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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4C809D it is the complementary color #B37F62. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4C809D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4C809D shade: #518098, #6292AB, #73A4BE, #84B6D1 and #95C8E4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4C809D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4C809D shade: #4C809D, #3B6E8A, #2A5C77, #194A64 and #083851

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4C809D shade: #4C809E, #4C6A9E, #4C549E, #594C9E and #704C9E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4C809D shade: #4C809E, #4C6A9E, #4C549E and #4C4C9E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4C809D shade matches the following richer shades: #4C809E, #3986B1, #268BC4, #1391D7 and #0096EA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4C809D shade: #4C809E, #5F7B8B, #727678, #857065 and #986B52

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4C809D shade: #4C9E8F, #4C979E, #4C819E, #4C6B9E and #4C559E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4C809D shade: #315366, #3E6A82, #4C809E, #6095B2 and #7CA8C0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4C809D shade: #4C809D, #794C9E and #9E9A4C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4C809D shade: #4C809D, #9E4C81 and #819E4C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4C809D shade: #4C809D, #794C9E, #9E684C and #719E4C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4C809D shade: #4C809D, #924C9E, #9E684C and #589E4C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 18 / 0 / 38

HEX #4C809D

RGB 76 128 157

HSL 201.48, 0.35%, 0.46%

LAB 51.16, -8.97, -20.89

 

Complementary color

CMYK 0 / 29 / 45 / 30

HEX #B37F62

RGB 179 127 98

HSL 21.48, 0.35%, 0.54%

LAB 57.7, 16.54, 23.75

 

CMYK 47 / 16 / 0 / 40

HEX #518098

RGB 81 128 152

HSL 200.28, 0.3%, 0.46%

LAB 51.21, -9.23, -17.88

 

CMYK 43 / 15 / 0 / 33

HEX #6292AB

RGB 98 146 171

HSL 200.55, 0.3%, 0.53%

LAB 58.13, -9.45, -18.21

 

CMYK 39 / 14 / 0 / 25

HEX #73A4BE

RGB 115 164 190

HSL 200.8, 0.37%, 0.6%

LAB 64.89, -9.62, -18.54

 

CMYK 37 / 13 / 0 / 18

HEX #84B6D1

RGB 132 182 209

HSL 201.04, 0.46%, 0.67%

LAB 71.53, -9.75, -18.88

 

CMYK 35 / 12 / 0 / 11

HEX #95C8E4

RGB 149 200 228

HSL 201.27, 0.59%, 0.74%

LAB 78.05, -9.86, -19.22

 

CMYK 52 / 18 / 0 / 38

HEX #4C809D

RGB 76 128 157

HSL 201.48, 0.35%, 0.46%

LAB 51.16, -8.97, -20.89

 

CMYK 57 / 20 / 0 / 46

HEX #3B6E8A

RGB 59 110 138

HSL 201.27, 0.4%, 0.39%

LAB 44.11, -8.51, -20.6

 

CMYK 65 / 23 / 0 / 53

HEX #2A5C77

RGB 42 92 119

HSL 201.04, 0.48%, 0.32%

LAB 36.89, -7.83, -20.29

 

CMYK 75 / 26 / 0 / 61

HEX #194A64

RGB 25 74 100

HSL 200.8, 0.6%, 0.25%

LAB 29.47, -6.81, -19.95

 

CMYK 90 / 31 / 0 / 68

HEX #083851

RGB 8 56 81

HSL 200.55, 0.82%, 0.17%

LAB 21.85, -5.14, -19.53

 

CMYK 52 / 19 / 0 / 38

HEX #4C809E

RGB 76 128 158

HSL 201.95, 0.35%, 0.46%

LAB 51.2, -8.66, -21.41

 

CMYK 52 / 33 / 0 / 38

HEX #4C6A9E

RGB 76 106 158

HSL 218.05, 0.35%, 0.46%

LAB 44.68, 4.42, -31.54

 

CMYK 52 / 47 / 0 / 38

HEX #4C549E

RGB 76 84 158

HSL 234.15, 0.35%, 0.46%

LAB 38.46, 18.34, -41.39

 

CMYK 44 / 52 / 0 / 38

HEX #594C9E

RGB 89 76 158

HSL 249.51, 0.35%, 0.46%

LAB 37.41, 26.57, -43

 

CMYK 29 / 52 / 0 / 38

HEX #704C9E

RGB 112 76 158

HSL 266.34, 0.35%, 0.46%

LAB 39.72, 32.64, -39.18

 

CMYK 52 / 19 / 0 / 38

HEX #4C809E

RGB 76 128 158

HSL 201.95, 0.35%, 0.46%

LAB 51.2, -8.66, -21.41

 

CMYK 52 / 33 / 0 / 38

HEX #4C6A9E

RGB 76 106 158

HSL 218.05, 0.35%, 0.46%

LAB 44.68, 4.42, -31.54

 

CMYK 52 / 47 / 0 / 38

HEX #4C549E

RGB 76 84 158

HSL 234.15, 0.35%, 0.46%

LAB 38.46, 18.34, -41.39

 

CMYK 52 / 52 / 0 / 38

HEX #4C4C9E

RGB 76 76 158

HSL 240, 0.35%, 0.46%

LAB 36.32, 23.48, -44.82

 

CMYK 52 / 19 / 0 / 38

HEX #4C809E

RGB 76 128 158

HSL 201.95, 0.35%, 0.46%

LAB 51.2, -8.66, -21.41

 

CMYK 68 / 24 / 0 / 31

HEX #3986B1

RGB 57 134 177

HSL 201.5, 0.51%, 0.46%

LAB 53.05, -9.72, -29.6

 

CMYK 81 / 29 / 0 / 23

HEX #268BC4

RGB 38 139 196

HSL 201.65, 0.68%, 0.46%

LAB 54.93, -8.36, -37.55

 

CMYK 91 / 33 / 0 / 16

HEX #1391D7

RGB 19 145 215

HSL 201.43, 0.84%, 0.46%

LAB 57.36, -6.18, -44.45

 

CMYK 100 / 36 / 0 / 8

HEX #0096EA

RGB 0 150 234

HSL 201.54, 1%, 0.46%

LAB 59.67, -2.58, -51.39

 

CMYK 52 / 19 / 0 / 38

HEX #4C809E

RGB 76 128 158

HSL 201.95, 0.35%, 0.46%

LAB 51.2, -8.66, -21.41

 

CMYK 32 / 12 / 0 / 45

HEX #5F7B8B

RGB 95 123 139

HSL 201.82, 0.19%, 0.46%

LAB 50.05, -6, -11.96

 

CMYK 5 / 2 / 0 / 53

HEX #727678

RGB 114 118 120

HSL 200, 0.03%, 0.46%

LAB 49.36, -1.09, -1.63

 

CMYK 0 / 16 / 24 / 48

HEX #857065

RGB 133 112 101

HSL 20.63, 0.14%, 0.46%

LAB 48.9, 6.4, 9.17

 

CMYK 0 / 30 / 46 / 40

HEX #986B52

RGB 152 107 82

HSL 21.43, 0.3%, 0.46%

LAB 49.25, 14.79, 21.14

 

CMYK 52 / 0 / 9 / 38

HEX #4C9E8F

RGB 76 158 143

HSL 169.02, 0.35%, 0.46%

LAB 59.86, -28.79, 0.19

 

CMYK 52 / 4 / 0 / 38

HEX #4C979E

RGB 76 151 158

HSL 185.12, 0.35%, 0.46%

LAB 58.17, -21.22, -10.84

 

CMYK 52 / 18 / 0 / 38

HEX #4C819E

RGB 76 129 158

HSL 201.22, 0.35%, 0.46%

LAB 51.5, -9.23, -20.95

 

CMYK 52 / 32 / 0 / 38

HEX #4C6B9E

RGB 76 107 158

HSL 217.32, 0.35%, 0.46%

LAB 44.97, 3.81, -31.08

 

CMYK 52 / 46 / 0 / 38

HEX #4C559E

RGB 76 85 158

HSL 233.41, 0.35%, 0.46%

LAB 38.73, 17.69, -40.95

 

CMYK 52 / 19 / 0 / 60

HEX #315366

RGB 49 83 102

HSL 201.51, 0.35%, 0.3%

LAB 33.56, -6.48, -14.82

 

CMYK 52 / 18 / 0 / 49

HEX #3E6A82

RGB 62 106 130

HSL 201.18, 0.35%, 0.38%

LAB 42.68, -8.01, -17.99

 

CMYK 52 / 19 / 0 / 38

HEX #4C809E

RGB 76 128 158

HSL 201.95, 0.35%, 0.46%

LAB 51.2, -8.66, -21.41

 

CMYK 46 / 16 / 0 / 30

HEX #6095B2

RGB 96 149 178

HSL 201.22, 0.35%, 0.54%

LAB 59.16, -9.65, -20.63

 

CMYK 35 / 13 / 0 / 25

HEX #7CA8C0

RGB 124 168 192

HSL 201.18, 0.35%, 0.62%

LAB 66.59, -8.79, -17.03

 

CMYK 52 / 18 / 0 / 38

HEX #4C809D

RGB 76 128 157

HSL 201.48, 0.35%, 0.46%

LAB 51.16, -8.97, -20.89

 

CMYK 23 / 52 / 0 / 38

HEX #794C9E

RGB 121 76 158

HSL 272.93, 0.35%, 0.46%

LAB 40.74, 35.15, -37.5

 

CMYK 0 / 3 / 52 / 38

HEX #9E9A4C

RGB 158 154 76

HSL 57.07, 0.35%, 0.46%

LAB 62.42, -9.51, 41

 

CMYK 52 / 18 / 0 / 38

HEX #4C809D

RGB 76 128 157

HSL 201.48, 0.35%, 0.46%

LAB 51.16, -8.97, -20.89

 

CMYK 0 / 52 / 18 / 38

HEX #9E4C81

RGB 158 76 129

HSL 321.22, 0.35%, 0.46%

LAB 44.27, 40.8, -14.14

 

CMYK 18 / 0 / 52 / 38

HEX #819E4C

RGB 129 158 76

HSL 81.22, 0.35%, 0.46%

LAB 61.34, -23.69, 39.18

 

CMYK 52 / 18 / 0 / 38

HEX #4C809D

RGB 76 128 157

HSL 201.48, 0.35%, 0.46%

LAB 51.16, -8.97, -20.89

 

CMYK 23 / 52 / 0 / 38

HEX #794C9E

RGB 121 76 158

HSL 272.93, 0.35%, 0.46%

LAB 40.74, 35.15, -37.5

 

CMYK 0 / 34 / 52 / 38

HEX #9E684C

RGB 158 104 76

HSL 20.49, 0.35%, 0.46%

LAB 49.12, 18.46, 24.58

 

CMYK 28 / 0 / 52 / 38

HEX #719E4C

RGB 113 158 76

HSL 92.93, 0.35%, 0.46%

LAB 60.33, -29.91, 37.71

 

CMYK 52 / 18 / 0 / 38

HEX #4C809D

RGB 76 128 157

HSL 201.48, 0.35%, 0.46%

LAB 51.16, -8.97, -20.89

 

CMYK 8 / 52 / 0 / 38

HEX #924C9E

RGB 146 76 158

HSL 291.22, 0.35%, 0.46%

LAB 43.87, 42.33, -32.35

 

CMYK 0 / 34 / 52 / 38

HEX #9E684C

RGB 158 104 76

HSL 20.49, 0.35%, 0.46%

LAB 49.12, 18.46, 24.58

 

CMYK 44 / 0 / 52 / 38

HEX #589E4C

RGB 88 158 76

HSL 111.22, 0.35%, 0.46%

LAB 59.02, -38.61, 35.82

 

Description

Color code: HEX #4C809D | qconv.com Color code: HEX #4C809D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 76 red, 128 green and 157 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
76 128 157 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, 18 magenta, none yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 18% 0% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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