

CMYK 16 / 12 / 0 / 64

HEX #4C505B

RGB 76 80 91

HSL 224, 0.09%, 0.33%

LAB 34.04, 0.99, -6.98

 

CMYK 0 / 16 / 12 / 64

HEX #5B4C50

RGB 91 76 80

HSL 344, 0.09%, 0.33%

LAB 33.92, 7.05, -0.03

 

CMYK 12 / 0 / 16 / 64

HEX #505B4C

RGB 80 91 76

HSL 104, 0.09%, 0.33%

LAB 37.32, -7.5, 7.22

 

CMYK 16 / 12 / 0 / 64

HEX #4C505B

RGB 76 80 91

HSL 224, 0.09%, 0.33%

LAB 34.04, 0.99, -6.98

 

CMYK 1 / 16 / 0 / 64

HEX #5A4C5B

RGB 90 76 91

HSL 296, 0.09%, 0.33%

LAB 34.19, 8.92, -6.63

 

CMYK 0 / 4 / 16 / 64

HEX #5B574C

RGB 91 87 76

HSL 44, 0.09%, 0.33%

LAB 37.05, -0.52, 6.97

 

CMYK 15 / 0 / 16 / 64

HEX #4D5B4C

RGB 77 91 76

HSL 116, 0.09%, 0.33%

LAB 37.08, -8.71, 6.86

 

CMYK 16 / 12 / 0 / 64

HEX #4C505B

RGB 76 80 91

HSL 224, 0.09%, 0.33%

LAB 34.04, 0.99, -6.98

 

CMYK 0 / 16 / 3 / 64

HEX #5B4C58

RGB 91 76 88

HSL 312, 0.09%, 0.33%

LAB 34.19, 8.68, -4.72

 

CMYK 0 / 4 / 16 / 64

HEX #5B574C

RGB 91 87 76

HSL 44, 0.09%, 0.33%

LAB 37.05, -0.52, 6.97

 

CMYK 16 / 0 / 12 / 64

HEX #4C5B50

RGB 76 91 80

HSL 136, 0.09%, 0.33%

LAB 37.11, -8.27, 4.41

 

Description

Color code: HEX #4C505B | qconv.com Color code: HEX #4C505B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 76 red, 80 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
76 80 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, 12 magenta, none yellow and 64 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 12% 0% 64% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

35% - International Exchan...
Link: http://en.hokusei.ac.jp

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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