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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #756332 it is the complementary color #8A9CCD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #756332. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #756332 shade: #7A632D, #8B7540, #9C8753, #AD9966 and #BEAB79

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #756332. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #756332 shade: #756332, #64511F, #533F0C, #422D00 and #311B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #756332 shade: #756332, #755132, #753F32 and #753232

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #756332 shade: #756332, #757532, #637532, #517532 and #3F7532

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #756332 shade matches the following richer shades: #756332, #836A24, #917017 and #9E7609

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #756332 shade: #756332, #685D40, #5A574D, #4C505B and #3F4A68

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #756332 shade: #753E32, #755032, #756232, #757432 and #647532

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #756332 shade: #3C3219, #584B26, #756332, #927C3E and #AF944B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #756332 shade: #756332, #387532 and #473275

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #756332 shade: #756332, #327562 and #623275

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #756332 shade: #756332, #387532, #324575 and #703275

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #756332 shade: #756332, #327541, #324575 and #753267

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 57 / 54

HEX #756332

RGB 117 99 50

HSL 43.88, 0.4%, 0.33%

LAB 42.67, 0.54, 30.19

 

Complementary color

CMYK 33 / 24 / 0 / 20

HEX #8A9CCD

RGB 138 156 205

HSL 223.88, 0.4%, 0.67%

LAB 64.63, 5.24, -27.17

 

CMYK 0 / 19 / 63 / 52

HEX #7A632D

RGB 122 99 45

HSL 42.08, 0.46%, 0.33%

LAB 43.14, 2.45, 33.55

 

CMYK 0 / 16 / 54 / 45

HEX #8B7540

RGB 139 117 64

HSL 42.4, 0.37%, 0.4%

LAB 50.19, 1.46, 32.17

 

CMYK 0 / 13 / 47 / 39

HEX #9C8753

RGB 156 135 83

HSL 42.74, 0.31%, 0.47%

LAB 57.1, 0.68, 30.8

 

CMYK 0 / 12 / 41 / 32

HEX #AD9966

RGB 173 153 102

HSL 43.1, 0.3%, 0.54%

LAB 63.86, 0.05, 29.5

 

CMYK 0 / 10 / 36 / 25

HEX #BEAB79

RGB 190 171 121

HSL 43.48, 0.35%, 0.61%

LAB 70.49, -0.48, 28.28

 

CMYK 0 / 15 / 57 / 54

HEX #756332

RGB 117 99 50

HSL 43.88, 0.4%, 0.33%

LAB 42.67, 0.54, 30.19

 

CMYK 0 / 19 / 69 / 61

HEX #64511F

RGB 100 81 31

HSL 43.48, 0.53%, 0.26%

LAB 35.39, 1.62, 31.53

 

CMYK 0 / 24 / 86 / 67

HEX #533F0C

RGB 83 63 12

HSL 43.1, 0.75%, 0.19%

LAB 27.9, 3.12, 32.34

 

CMYK 0 / 32 / 100 / 74

HEX #422D00

RGB 66 45 0

HSL 40.91, 1%, 0.13%

LAB 20.18, 5.24, 28.82

 

CMYK 0 / 45 / 100 / 81

HEX #311B00

RGB 49 27 0

HSL 33.06, 1%, 0.1%

LAB 12.2, 8.13, 18.32

 

CMYK 0 / 15 / 57 / 54

HEX #756332

RGB 117 99 50

HSL 43.88, 0.4%, 0.33%

LAB 42.67, 0.54, 30.19

 

CMYK 0 / 31 / 57 / 54

HEX #755132

RGB 117 81 50

HSL 27.76, 0.4%, 0.33%

LAB 37.66, 11.3, 24.11

 

CMYK 0 / 46 / 57 / 54

HEX #753F32

RGB 117 63 50

HSL 11.64, 0.4%, 0.33%

LAB 33.06, 22.09, 18.29

 

CMYK 0 / 57 / 57 / 54

HEX #753232

RGB 117 50 50

HSL 0, 0.4%, 0.33%

LAB 30.14, 29.46, 14.45

 

CMYK 0 / 15 / 57 / 54

HEX #756332

RGB 117 99 50

HSL 43.88, 0.4%, 0.33%

LAB 42.67, 0.54, 30.19

 

CMYK 0 / 0 / 57 / 54

HEX #757532

RGB 117 117 50

HSL 60, 0.4%, 0.33%

LAB 47.92, -9.77, 36.3

 

CMYK 15 / 0 / 57 / 54

HEX #637532

RGB 99 117 50

HSL 76.12, 0.4%, 0.33%

LAB 46.45, -17.79, 34.23

 

CMYK 31 / 0 / 57 / 54

HEX #517532

RGB 81 117 50

HSL 92.24, 0.4%, 0.33%

LAB 45.22, -25.28, 32.48

 

CMYK 46 / 0 / 57 / 54

HEX #3F7532

RGB 63 117 50

HSL 108.36, 0.4%, 0.33%

LAB 44.25, -31.9, 31.09

 

CMYK 0 / 15 / 57 / 54

HEX #756332

RGB 117 99 50

HSL 43.88, 0.4%, 0.33%

LAB 42.67, 0.54, 30.19

 

CMYK 0 / 19 / 73 / 49

HEX #836A24

RGB 131 106 36

HSL 44.21, 0.57%, 0.33%

LAB 45.99, 2, 41.33

 

CMYK 0 / 23 / 84 / 43

HEX #917017

RGB 145 112 23

HSL 43.77, 0.73%, 0.33%

LAB 49.09, 4.55, 49.92

 

CMYK 0 / 25 / 94 / 38

HEX #9E7609

RGB 158 118 9

HSL 43.89, 0.89%, 0.33%

LAB 52.11, 6.88, 56.51

 

CMYK 0 / 15 / 57 / 54

HEX #756332

RGB 117 99 50

HSL 43.88, 0.4%, 0.33%

LAB 42.67, 0.54, 30.19

 

CMYK 0 / 11 / 38 / 59

HEX #685D40

RGB 104 93 64

HSL 43.5, 0.24%, 0.33%

LAB 39.82, -0.31, 18.29

 

CMYK 0 / 3 / 14 / 65

HEX #5A574D

RGB 90 87 77

HSL 46.15, 0.08%, 0.33%

LAB 36.98, -0.76, 6.24

 

CMYK 16 / 12 / 0 / 64

HEX #4C505B

RGB 76 80 91

HSL 224, 0.09%, 0.33%

LAB 34.04, 0.99, -6.98

 

CMYK 39 / 29 / 0 / 59

HEX #3F4A68

RGB 63 74 104

HSL 223.9, 0.25%, 0.33%

LAB 31.7, 3.95, -18.87

 

CMYK 0 / 47 / 57 / 54

HEX #753E32

RGB 117 62 50

HSL 10.75, 0.4%, 0.33%

LAB 32.83, 22.67, 17.98

 

CMYK 0 / 32 / 57 / 54

HEX #755032

RGB 117 80 50

HSL 26.87, 0.4%, 0.33%

LAB 37.39, 11.91, 23.78

 

CMYK 0 / 16 / 57 / 54

HEX #756232

RGB 117 98 50

HSL 42.99, 0.4%, 0.33%

LAB 42.38, 1.13, 29.85

 

CMYK 0 / 1 / 57 / 54

HEX #757432

RGB 117 116 50

HSL 59.1, 0.4%, 0.33%

LAB 47.63, -9.21, 35.96

 

CMYK 15 / 0 / 57 / 54

HEX #647532

RGB 100 117 50

HSL 75.22, 0.4%, 0.33%

LAB 46.53, -17.35, 34.33

 

CMYK 0 / 17 / 58 / 76

HEX #3C3219

RGB 60 50 25

HSL 42.86, 0.41%, 0.17%

LAB 21.25, 0.53, 17.47

 

CMYK 0 / 15 / 57 / 65

HEX #584B26

RGB 88 75 38

HSL 44.4, 0.4%, 0.25%

LAB 32.36, 0.03, 23.87

 

CMYK 0 / 15 / 57 / 54

HEX #756332

RGB 117 99 50

HSL 43.88, 0.4%, 0.33%

LAB 42.67, 0.54, 30.19

 

CMYK 0 / 15 / 58 / 43

HEX #927C3E

RGB 146 124 62

HSL 44.29, 0.4%, 0.41%

LAB 52.81, 0.45, 36.53

 

CMYK 0 / 15 / 57 / 31

HEX #AF944B

RGB 175 148 75

HSL 43.8, 0.4%, 0.49%

LAB 62.34, 1.01, 41.79

 

CMYK 0 / 15 / 57 / 54

HEX #756332

RGB 117 99 50

HSL 43.88, 0.4%, 0.33%

LAB 42.67, 0.54, 30.19

 

CMYK 52 / 0 / 57 / 54

HEX #387532

RGB 56 117 50

HSL 114.63, 0.4%, 0.33%

LAB 43.94, -34.15, 30.64

 

CMYK 39 / 57 / 0 / 54

HEX #473275

RGB 71 50 117

HSL 258.81, 0.4%, 0.33%

LAB 26.46, 26.05, -35.34

 

CMYK 0 / 15 / 57 / 54

HEX #756332

RGB 117 99 50

HSL 43.88, 0.4%, 0.33%

LAB 42.67, 0.54, 30.19

 

CMYK 57 / 0 / 16 / 54

HEX #327562

RGB 50 117 98

HSL 162.99, 0.4%, 0.33%

LAB 44.64, -26.25, 4.1

 

CMYK 16 / 57 / 0 / 54

HEX #623275

RGB 98 50 117

HSL 282.99, 0.4%, 0.33%

LAB 29.82, 33.64, -29.79

 

CMYK 0 / 15 / 57 / 54

HEX #756332

RGB 117 99 50

HSL 43.88, 0.4%, 0.33%

LAB 42.67, 0.54, 30.19

 

CMYK 52 / 0 / 57 / 54

HEX #387532

RGB 56 117 50

HSL 114.63, 0.4%, 0.33%

LAB 43.94, -34.15, 30.64

 

CMYK 57 / 41 / 0 / 54

HEX #324575

RGB 50 69 117

HSL 222.99, 0.4%, 0.33%

LAB 29.96, 7.98, -29.87

 

CMYK 4 / 57 / 0 / 54

HEX #703275

RGB 112 50 117

HSL 295.52, 0.4%, 0.33%

LAB 31.83, 37.74, -26.48

 

CMYK 0 / 15 / 57 / 54

HEX #756332

RGB 117 99 50

HSL 43.88, 0.4%, 0.33%

LAB 42.67, 0.54, 30.19

 

CMYK 57 / 0 / 44 / 54

HEX #327541

RGB 50 117 65

HSL 133.43, 0.4%, 0.33%

LAB 43.92, -33.54, 22.41

 

CMYK 57 / 41 / 0 / 54

HEX #324575

RGB 50 69 117

HSL 222.99, 0.4%, 0.33%

LAB 29.96, 7.98, -29.87

 

CMYK 0 / 57 / 12 / 54

HEX #753267

RGB 117 50 103

HSL 312.54, 0.4%, 0.33%

LAB 31.9, 36.63, -17.42

 

Description

Color code: HEX #756332 | qconv.com Color code: HEX #756332 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 117 red, 99 green and 50 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
117 99 50 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 57 yellow and 54 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 57% 54% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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